In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern.
This book examines how Rwandan elites within the government, private sector and civil society perceive the nation’s political and economic relationship with the international community. Using testimonies and interviews of Rwandan political, military and economic leaders, and bureaucrats, this book examines the intersubjective beliefs that formulate how Rwanda engages with the international community. The book presents and analyses three primary intersubjective themes: historical and possible future abandonment of Rwanda; implementing an ideology of agaciro to promote self-respect, dignity and self-reliance for state security and economic development; and the belief in the government’s obligation to promote human security for those who identify as ‘Rwandan’. These perceptions help us understand how post-genocide Rwanda engages with the international community in the pursuit of state security, economic development and to prevent a future genocide. This book will be of interest to students and scholars of African politics and international relations as well as the politics of post-genocide states.
This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more.
This book is a demonstration of the richness, worth and vitality of Australian documentary record. At the same time, it is an introduction to collecting Australiana for those who, if not already bitten by the book bug, have been dangerously exposed to it. Readers who are immune to the attractions of collecting but who value our past and its books will also find something to interest them in the following pages.
The public schools of England have long been praised and reviled in equal measure. Do they perpetuate elites and unjust divisions of social class? Do they improve or corrupt young minds and bodies? Should they be abolished? Are they in fact the form of education we would all wish for our children if we could only afford the fees? Jonathan Gathorne-Hardy's classic study of Britain's 'independent sector' of schools first appeared in 1977 and still stands as the most widely admired history of the subject, ranging across 1400 years in its spirited investigation. Provocative and comprehensive, witty and revealing, it traces the arc by which schools that were, circa 1900, typically 'frenziedly repressive about sex, odiously class-conscious and shut off into tight, conventional, usually brutal little total communities' gradually evolved into acknowledged centres of academic excellence, as keen on science as organised games, 'fairly relaxed about sex, and moderate in discipline' - but to which access still 'depends largely on class and entirely on money.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book draws together for the very first time examples of the 'aesthetic pacifism' practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. In addition, the book outlines the stories of those less well-known who shared the mind-set of the Bloomsbury Group when it came to facing the first 'total war'. The research for this study took five years, gathering evidence from all the major archives in Great Britain and abroad. This is the first time that such wide-ranging evidence has been placed together in order to paint a complete picture of this fascinating form of anti-war expression.
In the middle of the First World War, the British War Cabinet approved and issued a statement in the form of a letter that encouraged the settlement of the Jewish people in Palestine. Signed by the Foreign Secretary Arthur Balfour, the Balfour Declaration remains one of the most important documents of the last hundred years. Jonathan Schneer explores the story behind the declaration and its unforeseen consequences that have shaped the modern world, placing it in context paying attention to the fascinating characters who conceived, opposed and plotted around it - among them Lloyd George, Lord Rothschild, T.E. Lawrence, Prince Faisal and Aubrey Herbert (the man who was 'Greenmantle'). The Balfour Declaration brings vividly to life the origins of one of the world's longest lasting and most damaging conflicts.
The enthralling story of the 1992 Cricket World Cup. Interviews with star players such as Derek Pringle, Phillip DeFreitas, Gladstone Small, Brian McMillan and Gavin Larsen help bring to life the greatest ever Cricket World Cup. Ruling the World brings all the drama and excitement of 1992 to contemporary onlookers and to a new generation of fans.
I Love You Baby sets out to show parents how they can meet the emotional needs of their children, so that they will become happy and well balanced adults. Since adults also have emotional needs, parents are shown how to meet them for one another, so that their relationship will endure until the nurturing of their children is completed.Adult relationships and the rearing of children are based on love and so the book explains the differences between romantic love between parents and the love between parents and their children.Most parents take care of their children’s physical needs very adequately, especially when they are babies and those needs are simple; being fed, kept warm and dry. It is in the area of emotional support that they often fail them, such as providing affirmation, addressing problems and imposing proper discipline. Inadequate parenting is a consequence of parents having virtually no knowledge of how good parenting is achieved because nobody ever told them how it should be done, and they did not learn about it from their own parents. For, unlike other jobs, there is no training and no exam to pass before one becomes a ‘qualified’ parent. This book provides all the information parents will ever need to have a solid partnership and achieve a good standard of parenting. It also encourages prospective mums and dads to face the reality of what can go wrong because of a lack of knowledge. It is written by an author who has spent many years working with voluntary organisations to help troubled adults work through childhood traumas, that, in turn, led Jonathan to devise a course in psychology for parents...which has become I Love You Baby.
Book History is the annual journal of the Society for the History of Authorship, Reading and Publishing, Inc. (SHARP). Book History is devoted to every aspect of the history of the book, broadly defined as the history of the creation, dissemination, and the reception of script and print. Book History publishes research on the social, economic, and cultural history of authorship, editing, printing, the book arts, publishing, the book trade, periodicals, newspapers, ephemera, copyright, censorship, literary agents, libraries, literary criticism, canon formation, literacy, literacy education, reading habits, and reader response.
This is an essential guide to teaching primary English, with a focus on systematic synthetic phonics. The new edition has been fully revised and updated to reflect the structure, content and requirements of the national curriculum, and to include the latest policy context. Throughout, the range of underpinning literature has been expanded and there are completely new chapters on evidence based teaching in relation to phonics, reading for pleasure, and teaching English through texts. All the existing features have been retained, and each chapter now also includes: a section on integrating ICT extension questions to challenge M level readers sections on evidence-based practice to encourage critical reflection and debate
The authorized and sweeping biography of one of America’s most complex, influential, and enduring poets In the extraordinary generation of American poets who came of age in the middle of the twentieth century, James Wright (1927–1980) was frequently placed at the top of the list. With a fierce, single-minded devotion to his work, Wright escaped the steel town of his Depression-era childhood in the Ohio valley to become a revered professor of English literature and a Pulitzer Prize winner. But his hometown remained at the heart of his work, and he courted a rough, enduring muse from his vivid memories of the Midwest. A full-throated lyricism and classical poise became his tools, honesty and unwavering compassion his trademark. Using meticulous research, hundreds of interviews, and Wright’s public readings, Jonathan Blunk’s authorized biography explores the poet’s life and work with exceptional candor, making full use of Wright’s extensive unpublished work—letters, poems, translations, and personal journals. Focusing on the tensions that forced Wright’s poetic breakthroughs and the relationships that plunged him to emotional depths, Blunk provides a spirited portrait, and a fascinating depiction of this turbulent period in American letters. A gifted translator and mesmerizing reader, Wright appears throughout in all his complex and eloquent urgency. Discerning yet expansive, James Wright will change the way the poet’s work is understood and inspire a new appreciation for his enduring achievement.
What happens when the defining moment of your life might be a figment of your imagination? How do you understand -- and live with -- definitive feelings of having been abused when the origin of those feelings won't adhere to a singular event but are rather diffused across years of experience? In Bullied: The Story of an Abuse, Jonathan Alexander meditates on how, as a young man, he struggled with the realization that the story he'd been telling himself about being abused by a favorite uncle as a child might actually just have been a “story” -- a story he told himself and others to justify both his lifelong struggle with anxiety and to explain his attraction to other men. Story though it was, Alexander maintains that some form of abuse did occur. In writing that is at turns reflective, analytic, and hallucinatory, Alexander traces what it means to suffer homophobic abuse when such is diffused across multiple actors and locales, implicating a family, a school, a culture, and a politics -- as opposed to a singular individual who just happened to be the only openly gay man in young Alexander's life. Along the way, Alexander reflects on Jussie Smollett, drug abuse, MAGA-capped boys, sadomasochism, Catholic priests, cruising, teaching young adult fiction about rape, and a host of other oddly but intimately related topics.
Among the six daughters and one son born to David, second Lord Redesdale, and his wife Sydney were Nancy, the novelist and historian; Diana, who married fascist leader Sir Oswald Mosley; Unity, friend of Hitler; Jessica, who became a communist and then an investigative journalist; and Deborah, Duchess of Devonshire and mistress of Chatsworth. 'The Mitford Girls', as John Betjeman called them, were one of the twentieth century's most controversial families; said to be always either in shrieks of laughter or floods of tears, they were glamorous, romantic and - especially in politics - extreme. Yet the teasing, often bordering on cruelty, the flamboyant contrasts and the violent disagreements, hid a powerful affection, subtle likenesses in character and a powerful underlying unity.
Intelligence Work establishes a new genealogy of American social documentary, proposing a fresh critical approach to the aesthetic and political issues of nonfiction cinema and media. Jonathan Kahana argues that the use of documentary film by intellectuals, activists, government agencies, and community groups constitutes a national-public form of culture, one that challenges traditional oppositions between official and vernacular speech, between high art and popular culture, and between academic knowledge and common sense. Placing iconic images and the work of celebrated filmmakers next to overlooked and rediscovered productions, Kahana demonstrates how documentary collects and delivers the evidence of the American experience to the public sphere, where it lends force to political movements and gives substance to the social imaginary.
In his lifetime Gielgud was acclaimed as the finest classical actor of the twentieth century and Jonathan Croall's biography from 2000 was instantly recognised by critics as a masterful achievement, one that was 'unlikely to be surpassed' (Sunday Telegraph). Since that time however a considerable amount of new material has come to light and the passing of time has allowed a new candour. John Gielgud: Matinee Idol to Movie Star sees this peerless biographer return to his subject to offer the definitive life of Gielgud. For this new biography Croall's exhaustive research has included over a hundred new interviews with key people from his life and career, several hundred letters from Gielgud that have never been published, scores of letters written to him and archived versions of his film and television work. As Gielgud worked increasingly in this medium during the last third of his life much greater attention is given to this than in the earlier work. Fresh light is thrown on his professional relationships with figures such as Laurence Olivier and Edith Evans, and on turbulent episodes of his private life. The overall result is a a much more rounded, candid and richly textured portrait of this celebrated and complex actor.
You are an Arkham Investigator – your choices will decide the outcome of a terrible murder mystery and a sinister plot threatening Arkham – in this brand new gamebook adventure in the world of Arkham Horror When a renowned professor is found dead, his body melted, it’s up to the Investigators of Arkham to discover what occult horrors were behind his fate. Pick your path, Investigator, and collect allies along the way to hunt down his killer before they strike again. However, Arkham is full of mysteries, with many wishing to keep the truth buried, and who are hungry to usher in a new era full of death and darkness to devour the world you know it. Can you stop it before it is too late?
Who played the best pranks on his fellow team-mates? Which member of the TMS team terrorised his teachers in the annual staff-pupil game? And the truth behind 'the greatest sporting commentary of all time'... Between them, Jonathan Agnew and Phil Tufnell have probably watched more cricket than anyone alive, and they have many stories to tell, both as players and as commentators for Test Match Special. From their days as schoolboy cricketers, learning the ropes, to the shenanigans of the county circuit, and now their careers as commentators, they have seen it all. Joined by colleagues from TMS such as Isa Guha, Ebony Rainford Brent, Alison Mitchell, Carlos Brathwaite and Aatif Nawaz, Aggers and Tuffers share the highlights, mishaps and moments of brilliance and emotion that they have witnessed and experienced on pitches around the world.
The military aspects of the Jacobite campaigns in eighteenth-century Britain are considered in this study. Taken from the viewpoint of those loyal to the Hanoverian Crown, the three mainland campaigns of 1715–6, 1719 and 1745–6 are examined, using research based on primary sources: memoirs, diaries, letters, newspapers and State papers.
An enthralling account of a modern voyage of discovery as we meet the clever, social birds of prey called caracaras, which puzzled Darwin, fascinate modern-day falconers, and carry secrets of our planet's deep past in their family history. “Deftly intertwine[s] natural history and human history, with insights and lessons that go far beyond the subject birds.”—David Sibley, author of What It's Like to Be a Bird “Utterly captivating and beautifully written, this book is a hugely entertaining and enlightening exploration of a bird so wickedly smart, curious, and social, it boggles the mind.”—Jennifer Ackerman, author of The Bird Way In 1833, Charles Darwin was astonished by an animal he met in the Falkland Islands: handsome, social, and oddly crow-like falcons that were "tame and inquisitive . . . quarrelsome and passionate," and so insatiably curious that they stole hats, compasses, and other valuables from the crew of the Beagle. Darwin wondered why these birds were confined to remote islands at the tip of South America, sensing a larger story, but he set this mystery aside and never returned to it. Almost two hundred years later, Jonathan Meiburg takes up this chase. He takes us through South America, from the fog-bound coasts of Tierra del Fuego to the tropical forests of Guyana, in search of these birds: striated caracaras, which still exist, though they're very rare. He reveals the wild, fascinating story of their history, origins, and possible futures. And along the way, he draws us into the life and work of William Henry Hudson, the Victorian writer and naturalist who championed caracaras as an unsung wonder of the natural world, and to falconry parks in the English countryside, where captive caracaras perform incredible feats of memory and problem-solving. A Most Remarkable Creature is a hybrid of science writing, travelogue, and biography, as generous and accessible as it is sophisticated, and absolutely riveting.
What Beliefs Are Made From explores the nature and purpose of belief. The book describes several strange beliefs that have been shared by many members of whole communities. The intellectualistic, dispositional, feeling and eliminativist theories of belief are then examined critically. This is followed by a review of factors that can influence people in their beliefs. These include faulty use of evidence, unconscious reasoning biases, inability to withhold judgement, wishful thinking, prior beliefs, shared beliefs, personal experience, testimony, judgements about the source of testimony, personality, in-group psychology, emotions and feelings, language, symbolism, non-verbal communication, repetition, propaganda, mysticism, rumour, conspiracy theories, and illness. The book also covers beliefs of children and belief during dreaming. The regulation of inquiry by belief and disbelief is described. What Beliefs Are Made From is a useful reference for general readers interested in the philosophy of the mind, and the psychology of belief.
First published in 1972, Jonathan Gathorne-Hardy's The Rise and Fall of the British Nanny became an instant classic of social history - a groundbreaking study of the golden era of an extraordinary and exclusive British institution. Drawing upon extensive paper research and interviews with former nannies and their charges, Gathorne-Hardy offers 'a study of a unique and curious way of bringing up children, which evolved among the upper and upper-middle-classes during the nineteenth century, flourished for approximately eighty years and then, with the Second World War, vanished for ever.' The nanny hereby earns her place in the story of the British Empire; also in the histories of psychology, child-rearing and British ruling class mores. 'Marvellously researched and beautifully written.' W. H. Auden, Observer 'Enough to delight the sternest critic.' Auberon Waugh, Harpers & Queen
The bestselling, award-winning author of Bad Land takes us along the Inside Passage, 1,000 miles of often treacherous water, which he navigates solo in a 35-foot sailboat, offering captivating discourses on art, philosophy, and navigation and an unsparing narrative of personal loss. "A work of great beauty and inexhaustible fervor." —The Washington Post Book World With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers—between its embattled fishermen and loggers and its pampered new class.
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.