Rafe Sabas is the ideal corporate man. He is on a first name basis with the president of his company and likes to think about a deal while talking about something else. ñI am not good at thinking alone,î he quips, ñcorporate life ruins you for that.î RafeÍs personal life, too, is right where he wants it. HeÍs got a proper wife and children to greet him in the evening, but he still dabbles in the occasional carefree infidelity at his companyÍs expense. He rhapsodizes on his theories of stoic emotion, casual sex, the starburst of pleasure offered by a shot of gin and the key to successful drinking binges. He is as cool as his favorite beverage: a crisp martini on the rocks. But when Jerry, a friend from RafeÍs past, resurfaces, RafeÍs world of order and convention begins showing fissures. RafeÍs planned evening of casual conversation and call girls is disrupted by JerryÍs emotional collapse at his impending divorce. After a few well-placed comments like ñDonÍt let it get you, fella,î Rafe expects to slip back into his old world unscathed. What follows is a devastating trip through their past sexual infidelities, friendship-breaking betrayals, and forgotten loyalties.
Jack Moreno is suffocating. On most days, he likes to brag about his apartment in the Manhattan summers, how thereÍs always a breeze from Central Park and he has no need for air conditioners. But one summer night he steps out into the still, oppressive night and has to reach out a hand to steady himself. You see, JackÍs not only bothered by the heat. Clear across the other West Side, his friend Wolf is dying. He and Wolf are friends, old friends, the kind that toss out one-liners about each otherÍs ethnicity (Mexican, Jew), bat about the intricacies of American politics, and catalog past sexual conquests as like a shopping list. But their friendship has been burdened with WolfÍs declining physical health for some time. They have long ago burned out of their hope for a miraculous recovery. Loved ones and associates from WolfÍs past converge in WolfÍs apartment. Barbs are thrown, relationships damaged, everything breaks open until Jack begins to question his life, his identity, and even his career as a journalist. An unabashed skeptic and maverick in society, Yglesias explores the relationship of art and writing to commerce and politics in this savvy novel, which was first published in 1976, but still speaks poignantly to our times. Chock full of references to international politics, the arts scene, and intimate relationships, Yglesias dissects the end of a powerful friendship and the unmaking of a man.
A quietly humorous look at one manÍs return to his childhood world. ñWhat are you doing here!î From the moment the cantankerous narrator Pinpin answers the phone in an empty house in Tampa, Florida, the question asked by his cousin Tom-Tom echoes in his mind. Having left the Anglo-Saxon gentry of BostonÍs Louisburg Square and the contentious left-wing intelligentsia of New YorkÍs Greenwich Village, Pinpin, a retired novelist, wants nothing more than to be left alone. His wife dead, his books out of print, his sons lost to the seductive wiles of word processors and movie development deals, until finally, at the end of his ñtetherî, Pinpin goes back to Tampa. But he is quick to assert, ñI am not returning, touching base, none of that Tampa is where I came from thatÍs all you could say for it.î As soon as Pinpin sets foot back in his parents house?against his will and better judgement?he finds himself snared in the mire of family politics and demands, with one cousin telling him not to trust another. Not knowing what to think, Pinpin is dragged along on a bizarre and hilarious quest through the back streets of Tampa on a mission to rescue his misguided young grand-niece.
Meet Seth Evergood. Distinguished author, lecturer, and split personality. On the surface, he appears to be a dedicated, conscientious, and ñliberatedî man of the 1960s left. On the inside, however, Seth is deeply confused, disillusioned, and conflicted about his actions and his very existence. Sometimes the only things that keep him going through the day are drugs, psychoanalysis, and an alarming desire to actually believe his own florid rhetoric. The clash between his inner and outer selves leads Seth Evergood into a dangerous covert adventure on the fringes of radical politics. It is a quest that could end in revolutionary glory or in a big bang. In this, his fourth novel, Jose Yglesias takes on the iconic images and cliches of the 1960s Black Panthers, third-world guerrilla movements, student riots, ñconsciousness-raisingî through drugs and sex, hippie communes, and Flower Power, and puts them all into overdrive. The result is a near-surrealistic perspective on an era that, torn between adolescent na¥vet? and ñby-any-means-necessaryî absolutism, went haywire. YouÍll do a double-take reading Double Double.
Ex-fire chief Rudy Parado, a curmudgeon if ever there was one, had come home to find a young black man rifling through his house and possessions. The intrusion brings out RudyÍs blatant racial prejudices. But, as he grapples to maneuver the scales of justice, Rudy comes to realize that the break-in has more to do with his conscience than his house. Reluctantly, he allows himself to be drawn into a polarized relationship with the bright young burglar, risking the integrity of his fast-held biases. The mordant and never revealed question in this humorous, witty and human exploration of race and justice in our society asks whether Munro, the smart young interloper, is worth RudyÍs time and effort. Rudy has family problems of his own: failure surrounds his ex-con son and his lump of a nephew. So why is Rudy so drawn to making things right by the young black desperado? Questions abound in this beguiling, graceful narrative by one of AmericaÍs most accomplished novelists.
The year is 1958; the place, Ybor City, Florida. Mina, Clemencia, and Dolores, three aging sisters, look forward to seeing their children, in-laws, and grandchildren come for a pleasant visit to this quiet, blue-collar neighborhood that all three call home. But the calm surface of the streets hides a darker, more dangerous side. Old family rivalries, sexual intrigues, class envy, political antagonism, and even borderline criminal activity threaten the peace. No one has realized it yet, but this proud Cuban-American clan stands on the brink of a terrible fall. Originally published in 1963, this is the 35th anniversary edition of the classic that brought the authorÍs name to national prominence. With an introduction by the authorÍs son, Rafael Yglesias, this highly autobiographical novel recounts three days in the life of a Cuban-American family in 1958 as they are confronted by a series of crises.
A young manÍs riotous introduction to his familyÍs Cuban heritage. In the sequel to YglesiasÍ comic novel, Home Again, PinpinÍs grandson Tristan goes to Ybor City after PinpinÍs death, only to be engulfed by the madcap and offbeat Cuban-American family once again led by TristanÍs great uncle, Tom-tom. Yale Freshman Tristan Granados is sent by his bourgeouis Boston family to Tampa, Florida to resolve his grandfatherÍs estate as quickly as possible. Like his grandfather before him, TristanÍs plans are undermined at every turn by the bevy of Latino cousins who try to impress him even as they try to connive him out of his and his familyÍs inheritance. As he watches the antics of his fiery and hilarious family, Tristan is forced to confront his own identity and his heritage.
Stories about Hispanics. They include The Girls on the Block, on a respectable grandmother who raises eyebrows by her friendship for a prostitute, to In the Bronx, on a middle-class woman adjusting to her low-class neighbors.
ItÍs the last go-round for Germàn Moran, an elderly writer with the courage to stare death in the eye, but who nevertheless bemoans the frailties and indignities of old age. His rival in the pursuit of a lovely young actress is a handsome, dashing, but insensitive?and also very married?movie producer who happens to be his son. Populated with lively and unforgettable characters from the New York art and literary scene, this novel entertains and diverts us from the larger underlying, eternal questions about death and dying.
A quietly humorous look at one manÍs return to his childhood world. ñWhat are you doing here!î From the moment the cantankerous narrator Pinpin answers the phone in an empty house in Tampa, Florida, the question asked by his cousin Tom-Tom echoes in his mind. Having left the Anglo-Saxon gentry of BostonÍs Louisburg Square and the contentious left-wing intelligentsia of New YorkÍs Greenwich Village, Pinpin, a retired novelist, wants nothing more than to be left alone. His wife dead, his books out of print, his sons lost to the seductive wiles of word processors and movie development deals, until finally, at the end of his ñtetherî, Pinpin goes back to Tampa. But he is quick to assert, ñI am not returning, touching base, none of that Tampa is where I came from thatÍs all you could say for it.î As soon as Pinpin sets foot back in his parents house?against his will and better judgement?he finds himself snared in the mire of family politics and demands, with one cousin telling him not to trust another. Not knowing what to think, Pinpin is dragged along on a bizarre and hilarious quest through the back streets of Tampa on a mission to rescue his misguided young grand-niece.
The year is 1958; the place, Ybor City, Florida. Mina, Clemencia, and Dolores, three aging sisters, look forward to seeing their children, in-laws, and grandchildren come for a pleasant visit to this quiet, blue-collar neighborhood that all three call home. But the calm surface of the streets hides a darker, more dangerous side. Old family rivalries, sexual intrigues, class envy, political antagonism, and even borderline criminal activity threaten the peace. No one has realized it yet, but this proud Cuban-American clan stands on the brink of a terrible fall. Originally published in 1963, this is the 35th anniversary edition of the classic that brought the authorÍs name to national prominence. With an introduction by the authorÍs son, Rafael Yglesias, this highly autobiographical novel recounts three days in the life of a Cuban-American family in 1958 as they are confronted by a series of crises.
Meet Seth Evergood. Distinguished author, lecturer, and split personality. On the surface, he appears to be a dedicated, conscientious, and ñliberatedî man of the 1960s left. On the inside, however, Seth is deeply confused, disillusioned, and conflicted about his actions and his very existence. Sometimes the only things that keep him going through the day are drugs, psychoanalysis, and an alarming desire to actually believe his own florid rhetoric. The clash between his inner and outer selves leads Seth Evergood into a dangerous covert adventure on the fringes of radical politics. It is a quest that could end in revolutionary glory or in a big bang. In this, his fourth novel, Jose Yglesias takes on the iconic images and cliches of the 1960s Black Panthers, third-world guerrilla movements, student riots, ñconsciousness-raisingî through drugs and sex, hippie communes, and Flower Power, and puts them all into overdrive. The result is a near-surrealistic perspective on an era that, torn between adolescent na¥vet? and ñby-any-means-necessaryî absolutism, went haywire. YouÍll do a double-take reading Double Double.
Ex-fire chief Rudy Parado, a curmudgeon if ever there was one, had come home to find a young black man rifling through his house and possessions. The intrusion brings out RudyÍs blatant racial prejudices. But, as he grapples to maneuver the scales of justice, Rudy comes to realize that the break-in has more to do with his conscience than his house. Reluctantly, he allows himself to be drawn into a polarized relationship with the bright young burglar, risking the integrity of his fast-held biases. The mordant and never revealed question in this humorous, witty and human exploration of race and justice in our society asks whether Munro, the smart young interloper, is worth RudyÍs time and effort. Rudy has family problems of his own: failure surrounds his ex-con son and his lump of a nephew. So why is Rudy so drawn to making things right by the young black desperado? Questions abound in this beguiling, graceful narrative by one of AmericaÍs most accomplished novelists.
Jack Moreno is suffocating. On most days, he likes to brag about his apartment in the Manhattan summers, how thereÍs always a breeze from Central Park and he has no need for air conditioners. But one summer night he steps out into the still, oppressive night and has to reach out a hand to steady himself. You see, JackÍs not only bothered by the heat. Clear across the other West Side, his friend Wolf is dying. He and Wolf are friends, old friends, the kind that toss out one-liners about each otherÍs ethnicity (Mexican, Jew), bat about the intricacies of American politics, and catalog past sexual conquests as like a shopping list. But their friendship has been burdened with WolfÍs declining physical health for some time. They have long ago burned out of their hope for a miraculous recovery. Loved ones and associates from WolfÍs past converge in WolfÍs apartment. Barbs are thrown, relationships damaged, everything breaks open until Jack begins to question his life, his identity, and even his career as a journalist. An unabashed skeptic and maverick in society, Yglesias explores the relationship of art and writing to commerce and politics in this savvy novel, which was first published in 1976, but still speaks poignantly to our times. Chock full of references to international politics, the arts scene, and intimate relationships, Yglesias dissects the end of a powerful friendship and the unmaking of a man.
Stories about Hispanics. They include The Girls on the Block, on a respectable grandmother who raises eyebrows by her friendship for a prostitute, to In the Bronx, on a middle-class woman adjusting to her low-class neighbors.
Rafe Sabas is the ideal corporate man. He is on a first name basis with the president of his company and likes to think about a deal while talking about something else. ñI am not good at thinking alone,î he quips, ñcorporate life ruins you for that.î RafeÍs personal life, too, is right where he wants it. HeÍs got a proper wife and children to greet him in the evening, but he still dabbles in the occasional carefree infidelity at his companyÍs expense. He rhapsodizes on his theories of stoic emotion, casual sex, the starburst of pleasure offered by a shot of gin and the key to successful drinking binges. He is as cool as his favorite beverage: a crisp martini on the rocks. But when Jerry, a friend from RafeÍs past, resurfaces, RafeÍs world of order and convention begins showing fissures. RafeÍs planned evening of casual conversation and call girls is disrupted by JerryÍs emotional collapse at his impending divorce. After a few well-placed comments like ñDonÍt let it get you, fella,î Rafe expects to slip back into his old world unscathed. What follows is a devastating trip through their past sexual infidelities, friendship-breaking betrayals, and forgotten loyalties.
ItÍs the last go-round for Germàn Moran, an elderly writer with the courage to stare death in the eye, but who nevertheless bemoans the frailties and indignities of old age. His rival in the pursuit of a lovely young actress is a handsome, dashing, but insensitive?and also very married?movie producer who happens to be his son. Populated with lively and unforgettable characters from the New York art and literary scene, this novel entertains and diverts us from the larger underlying, eternal questions about death and dying.
Find up-to-date information on barley for malting, food, and animal feed! This comprehensive book covers every aspect of barley from molecular biology to agronomy of yield and quality. In addition to the exposition of the basic concepts, Barley Science explains the latest developments in the field. In addition, this remarkable book presents ideas and techniques for bridging the gap between physiology and breeding. Beginning with the history of this ancient cultivated grain, Barley Science presents state-of-the-art information on genetics and breeding, physiology, and agronomy. One chapter explains the CERES computer simulation of barley growth, development, and yield. Every chapter includes a thorough literature review, and you will find many helpful tables and figures. Barley Science offers cutting-edge information on the latest developments in the field, including: wild barley as a source of genes for crop improvement genetics and breeding for specific attributes genetic engineering determining barley yield under stress new breeding strategies for disease resistance choosing genotype, sowing date, and plant density for malting barley enhancing pre-harvest sprouting resistance barley proteins and malting performance Written by the top experts in the field, Barley Science is an excellent update and broadening of the information found in previous barley books. Agronomists, breeders, geneticists, and physiologists--and their students--will turn again and again to this essential resource.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.