Painted Men in Britain, 1868-1918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke and their contemporaries in the Royal Academy. The book argues against the misconception of British academic art as merely reactionary and even blind to the dynamism of its own time; instead, this art is shown to engage with broader social attitudes and contemporary sexual debates.
The Cowboy, Reconsidered: the enduring myth of the cowboy is a richer, more diverse story than most understand. In this survey, some of the most important artists working today take up the cowboy through the lens of queer, Black, Asian, and Latinx perspectives. Perhaps no other figure in the American popular imagination conjures the respect, mystery, and adoration than that of the cowboy. And it’s long been a favorite subject of artists from the early twentieth century to today. In this unique exhibition and accompanying catalogue, the cowboy is explored in depth from diverse perspectives and lived experience, ushering in a new vision for this long-standing pop icon. Director and co-curator Nora Burnett Abrams considers the cowboy through historical perspectives, breaking down the myth and mystique. In an extended interview, co-curator Miranda Lash talks with queer Latinx artist rafa esparza who considers the vaquero (the Spanish term for cowboy) and the influence of norteño culture in his work. Jongwoo Jeremy Kim provides an in-depth analysis of artist Kenneth Tam’s practice and deeper discussion of Asian American masculinity, sexuality, and how they are represented. Myeshia Babers shares the history of the Black rodeo cowboy, and how this figure performs and functions today, and artist R. Alan Brooks conjures the history of Dearfield, Colorado, one of the earliest Black homesteading communities in the state, through a dream-like short graphic novel. Artist List: John Baldessari, R. Alan Brooks, Mel Chin, Gregg Deal, Angela Ellsworth, rafa esparza, Fabian Guerrero, Juan Fuentes, Karl Haendel, Luis Jiménez, Kahlil Joseph, Grace Kennison, Deana Lawson, Matthew J. Mahoney, Laurel Nakadate, Richard Prince, Otis Kwame Quaicoe, Akasha Rabut, Lucy Raven, Ken Taylor Reynaga, Yumi Roth in collaboration with Emmanuel David, Ana Segovia, Amy Sherald, Stephanie Syjuco, Kenneth Tam, Andy Warhol, and Nathan Young
An original and overdue exploration of the representation of masculinity in British academic art in the late nineteenth and early twentieth centuries, Painted Men in Britain, 1868-1918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke, and their contemporaries in the Royal Academy. This volume treats paintings as eloquent objects, no narratives of which are too elusive to be traced, and challenges conventional binaries of masculine versus feminine or heterosexual versus homosexual. Consulting not only the paintings themselves but also newspapers, journals, criticism, novels, and poetry of the day, Painted Men argues against the misconception of British academic art as merely reactionary and even blind to the dynamism of its own time. Instead, this art is shown to engage with broader social attitudes and contemporary sexual debates. As the book reveals the complexities of specific paintings, it illuminates different and competing attitudes toward masculinity and modernity in British art of the period."--Provided by publisher.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.