Lichtenberg collates and summarizes recent findings about the first two years of life in order to examine their implications for contemporary psychoanalysis. He explores the implications of these data for the unfolding sense of self, and then draws on these data to reconceptualize the analytic situation and to formulate an experiential account of the therapeutic action of analysis.
This is a continuation of Radio Shows That Are Fiction. Some text is from volume one and added to volume two for a better read. The announcer interviews pastors from different countries. Both books are intended to be uplifting and edifying to the reader. I quoted myself from Poems For Pastors as the first stanzas added more depth to the book. I hope you enjoy both volumes.
The book I wrote contains twenty-four questions, sixteen personal poems, and thirty-five general poems. The General poems are directed towards people who do not know the Lord as well as towards people that do know the Lord. The questions I have asked are directed towards the saved, and the unsaved
A comedian by night and a crime-fighting clown by late late night, Donald Nofunnie catches criminals. There are no drawings in this comic book or graphic novel.
As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor ." And with the NBC Symphony (1937-54), created for him by RCA's David Sarnoff, he became the beneficiary of a voracious multimedia promotional apparatus that spread Toscanini madness nationwide. According to Life, he was as well-known as Joe Dimaggio; Time twice put him on its cover; and the New York Herald Tribune attributed Toscanini's fame to simple recognition of his unique "greatness." In this boldly conceived and superbly realized study, Joseph Horowitz reveals how and why Toscanini became the object of unparalleled veneration in the United States. Combining biography, cultural history, and music criticism, Horowitz explores the cultural and commercial mechanisms that created America's Toscanini cult and fostered, in turn, a Eurocentric, anachronistic new audience for old music.
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