The Cold War between the USA and Cuba gets very hot — and sexy — in José Latour’s latest gripping and atmospheric thriller. In the rest of the world, the Cold War is over, but the one between the United States and Cuba is kept stoked by both governments — and by the spies they keep in business. Colonel Victoria Valiente, one of the most respected officers in the General Directorate of Intelligence, is the Havana-based spymaster of greater Miami. An apparently faithful servant of the revolution, she is middle-aged, frumpy, with an IQ off the charts and a libido to match. But her husband has convinced her that Castro’s regime is corrupt and moribund, and that they must defect. Buoyed by $2.7 million that he steals electronically and salts away in an online bank, the couple sails to Key West. They have no idea that the FBI is on to them. The G-men have coerced Elliot Steill, a Cuban exile living in Miami (and the hero of Latour’s previous novel, Outcast), into betraying his former compadres. This crafted, erotically charged novel culminates in an electrifying showdown, offering an inside view into the regime’s darkest corners while shedding light on contemporary Cuba.
From the hot writer everybody’s talking about — the author of the sensational Havana Best Friends. Elliot Steill, the product of a brief union between his Cuban mother and an American-born labourer, is an unhappy teacher in Havana when a man claiming to be a friend of Steill’s deceased father arrives in Cuba and offers him the chance to escape. The plan goes dangerously amiss, and Steill is soon on the hunt through Miami’s mean streets for the man who betrayed him. To find him, Steill first has to figure out why he was singled out, an exercise that has him mentally searching his past in Cuba for clues. The fast-paced story, which reveals as much about real life in Cuba as it does about the émigré community in Miami, sees Steill transformed into a man of hair-trigger reactions as he’s forced into playing an increasingly violent game of cat and mouse. In just one of the novel’s many twists, the teacher becomes the fast learner he has to be to navigate this new world of greed, corruption, and crime — but also of compassion so unexpected it is wrenching.
Latour’s first novel since his immigration to Canada is a tale of heart-stopping action, deceit, and desperation that sees Elliot Steil race from Miami to Toronto to rescue a fashion model from her kidnappers In Latour's latest novel Jenny Scheindlin, an ex-New York fashion model and daughter of Steil's former boss, has been kidnapped. The abductors choose Steil as intermediary in the negotiations to free her. Two Israeli agents formulate a devious plan to get the ransom to Toronto and bring Jenny home. But Steil is standing on quaking terrain, where nothing is as it seems, and no one can be trusted. Are the kidnappers members of the Islamic Army of Canada as they claim, or is Jenny the victim of an elaborate conspiracy? Is Steil himself a hero on a mission or a patsy who's walked right into a trap? As he tries to stay calm and one step ahead of a frightening and unknown nemesis, a noose is tightening around Steil's neck. Crime of Fashion’s serpentine story and its mix of mystery, international espionage, and deceit make it a nail-biter. Latour is a master of suspense and surprises, and he’s writing at the top of his considerable powers in Crime of Fashion.
It's the 1958 baseball World Series, and more money is at stake than ever. For the first time for as long as anyone could remember the New York Yankees are the underdogs and the bets are just rolling in... A large part of this money is rolling into Cuba - and to one man. Batista may be sitting in the President's palace, but the famous gangster, Meyer Lansky, really runs the place and he is looking to clean up like never before. But meanwhile, five Cubans are planning to do the unthinkable - rob the mob. They know that there will be more money in Lansky's casino on the night of the last game than they could spend in a hundred lifetimes. All they've got to do is to steal it - and live... Thus begins a dark, powerful and warm heist novel that shows OCEANS 11 how they do things Latin-style...
Canadian debut publication by one of the Spanish-speaking world’s top crime-fiction writers Elena Miranda and her brother, Pablo, have lived in the same spacious Havana apartment since they were children, not knowing that a $10-million treasure in diamonds is hidden behind a tile in their bathroom. Now the son of the man who buried them there wants them, and he knows the ideal person for the job: his ruthless former comrade-in-arms during the Vietnam War. Equipped with a Spanish-speaking “wife” and Canadian passports, the vet flies to Cuba to sweet-talk his way into Elena and Pablo’s lives and get his hands on the diamonds. But Cuba has a way of confusing even the best-laid plans, and soon the treasure hunters find themselves being hunted. A complex, hard-boiled novel of betrayal, deceit, and cunning, Havana Best Friends takes place in a Cuba that tourists rarely see. Stunning plot twists rocket the story forward, but not once does the action overpower the story’s heart — the emotional lives of the people whose worlds are changed forever by these so-called best friends.
From the hot writer everybody’s talking about — the author of the sensational Havana Best Friends. Elliot Steill, the product of a brief union between his Cuban mother and an American-born labourer, is an unhappy teacher in Havana when a man claiming to be a friend of Steill’s deceased father arrives in Cuba and offers him the chance to escape. The plan goes dangerously amiss, and Steill is soon on the hunt through Miami’s mean streets for the man who betrayed him. To find him, Steill first has to figure out why he was singled out, an exercise that has him mentally searching his past in Cuba for clues. The fast-paced story, which reveals as much about real life in Cuba as it does about the émigré community in Miami, sees Steill transformed into a man of hair-trigger reactions as he’s forced into playing an increasingly violent game of cat and mouse. In just one of the novel’s many twists, the teacher becomes the fast learner he has to be to navigate this new world of greed, corruption, and crime — but also of compassion so unexpected it is wrenching.
Canadian debut publication by one of the Spanish-speaking world’s top crime-fiction writers Elena Miranda and her brother, Pablo, have lived in the same spacious Havana apartment since they were children, not knowing that a $10-million treasure in diamonds is hidden behind a tile in their bathroom. Now the son of the man who buried them there wants them, and he knows the ideal person for the job: his ruthless former comrade-in-arms during the Vietnam War. Equipped with a Spanish-speaking “wife” and Canadian passports, the vet flies to Cuba to sweet-talk his way into Elena and Pablo’s lives and get his hands on the diamonds. But Cuba has a way of confusing even the best-laid plans, and soon the treasure hunters find themselves being hunted. A complex, hard-boiled novel of betrayal, deceit, and cunning, Havana Best Friends takes place in a Cuba that tourists rarely see. Stunning plot twists rocket the story forward, but not once does the action overpower the story’s heart — the emotional lives of the people whose worlds are changed forever by these so-called best friends.
In Cuba, deceit is routine, paranoia is reasonable, and everything banned thrives out of sight. Elena Miranda, a special-needs teacher, has no idea what lies behind the wall in her bathroom, nor that a ruthless Vietnam vet has come to Havana to retrieve it for his employer. The beautiful woman posing as the American vet's wife is actually with him for only one reason: Her Spanish is fluent, his is nonexistent. What they are there to do is neither an easy nor a pleasant task. Another man is also after what is behind that wall, and other problems complicate the job. Shortly after the Americans arrive, Elena's brother is murdered, and a Havana cop is assigned to the crime. Calmly but relentlessly, Captain Felix Trujillo begins to work on the murder and discovers that the dead man was hardly an upstanding citizen. He does find clues he can use, especially when he becomes aware that he is following not one but a trail of corpses. Hidden in Havana is a shocking story of betrayal and cunning, where the hunters become hunted, the best-laid plans are derailed by greed and virtue, and getting valuable treasure is far less important than getting out of Cuba alive.
Building blocks are practical materials for playing, learning and working at kindergartens, schools, universities and companies. How did building blocks, which were primarily established as toys for children, come to be practical materials used in professional and educational settings? This study explores the historical implications of particular sets of building blocks in the interdisciplinary consolidation and transformation of techniques, materials, discourses and subjects. By mapping the genealogy of building blocks from Fröbel's »gifts« to their current systematization as interlocked blocks, this study proposes that building blocks should be understood not exclusively as concrete objects, but as the materiality of a combinatorial program, which delineates a modular system characterized by a code of composition, a context-neutrality and a semantic component.
Modernity has entrusted technology with such power that it is treated as an autonomous entity, with its own manners and morals. Technological disruptions are also socially disruptive: technological failures reveal both the constituents of the technology itself and the social fabric woven by this technology. Cities are the quintessential technological arrangement, not only materially but also as a conceptual framework: the ubiquity of technology makes us think and plan cities mostly in terms of technological arrangements. Unplugging the City: The Urban Phenomenon and its Sociotechnical Controversies proposes a conceptual and methodological framework for analyzing certain urban phenomena as a technological assemblage. It demonstrates, through multiple case studies, the sociotechnical complexities involved in the stabilization and disruption of urban technological arrangements. Examples range from the urban phantasmagorias portrayed in science-fiction movies to the urban proposals of Brasilia and Masdar, from the book of bike-sharing systems to pervasive global surveillance systems. Written by Fábio Duarte and Rodrigo Firmino, based on their original research and publications, this is an essential resource for those interested in the theory and study of technology and its inextricable influence on the city.
On December 22, 1997, forty-five unarmed members of the indigenous organization Las Abejas (The Bees) were massacred during a prayer meeting in the village of Acteal, Mexico. The members of Las Abejas, who are pacifists, pledged their support to the Zapatista Army of National Liberation, a primarily indigenous group that has declared war on the state of Mexico. The massacre has been attributed to a paramilitary group composed of ordinary citizens acting on their own, although eyewitnesses claim the attack was planned ahead of time and that the Mexican government was complicit.In Without History, Jose Rabasa contrasts indigenous accounts of the Acteal massacre and other events with state attempts to frame the past, control subaltern populations, and legitimatize its own authority. Rabasa offers new interpretations of the meaning of history from indigenous perspectives and develops the concept of a communal temporality that is not limited by time, but rather exists within the individual, community, and culture as a living knowledge that links both past and present. Due to a disconnection between indigenous and state accounts as well as the lack of archival materials (many of which were destroyed by missionaries), the indigenous remain outside of, or without, history, according to most of Western discourse. The continued practice of redefining native history perpetuates the subalternization of that history, and maintains the specter of fabrication over reality.Rabasa recalls the works of Marx, Lenin, and Gramsci, as well as contemporary south Asian subalternists Ranajit Guha and Dipesh Chakrabarty, among others. He incorporates their conceptions of communality, insurgency, resistance to hegemonic governments, and the creation of autonomous spaces as strategies employed by indigenous groups around the globe, but goes further in defining these strategies as millennial and deeply rooted in Mesoamerican antiquity. For Rabasa, these methods and the continuum of ancient indigenous consciousness are evidenced in present day events such as the Zapatista insurrection.
Spatial Infrastructure is a collection of essays crafting a self-consistent project that recasts architectural thinking as a form of knowledge by addressing a number of fundamental questions relevant to the reading of works across styles, time-periods, and geographic boundaries. José Aragüez's second book revolves around a new concept in architecture, spatial infrastructure , that operates both as a design tool capable of projecting architectural thinking forward, and as an analytical category that shifts our understanding of the history of the field and contemporary production. Taken together, the collection of essays presented here investigates some of the most intractable issues pertaining to architectural discourse, while also examining scientific, critical, and cultural dimensions where relevant. Key subjects include a building’s discursive building, engineering patents and spatial disposition in architecture, typological invention and sponge surfaces, “the organic” at the intersection of architecture and philosophy, imageability in the context of an evolving market economy, language vis-à-vis self-determinacy in creative practices, a building’s spatial kernel, and the possibility of architectural metacriticality. Building upon each other to engender a coherent and distinct outlook on twentieth-century and contemporary architecture, these essays put forth a strong argument for architectural thinking that emerges from intimate knowledge of its capacities, as well as an ability to maintain epistemological clarity and integrity when purporting to expand our horizons of understanding.
Even though Fidel Castro founded the "26 of July" movement, this book shows that the organizing throughout Cuba fell on the shoulders of an underground leader named Frank Pais, who was also responsible for the survival of the incipient guerrilla force led by Castro in the Sierra Maestra. Pais became not only the National Chief of Action-as portrayed in the official publications-but the top leader of the M-26-7's National Directorate. The antagonism between Castro and Pais may have been the reason for his mysterious death when he was only 22 years of age. This is the true story of his life and legacy. At this crucial time, when historians are trying to arrive at the revolution's final balance, a book like this is essential to read before reaching an impartial verdict.
Social media penetrate our lives: Facebook, YouTube, Twitter and many other platforms define daily habits of communication and creative production. This book studies the rise of social media, providing both a historical and a critical analysis of the emergence of major platforms in the context of a rapidly changing ecosystem of connective media. Author José van Dijck offers an analytical prism that can be used to view techno-cultural as well as socio-economic aspects of this transformation as well as to examine shared ideological principles between major social media platforms. This fascinating study will appeal to all readers interested in social media.
In Cuba, deceit is routine, paranoia is reasonable, and everything banned thrives out of sight. Elena Miranda, a special-needs teacher, has no idea what lies behind the wall in her bathroom, nor that a ruthless Vietnam vet has come to Havana to retrieve it for his employer. The beautiful woman posing as the American vet's wife is actually with him for only one reason: Her Spanish is fluent, his is nonexistent. What they are there to do is neither an easy nor a pleasant task. Another man is also after what is behind that wall, and other problems complicate the job. Shortly after the Americans arrive, Elena's brother is murdered, and a Havana cop is assigned to the crime. Calmly but relentlessly, Captain Felix Trujillo begins to work on the murder and discovers that the dead man was hardly an upstanding citizen. He does find clues he can use, especially when he becomes aware that he is following not one but a trail of corpses. Hidden in Havana is a shocking story of betrayal and cunning, where the hunters become hunted, the best-laid plans are derailed by greed and virtue, and getting valuable treasure is far less important than getting out of Cuba alive.
The Cold War between the USA and Cuba gets very hot — and sexy — in José Latour’s latest gripping and atmospheric thriller. In the rest of the world, the Cold War is over, but the one between the United States and Cuba is kept stoked by both governments — and by the spies they keep in business. Colonel Victoria Valiente, one of the most respected officers in the General Directorate of Intelligence, is the Havana-based spymaster of greater Miami. An apparently faithful servant of the revolution, she is middle-aged, frumpy, with an IQ off the charts and a libido to match. But her husband has convinced her that Castro’s regime is corrupt and moribund, and that they must defect. Buoyed by $2.7 million that he steals electronically and salts away in an online bank, the couple sails to Key West. They have no idea that the FBI is on to them. The G-men have coerced Elliot Steill, a Cuban exile living in Miami (and the hero of Latour’s previous novel, Outcast), into betraying his former compadres. This crafted, erotically charged novel culminates in an electrifying showdown, offering an inside view into the regime’s darkest corners while shedding light on contemporary Cuba.
Latour’s first novel since his immigration to Canada is a tale of heart-stopping action, deceit, and desperation that sees Elliot Steil race from Miami to Toronto to rescue a fashion model from her kidnappers In Latour's latest novel Jenny Scheindlin, an ex-New York fashion model and daughter of Steil's former boss, has been kidnapped. The abductors choose Steil as intermediary in the negotiations to free her. Two Israeli agents formulate a devious plan to get the ransom to Toronto and bring Jenny home. But Steil is standing on quaking terrain, where nothing is as it seems, and no one can be trusted. Are the kidnappers members of the Islamic Army of Canada as they claim, or is Jenny the victim of an elaborate conspiracy? Is Steil himself a hero on a mission or a patsy who's walked right into a trap? As he tries to stay calm and one step ahead of a frightening and unknown nemesis, a noose is tightening around Steil's neck. Crime of Fashion’s serpentine story and its mix of mystery, international espionage, and deceit make it a nail-biter. Latour is a master of suspense and surprises, and he’s writing at the top of his considerable powers in Crime of Fashion.
Both classical and contemporary social theorists have created a range of frameworks to formulate and develop concepts of social structure. Focusing on the work of the key theorists, Emile Durkheim, Karl Marx, Max Weber, Talcott Parsons and Louis Althusser, Society and its Metaphors maps the linguistic basis of different theories of social structure.
Futures studies is a new field of inquiry involving systematic and explicit thinking about alternative futures. It aims to demystify the future, make possibilities for the future more known to us, and increase human control over the future. This book summarizes and expands contributions of futurists to the envisioning power and well-being of humanity. Bell brings together futurist intellectual tools, describing and explaining not only the methods, but also the nature, concepts, theories, and exemplars of the field.Foundations of Futures Studies fulfills Bell's five main purposes for writing this two-volume effort: (1) to show that futures studies, like other fields from anthropology to zoology, exists as an identifiable sphere of intellectual activity; (2) to create a teaching instrument that can be used as a basic text for core courses in futures studies; (3) to futurize the thinking of specialists in other disciplines; (4) to contribute to the further development and improvement of futures studies; and (5) to provide tools to empower both ordinary people and leaders to act in ways that create better futures for themselves and their societies. Bell maintains that despite its sometimes doomsday rhetorical style and widespread use by special interests, futures studies offers hope for the future of humanity and concrete ways of realizing that hope in the real world of our everyday lives. It will appeal to all interested in futures studies, as well as sociologists, economists, political scientists, and historians.
This book aims to provide useful tips for the understanding of scientific research processes and practical advice for people engaged in this field. It is a reflection of the author's more than 40 years of experience in medical and cancer research, and is written in a colloquial style to reach not only the young audience who are considering devoting their lives to biomedical research, but also to those who are already engaged in this field. The author emphasizes the unique traits and qualifications required for performing scientific research and also describes the different modalities which can be performed in our actual scientific environment. There are numerous practical advices in this book, such as guidelines on writing a grant proposal and the first peer-reviewed manuscript, the selection criteria of the training laboratory and mentors, as well as keeping records of experimental data. The author also provides his insight on the personal inner drive and motivation critical for conducting scientific research, as well as the importance of working on a problem without losing the human perspective of this specific and unique human endeavor.
From the potent properties of X rays evoked in Thomas Mann's Magic Mountain to the miniaturized surgical team of the classic science fiction film Fantastic Voyage, the possibility of peering into the inner reaches of the body has engaged the twentieth-century popular and scientific imagination. Drawing on examples that are international in scope, The Transparent Body examines the dissemination of medical images to a popular audience, advancing the argument that medical imaging technologies are the material embodiment of collective desires and fantasies--the most pervasive of which is the ideal of transparency itself. The Transparent Body traces the cultural context and wider social impact of such medical imaging practices as X ray and endoscopy, ultrasound imaging of fetuses, the filming and broadcasting of surgical operations, the creation of plastinated corpses for display as art objects, and the use of digitized cadavers in anatomical study. In the early twenty-first century, the interior of the body has become a pervasive cultural presence - as accessible to the public eye as to the physician's gaze. Jose van Dijck explores the multifaceted interactions between medical images and cultural ideologies that have brought about this situation. The Transparent Body unfolds the complexities involved in medical images and their making, illuminating their uses and meanings both within and outside of medicine. Van Dijck demonstrates the ways in which the ability to render the inner regions of the human body visible - and the proliferation of images of the body's interior in popular media - affect our view of corporeality and our understanding of health and disease. Written in an engaging style that brings thought-provoking cultural intersections vividly to life, The Transparent Body will be of special interest to those in media studies, cultural studies, science and technology studies, medical humanities, and the history of medicine.
A textbook for an introductory course in sociology that is experiential, participative, image-driven, and connected (EPIC). Emphasis is given to history, sociological methodology, and applications in related fields. Timeline is especially image-rich and illustrative of the development of sociology through interactions. Theoretical consideration are each accompanied by diagrams and illustrations from actual experience with suggested participative activities.
Cardiac Electrophysiology: From Cell to Bedside puts the latest knowledge in this subspecialty at your fingertips, giving you a well-rounded, expert grasp of every cardiac electrophysiology issue that affects your patient management. Drs. Zipes, Jalife, and a host of other world leaders in cardiac electrophysiology use a comprehensive, multidisciplinary approach to guide you through all of the most recent cardiac drugs, techniques, and technologies. Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability. Compatible with Kindle®, nook®, and other popular devices. Get well-rounded, expert views of every cardiac electrophysiology issue that affects your patient management from preeminent authorities in cardiology, physiology, pharmacology, pediatrics, biophysics, pathology, cardiothoracic surgery, and biomedical engineering from around the world. Visually grasp and easily absorb complex concepts through an attractive full-color design featuring color photos, tables, flow charts, ECGs, and more! Integrate the latest scientific understanding of arrhythmias with the newest clinical applications, to select the right treatment and management options for each patient. Stay current on the latest advancements and developments with sweeping updates and 52 NEW chapters - written by many new authors - on some of the hottest cardiology topics, such as new technologies for the study of the molecular structure of ion channels, molecular genetics, and the development of new imaging, mapping and ablation techniques. Get expert advice from Dr. Douglas P. Zipes - a leading authority in electrophysiology and editor of Braunwald’s Heart Disease and the Heart Rhythm Journal - and Dr. Jose Jalife - a world-renowned leader and researcher in basic and translational cardiac electrophysiology. Access the full text online at Expert Consult, including supplemental text, figures, tables, and video clips.
A practical, protocol-oriented guide to the practice of neurology in the hospital setting A Doody's Core Title for 2019! Hospital neurology is one of the fastest growing subspecialties within neurology. Running an efficient and effective neurohospitalist line is important to the financial success of hospitals and the physicians employed there. Many neurology patients also have internal medicine problems, and often it is a general hospitalist without neurology training who treat these patients. These physicians sorely need more information on neurology. Conversely, neurologists caring for these patients have only had one year of internal medicine training and require more guidance on medical problems. Given these realities, there is a need for a resource on hospital neurology. With The Hospital Neurology Book, Drs. Salardini and Biller have created a practical, concise, and useful work that guides both neurologists and internists in the areas in which their training is currently not sufficient for hospital practice. The Hospital Neurology Book features a highly readable format, providing information physicians can act upon, including recipes and protocols for patient care and question-based chapter headings that lead physicians to the exact issue they are dealing with in the moment. Each chapter (or chapter section as appropriate) opens with a case study, setting the stage in a highly practical manner, and ends with high yield summary points useful for consolidating learning.
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