From the award-winning author of Sunset Rider comes the story of a man coming home from war—only to discover that the fight is far from over... No one much noticed the strangers until they started buying drinks for everyone in the house. In their black dusters, they looked more like undertakers than the cold-blooded executioners they really were. As the saloon filled to capacity, no one noticed them slipping out, one by one. But when the strangers finally left town, the blood was already flowing. Joby Redmond was coming home just as they were departing. Joby thought he’d seen the last of Zeke Popper when he’d put the man behind bars for deserting the army and going on a violent rampage. Joby also thought he’d seen the last of war. But when he returns to find his stable full of butchered horses, his sister ravaged, and his wife kidnapped, Joby vows to start his own war. And he's going to make Zeke and his gang wish they’d died a long time ago... "One of the premier storytellers of the American West.” —Don Coldsmith "An outstanding storyteller."—Tulsa World “JORY SHERMAN IS A NATIONAL TREASURE.” —LOREN D. ESTLEMAN
This “profoundly moving novel” follows the life of an Italian soldier from Venice to Russia and back in “a gripping, richly evocative” epic of WWII (Alex Preston). Russia, 1943. Aldo Gardini, a conscripted soldier in Mussolini’s army, has been taken prisoner. In the brutal Russian POW camp, he is consumed with a desire for vengeance—not against the Russian guards, but against his father’s murderer back home. But then he meets a girl from Leningrad through the barbed wire. When Katerina sees the starving prisoner, she reaches her hand through the wire to hand him a crust of bread. It is an unexpected kindness that Aldo will never forget. The memory of Katrina keeps Aldo alive on his long journey home. But back in Venice, Aldo is divided between his love for the girl who saved his life, his unfulfilled desire to seek justice for his father. Reaching from pre-war Venice and Leningrad through the horrors of the Second World War and beyond, The Art of Waiting is a sweeping narrative of love and loss, brutality and hope for redemption.
Fresh from a war with rival rancher Miguel Aguilar, and still licking family wounds, Martin Baron and his son, Anson, go their separate ways as Jory Sherman continues the epic saga of the Barons. Martin heeds the call of the Texas Rangers, hoping to restore honor to his native Texas as the storm of war quickly approaches. News from the east speaks of a long and drawn out conflict between the Union and the Confederacy. Though Martin never believed in slavery and holds no loyalty to the Confederacy, the Rangers seem like his best bet to defend his home, and perhaps give him the opportunity to bring Aguilar to justice. Unlike his father, whom he sees as abandoning the ranch in its time of greatest need, Anson stays behind to pick up the pieces after the war. He wishes to bring the Barons' ranch to new glory, but to do so, he'll need to capture the elusive white bull, El Blanco Diablo, to sire his herd. And of course there's Lorene Purvis, the beautiful woman who's pledged her love to Anson; she may be the key to a new start. The trail soon grows rocky for the Baron men. When Aguilar escapes after a bloody ambush, he has nothing but revenge against the Baron family festering in his head. Meanwhile, Anson's vaqueros have abandoned the Baron ranch, and a band of Apache have set their sights on making it their own the only way they know how . . . by killing the man who runs it. The Barons have always been respected, but as rough times roll in, they're forced to reevaluate where their friends' loyalties lie, while also questioning their own. One thing's for sure, they won't lay down without a fight, and they'll do anything to defend The Baron Honor. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Brad Chambers is a shell of a man. The Confederate Cavalry of the West is disbanded. The South’s cause is lost forever. And he’s seen too much blood and death for one man’s lifetime. All he wants is a reason to go on. He finds it when his hated nemesis, Abel Thorne, burns a trail of destruction across Texas, slaughtering ex-slaves and wealthy landowners who have bowed to the Union. Chambers has waited years to find Thorne—the man who caused the destruction of his home and family—and now the time for vengeance is at hand. But to track down Thorne, he will have to do the unthinkable, and fight alongside his old enemy—the Union Army...
Old friends meet new enemies in this gun-smoked Ralph Comptonwestern. Chip Chippendale met Ransom Barnes after the War Between the States, when the two cowboys drove a herd up from Texas together. But when Chip first laid eyes on Wyoming, he knew he was home, and the two friends split off on different trails. Each man now has his own ranch, but when Ransom’s home is attacked and burned by a band of marauders, he is faced with ruin—and makes matters worse by gunning down the leader’s son. A target of the most vicious renegade on the high plains, Ransom turns to his old friend Chip. And Chip never forgets his friends—even if it means risking his own life.
Ollie Hobart has murdered his way from Colorado to Arizona, lining his pockets with gold along the way. He has outlived every bandit who has ridden with him, always staying one step ahead of the law. Now, allied with a band of renegade Navajos, he believes there’s no one to stop him from raiding every mine surrounding Tucson. John Savage is one of Hobart’s victims, losing his family in a hail of gunfire from the merciless killer. He has taken his revenge against every member of Hobart’s gang, but the man himself continues to elude vengeance. Savage has sworn that Hobart will not leave Tucson alive, and in the final moments of his bloody quest he will learn whether the inscription on his silver-inlaid pistol is a blessing or a curse: “Don't draw me without reason, nor keep me without honor.”
A STING SO DEADLY After weeks of casing a ranch for its prized remuda, a gang of horse thieves pillage everything—leaving the owner’s wife dead. Before the distraught man can drown himself in booze, Harry Pendergast of the Denver Detective Agency offers him a chance for vengeance. Because this time, the victim is Brad Storm…aka the Sidewinder. It seems that Brad’s ranch isn’t the only one that’s been brutally hit. There’s a huge reward to track down the powerful thieves. But the hunt won’t be easy, taking the Sidewinder into dangerous territories and bloody battles. So when a showdown in Wild Horse Valley becomes imminent, Brad hatches a plan—one he hopes will have the villains recoiling in fear before the Sidewinder strikes back.
Considering the relevance of teachers‘ diagnostic competence for understanding students’ thinking and providing effective learning opportunities, Macarena Larrain investigates the development of future primary school teachers’ diagnostic competence in error situations already during initial teacher education. Using video vignettes of classroom situations and samples of students’ work, the author focuses on fostering future teachers’ competence to identify students’ errors, elaborate hypotheses about the causes of those errors and to design appropriate strategies for supporting students in overcoming their misconceptions. She also describes aspects of teachers’ knowledge, beliefs and experience that are relevant for the competence and its development.
In an eerie preview to the Civil War, the Rio Grande Valley girds itself for battle as Martin Baron, head of the Baron family empire, struggles against greedy Matteo Aguilar, who threatens everything that Martin has built for himself. When Aguilar sends his vaqueros and assassins to take the Barons down, he starts a bloody war that won't stop until one of them is dead. As the treachery continues to escalate, the Barons find themselves in a life-or-death-struggle that will change an entire family and an entire region forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Jory Sherman's first book for Gallivant Press, The Hills of Eden, is a deeply personal look at the green highlands of Missouri and Arkansas. His work could easily be described as a travel book. He does lead the reader down beautiful and poignant mountain highways and long-forgotten back roads to places that reflect the timeless legacy and unforgettable characters of the Ozarks. As he has written: "All the dirt roads lead somewhere, and I have followed many of them since that first morning, a wanderer and an explorer, never expecting anything but always finding something of great value, whether it be a diamond-strewn creek in sunlight or a midnight river full of dancing stars, or a verdant woodland glade." Or maybe it's a memoir of the time Sherman spent in the highlands, the time, he says, that was both mystical and magical "as if the green spring hills were being born at just that moment, as if they had lain dormant beneath a low sky full of heavy clouds, waiting for that first kiss of sunlight, waiting for me." He has written: "These green hills and memory percolates up through the thick layers of civilization in my mind ... The hills that first morning arose out of a thick mist like some Brigadoon stage set that appears only once in a span of years, then disappears until another generation spawns." Others may prefer to use The Hills of Eden as a devotional because the power and the passion of his writing, the depth of his insights, the raw energy of his thoughts are stimulating, motivational, and inspiring. His words, his stories, those he met within the highlands remain firmly implanted in your mind long after the final pages have been read. As Jory Sherman remembers: "I discovered long ago that it's not the things that last. It's not the things we see and touch which endure in reality, but the images of those things that are important to us, that seem to mirror memories in the soul. The images are those intangibles that we can summon from some deep place inside us and relive and enjoy again and again, though we be far from home, far from the hills and hollows that we have journeyed through to find our own truths, our own personal mythology." As reviewer Lee Kirk wrote: "This is the sort of book that may be pulled down again and again on those days when you're feeling blue, or when you're somewhere else and need to smell and feel the Ozarks one more time.
Gunman's Curse Everyone has enemies, but some won't rest until they've evened the score... Jack Blood rode toward the ranch looking forward to seeing his beautiful Gina and his little boy. But there was a strange silence. Turkey buzzards circled over the house, and no smoke rose from the chimney. And now Blood would ride. Alone. He too had a mission, and only death would complete it. COLD BLOOD Jubal's men were a wild bunch of lone riders and they were out for the easy kill...
The Nomad: Lew Zane believed he was delivering justice—not vengeance—when he tracked down and killed the men who murdered his parents. But taking the law into his own hands has taken its toll on his soul. Ridding himself of his land and property, Lew plans to leave Arkansas for good and put the past behind him. The Kidnappers: They are the patriarchs of the most respected and wealthiest families in the territory—and the fathers of the men Lew Zane executed. They’ve abducted Seneca Jones, the woman Lew loves, hoping to lure him into a death trap. The Outlaw: Lew’s enemies have underestimated him. He has nothing left to lose, and no fear of the consequences of his actions—which will brand him as a wanted man for the rest of his life.
ACE IN THE HOLE Gunn hears a woman's sobs coming from a lone wagon. He stops to see if he can be of service but is met by the snout of a cocked pistol. The woman holding it is Debbie Barnes, young, pretty and well-endowed. In the wagon is her father Caleb, a gambler who has been pistol-whipped and tarred and feathered by some roughnecks hired by Nat Larrabee. Larrabee, owner of one of the largest gambling halls in town, wants revenge on Caleb after he won too much money. Feeling more than pity for the blue-eyed beauty, Gunn offers his help—only to find that he'll have to lay a lot more than his cards on the table...
A remarkable and unforgettable memoir from the first man with autism to attend Oxford on a Rhodes scholarship, revealing what life is really like inside a world constructed for neurotypical minds while celebrating the many gifts of being different"--
In the introduction to his commentary on Romans, Martin Luther wrote, “This Epistle is really the chief part of the New Testament and the very purest Gospel and is worthy not only that every Christian should know it word for word, by heart, but occupy himself with it every day, as the daily bread of the soul. It can never be read or pondered too much, and the more it is dealt with the more precious it becomes, and the better it tastes” (Martin Luther, Commentary on Romans, xiii). Luther was right. Paul’s letter to the Romans should be the Christian’s daily bread for the soul. This book goes through Romans verse by verse—helping us to understand what Christianity is. The focus is on the difference between religion—humanity reaching for God—and Christianity—God reaching for humanity.
This innovative and evidence-based book provides practical and transformative guidance on how to help clients struggling with chronic and acute musculoskeletal pain through yoga and remedial exercise. Using a holistic framework that addresses the physical, mental and emotional challenges of chronic pain, Jory Serota offers a wide range of tools yoga therapists and bodyworkers can use to empower clients and help them work with their bodies intuitively. It includes photographs with step-by-step instructions for practice, all of which include adaptations to meet a range of ability and mobility. Common areas of chronic pain are discussed in depth, including the lower back, knees, hips, sacroiliac joint and glutes, shoulders, and neck, allowing practitioners to address specific concerns and maximise healing. Practitioners will benefit from full yoga sequences and will be able to expand their offering by practically and confidently addressing the widespread struggle of chronic musculoskeletal pain.
The Bible is not one book. It is a compilation of sixty-six books, or writings. And even though these were written by some forty different authors over a period of 1500 years, there is an integrated message that runs throughout the Bible. Unfortunately, we often get our exposure to the Bible piecemeal. For the church goer, each week a small sliver of the biblical text is reviewed, without a mechanism that puts all of these pieces into an integrated whole. What we read or hear can seem disjointed. How is the book of Leviticus connected to the book of Hebrews? How is John’s reason for writing his Gospel related to Psalm 2? How do we connect the covenant ceremony of Genesis 15 with the cross—much less understand that ceremony to begin with? Why is the book of Ruth included as part of the Bible? What does it have to do with anything? Or better yet, why do we have the book of Esther—where God is not mentioned at all? What makes each of these important? How are they related, or are they? In short, how is God’s story—God’s revelation—unified? That’s where A Forty-Day Study of the Biblical Story comes in. It looks at how each of the elements of the Bible contribute to an integrated whole. And the lens used to see Scripture in a unified way is Jesus. Everything we look at is done in the context to how it relates to Jesus and how it contributes to the Bible’s unified message. We learn why an obscure Galilean carpenter has become the center of all of history.
2016 CHOICE Outstanding Academic Title Since the 2006 coup d'état, Thailand has been riven by two opposing political visions: one which aspires to a modern democracy and the rule of law, and another which holds to the traditional conception of a kingdom ruled by an exemplary Buddhist monarch. Thailand has one of the world's largest populations of observant Buddhists and one of its last politically active monarchies. This book examines the Theravada Buddhist foundations of Thailand's longstanding institution of monarchy. Patrick Jory states that the storehouse of monarchical ideology is to be found in the popular literary genre known as the Jātakas, tales of the Buddha's past lives. The best-known of these, the Vessantara Jātaka, disseminated an ideal of an infinitely generous prince as a bodhisatta or future Buddha—an ideal which remains influential in Thailand today. Using primary and secondary source materials largely unknown in Western scholarship, Jory traces the history of the Vessantara Jātaka and its political-cultural importance from the ancient to the modern period. Although pressures from European colonial powers and Buddhist reformers led eventually to a revised political conception of the monarchy, the older Buddhist ideal of kingship has yet endured.
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