Joe Kaye was an American poet, philosopher, schoolteacher, and author of 11 books. Born in New York City, Joe taught in New York, Hawaii, and Michigan. In Hawaii, he started writing and by the age of 25 he published his first manuscript. He later moved to Michigan and then to Wisconsin, where he developed a tumor which began to give him delusions. His delusions led him to construct a giant labyrinth on a tropical island. He also had an obsession with looking for a message he believed he had left for himself in a past life, in the form of a poem, song, or story. He went insane with paranoia and believed the karma police were coming to take him away. He also became obsessed with cheating death, practicing a religion called Voodoo Botany, believing it would make him a god. On a late night talk show, he made a prophecy about the extinction of the human race. He was sent to rest at Fennimore Place Institute. The maze was never finished. He died broke and penniless. What most books wont tell you about the life of Joe Kaye, The False Prophet of Fennimore Place, is that before he thought he might be the reincarnation of Mark Twain, and after he thought he was the reincarnation of Jim Morrison, he thought he might have been a very strange science fiction writer named Philip K. Dick. During the time Joe Kaye believed he might have been Philip K. Dick, he wrote a novel called Blind Savior,in whichhe not only attempted to blend all major religions (Hindu/Jewish/Buddhist/Christian/Muslim/Taoist) into one, but also attempted to say all major religions were started by the same person reincarnated again and again. He buried the story in an unknown location. The world was not ready.
Warning: Philosophical Content-Explicit Ideas-May offend those easily offended. The legend of the Hassan El Sabbah is not as famous as his garden. Sabbah was an entrepreneur of sorts using the assassin as a tool to gain political influence throughout the Middle East. He would use young men by making them smoke hash then allowing them to enter his garden of earthly delights. The young men were told they had entered paradise and would be expelled if they did not carry out Sabbahs wishes, which were usually to kill someone of relative importance. This tale is not only a fictional look at Sabbah, but also a mind-altering look into Americas drug culture and the idea of paradise. Told by a stoner, set over a thousand years ago with an Arabian Nights feel to it, the story centers around Emir Abdullah-Harazins (Sabbah) and his infamous garden. It is the story of only one of his Hashishiyyins (Assassins).
In Bioethics in Context, Gary Jones and Joseph DeMarco connect ethical theory, medicine, and the law, guiding readers toward a practical and legally grounded understanding of key issues in health-care ethics. This book is uniquely up-to-date in its discussion of health-care law and unpacks the complex web of American policies, including the Patient Protection and Affordable Care Act. Useful case studies and examples are embedded throughout, and a companion website offers a thorough, curated database of relevant legal precedents as well as additional case studies and other resources.
JOE KAYE (1976-2031) - The False Prophet of Fennimore Place Joe Kaye was an American poet, philosopher, schoolteacher, and author of 11 books. Born in New York City, Joe taught in New York, Hawaii, and Michigan. In Hawaii, he started writing and by the age of 25 he published his first manuscript. He later moved to Michigan and then to Wisconsin, where he developed a tumor which began to give him delusions. His delusions led him to construct a giant labyrinth on a tropical island. He also had an obsession with looking for a message he believed he had left for himself in a past life, in the form of a poem, song, or story. He went insane with paranoia and believed the karma police were coming to take him away. He also became obsessed with cheating death, practicing a religion called Voodoo Botany, believing it would make him a god. On a late night talk show, he made a prophecy about the extinction of the human race. He was sent to rest at Fennimore Place Institute. The maze was never finished. He died broke and penniless.
This vitally important book attempts to move beyond the current death-denying culture. The use of euphemistic and defiant phrases when dealing with terminal disease such as “She lost her battle with cancer” was more appropriate when medical doctors could do little to prolong life. But treatments and technologies have significantly changed. Now life prolonging interventions have outpaced our willingness to use medical intervention to secure patient control over death and dying. We now face a new question: When is it morally appropriate for medical intervention to hasten the dying process? LiPuma and DeMarco answer by endorsing expanded options for dying patients. Unwanted aggressive treatment regimens and protocols which reject hastening death should be replaced by a patient’s moral right, in carefully defined circumstances, to hasten death by means of medical intervention. Expanded options range from patient directed continuous sedation without hydration to physician assisted suicide for those with progressive degenerative disorders such as Alzheimer’s. The authors’ overriding goal is to humanize the dying process by expanding patient centered autonomous control.
When author Helmut Brandt is killed in an apparent mugging, P.I. Marco Fontana is hired by Brandt's partner, who suspects this was premeditated murder. Brandt's work on the death of Pope John Paul I angered people in and out of the Church and made him more than a few enemies. His death happens soon after Brandt claims to have incontrovertible new evidence implicating people never before suspected. Fontana doesn't believe in coincidences and takes the case. A former Catholic himself, he knows that uncovering Brandt's killer means more than exposing a thirty-year old plot to kill the Pope: it could also ruin the people named in the documents Brandt is supposed to have. Of course, if Brandt's enemies have killed once over this information, they won't hesitate to murder a P.I. who gets too close to the truth. Entering the arcane world of the Catholic Church, Fontana encounters forces determined to keep him from getting to the truth. Though he manages to gain access to the upper levels of the Archdiocesan hierarchy, Fontana realizes that the web of power and deceit is every bit as intricate, tangled, and deadly as he imagined. As the owner of StripGuyz, a troupe of male strippers, Fontana is no stranger to the seamier parts of the Philadelphia gayborhood. But in this case, he finds that there is an even murkier side to life in the city of Brotherly Love.
The origins of Asian martial arts in the United States reach back to the Pacific Rim and immigration. This anthology is dedicated to the profoundly significant period—roughly from mid-eighteenth century to the mid-nineteenth century—in which gifted Japanese taught their brand of jujutsu/judo to small groups that gradually disseminated knowledge of combatives into the American mainstream. In the the first chapter, Geoffrey Wingard provides insightful coverage of the “manly arts” in America as they swept the land along with moving populations. Of course early historical influences came from European groups and their varities of combatives, such as wrestling, boxing, and fencing. Wingard demonstrates that the martial arts are integral to American society and are not ad hoc additions to contemporary popular culture. This background is a prerequisite for understanding the reception of Asian martial arts into American culture. Matt Hlinak analyzes Japanese-American immigration into the American West through the prism of athletics, specifically by examining a series of contests between judoka and wrestlers from 1900 to 1920 in California. These matches appealed to an interest in Japanese culture, a desire to see stereotypes reinforced, and nationalist tendencies during an age of uncertainty. The next two chapters by Joseph Svinth detail the establishment and functioning of two important dojos in the Seattle, Washington, area. In 1923 farmers donated a barn and arranged for Ryoichi Iwakiri (third dan) to teach judo to community youths. Another dojo opened in 1928 under the tutalage of Kurosaka Hiroshi (third dan judo). A colorful history marks these dojos and their practitioners: exhibitions, intraclub tournaments, and war-time influences on practice. Their members helped spread judo throughout the United States. James Webb’s chapter focuses on one of the early prime movers for the growth and establishment of judo in America: Vincent Tamura. He was chosen to represent the United States at the First World Championship of Judo (Tokyo, 1956). He is a descendent of the Taira clan, influential during the end of the Heian period (784–1184) in Japan, and his practice has roots in ancient Heike-ryu jujutsu. Putting academic detail aside, James Behrendt offers a personal account of his early years as a judoka devoted to hard training and competition. He writes “I was extremely fit and strong and I used those natural gifts to eventually defeat the purpose of the judo art. I had discipline but was lacking in spirituality and character.” Polishing judo skills helped build his character in the fashion that Kodokan judo founder Kano Jigaro intended. In these chapters you will find the early hotbeds of jujutsu/judo in America and see how these arts tumbled with European-American “manly arts,” making their own way across the country to form and strengthen judo centers in various states. The authors have utilized their scholarly and practical experience to present a rare view of judo as it traversed the Pacific to enrich American culture. Their writings should clarify the early history of judo in America and bring both practitioners and armchair scholars a deeper appreciation for the art.
Bioethics: Legal and Clinical Case Studies is a case-based introduction to ethical issues in health care. Through seventy-eight compelling scenarios, the authors demonstrate the practical importance of ethics, showing how the concerns at issue bear on the lives of patients, health-care providers, and others. Many central topics are covered, including informed consent, medical futility, reproductive ethics, privacy, cultural competence, and clinical trials. Each chapter includes a selection of important legal cases as well as clinical case studies for critical analysis. The case studies are often presented as moral dilemmas and are conducive to rich discussion. A companion website offers a curated collection of relevant legal precedents along with additional case studies and other resources.
Ein packendes literarisches Länderporträt Spannende Geschichten herausragender Autor/innen Ein abenteuerlicher Roadtrip quer durch die USA »Eine bessere Kurzgeschichtensammlung ist schwer zu finden – egal in welchem Genre.« Publishers Weekly Von Küste zu Küste: 14 herausragende Autorinnen und Autoren – von den Superstars der Szene bis zu literarischen Geheimtipps – nehmen Sie mit auf eine abenteuerliche Reise quer durch die USA. Vom brodelnden New York und den dicht besiedelten Städten der Ostküste über die Berge und Städte des Landesinneren bis zu den mythendurchdrungenen und hitzeflimmernden Metropolen der Westküste. Starke Literatur, die berührend und spannend von den Schattenseiten des amerikanischen Traums erzählt. Von einer bunt schillernden Gegenwart voller ungewöhnlicher Milieus abseits der üblichen Touristenpfade. Von Tagträumern, Zockern, Kriegsveteranen, Aussteigern, Billigjobbern, korrupten Polizisten, Trickbetrügern, Drogenhändlern, Privatdetektiven und ganz normalen Menschen, die in Situationen geraten, die sie nicht mehr kontrollieren können. 14 kraftvolle, dichte Geschichten mit ungewöhnlichen Settings und Figuren – so abwechslungsreich und aufregend wie die USA selbst. Die Reihe: »USA Noir« ist nach »Berlin Noir« und »Paris Noir« der dritte Teil einer Reihe internationaler Noir-Anthologien mit exklusiv geschriebenen Originalgeschichten. Jede Story spielt in einem anderen Viertel einer Stadt oder einer anderen Gegend eines Landes. Es sind packende literarische Städte- und Länderporträts mit ungewöhnlichen, breit gefächerten Einblicken. Weitere Teile sind geplant. »Das Konzept der Noir-Reihe überzeugt.« TIPP Berlin
Six of Marco Fontana's early cases show some of the forces that helped shape the young P.I. In high school, Fontana discovers that he has a knack for crime solving. Not only that, he likes it. When his English teacher is accused of murdering the school disciplinarian, Marco takes it upon himself to investigate. Some years later, after Marco has explored his options, we find him in his first office on Latimer and Twelfth. Trouble easily manages to find him there. From dealing with a stolen DaVinci sketch, to uncovering a blackmailing murderer, to having a pleasant trip to celebrate Pride in NY turned into a nightmare, to presiding over a murderous leather competition, Marco develops his investigative skills and his techniques for solving difficult cases. Crimes on Latimer presents only six of Fontana's early cases. There are other mysteries in his past which will be explored in cases to come. This half-dozen crime tales open a window onto Marco Fontana's world before he found himself dealing with the events of Murder on Camac.
This book is a comprehensive introduction to the many ethical and legal issues that arise in the practice of nursing. Ethical analysis is supplemented with rigorous discussion of precedents from the American legal system as well as the requirements of professional codes operating at the national and state levels. Topics include informed consent, end-of-life treatment, impaired decisional capacity, privacy and confidentiality, and much more.
This book offers a comprehensive approach to moral experience. It respects the many dimensions of our moral life which elude the traditional philosophical theories that deal exclusively with principles, consequences, virtues, or some other single dimension. Working from a critique of such traditions, the book shows how to integrate their values in a dynamic coherence. Thus, it is not just another ethical theory, but a new level of philosophizing in ethics which rewards the reader with an enlarged and enriched vision of our complexity as moral beings.
This novel seamlessly weaves ancient mysteries with our contemporary mythos of advanced technologies, international intrigue, and shamanic powers. Many of what are now commonly considered "conspiracy theories," may in short time become verifiable fact, and a work of historical fiction can effectively show that possibility. Historical fiction occupies the liminal space between hard fact and creative license. It's the perfect playground to explore and easily digest new ideas. How else could we better enjoy a story about a race to save the world from power-hungry elites trying to activate suppressed ancient technology? Perhaps after reading this book you'll have, if you don't already, a greater sense of wonder and possibility about the misunderstood machinations of the Powers-That-Be and those that seek to challenge them. Maybe, with a dash of luck, we will soon find ourselves standing on a new foundation of truth that benefits us all.
When Luciano Sforza comes to town, Marco Fontana is thrilled to spend time with his seldom-seen uncle. Their reunion, however, turns deadly. Luciano is in a tough position as chair of a contentious committee which will decide the authenticity of a purported Botticelli. Battle lines are drawn and tempers flare. When one of Luciano's assistants is the victim of a hit and run driver, Marco suspects it was no accident. A day later, Luciano is discovered standing over the body of Morgan Cooper, his old enemy and committee rival. The investigating detective believes Luciano is the killer and will do whatever it takes to arrest him. Marco must prove his uncle's innocence but the answers elude him. The reasons for the murder are far more complex than Marco imagines. He discovers an informal but vicious Vermilion Competition involving committee members which may be a factor along with the contest for the directorship of Philadelphia's newest museum, The Galleria Europa, and more. Marco discovers closely guarded secrets-that no one wants revealed-lie at the heart of things. But coming up with the killer seems impossible. After finding a possible break in the case, someone attempts to kill Marco in broad daylight. Which he takes to mean he's close to finding the murderer. At the same time, Marco contends with knotty personal issues, as well as the problems of his friends and his troupe of male strippers. Aided by friends Luke and Nina, his inimitable secretary Olga, and his cousin Vinnie-angling to become his PI partner-Marco juggles everything in his own way. Will Marco be able to save his uncle before he's arrested thus ruining his reputation and dashing his hopes of becoming the director of Philly's newest art museum or will The Vermilion Secret claim another victim?
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