Many prominent and well-known figures greatly impacted the civil rights movement, but one of the most influential and unsung leaders of that period was Gloria Richardson. As the leader of the Cambridge Nonviolent Action Committee (CNAC), a multifaceted liberation campaign formed to target segregation and racial inequality in Cambridge, Maryland, Richardson advocated for economic justice and tactics beyond nonviolent demonstrations. Her philosophies and strategies—including her belief that black people had a right to self–defense—were adopted, often without credit, by a number of civil rights and black power leaders and activists. The Struggle Is Eternal: Gloria Richardson and Black Liberation explores the largely forgotten but deeply significant life of this central figure and her determination to improve the lives of black people. Using a wide range of source materials, including interviews with Richardson and her personal papers, as well as interviews with dozens of her friends, relatives, and civil rights colleagues, Joseph R. Fitzgerald presents an all-encompassing narrative. From Richardson's childhood, when her parents taught her the importance of racial pride, through the next eight decades, Fitzgerald relates a detailed and compelling story of her life. He reveals how Richardson's human rights activism extended far beyond Cambridge and how her leadership style and vision for liberation were embraced by the younger activists of the black power movement, who would carry the struggle on throughout the late 1960s and into the 1970s.
A Map Of The Harbor Islands is the long-awaited novel from J. G. Hayes, the critically acclaimed bestselling author of This Thing Called Courage and Now Batting for Boston. This book charts the turbulent life courses of two South Boston friends, Danny O'Connor and Petey Harding, from their childhoods through their adult lives. `Golden Boy' Petey has it all going for him - brains, charisma and his close friendship with Danny. Then an accident on the baseball field changes everything. Petey wakes from a coma a different person, completely different from the boy Danny knew and loved. Gone are the old habits, the old joy of baseball, the old way of thinking. Petey is left with a stutter and a new appreciation for life that Danny sometimes just cannot understand. Petey begins to tell stories and make maps - dragging a grudging Danny along. Over the years Danny begins to understand Petey, and slowly, he also begins to learn more about himself. Then Petey confesses that he is gay, which sends Danny on an odyssey he never dreamed could happen. Petey's map is one of hope for Danny and him, to escape the urban ghetto of South Boston. They are two wayfaring friends who swear a love for one another until the very end. A Map Of The Harbor Islands carries the reader on a journey into the beauty of the world, physically and emotionally, along a current of love, friendship, self-growth and redemption.
Most film critics point to classic conflicts—good versus evil, right versus wrong, civilization versus savagery—as defining themes of the American Western. In this provocative examination of Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. The environment, after all, is the fundamental stage for most western stories, from land rush dramas that pit “sod busters” against ranchers to conflicts between mining-town communities and corporations. Because environmental issues lie at the forefront of so many conflicts today, Murray and Heumann believe that the Western is ripe for such new examination. Drawing on perspectives from both film studies and environmental history, the authors show how western films frequently deal with issues related to land use and different ways of looking at the natural world. In films as diverse as Gene Autry musicals, early John Wayne B-Westerns, and revisionist critiques such as the 2010 remake of True Grit, resources are exploited in the name of progress. Beginning with an analysis of two iconic Westerns, Shane and The Searchers, Murray and Heumann identify the environmental dichotomies—previously overlooked by critics—that are broached in both films, and they clarify the history that lies behind the environmental debates in these films and many others. How do Westerns respond to the historical contexts they present? And what do those responses suggest about American views of nature and its exploitation? The conflicts these movies address grow out of differing views of progress, frequently in relation to technology. The authors show that such binary oppositions tend to blur when examined closely, demonstrating that environmental issues are often more complex than we realize.
A detailed history of the development of military dentistry in the United States, from beginnings in the early 17th century, through the professionalization of dentistry in the 19th century, dental care on both sides of the Civil War, the establishment of the US Army Dental Corps in 1909, and the expansion of the Corps through World War I and afterward, to the verge of the Second World War.
Media Today uses convergence as a lens that puts students at the center of the profound changes in the 21st century media world. Through the convergence lens they learn to think critically about the role of media today and what these changes mean for their lives presently and in the future. The book's media systems approach helps students to look carefully at how media is created, distributed, and exhibited in the new world that the digital revolution has created. In this way, Media Today goes beyond the traditional mass communication textbook's focus on consuming media, to give students an in.
Children’s book icon Joseph Bruchac tells the fascinating story of a Seneca (Iroquois) Civil War officer Ely S. Parker (1828–1895) is one of the most unique but little-known figures in US history. A member of the Seneca (Iroquois) Nation, Parker was an attorney, engineer, and tribal diplomat. Raised on a reservation but schooled at a Catholic institution, he learned English at a young age and became an interpreter for his people. During the American Civil War, he was commissioned as a lieutenant colonel and was the primary draftsman of the terms of the Confederate surrender at Appomattox. He eventually became President Grant’s Commissioner of Indian Affairs, the first Native American to hold that post. Award-winning children’s book author and Native American scholar Joseph Bruchac provides an expertly researched, intimate look at a man who achieved great success in two worlds yet was caught between them. Includes archival photos, maps, endnotes, bibliography, and timeline.
A revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero. "Bring my goat!" Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he’s determined to find her. When his request is met with astonishment—New York is a great distance from South Carolina’s Catfish Row—Porgy remains undaunted. He mounts his goat-cart and leads the community in an ecstatic finale, "Oh Lawd, I’m on my way." Stephen Sondheim has called "Bring my goat!" "one of the most moving moments in musical theater history." For years it was assumed that DuBose Heyward—the author of the seminal novella and subsequent play, Porgy, and later the librettist for the opera Porgy and Bess—penned this historic line. In fact, both it and "Oh Lawd, I'm on my way" were added to the play eight years earlier by that production’s unheralded architect: Rouben Mamoulian. Porgy and Bess as we know it would not exist without the contributions of this master director. Culling new information from the recently opened Mamoulian Archives at the Library of Congress, award-winning author Joseph Horowitz shows that, more than anyone else, Mamoulian took Heyward's vignette of a regional African-American subculture and transformed it into an epic theater work, a universal parable of suffering and redemption. Part biography, part revelatory history, "On My Way" re-creates Mamoulian's visionary style on stage and screen, his collaboration with George Gershwin, and the genesis of the opera that changed the face of American musical life.
George Herbert has for centuries been admired by the religious for his piety and by lovers of poetry for his language and his wit. In the present volume, Professor Summers seeks to abolish this dualism of approach: he is concerned throughout to demonstrate Herbert’s religion as it is expressed in his poems, and to interpret the poems in the light of his religion, for they are a “picture” of meticulously observed spiritual experience. He gives us a scholarly, lucid, and integrated study of a much-loved poet, who was at once a good man, a profound Christian thinker, and a most daring experimentalist in the craft of verse. Professor Summers charts the many currents and cross-currents of early seventeenth century religious thought that affected Herbert, traces the stages of the poet’s life, and then proceeds to a thorough examination of the form and content of his work. There are interesting chapters on his metrical “counterpoint,” his dramatic-colloquial style, and the influence of music upon his poetry. This is not only an authoritative study of the poet himself but a notable contribution to the problem, so keenly discussed today, of religious belief in relation to poetry.
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