The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
. . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.
Internationally renowned concert pianist Joseph Banowetz presents this definitive collection of original masterworks by Johannes Brahms, featuring a comprehensive preface, composer biography, vintage photographs, and detailed performance notes on the solos. This anthology spans a wide spectrum of Brahms's most-loved piano works that have remained popular over time. Titles: * Scherzo, Op. 4 * Ballade, Op. 10, No. 1 * Waltzes, Op. 39, Nos. 1 (B major), 2 (E major), 3 (G-sharp minor), 5 (E major), 8 (B-flat major), 9 (D minor), and 15 (A-flat major) * Klavierstí_cke, Op. 76, Nos. 2 (Capriccio, B minor), 4 (Intermezzo, B-flat major), and 7 (Intermezzo, A minor) * Fantasien, Op. 116, Nos. 2 (Intermezzo, A minor), 4 (Intermezzo, E major), and 6 (Intemezzo, E major) * Three Intermezzos, Op. 117, No. 1 (Intermezzo, E-flat major) * Klavierstí_cke, Op. 118, No. 2 (Intermezzo, A major) * Klavierstí_cke, Op. 119, No. 3 (Intermezzo, C major) * Hungarian Dances, WoO 1, No. 2 (D minor) * Sarabandes, WoO 5 posth., Nos. 1 (A minor), and 2 (B minor) * and Two Rhapsodies, Op. 79, Nos. 1 (B minor), and 2 (G minor)
The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms’s larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.
. . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.
Rubinstein is considered Liszt's only possible rival on the concert stage while Carrentilde;o is the foremost woman pianist of the late 19th century. Together, they discuss "the soul of the piano": the art of piano pedaling. Rubinstein's technique is explored through works he performed in 1885-6. Carrentilde;o's observations explore her sensitivity made possible through combinations of touch and pedal.
Gottschalk's Creole heritage and extensive visits to Cuba, the West Indies, and South America are reflected in this great-sounding, glittering, and wonderfully melodious music for piano duet. Contents include La jota aragonesa, Op. 14; Ojos criollos, Op. 37; Réponds-moi (Cuban dance), Op. 50; La gallina, Op. 53; Ses yeux (polka), Op. 66; Grande tarentelle, Op. posth. 67; Radieuse (concert waltz), Op. 72; and — as an encore — Gottschalk's legendary four-hand arrangement of Rossini's ever-popular William Tell Overture.
Internationally renowned concert pianist Joseph Banowetz presents this definitive collection of original masterworks by Johannes Brahms, featuring a comprehensive preface, composer biography, vintage photographs, and detailed performance notes on the solos. This anthology spans a wide spectrum of Brahms's most-loved piano works that have remained popular over time. Titles: * Scherzo, Op. 4 * Ballade, Op. 10, No. 1 * Waltzes, Op. 39, Nos. 1 (B major), 2 (E major), 3 (G-sharp minor), 5 (E major), 8 (B-flat major), 9 (D minor), and 15 (A-flat major) * Klavierstí_cke, Op. 76, Nos. 2 (Capriccio, B minor), 4 (Intermezzo, B-flat major), and 7 (Intermezzo, A minor) * Fantasien, Op. 116, Nos. 2 (Intermezzo, A minor), 4 (Intermezzo, E major), and 6 (Intemezzo, E major) * Three Intermezzos, Op. 117, No. 1 (Intermezzo, E-flat major) * Klavierstí_cke, Op. 118, No. 2 (Intermezzo, A major) * Klavierstí_cke, Op. 119, No. 3 (Intermezzo, C major) * Hungarian Dances, WoO 1, No. 2 (D minor) * Sarabandes, WoO 5 posth., Nos. 1 (A minor), and 2 (B minor) * and Two Rhapsodies, Op. 79, Nos. 1 (B minor), and 2 (G minor)
The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms’s larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.
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