Playing Doctor is an engaging and highly perceptive history of the medical TV series from its inception to the present day. Turow offers an inside look at the creation of iconic doctor shows as well as a detailed history of the programs, an analysis of changing public perceptions of doctors and medicine, and an insightful commentary on how medical dramas have both exploited and shaped these perceptions. Originally published in 1989 and drawing on extensive interviews with creators, directors, and producers, Playing Doctor immediately became a classic in the field of communications studies. This expanded edition includes a new introduction placing the book in the contemporary context of the health care crisis, as well as new chapters covering the intervening twenty years of television programming. Turow draws on recent research and interviews with principals in contemporary television doctor shows such as ER, Grey's Anatomy, Private Practice, and Scrubs to illuminate the extraordinary ongoing cultural influence of medical shows. Playing Doctor situates the television vision of medicine as a limitless high-tech resource against the realities underlying the health care debate, both yesterday and today. Joseph Turow is Robert Lewis Shayon Professor at the Annenberg School for Communication, University of Pennsylvania. He was named a Distinguished Scholar by the by the National Communication Association and a Fellow of the International Communication Association in 2010. He has authored eight books, edited five, and written more than 100 articles on mass media industries. He has also produced a DVD titled Prime Time Doctors: Why Should You Care? which has been distributed to all first-year medical students with the support of the Robert Woods Johnson Foundation.
The first part written by Joseph Lipman, accessible to mid-level graduate students, is a full exposition of the abstract foundations of Grothendieck duality theory for schemes (twisted inverse image, tor-independent base change,...), in part without noetherian hypotheses, and with some refinements for maps of finite tor-dimension. The ground is prepared by a lengthy treatment of the rich formalism of relations among the derived functors, for unbounded complexes over ringed spaces, of the sheaf functors tensor, hom, direct and inverse image. Included are enhancements, for quasi-compact quasi-separated schemes, of classical results such as the projection and Künneth isomorphisms. In the second part, written independently by Mitsuyasu Hashimoto, the theory is extended to the context of diagrams of schemes. This includes, as a special case, an equivariant theory for schemes with group actions. In particular, after various basic operations on sheaves such as (derived) direct images and inverse images are set up, Grothendieck duality and flat base change for diagrams of schemes are proved. Also, dualizing complexes are studied in this context. As an application to group actions, we generalize Watanabe's theorem on the Gorenstein property of invariant subrings.
Preeminent music theorist and leader in the study of music and disability Joseph Straus presents a truly groundbreaking take on musical modernism--demonstrating in an expansive and vivid multimedia presentation that modernist music is inextricably entwined with attitudes toward disability. In Broken Beauty, Straus argues that the most characteristic features of musical modernism--fractured forms, immobilized harmonies, conflicting textural layers, radical simplification of means in some cases, and radical complexity and hermeticism in others--can be understood as musical depictions of disability conditions, including deformity/disfigurement, mobility impairment, madness, idiocy, and autism. Against the traditional medical model of disability, which sees it as a bodily defect requiring diagnosis and normalization or cure, this new sociocultural model of disability sees it as cultural artifact, something that is created by and creates culture. Straus places this revised model of disability against a wide range of canonical, high-art concert music from the first decades of the century through the 1950s. Broken Beauty illustrates how disability is right at the core of musical modernism; it is one of the things that musical modernism is fundamentally about.
An Introduction to Homological Algebra discusses the origins of algebraic topology. It also presents the study of homological algebra as a two-stage affair. First, one must learn the language of Ext and Tor and what it describes. Second, one must be able to compute these things, and often, this involves yet another language: spectral sequences. Homological algebra is an accessible subject to those who wish to learn it, and this book is the author's attempt to make it lovable. This book comprises 11 chapters, with an introductory chapter that focuses on line integrals and independence of path, categories and functors, tensor products, and singular homology. Succeeding chapters discuss Hom and ?; projectives, injectives, and flats; specific rings; extensions of groups; homology; Ext; Tor; son of specific rings; the return of cohomology of groups; and spectral sequences, such as bicomplexes, Kunneth Theorems, and Grothendieck Spectral Sequences. This book will be of interest to practitioners in the field of pure and applied mathematics.
Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Graduate mathematics students will find this book an easy-to-follow, step-by-step guide to the subject. Rotman’s book gives a treatment of homological algebra which approaches the subject in terms of its origins in algebraic topology. In this new edition the book has been updated and revised throughout and new material on sheaves and cup products has been added. The author has also included material about homotopical algebra, alias K-theory. Learning homological algebra is a two-stage affair. First, one must learn the language of Ext and Tor. Second, one must be able to compute these things with spectral sequences. Here is a work that combines the two.
This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages. A screened stage is the literal or metaphorical appearance of a stage on screen. When the Hollywood style emerged in cinema history it traumatically severed the entwined relationship between film and theatre. The book makes the argument that cinema longs for theatre after that separation. The histories of stage and screen persistently crisscross one another making their separation problematic. The screened stage from the end of the nineteenth century until now offers a miniaturized version of cinema and theatre history. Moments of the stage within the screen compress historical styles and movements into saturated representations on film. Such examples overflow the cinematic screen into singular manifestations of presentness. Screened stages uncover what it means to be simultaneously present and absent. This book would be of great interest to students and scholars of theatre, film, dance, and performance.
This book is designed as a text for the first year of graduate algebra, but it can also serve as a reference since it contains more advanced topics as well. This second edition has a different organization than the first. It begins with a discussion of the cubic and quartic equations, which leads into permutations, group theory, and Galois theory (for finite extensions; infinite Galois theory is discussed later in the book). The study of groups continues with finite abelian groups (finitely generated groups are discussed later, in the context of module theory), Sylow theorems, simplicity of projective unimodular groups, free groups and presentations, and the Nielsen-Schreier theorem (subgroups of free groups are free). The study of commutative rings continues with prime and maximal ideals, unique factorization, noetherian rings, Zorn's lemma and applications, varieties, and Gr'obner bases. Next, noncommutative rings and modules are discussed, treating tensor product, projective, injective, and flat modules, categories, functors, and natural transformations, categorical constructions (including direct and inverse limits), and adjoint functors. Then follow group representations: Wedderburn-Artin theorems, character theory, theorems of Burnside and Frobenius, division rings, Brauer groups, and abelian categories. Advanced linear algebra treats canonical forms for matrices and the structure of modules over PIDs, followed by multilinear algebra. Homology is introduced, first for simplicial complexes, then as derived functors, with applications to Ext, Tor, and cohomology of groups, crossed products, and an introduction to algebraic K-theory. Finally, the author treats localization, Dedekind rings and algebraic number theory, and homological dimensions. The book ends with the proof that regular local rings have unique factorization."--Publisher's description.
This book is the sixth edition of the classic Spaces of Constant Curvature, first published in 1967, with the previous (fifth) edition published in 1984. It illustrates the high degree of interplay between group theory and geometry. The reader will benefit from the very concise treatments of riemannian and pseudo-riemannian manifolds and their curvatures, of the representation theory of finite groups, and of indications of recent progress in discrete subgroups of Lie groups. Part I is a brief introduction to differentiable manifolds, covering spaces, and riemannian and pseudo-riemannian geometry. It also contains a certain amount of introductory material on symmetry groups and space forms, indicating the direction of the later chapters. Part II is an updated treatment of euclidean space form. Part III is Wolf's classic solution to the Clifford–Klein Spherical Space Form Problem. It starts with an exposition of the representation theory of finite groups. Part IV introduces riemannian symmetric spaces and extends considerations of spherical space forms to space forms of riemannian symmetric spaces. Finally, Part V examines space form problems on pseudo-riemannian symmetric spaces. At the end of Chapter 12 there is a new appendix describing some of the recent work on discrete subgroups of Lie groups with application to space forms of pseudo-riemannian symmetric spaces. Additional references have been added to this sixth edition as well.
Few human illnesses today are so challenging, medically, scientifically, and socio-economically, as the "nonspecific" inflammatory bowel diseases (IBD): ulcerative colitis and Crohn's disease. Originating several centuries ago but essentially diseases of the 20th century, often attacking children and young adults, involving all bodily systems as well as the gastrointestinal tract, ulcerative colitis and Crohn's disease have emerged in recent decades as among the more "glamorous" unsolved diseases, presenting unusual opportunities for insightful clinical and investigative study. Many of the prevailing concepts originated during the early and mid 20th century. The purpose of Origins and Directions of Inflammatory Bowel Disease is to review these earlier studies and their evolution "from the mystical to the molecular," and guide investigators and physicians through the challenging clinical and scientific maze of IBD.
Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination. Much recent, distinguished Mozart criticism has set out a critique of the concept of genius. Whether following the scientist seeking greater objectivity, the postmodernist proclaiming the death of the author, the historian concerned about anachronism, or the critic who warns about making despotic claims, this demystifying literature has taken the weakening of genius's accumulated cultural authority as an indispensable step in arriving at a clarified Mozart. Mozart, Genius, and the Possibilities of Art advances a contrary claim. It proposes that anti-Romantic accounts of Mozart's genius themselves get lost in both the infinitely big--in utopianism and millenarianism--and the infinitesimally small--in materialism and process. Throughout, the book buttresses this argument with probing readings from contemporary documents ranging from ephemeral periodical literature to Kant's Third Critique, along with original analyses of the music itself. Goehring's book goes on to detail a contrasting Romantic portrait of Mozart's genius, one that allowed for ambiguity, embraced experience, and did not scorn reason. In Mozart's day, the term genius spoke to the unquantifiable and unpredictable in human inventiveness. And it continues to do so today. Goehring shows how the persisting fascination with an ingenious Mozart wells up from the middle of things, from the particularity of human beings--their "genie"--and the visible yet complex world of human intention and action.
By 1945, the US Army had sixty-eight infantry divisions, forty-two of which fought in the great campaign in northwest Europe that began with the amphibious landings on D-Day and ended eleven months later with Germany's surrender. Beyond the Beachhead examines the experience of one infantry division, the 29th, during forty-five days of combat from Omaha Beach on D-Day to the liberation of St. Lt. Using interviews, official records, and unit histories and supplementing his narrative with meticulously detailed maps, Balkoski follows the 29th from the bloody landings at Omaha through the hedgerows of Normandy, illustrating the brutal realities of life on the front line. Expanded edition includes a new chapter on the final battles of the Normandy campaign.
This study starts with the basic theory of topological groups, harmonic analysis, and unitary representations. It then concentrates on geometric structure, harmonic analysis, and unitary representation theory in commutative spaces.
Operating largely within the world of European-American classical music, this book discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Like everything else about old age, music-making is usually understood as a decline from a former height, a deficiency with respect to a youthful standard. Against this ageist mythology, this book argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. Instead of the usual biomedical or gerontological understanding of old age, with its focus on bodily, cognitive, and sensory decline, this book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. This book seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape.
Approaching disability as a cultural construction rather than a medical pathology, this book studies the impact of disability and concepts of disability on composers, performers, and listeners with disabilities, as well as on discourse about music and works of music themselves. For composers with disabilities--like Beethoven, Delius, and Schumann--awareness of the disability sharply inflects critical reception. For performers with disabilities--such as Itzhak Perlman and Evelyn Glennie--the performance of disability and the performance of music are deeply intertwined. For listeners with disabilities, extraordinary bodies and minds may give rise to new ways of making sense of music. In the stories that people tell about music, and in the stories that music itself tells, disability has long played a central but unrecognized role. Some of these stories are narratives of overcoming-the triumph of the human spirit over adversity-but others are more nuanced tales of accommodation and acceptance of life with a non-normative body or mind. In all of these ways, music both reflects and constructs disability.
Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, the author of "Snobbery" and "Friendship" presents this engaging collection of essays that captures his witty, entertaining responses to the richness and variety of life.
Maria's Story is a true account of a Polish teen's trials and tribulations as a slave girl of the Nazis in the Second World War. Driven out of Krakow during the invasion by the German Army, Maria and her sister Stefania flee for the safety of their country village only to be rounded up and sent to forced labor in Greater Germania. The loveliness of their new home in an alpine village in Austria belies the hardship and loneliness they endure among strangers in a strange land. It's Maria's faith that keeps her going and it's her faith that gives her the strength to provide for and protect her love child after a dangerous secret liaison with one of the sons of the landowner for whom she toiled. Liberated by the American Army, Maria miraculously finds herself in a Polish Army camp in Italy where she has a whirlwind romance with a handsome young war hero, who takes her on an incredible journey that brings them to yet another land and an uncertain post-war future.
Herbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious Spectacle, The Audience, and Take Up the Bodies: Theater at the Vanishing Point. In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought.
During a live television broadcast on the night of a lunar eclipse, renowned astrophysicist Andrew Leland is suddenly lifted into the sky by a giant spacecraft and taken away for all to see. Six years later, he turns up, wandering in a South American desert, denying ever having been abducted and disappearing from the public eye. Meanwhile, he inspires legions of cultish devotees, including a young physics graduate student named Shawn Ferris who is obsessed with finding out what really happened to him. When Shawn finally tracks Leland down, he discovers that he’s been on the run for years, continuously hunted by a secret organization that has pursued him across multiple continents, determined to force him into revealing what he knows. Shawn soon joins Leland on the run. Though Leland is at first reluctant to reveal anything, Shawn will soon learn the truth about his abduction, the real reason for his return, and will find himself caught up in a global conspiracy that puts more than just one planet in danger. Equal parts science-fiction and globe-hopping thriller, Joseph Helmreich's The Return will appeal to fans of both, and to anyone who has ever wondered... what’s out there?
All the irreducible unitary representations are found, in an explicit way, for the maximal parabolic subgroups in the various classical series of real and complex Lie groups. In each case, the nilradical is similar to the Heisenberg group, and its representations come out of the Kirillov orbit method. Then the representations of the parabolic subgroup are worked out from Mackey's little group method. The little group usually belongs to a different classical series--but with smaller matrices--so the end result in each series is a recursive statement involving several series.
This text investigates the role of learned, mostly scientific societies in building civil society in imperial Russia. It challenges the idea that Russia did not have the building blocks of a democratic society.
A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Contains new results on different aspects of Lie theory, including Lie superalgebras, quantum groups, crystal bases, representations of reductive groups in finite characteristic, and the geometric Langlands program
In "The Action of a Real Semisimple Lie group on a Complex Flag Manifold, I: Orbit Structure and Holomorphic Arc Components" we decomposed a complex flag manifold under the action of a real Lie group. At the end of the introduction, we described a program for using the real group orbits as the setting for geometric realization of unitary representations of semisimple groups. Here we carry out that program for reductive Lie groups, obtaining geometric realizations for the family of representations that is involved in the Plancherel formula.
Country-by-country, this comprehensive, annotated bibliography brings together the vast number of articles, books, conference papers, theses, dissertations, and reports that have been written about librarianship in the Islamic World during the past fifty years. It highlights sources published on a wide variety of library and information science related topics including academic libraries, bibliometrics, cataloging, collection development, exhibitions, finance, gray literature, indexing, information communication, information science, library staff, literacy, management, national libraries, networks, online databases, periodicals control, preservation, public relations, reference work, research, school libraries, security, technical services, and user training.
This volume Studies in Memory of Issai Schur was conceived as a tribute to Schur's of his tragic end. His impact on great contributions to mathematics and in remembrance of mathematicians Representation Theory alone was so great that a significant number of Researchers (TMR) Network, in the European Community Training and Mobility Orbits, Crystals and Representation Theory, in operation during the period (1997-2002) have been occupied with what has been called Schur theory. Consequently, this volume has the additional purpose of recording some of the significant results of the network. It was furthermore appropriate that invited contributors should be amongst the speakers at the Paris Midterm Workshop of the network held at Chevaleret during 21-25 May, 2000 as well as those of the Schur Memoriam Workshop held at the Weizmann Institute, Rehovot, during 27-31 December 2000. The latter marked the sixtieth anniversary of Schur's passing and took place in the 125th year of his birth.
Unfortunately, it was so cold that Vic did not have a proper grip on the wire, and when Joe produced the cutters, a harsh metallic noise filled the air. They both froze in panic, stopped breathing, and listened for a while to the silence of that strange night. “See the rocket wire?” asked Vic. “Yes,” replied Joe I’m going to slide down into the channel; help with my movements.” With his face down, Joe slowly slid into the channel.
The 29th Infantry was on the front lines on D-Day, Battle of Normandy, and was the first division to cross the Elbe into Germany. When, on January 17, 1946, the 29th Infantry Division was deactivated, 28,776 soldiers had been killed, wounded, taken prisoner or missing. In September 1944, Joseph H. Ewing joined the famed 29th Infantry Division of the Maryland-Virginia National Guard as the unit was readying to storm the port city of Brest, France. In Germany, he led his rifle platoon in making an assault crossing of the Roer River at Julich, which led to the division’s drive on Munchen-Gladbach. During quiet periods on the Roer, Col. Ewing typed and edited a newspaper he titled Chin Strap. The scant-copy newspaper was circulated within the company and also caught the eye of battalion headquarters. The publication earned Col. Ewing the nicknames “Strap” and “The Strap.” At the end of World War II, Col. Ewing was assigned to Fort Meade and the War Department Historical Division in the Pentagon, and decided to author the official history of the 29th Division in World War II. This fascinating account of the division’s wartime history is the result of Col. Ewing’s combat experience and civilian career in journalism.
When Con and Margaret Mary Skilly, an elderly couple who have always longed for children, begin finding abandoned children left and right, they never question their good luck but simply raise the three foundlings with love and devotion. Too soon the three kids are left on their own again. It's the Depression, with more feet than shoes, more appetites than dinners, when rumrunners wear diamonds big as knuckles, even the cops have favorite speakeasies, and the thrills of radio and the talkies hold the nation spellbound. Only Birdy's Regina wants the kids. A diffident, self-effacing young woman, she has always been cowed by her mother, bullied by her absurd husband, and intimidated by her own infant. But she turns out to have the heart of a lioness, and is determined to keep the foundlings free of the State's clutches. Along the way she finds a strong and completely unexpected ally. Joseph William Meagher brings to teeming life this Brooklyn neighborhood and the people in it who struggle for food and rent, love and fun, and everything that keeps life going. If characters caring deeply for one another are unfashionable, then this is an unfashionable novel. But such an enjoyable one!
Burgundy, Bordeaux, Champagne. The names of these and other French regions bring to mind time-honored winemaking practices. Yet the link between wine and place, in French known as terroir, was not a given. In The Sober Revolution, Joseph Bohling inverts our understanding of French wine history by revealing a modern connection between wine and place, one with profound ties to such diverse and sometimes unlikely issues as alcoholism, drunk driving, regional tourism, Algeria’s independence from French rule, and integration into the European Economic Community. In the 1930s, cheap, mass-produced wines from the Languedoc region of southern France and French Algeria dominated French markets. Artisanal wine producers, worried about the impact of these "inferior" products on the reputation of their wines, created a system of regional appellation labeling to reform the industry in their favor by linking quality to the place of origin. At the same time, the loss of Algeria, once the world’s largest wine exporter, forced the industry to rethink wine production. Over several decades, appellation producers were joined by technocrats, public health activists, tourism boosters, and other dynamic economic actors who blamed cheap industrial wine for hindering efforts to modernize France. Today, scholars, food activists, and wine enthusiasts see the appellation system as a counterweight to globalization and industrial food. But, as The Sober Revolution reveals, French efforts to localize wine and integrate into global markets were not antagonistic but instead mutually dependent. The time-honored winemaking practices that we associate with a pastoral vision of traditional France were in fact a strategy deployed by the wine industry to meet the challenges and opportunities of the post-1945 international economy. France’s luxury wine producers were more market savvy than we realize.
The years after World War I saw a different sort of war in the American South, as Modernism began to contest the "New South Creed" for the allegiance of Southern intellectuals. In The War Within, Daniel Joseph Singal examines the struggle between the characteristic culture of twentieth-century America and the South's tenacious blend of Victorianism and the Cavalier myth. He explores the lives and works of historians Ulrich B. Phillips and Broadus Mitchell; novelists Ellen Glasgow, William Faulkner, and Robert Penn Warren; publisher William T. Couch; sociologists Howard Odum, Rupert Vance, Guy Johnson, and Arthur Raper; and Agrarian poets John Crowe Ransom, Donald Davidson, and Allen Tate. The drama Singal unfolds is as much national as regional in its implications. His sophisticated and original analysis of the complex relationship between these southern writers and their heritage enables him to trace the transition to Modernism with unusual clarity and to address questions of major importance in American intellectual history: How did Modernism come into being? Does it display a fundamental, underlying pattern? What are its essential values, beliefs, and assumptions? Singal marshals archival and published sources and combines them with oral history interviews to trace this process of change on the levels of both formal thought and individual experience. He uses the interwar South as the locale for a pioneering examination of the momentous change that has affected all of Western culture.
Increasingly important in the field of communications, the study of time and band limiting is crucial for the modeling and analysis of multiband signals. This concise but comprehensive monograph is the first to be devoted specifically to this subdiscipline, providing a thorough investigation of its theory and applications. Through cutting-edge numerical methods, it develops the tools for applications not only to communications engineering, but also to optical engineering, geosciences, planetary sciences, and biomedicine. With broad coverage and a careful balance between rigor and readability, Duration and Bandwidth Limiting is a particularly original and valuable resource both for mathematicians interested in the field and for professional engineers with an interest in theory. While its main target audience is practicing scientists, the book may also serve as useful supplemental reading material for mathematically-based graduate courses in communications and signal processing.
The Third Reich proves Lord Byron's maxim that truth is stranger than fiction. Hitler's mania made the Reich surreal. This book documents his neuroses, charisma, ruthlessness, and "storybook" rise to power. It's alarming that an astute psychopath with acting ability became an absolute dictator in a modern European state. German political naivety contributed to his miraculous ascent. During election campaigns between 1927 and 1933 Hitler posed as an anti-Communist savior, while concealing his real agenda of war, genocide, and quack "eugenics." The Surreal Reich closely examines all leading Nazis. It shows how Hitler had different sets of favorites at various times. Dietrich Eckart, Rudolf Hess, and Ernst Rohm in the early years; Hermann Goering and Josef Goebbels through the middle period, then Heinrich Himmler and Martin Bormann from 1939 to 1945. Nazism's heyday occurred during an era of supposed progress. Yet escalating war casualties in that "enlightened age" tell a different story. 620,000 people died in America's Civil War, only 5% of them civilians. World War I caused approximately 16 million fatalities. Most of the 5 million non-combatants succumbed from starvation or Spanish Influenza. World War II resulted in 60 million deaths, 52% of them civilians. One warped "idealist" sparked that fruitless orgy of destruction: Adolf Hitler.
Practical emphasis to teach students to use the powerful ideas of adaptive control in real applications Custom-made Matlab® functionality to facilitate the design and construction of self-tuning controllers for different processes and systems Examples, tutorial exercises and clearly laid-out flowcharts and formulae to make the subject simple to follow for students and to help tutors with class preparation
This book examines interactions of polyhedral discrete geometry and algebra. What makes this book unique is the presentation of several central results in all three areas of the exposition - from discrete geometry, to commutative algebra, and K-theory.
The years after World War I saw a different sort of war in the American South, as Modernism began to contest the "New South Creed" for the allegiance of Southern intellectuals. In The War Within, Daniel Joseph Singal examines the struggle between t
Covers the colonial origins of the three infantry regiments that comprise the Blue and Gray Division,"" the establishment of the Division in 1917, and its current status as a light infantry division in the Maryland National Guard. Contains an emphasis on the history of the 29th Infantry Division in WWII. Map displaying activity of 29th Division from June 6, 1944 through January 1, 1945 on endsheets. Hundreds of photos. Indexed
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