This Lawpack Guide is intended for those who want to cut out the solicitor and estate agent middlemen when buying and selling a house. The original author, Joseph Bradshaw, tells you how straightforward it is, in a witty, down-to-earth style. Revised and expanded, by barrister Georgia Bedworth, this is the 5th edition of the best-selling Bradshaw Guide which earned the author the description 'the guru of layperson conveyancing' in The Times. This Lawpack Guide covers: how to be an insider; the moneylenders; contracts; gazumping and gazoffing; conveyancing for beginners; registered and unregistered properties; matrimonial homes; tricks of the trade for layperson conveyancers; home information packs; and commonhold.
The concluding volume in a three part essay series, Where the Dust Settles, examines the characteristics and use of adobe ‘mud brick’ in the arid US Southwest. Considerations encompass its appropriation rectifying the absence of lumber, its use to fashion residences giving rise to communities serving Gold Rush driven prospectors, its adaptation to cultural expression at Stagecoach service facilities, its survival as architectural remnants into modern times, and its potential to yield significant Historical information. The previous volume II Dusty Trails to Shiny Rails explores the origins and administration of communication technology in the newly acquired American frontier. Volume I, Ancient Footpaths, examines the origins of pre Euro-American networks of Trails & Traces. Cumulatively this essay series provides an entertaining overview of this aspect of American ingenuity. Hybridizing History and Anthropology, using an approach tailored to preservation, analysis focuses on Trail characteristics in prehistoric, historic, and modern times with a final focus on the possible future of these irreplaceable linear artifacts.
Myron Cope was the color commentator for Pittsburgh Steelers radio broadcasts from 1970 to 2005, the second-longest-serving team broadcaster in NFL history. At the peak of his popularity, an estimated 50 percent of Steeler fans turned down the volume on their TVs so they could listen to the radio as Cope, in his one-of-a-kind scratchy, raspy voice, barked out phrases like “Yoi” and “Okle-dokle,” often fueled by bursts of excitability and his own beautiful brand of homerism. About his voice, Cope said, “Mine isn’t a broadcaster’s voice; it tends to cut through concrete.” Cope helped forge the unbreakable bond between the city of Pittsburgh and its football team. His evening talk show, one of the first sports talk programs in the nation, dominated its time slot for more than twenty years, and he became the first pro football announcer elected to the National Radio Hall of Fame. Born in Pittsburgh to parents of Lithuanian Jewish ancestry, Cope attended the University of Pittsburgh and became a journalist. Though he forged a successful career writing for magazines like Sports Illustrated, football fans grew to know Cope far more through the airwaves. Co-namer of the Immaculate Reception, he also created the Terrible Towel, the flag of Steelers Nation, when in 1975 he urged fans to bring gold towels to wave at a playoff game against the Baltimore Colts. Behind the scenes the Terrible Towel took on a deeper personal meaning, as Cope eventually assigned all royalties from the towels to the facility where his son, who was born with brain damage and never learned to speak, still resides. Throughout his life Cope, who passed away in 2008, raised hundreds of thousands of dollars for children with disabilities. Using Cope’s own papers, correspondence, and tapes, plus interviews with friends and family, Dan Joseph and Elizabeth Cope, Myron’s daughter, paint the first three-dimensional portrait of the creative, many-faceted man whom Pittsburghers still hold in high esteem and close to their hearts.
Joseph A. Dane examines the history of the books we now know as "Chaucer’s"—a history that includes printers and publishers, editors, antiquarians, librarians, and book collectors. The Chaucer at issue here is not a medieval poet, securely bound within his fourteenth-century context, but rather the product of the often chaotic history of the physical books that have been produced and marketed in his name. This history involves a series of myths about Chaucer—a reformist Chaucer, a realist Chaucer, a political and critical Chaucer who seems oddly like us. It also involves more self-reflective critical myths—the conveniently coherent editorial tradition that leads progressively to modern editions of Chaucer. Dane argues that the material background of these myths remains irreducibly and often amusingly recalcitrant. The great Chaucer monuments—his editions, his book, and even his tomb—defy our efforts to stabilize them with our critical descriptions and transcriptions. Part I concentrates on the production and reception of the Chaucerian book from the sixteenth to the eighteenth centuries, a period dominated by the folio "Complete Works" and a period that culminates in what Chaucerians have consistently (if uncritically) defined as the worst Chaucer edition of 1721. Part II considers the increasing ambivalence of modern editors and critics in relation to the book of Chaucer, and the various attempts of modern scholars to provide alternative sources of authority.
Atomic and Molecular Photoabsorption: Partial Cross Sections is a companion work to Joseph Berkowitz's earlier work, Atomic and Molecular Photoabsorption: Absolute Total Cross Sections, published with Academic Press in 2002. In this work Joseph Berkowitz selected the "best" absolute partial cross sections for the same species as included in the companion work. A contrast, however, is that photoabsorption measurements, being of order I/Io, do not require the most intense light sources, whereas acquiring data on the products of light interactions with gaseous matter (ions, electrons, various coincidence measurements) has benefited significantly with the arrival of second- and third-generation synchrotrons. The newer devices have also extended the energy range of the light sources to include the K-shells of the species discussed here. The newer light sources encouraged experimentalists to develop improved instrumentation. Thus, the determination of partial cross sections continues to be an active field, with more recent results in some cases superseding earlier ones. Where the accuracy of the absolute partial cross sections is deemed sufficient (less than five percent), numerical tables are included in this new work. In other cases, the available data are presented graphically. Includes data on atoms, diatomic molecules, triatomic molecules, and polyatomic molecules Written by world-leading pioneer in the field of photoionization mass spectrometry Very clear presentation of the useful, quantitative information in both tables and graphs
As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales—stories of the Old West infused with elements of the fantastic—produced specifically for this volume by many of today’s finest writers. Included are Orson Scott Card’s first “Alvin Maker” story in a decade, and an original adventure by Fred Van Lente, writer of Cowboys & Aliens. Other contributors include: Tobias S. Buckell * David Farland * Alan Dean Foster * Jeffrey Ford * Laura Anne Gilman * Rajan Khanna * Mike Resnick * Beth Revis * Fred Van Lente * Walter Jon Williams * Ben H. Winters * Christie Yant * Charles Yu *
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