Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.
Jonathan Harrington Crossleys parents had great expectations of him. He belonged to a family of intellectuals and he was expected to follow in their footsteps. But Jonathan wanted something different something more real, something more connected with life. He wanted to taste the excitement of the business world. He even saw himself as a future Donald Trump. The fact that he was black never struck him as relevant. Kissing The Underbelly, co-authored by Joseph Anderson and Judy Millspaugh Anderson, M.D., is a novel about love, poverty, the stock market, survival and race relations set in Philadelphia, PA
Looking back to the last years of the nineteenth century, veteran producer-director Joseph L. Anderson draws upon a monumental body of research gleaned from libraries and archives in seven countries to introduce the Japanese theatrical impresario Kawakami Otojirō. In 1899, Kawakami, his wife--the inspired dancer and actress Sadayakko--and his troupe went on epochal performance tours of the U.S. and Europe, introducing audiences to new forms of dramatic art and dance previously unseen in the West. Possessed of boundless energy and limitless imagination, Kawakami was a pioneer who quite literally viewed the world as his stage. In the closing decade of an all-too-brief life, Kawakami introduced major reforms of Japanese performance and the theatre business. Scholarly, witty, and filled with fascinating insights into the culture and conventions of fin de siècle America, Europe, and Japan, Enter a Samurai opens a door into a little-known, yet vitally important era of modern theatrical history. -- Back cover of volume 1
What happens when you wake up?stop dreaming and start living? That's exactly what happened to the Andersons. They sold their house and their second car, paid their debts, took their kids out of school and planned a massive, yearlong adventure around the United States in their minivan.
In a universe long separated from ours, young Braim, orphaned since infancy, fights to defend his country Telnor while struggling to confront his dark past. To the north of the small nation, enemy forces are amassing, led by the cruel King Grashnir, whose only aspiration is to bring an end to the realm. Will Braim's people be able to resist the rising threat, or will his lust to avenge his parents' death undermine their only hope? All the while, neither side realizes that they are merely pawns in a much larger war. A war that rages back and forth across all the universes.
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