Minas Gerais is a state in southeastern Brazil deeply connected to the nation’s slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory’s development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region’s “Minas Baroque,” the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil’s unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milton Nascimento recorded a landmark double-LP titled Clube da Esquina (Corner Club). The album saw highly original songs by Milton, already an award-winning international star, sharing vinyl with those of Lô Borges, an unknown eighteen-year-old from Belo Horizonte, the capital of the state of Minas Gerais. There, where the street "corner" still exists, grew their collective also known as the Corner Club, as the artists collaborated on many subsequent albums boasting innovative blends of pop, jazz, rock, folk, classical influences, and, before Brazil's return to civilian rule in 1985, poignant protest songs aimed at a cruel dictatorship. Drawing on a thirty-year relationship with Minas Gerais that includes interviews with Corner Club members and extensive research of Portuguese language sources, Jonathon Grasse presents an analysis of the artists, songs, and ideas comprising the LP that helps define this Brazilian generation. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
Minas Gerais is a state in southeastern Brazil deeply connected to the nation’s slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory’s development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region’s “Minas Baroque,” the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil’s unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milton Nascimento recorded a landmark double-LP titled Clube da Esquina (Corner Club). The album saw highly original songs by Milton, already an award-winning international star, sharing vinyl with those of Lô Borges, an unknown eighteen-year-old from Belo Horizonte, the capital of the state of Minas Gerais. There, where the street "corner" still exists, grew their collective also known as the Corner Club, as the artists collaborated on many subsequent albums boasting innovative blends of pop, jazz, rock, folk, classical influences, and, before Brazil's return to civilian rule in 1985, poignant protest songs aimed at a cruel dictatorship. Drawing on a thirty-year relationship with Minas Gerais that includes interviews with Corner Club members and extensive research of Portuguese language sources, Jonathon Grasse presents an analysis of the artists, songs, and ideas comprising the LP that helps define this Brazilian generation. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
What is a hangover? How does it feel to suffer from one? What can hangovers tell us about the way attitudes to alcohol have developed over time? In the humanities, why have we neglected the subject of the hangover in our critical discussions of alcohol and intoxication? In the first comprehensive study of the hangover in literature and culture, Jonathon Shears sets out to answer each of these questions by exploring the representation of ‘the morning after’ in a wide variety of texts ranging from the Renaissance to the present day. The book looks at what examples of ‘hangover literature’ from writers such as Ben Jonson, Robert Burns, Charles Dickens, Kingsley Amis and A.L. Kennedy can add to our personal and cultural understanding of alcohol use. It demonstrates that, more than just a cluster of physical symptoms, the hangover is a complex interplay of sensations and emotions with a fascinating cultural history.
What makes a battle decisive? Jonathon Riley draws on his personal experience as a soldier and historian to explore the definitive battles of the modern era from Yorktown in 1781 to Operation Desert Storm in 1991. Each battle included is a turning point, the outcome of which has changed the face of history. The battles at Ligny, Quatre Bras and Waterloo in 1815 concluded more than twenty years of war with Revolutionary and Napoleonic France and instituted alliances that dominated Europe until 1860. The Ardennes in 1944 was decisive because Hitler threw away the last army he had which could have stalled the Allied advance into Germany. The war ended less than five months later. Dien Bien Phu confirmed the collapse of French colonial power in Indo-China, and paved the way for US involvement in Vietnam to stem the tide of Communist expansion. Since Operation Desert Storm no battle can be said to have been decisively concluded and the closing chapter looks to 21st century emergencies where opponents abandon conventional conflict.
The monument to Isaac Brock (17691812) on Queenston Heights in Canada, as high as Nelsons column in London, pays tribute to the military commander of all troops opposing the American invasion of Canada during the War of 1812. Brocks service during the War of 1812 includes leading the capture of Detroit. He was killed on the morning of 13 October 1812, leading a company of the 49th Foot in a counter-attack on the American lodgement atop Queenston Heights. Although Brock died and his uphill charge against the American muskets failed, the invasion was repulsed soon afterwards.A Matter of Honour focuses on Brocks career as a military commander and also as a civil administrator for the government of Upper Canada. Early chapters deal with his life and military service up to 1791. The book also records his command of the 49th Regiment in the Low Countries and at Copenhagen up to his arrival in Canada in 1802. Brock spent more time in Canada than any other British general who fought in the War of 1812. He faced a difficult situation in Canada, defending a long frontier with meagre resources. However, he was renowned for his resourcefulness, inspiring leadership and ability to keep opponents off-balance
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