Félix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget -- and to hide. A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.
Winner of the 2017 Dublin International Literary Award Shortlisted for the Man Booker International Prize 2016 "Who is this solitary young woman on the top floor of a luxury building in Luanda, Angola’s capital, and why has she walled off her apartment? Her name is Ludo…Her brooding presence is inescapable” — Kirkus Reviews On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive and writing her story on the apartment’s walls. Almost as if we’re eavesdropping, the history of Angola unfolds in A General Theory of Oblivion through the stories of those Ludo sees from her window in a a wild patchwork of a novel, playing on a love of storytelling and fable.
Félix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget -- and to hide. A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.
Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.
A luminous collection of dryly humorous stories that revel in the surreal and fantastic, from the pen of José Eduardo Agualusa, winner of the International Dublin Literary Award Perfect for readers of Haruki Murakami, Julio Cortázar, and Namwali Serpell’s The Old Drift Vividly translated into English for the first time by long-time Agualusa collaborator Daniel Hahn, the jewel-like tales gathered in this collection are an exuberant celebration of story-telling in all its various forms. On the sands of Itamaracá, an old fisherman dreams of fish: shad in the morning, when the water’s smooth and silvery, the Atlantic tarpon after it rains, and a jack when the sea goes blue. Elsewhere, Borges sulks away in a plantation of neverending banana tree, and the president of the United States wakes from a coma speaking only Portuguese. With “the lyrical experimentalism and unabashed weirdness of the surrealist” (The Arts Desk), Agualusa offers a sly wink to the fictional quality inherent in all narratives, whether they’re fishermen’s tales, national histories, or the stories we tell ourselves.
Shortlisted for the Man Booker International Prize A Portuguese woman shuts herself away after the Angolan War of Independence in this stunning novel from a master storyteller whose writing evokes Gabriel García Márquez and J.M. Coetzee. On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive, and writing her story on the apartment's walls. As the country goes through various political upheavals—from colony to socialist republic to civil war to peace and capitalism—the world outside seeps into Ludo’s life through snippets on the radio, voices from next door, glimpses of someone peeing on a balcony, or a man fleeing his pursuers. Almost as if we're eavesdropping, the history of Angola unfolds through the stories of those she sees from her window . . . A General Theory of Oblivion is a perfectly crafted, wild patchwork of a novel, playing on a love of storytelling and fable.
Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.
A luminous collection of dryly humorous stories that revel in the surreal and fantastic, from the pen of José Eduardo Agualusa, winner of the International Dublin Literary Award Perfect for readers of Haruki Murakami, Julio Cortázar, and Namwali Serpell’s The Old Drift Vividly translated into English for the first time by long-time Agualusa collaborator Daniel Hahn, the jewel-like tales gathered in this collection are an exuberant celebration of story-telling in all its various forms. On the sands of Itamaracá, an old fisherman dreams of fish: shad in the morning, when the water’s smooth and silvery, the Atlantic tarpon after it rains, and a jack when the sea goes blue. Elsewhere, Borges sulks away in a plantation of neverending banana tree, and the president of the United States wakes from a coma speaking only Portuguese. With “the lyrical experimentalism and unabashed weirdness of the surrealist” (The Arts Desk), Agualusa offers a sly wink to the fictional quality inherent in all narratives, whether they’re fishermen’s tales, national histories, or the stories we tell ourselves.
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