In Poems and Drawings, first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of Poems and Drawings replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber. For admirers of Albers, Poems and Drawings will provide a closer look at a celebrated artist who was also an affectionate and articulate writer.
Published in book form for the first time, a collection of woodcuts, sandblasted glass pictures, and oil paintings offers insight into the late artist's use of abstractions, color, and perception effects, in a volume that shares key passages from his personal writings.
Josef Albers (1888-1976), famous as a master at Germany's Bauhaus until 1933, and then a professor in American schools such as Yale University, influenced many young artists. His Homage to the Square series of paintings remains an important example of 20th-century art. Yet Albers's first great works - the glass pictures that he made in Germany beginning in 1921 - remain little known. Starting with found fragments of colored glass, and later employing a sophisticated sandblasting process, Albers created a new art form.
The masterworks of one of the most influential teacher-artists of the twentieth century, originally published as a limited, boxed edition in 1963, was conceived as a guide and teaching aid for artists, instructors, and students. A paperbound edition, containing the unabridged text of the original edition, plus ten representative color plates, chosen from the original silk-screen reproductions and printed by offset lithography, was published in 1971. Since those color plates have now been worn out in repeated reprintings, Mr. Albers has selected ten different color studies, with new comments, for this revised edition. "The text ofInteraction of Colorprovides the careful reader with the content of Josef Albers’ famous color course. His teaching is based on learning by direct perception, and not by theories or color systems. There are many books on color on the market, but no one combines eyesight with such profound insight as Josef Albers does inInteraction of Color."—Hannes Beckmann "The publication of this famous book in paperback is an event. . . . It is clearly written and easy to understand. . . . This book ought to be owned by any serious student or teacher, regardless of the kind of painting he does."—The Artist
Influential teacher, writer, painter and color theorist Josef Albers was the first Bauhaus student to be asked to join the faculty. By 1933, when the Nazis forced the school to close, Albers had become one of its best-known artists and teachers. Having migrated with his wife Anni to the U.S., where he taught at Black Mountain College and at Yale, Albers began to experiment with the optical effects of simple color combinations. The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable reproductions of Albers' famous series, which beautifully illustrate the artist's primary thesis, that the discrepancy between visual information received by the retina and what the mind perceives proves that this information is not intrinsic to color itself, but is dependent on its relationship with its surroundings and his influence on Luis Barragán, the noted Mexican architect.
In Poems and Drawings, first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of Poems and Drawings replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber. For admirers of Albers, Poems and Drawings will provide a closer look at a celebrated artist who was also an affectionate and articulate writer.
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
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