Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright, and Lynn Freed to negotiate the complexities of post-apartheid identities in their fiction. Joseph-Vilain argues that the literary representations of emblematic places, real or imagined (the home, the farm, the city or the “non-places” of dystopia), express and reveal anxieties linked to the sharing of space in post-apartheid South Africa. The text successively (re-)visits the places that have been shaping South African white writing since Olive Schreiner’s African Farm—in other words, its topoi, both in the etymological sense of “place” and in the literary sense of recurring themes or arguments. Joseph-Vilain argues that these Gothicized topoi have provided writers with tools to explore the deep anxieties generated by the redefinition of South African society as the Rainbow Nation. While focusing specifically on the South African avatars of the Gothic and their interaction with local forms and genres like the plaasroman, the text also discusses the impact of globalization on South African literary, cultural, social, and political identities.
American foreign policy has long been caught between conflicting desires to influence world affairs yet at the same time to avoid becoming entangled in the burdensome conflicts and damaging rivalries of other states. Clearly, in the post-1945 context, the United States has failed in the attaining the latter. As this new, expanded edition illustrates, the term “doctrine” seemingly (re)attained a charged prominence in the early twenty-first century and, more recently, regarding the many contested debates surrounding the controversial transition to the Biden administration. Notwithstanding such marked variations in the discourse, presidential doctrines have crafted responses and directions conducive to an international order that best advances American interests: an almost hubristic composition encompassing “democratic” states (in the confidence that democracies do not go to war with one another), open free markets (on the basis that they elevate living standards, engender collaboration, and create prosperity), self-determining states (on the supposition that empires were not only adversative to freedom but more likely to reject American influence), and a secure global environment in which US goals can be pursued (ideally) unimpeded. Of course, with the election of Donald J. Trump in 2016, the doctrinal “commonalties” between Republican and Democratic administrations of previous times were significantly challenged if not completely jettisoned. In seeking to provide a much-needed reassessment of the intersections between US foreign policy, national security, and doctrine, Aiden Warren and Joseph M. Siracusa undertake a comprehensive analysis of the defining presidential doctrines from George Washington through to the epochal post-Trump, Joe Biden era.
Presidential doctrines since Washington are evaluated to show that, despite differences between administrations, these doctrines have articulated both the responses and directions conducive to an international order that best advances U.S. interests, including “democracy,” open free markets, self-determining states, and a secure global environment.
This book provides a succinct and accessible interpretation of the major event and ideas that have shaped U.S. foreign relations since the American Revolution—historical factors that now affect our current debates and commitments in the Middle East as well as Europe and Asia. American Foreign Relations since Independence explores the relationship of American policies to national interest and the limits of the nation's power, reinterpreting the nature and history of American foreign relations. The book brings together the collective knowledge of three generations of diplomatic historians to create a readily accessible introduction to the subject. The authors explicitly challenge and reject the perennial debates about isolationism versus internationalism, instead asserting that American foreign relations have been characterized by the permanent tension inherent in America's desire to engage with the world and its equally powerful determination to avoid "entanglement" in the world's troubles. This work is ideally suited as a resource for students of politics, international affairs, and history, and it will provide compelling insights for informed general readers.
Once considered the largest and most extensive source of biographies in the English language, The Universal Dictionary of Biography and Mythology contains information on nearly every historical figure, notable name, and important subject of mythology from throughout the world prior to the 20th century. Spanning all fields of human effort-from literature and the arts to philosophy and science-and touching on topics from multiple areas of mythological study, including Norse, Greek, and Roman, this extraordinary reference guide continues to be one of the most thorough and accurate collections of biographical data ever created. Combining mythological and biographical entries into a single, comprehensive list, and incorporating a unique system of indicating pronunciation and orthography, The Universal Dictionary of Biography and Mythology offers readers an unparalleled record of historically significant identities, from the obscure and forgotten newsmakers of yesteryear to the highly celebrated shapers of history that remain influential today. Volume I (A-CLU) of this exquisite four-volume set includes information on such names as John Quincy Adams, Achilles, sop, Napoleon Bonaparte, Julius Caesar, and Cleopatra, as well as a detailed introduction to the entire body of this work. JOSEPH THOMAS (1811-1891) also wrote A Comprehensive Medical Dictionary, various pronouncing vocabularies of biographical and geographical names, and a system of pronunciation for Lippincott's Pronouncing Gazetteer of the World.
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