The book that started the Techlash. A stinging polemic that traces the destructive monopolization of the Internet by Google, Facebook and Amazon, and that proposes a new future for musicians, journalists, authors and filmmakers in the digital age. Move Fast and Break Things is the riveting account of a small group of libertarian entrepreneurs who in the 1990s began to hijack the original decentralized vision of the Internet, in the process creating three monopoly firms -- Facebook, Amazon, and Google -- that now determine the future of the music, film, television, publishing and news industries. Jonathan Taplin offers a succinct and powerful history of how online life began to be shaped around the values of the men who founded these companies, including Peter Thiel and Larry Page: overlooking piracy of books, music, and film while hiding behind opaque business practices and subordinating the privacy of individual users in order to create the surveillance-marketing monoculture in which we now live. The enormous profits that have come with this concentration of power tell their own story. Since 2001, newspaper and music revenues have fallen by 70 percent; book publishing, film, and television profits have also fallen dramatically. Revenues at Google in this same period grew from $400 million to $74.5 billion. Today, Google's YouTube controls 60 percent of all streaming-audio business but pay for only 11 percent of the total streaming-audio revenues artists receive. More creative content is being consumed than ever before, but less revenue is flowing to the creators and owners of that content. The stakes here go far beyond the livelihood of any one musician or journalist. As Taplin observes, the fact that more and more Americans receive their news, as well as music and other forms of entertainment, from a small group of companies poses a real threat to democracy. Move Fast and Break Things offers a vital, forward-thinking prescription for how artists can reclaim their audiences using knowledge of the past and a determination to work together. Using his own half-century career as a music and film producer and early pioneer of streaming video online, Taplin offers new ways to think about the design of the World Wide Web and specifically the way we live with the firms that dominate it.
How did humans, a species that evolved to be cooperative and egalitarian, develop societies of aggressively enforced inequality? Why did our ancestors create a world of patriarchal power, war and abuse? Did it have to be this way? Powerful elites have always called hierarchy and violence unavoidable facts of human nature. The 'science' of evolution, they say, caused--and causes--men to fight, and people to have different, unequal roles, starting with men and women. But that is bad science. In this fascinating, fun and important book, two anthropologists tell the real story of humanity, from early behaviours to contemporary cultures. From bonobo sex and prehistoric childcare to human sacrifice, Joan of Arc, Darwinism and Abu Ghraib, they reveal humankind's evolutionary predisposition to both equality and inequality. Very old ideas of difference, invented by the earliest class societies, have hidden this truth, causing much female, queer and minority suffering. But there is hope. 'Why Men?' is not a book about what men and women are or do. It's about what privileges humans claim, how they rationalise them, and how we unpick those ideas about our roots. It will change how you see the nature of injustice, violence and even yourself.
The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire “The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.
“The book that reminds you exactly what’s wrong with FIFA” (Esquire UK): This meticulously reported account by two award-winning, investigative journalists at Britain’s The Sunday Times explains how the 2022 World Cup was secured for Qatar—a key element in the ongoing, international FIFA controversy. When the tiny desert state of Qatar won the rights to host the 2022 World Cup, the news was greeted with shock and disbelief. How had a country with almost no soccer infrastructure or tradition, a high terror risk, and searing summer temperatures, beaten more established countries with stronger bids? The story behind the Qatari success soon developed into a global news sensation. In 2014 The Sunday Times Insight team in the UK spilled the secrets of a bombshell cache of hundreds of millions of secret documents, which were leaked by a whistleblower. In forensic detail, they reported how Mohamed Bin Hammam, Qatar’s top soccer official, used his position to help secure the votes that Qatar needed to win the bid. The investigative team spent three months painstakingly piecing together Bin Hammam’s activities and reporting on cash handouts, lavish junkets, and evidence of payments to soccer officials around the world. Now in this remarkable book by The Sunday Times journalists at the center of the investigation, Heidi Blake and Jonathan Calvert, comes a comprehensive account of what happened and who was involved. A bestseller in the UK, The Ugly Game is undoubtedly the biggest sporting story of recent times.
Drawing on new archival research into Hollywood production history and detailed analysis of individual films, Hollywood and the Invention of England examines the surprising affinity for the English past in Hollywood cinema. Stubbs asks why Hollywood filmmakers have so frequently drawn on images and narratives depicting English history, and why films of this type have resonated with audiences in America. Beginning with an overview of the cultural interaction between American film and English historical culture, the book proceeds to chart the major filmmaking cycles which characterise Hollywood's engagement with the English past from the 1930s to the present, assessing the value of English-themed films in the American film industry while also placing them in a broader historical context.
There is probably no national day that has such global popularity as St. Patrick’s Day. On St. Patrick’s Day, it is reputed that ‘Everyone is Irish’. What are the factors and factions that give the day such popular appeal? Is St. Patrick’s Day the same around the world – in Japan, Northern Ireland and Montserrat – as it is in the Republic of Ireland and the United States? Just how does ‘Irishness’ figure in the celebration and commemoration of St. Patrick’s Day, and how has this day been commoditized, consumed and contested? Does St. Patrick’s Day ‘belong’ to the people, the nation or the brewery? This edited volume brings together the best St. Patrick’s Day and Irish Studies scholars from the fields of history, anthropology, sociology, Irish studies, diaspora studies, and cultural studies. The volume thematically explores how St. Patrick’s Day has been consumed from the symbolic to the literal, the religious to the political. By doing so, it offers a fresh examination of its importance in contemporary society. This volume will thus appeal to undergraduate and postgraduate students of Irish diaspora studies, and Irish historians and scholars, as well as to anthropology, sociology and cultural studies students interested in exploring St. Patrick’s Day as a case study of globalization, migration and commoditization.
Western Media Systems offers a critical introduction to media systems in North America and Western Europe. The book offers a wide-ranging survey of comparative media analysis addressing the economic, social, political, regulatory and cultural aspects of Western media systems. Jonathan Hardy takes a thematic approach, guiding the reader through critical issues and debates, introducing key concepts and specialist literature. Western Media Systems is essential reading for undergraduate and postgraduate students studying comparative and global media.
If Rupert Murdoch and Sumner Redstone are so smart, why are their stocks long-term losers? We live in the age of big Media, with the celebrity moguls telling us that "content is king." But for all the excitement, glamour, drama, and publicity they produce, why can't these moguls and their companies manage to deliver better returns than you'd get from closing your eyes and throwing a dart? The Curse of the Mogul lays bare the inexcusable financial performance beneath big Media's false veneer of power. By rigorously examining individual media businesses, the authors reveal the difference between judging a company by how many times its CEO is seen in SunValley and by whether it generates consistently superior profits. The book is packed with enough sharp-edged data to bring the most high-flying, hot-air filled mogul balloon crashing down to earth.
Teaching your students to think like scientists starts here! Use this straightforward, easy-to-follow guide to give your students the scientific practice of critical thinking today's science standards require. Ready-to-implement strategies and activities help you effortlessly engage students in arguments about competing data sets, opposing scientific ideas, applying evidence to support specific claims, and more. Use these 24 activities drawn from the physical sciences, life sciences, and earth and space sciences to: Engage students in 8 NGSS science and engineering practices Establish rich, productive classroom discourse Extend and employ argumentation and modeling strategies Clarify the difference between argumentation and explanation Stanford University professor, Jonathan Osborne, co-author of The National Resource Council’s A Framework for K-12 Science Education—the basis for the Next Generation Science Standards—brings together a prominent author team that includes Brian M. Donovan (Biological Sciences Curriculum Study), J. Bryan Henderson (Arizona State University, Tempe), Anna C. MacPherson (American Museum of Natural History) and Andrew Wild (Stanford University Student) in this new, accessible book to help you teach your middle school students to think and argue like scientists!
Even in the wake of the biggest financial crash of the postwar era, the United States continues to rely on Securities and Exchange Commission oversight and the Sarbanes-Oxley Act, which set tougher rules for boards, management, and public accounting firms to protect the interests of shareholders. Such reliance is badly misplaced. In Corporate Governance, Jonathan Macey argues that less government regulation--not more--is what's needed to ensure that managers of public companies keep their promises to investors. Macey tells how heightened government oversight has put a stranglehold on what is the best protection against malfeasance by self-serving management: the market itself. Corporate governance, he shows, is about keeping promises to shareholders; failure to do so results in diminished investor confidence, which leads to capital flight and other dire economic consequences. Macey explains the relationship between corporate governance and the various market and nonmarket institutions and mechanisms used to control public corporations; he discusses how nonmarket corporate governance devices such as boards and whistle-blowers are highly susceptible to being co-opted by management and are generally guided more by self-interest and personal greed than by investor interests. In contrast, market-driven mechanisms such as trading and takeovers represent more reliable solutions to the problem of corporate governance. Inefficient regulations are increasingly hampering these important and truly effective corporate controls. Macey examines a variety of possible means of corporate governance, including shareholder voting, hedge funds, and private equity funds. Corporate Governance reveals why the market is the best guardian of shareholder interests.
Offers insider knowledge and tips for consumers on one hundred businesses, professions, and institutions including insurance agencies, real estate brokers, funeral directors, home builders, dentists, financial planners, plumbers, and personal trainers.
This book analyzes the enduring themes underlying the strategic struggles of the great powers in East Asia, beginning with the watershed event of the 1904-5 Russo-Japanese War.
Nominated for an Edgar Award “Exceptionally authentic.”—Jill Leovy, The New York Times Book Review In the late 1980s and early 1990s, the Bronx had one of the country’s highest per capita homicide rates. As crack cocaine use surged, dealers claimed territory through intimidation and murder, while families were fractured by crime and incarceration. Chronicling the rise and fall of Sex Money Murder, one of the era’s most notorious gangs, reporter Jonathan Green creates a visceral and devastating portrait of a New York City borough and the dedicated detectives and prosecutors struggling to stem the tide of violence. Drawing on years of research and extraordinary access to gang leaders, law enforcement, and federal prosecutors, Green delivers an engrossing work of gritty urban reportage. Magisterial in its scope, Sex Money Murder offers a unique perspective on the violence raging in modern-day America and the battle to end it.
A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.
A fox terrier who escapes Nazi Germany with his Jewish owners finds himself at Hitler's side during World War II. Can he help the resistance and reunite with his family?--
Cross-media promotion is one of the most salient characteristics in our modern media systems, arising out of a context that involves virtually every level of media studies: media ownership, advertising and funding, technological trends, and regulatory issues--- the latter a specialty of the author of this book. These factors often work together, and Hardy is masterful in interweaving in an insightful but accessible way the complexity of media promotion."---From the Foreword by Matthew. P. McAllister, Penn State University --Book Jacket.
In Monday Morning Quarterback, Washington D.C.'s best known columnist offers his wit and wisdom on America in the 1990s, from politics and culture to sports and literature.
This comprehensive textbook, now substantially updated for its fourth edition, provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audiences, representation, industry and global television, as well as the analytical study of individual programmes. This new edition reflects the significant changes the television industry is undergoing in the streaming era with an explosion of new content and providers, whilst also identifying how many existing practices have endured. The book includes a glossary of key terms, with each chapter suggesting further reading. New and updated material includes: Chapters on style and form, narrative, industry, and representation and identity Case studies on Bon Appétit’s YouTube channel, Insecure, British youth television, ABC and Disney+, fixed-rig observational documentary, streaming platforms' use of data to shape audience experience, Chewing Gum, Korean drama and The Marvelous Mrs Maisel Sections on medical drama, YouTube creators, Skam and scripted format sales, the global spread of streaming platforms, prestige TV and period drama With individual chapters addressing television style and form, narrative, histories, industries, genres and formats, realities, production, audiences, representation and identity, and quality, this book is essential reading for both students and scholars of Television Studies.
Brewed in 1859 near what is now the heart of downtown, Denver's first beer quenched the thirst of fortune hunters following the gold rush. It lubricated the city's transformation from Wild West town to the Queen City of the Plains until Prohibition brought a sudden end to the brewing culture. By 1979, only the famed Coors brewery remained. But then something frothy happened. Brian Dunn, John Hickenlooper and many others began satiating locals with liquid gold. The craft beer movement blossomed. Now well over seventy breweries strong, it is filled with the same pioneering spirit and irrepressible optimism that the miners embodied. Journalist and author Jonathan Shikes captures the Mile High City's sudsy stories from then until now.
A fascinating documentation of the Battle of Fisher's Hill, explaining this pivotal Civil War battle and its implications for nearby civilians. The Battle of Fisher's Hill created a greater opportunity to destroy harvests from the "Breadbasket of the Confederacy" than any other Union victory in the hotly contested Shenandoah Valley. Union major general Philip Sheridan's men forced Confederate lieutenant general Jubal A. Early's smaller force to retreat, leading to the burning of barns and mills across the region. In this first-ever book focused on this engagement, Civil War historian Jonathan A. Noyalas explains the battle, its effect on area civilians and its meaning to both sides, as well as the battlefield's important role in postwar reunion and reconciliation.
Pilgrimage to the Edge details a four year odyssey hiking the Pacific Crest Trail with unique insights gained from thirty-three years of public service. It showcases the hard-won fight to preserve America’s public lands and the diversity of people who continue to use and work them. It vividly displays the contemporary challenges of caring for our nation’s national forests from a field perspective while weaving over a century of history and culture into a 2,650 mile trek. Finally it gives clear advice on how to hike this world-class national scenic trail in a series of easy stages instead of in one continuous trek.
The English Renaissance has been the focus of intense interpretive activity. It has been a scene of trial for the critical methodologies of deconstruction, feminism, new historicism, psychoanalytic poststructuralism, and cultural studies. Trials of Authorship extends and challenges this theoretically informed criticism. Jonathan Crewe argues that the commitment to innovation, transgression, and radical change has increasingly obscured some powerfully resistant elements both in Renaissance culture and in these critical discourses themselves. He calls for a recognition of defensive, perverse, and self-limiting trends in Renaissance writing, and also of the conservative investment by critics in the Renaissance as a cultural epoch. Crewe focuses on the relatively stable poetic and cultural forms operative in the Renaissance. He argues that these established forms, which shape poetic composition, social interaction, and individual identity, are subject to only limited reconstruction by English authors in the sixteenth century. They facilitate and limit literary and social expression and result in more sharply conflicted literary production than current critics have been willing to acknowledge. Moreover, Crewe argues that while this literary production is dominantly masculinist, it nevertheless reveals the stresses of negotiating complex structures of class and gender, history and culture. The literary results are accordingly varied and do not lend themselves to uniform interpretation. Trials of Authorship presents a consecutive reading of English Renaissance authors from Wyatt to Shakespeare and redraws the existing picture of the English Renaissance in the sixteenth century. It does so by concentrating on authors whose canonical status is somewhat precarious, namely the poets Wyatt, Surrey, and Gascoigne, and the “non-literary” authors of two Tudor prose biographies. The book makes a case for the continuing significance of all the texts in question, while its emphasis on them also constitutes an intentional shift away from the Elizabethan period towards that of Henry VIII. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society.
The Hudson Highlands launched revolutions of independence, industry and creativity, and have long enchanted artists and hikers with countless mysteries that still thrive in the area. Leni-Lenape legend told of an ancient giant slumbering between Storm King and Breakneck Ridge. During the Revolution, George Washington saved the new nation from a military coup by donning glasses. The ghost of the twice-hanged pirate William Kidd returns to secluded caves and hamlets in the Highlands to guard his treasure. Professional storyteller Jonathan Kruk unveils a treasure of stories of the historic, mysterious and colorful Hudson Highlands.
A thoroughly updated, comprehensive, and accessible guide to U.S. telecommunications law and policy, covering recent developments including mobile broadband issues, spectrum policy, and net neutrality. In Digital Crossroads, two experts on telecommunications policy offer a comprehensive and accessible analysis of the regulation of competition in the U.S. telecommunications industry. The first edition of Digital Crossroads (MIT Press, 2005) became an essential and uniquely readable guide for policymakers, lawyers, scholars, and students in a fast-moving and complex policy field. In this second edition, the authors have revised every section of every chapter to reflect the evolution in industry structure, technology, and regulatory strategy since 2005. The book features entirely new discussions of such topics as the explosive development of the mobile broadband ecosystem; incentive auctions and other recent spectrum policy initiatives; the FCC's net neutrality rules; the National Broadband Plan; the declining relevance of the traditional public switched telephone network; and the policy response to online video services and their potential to transform the way Americans watch television. Like its predecessor, this new edition of Digital Crossroads not only helps nonspecialists climb this field's formidable learning curve, but also makes substantive contributions to ongoing policy debates.
Exploring the early westerns of John Wayne--from his first starring role in the The Big Trail (1930) to his breakthrough as the Ringo Kid in John Ford's Stagecoach (1939)--the authors trace his transformation from Marion Mitchell Morrison, movie studio prop man, into John Wayne, a carefully crafted film persona of his own invention that made him world famous. Wayne's years of training went well beyond honing his acting skill, as he developed the ability to do his own stunts, perfected his technique as a gun handler and became an expert horseman.
I am in Birmingham because injustice is here," declared Martin Luther King, Jr. He had come to that city of racist terror convinced that massive protest could topple Jim Crow. But the insurgency faltered. To revive it, King made a sacrificial act on Good Friday, April 12, 1963: he was arrested. Alone in his cell, reading a newspaper, he found a statement from eight "moderate" clergymen who branded the protests extremist and "untimely." King drafted a furious rebuttal that emerged as the "Letter from Birmingham Jail"-a work that would take its place among the masterpieces of American moral argument alongside those of Thoreau and Lincoln. His insistence on the urgency of "Freedom Now" would inspire not just the marchers of Birmingham and Selma, but peaceful insurgents from Tiananmen to Tahrir Squares. Scholar Jonathan Rieder delves deeper than anyone before into the Letter-illuminating both its timeless message and its crucial position in the history of civil rights. Rieder has interviewed King's surviving colleagues, and located rare audiotapes of King speaking in the mass meetings of 1963. Gospel of Freedom gives us a startling perspective on the Letter and the man who wrote it: an angry prophet who chastised American whites, found solace in the faith and resilience of the slaves, and knew that moral appeal without struggle never brings justice.
In Ray Bradbury Unbound, Jonathan R. Eller continues the story begun in his acclaimed Becoming Ray Bradbury, following the beloved author's evolution from a short story master to a multi-media creative force and outspoken visionary. At the height of his powers as a poetic prose stylist, Bradbury shifted his creative attention to film and television, where new successes gave him an enduring platform as a compelling cultural commentator. His passionate advocacy validated the U.S. space program's mission, extending his pivotal role as a chronicler of human values in an age of technological wonders. Informed by many years of interviews with Bradbury as well as an unprecedented access to personal papers and private collections, Ray Bradbury Unbound provides the definitive portrait of how a legendary American author helped shape his times.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
When the San Jose Mercury News ran a controversial series of stories in 1996 on the relationship between the CIA, the Contras, and crack, they reignited the issue of the intelligence agency's connections to drug trafficking, initially brought to light during the Vietnam War and then again by the Iran-Contra affair. Broad in scope and extensively documented, Cocaine Politics shows that under the cover of national security and covert operations, the U.S. government has repeatedly collaborated with and protected major international drug traffickers. A new preface discusses developments of the last six years, including the Mercury News stories and the public reaction they provoked.
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