Social Functions of Synagogue Song: A Durkheimian Approach by Jonathan L. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. This study explores one possible way to approach the subject of music’s intimate connection with public worship: applying sociologist Émile Durkeim’s understanding of ceremonial ritual to synagogue music. Durkheim observed that religious ceremonies serve disciplinary, cohesive, revitalizing, and euphoric functions within religious communities. Drawing upon musical examples from different composers, regions, periods, rites, and services, Friedmann demonstrates how Jewish sacred music performs these functions.
This wild adventure’s plentiful humor...will delight young readers, as will its spirit of inventiveness."–Booklist "This imaginative graphic novel will keep young readers turning pages to find out just where K’s car can go. Highly recommended."–School Library Journal K's Car can go anywhere! Join J and K on a breathtaking adventure as they go on the ultimate road trip in the world's greatest car. Tadpole J is ready for a lazy Saturday in Lilypad City, but his big sister, frog K, has other plans – they're going on a road trip! K built a spectacular car that can go anywhere, so J packs them a picnic lunch and off they go! Beyond the lakeside cliffs, through the Spikey Spike Forest, and past the Domed City of Fafa. But when the road gets blocked at the Waterfall Mountains, they get stopped right in their tracks. Or do they? Because when K says her car can go anywhere, she really means anywhere!
Keyboardist and songwriter with the band Journey, Jonathan Cain writes this long-awaited memoir about his personal story of overcoming and faith, his career with one of the most successful musical groups in history, and the stories behind his greatest hits including "Don't Stop Believin'." When Jonathan Cain and the iconic band Journey were inducted into the Rock and Roll Hall of Fame, Cain could say he had finally arrived. But Cain's journey wasn't always easy--and his true arrival in life had more to do with faith than fame. As a child, Cain survived a horrific school fire that killed nearly 100 of his classmates. His experience formed a resilience that would carry him through both tragedy and success. Moving from Chicago to Sunset Boulevard, Cain never let go of his dreams, eventually getting his big break with Journey--and writing the songs that would become the soundtrack of a generation. Don't Stop Believin' is an epic story of one man's dream that takes you from playing old-country songs at an Italian Deli in Chicago and his experiences with a warm, encouraging father who died too soon, to suddenly writing mega-bestselling songs with some of the most talented musicians and performers ever to take the stage of some of the world's largest arenas. He tells of the thrilling moments when the music came together and offers an inside look at why Steve Perry left and the extraordinary story of their gifted new vocalist, Arnel Pineda. Through a wonderful retrospective of music that takes us right to the present, Jonathan Cain reminds us of the melodies and lyrics that serve as milestones for our biggest dreams as they call us to never stop believing.
William Sharlin (1920-2012) was a cantor, synagogue composer, teacher and musicologist. Raised in an Orthodox household, he turned toward Universalism and the liberal Reform movement. A member of the first graduating class of the first cantorial school in America, he was a founding member of the American Conference of Cantors and is recognized as the first to play a guitar in the synagogue. Sharlin developed the Department of Sacred Music at HUC in Los Angeles, where he taught for 40 years, trained women to be cantors before they were allowed in the seminary, and spent nearly four decades at Leo Baeck Temple. Drawing on interviews conducted with Sharlin late in life, the author chronicles the career of one of the most inventive and creative figures in the history of the cantorate.
Church Music and Protestantism in Post-Reformation England breaks new ground in the religious history of Elizabethan England through a closely focused study of the role of music and the Reformation. By reintegrating music back into the study of the Elizabethan church, it provides an enriched understanding of the complex process of the formation of religious identity, and what it actually meant to be Protestant in post-Reformation England.
2017 PROSE Award Winner: Outstanding Scholarly Work by a Trade Publisher In the vein of Jane Jacobs’s The Death and Life of Great American Cities and Edward Glaeser’s Triumph of the City, Jonathan F. P. Rose—a visionary in urban development and renewal—champions the role of cities in addressing the environmental, economic, and social challenges of the twenty-first century. Cities are birthplaces of civilization; centers of culture, trade, and progress; cauldrons of opportunity—and the home of eighty percent of the world’s population by 2050. As the 21st century progresses, metropolitan areas will bear the brunt of global megatrends such as climate change, natural resource depletion, population growth, income inequality, mass migrations, education and health disparities, among many others. In The Well-Tempered City, Jonathan F. P. Rose—the man who “repairs the fabric of cities”—distills a lifetime of interdisciplinary research and firsthand experience into a five-pronged model for how to design and reshape our cities with the goal of equalizing their landscape of opportunity. Drawing from the musical concept of “temperament” as a way to achieve harmony, Rose argues that well-tempered cities can be infused with systems that bend the arc of their development toward equality, resilience, adaptability, well-being, and the ever-unfolding harmony between civilization and nature. These goals may never be fully achieved, but our cities will be richer and happier if we aspire to them, and if we infuse our every plan and constructive step with this intention. A celebration of the city and an impassioned argument for its role in addressing the important issues in these volatile times, The Well-Tempered City is a reasoned, hopeful blueprint for a thriving metropolis—and the future.
Everyday Musical Life among the Indigenous Bunun, Taiwan contributes to multidisciplinary research on music in everyday human life by pushing beyond the urbanized Western populations routinely featured in such writing. Based on ethnographic study in Buklavu, a village in southern Taiwan mostly inhabited by the indigenous Bunun, the book explores villagers’ contemporaneous musical engagements and pathways, paying heed both to imported music—such as TV theme tunes, karaoke singing, church hymns—and to the transformation of Bunun traditions through school and community interventions and folkloric festivals. The case study underpins a new, widely applicable, theoretical model for the study of music in everyday life in global society which is historically engaged, sensitive to individual and group diversity, cognizant of the interplay of the mundane and the exceptional, and primed to support applied research.
From beloved CBS Sunday Morning correspondent Mo Rocca, author of New York Times bestseller Mobituaries, comes an inspiring collection of stories that celebrates the triumphs of people who made their biggest marks late in life. Eighty has been the new sixty for about twenty years now. In fact, there have always been late-in-life achievers, those who declined to go into decline just because they were eligible for social security. Journalist, humorist, and history buff Mo Rocca and coauthor Jonathan Greenberg introduce us to the people past and present who peaked when they could have been puttering—breaking out as writers, selling out concert halls, attempting to set land-speed records—and in the case of one ninety-year tortoise, becoming a first-time father. (Take that, Al Pacino!) In the vein of Mobituaries, Roctogenarians is a collection of entertaining and unexpected profiles of these unretired titans—some long gone (a cancer-stricken Henri Matisse, who began work on his celebrated cut-outs when he could no longer paint), some very much still living (Mel Brooks, yukking it up at close to one hundred). The amazing cast of characters also includes Mary Church Terrell, who at eighty-six helped lead sit-ins at segregated Washington, DC, lunch counters in the 1950s, and Carol Channing, who married the love of her life at eighty-two. Then there’s Peter Mark Roget, who began working on his thesaurus in his twenties and completed it at seventy-three (because sometimes finding the right word takes time.) With passion and wonder Rocca and Greenberg recount the stories of yesterday’s and today’s strongest finishers. Because with all due respect to the Golden Girls, some people will never be content sitting out on the lanai. (PS Actress Estelle Getty was sixty-two when she got her big break. And yes, she’s in the book.)
A User's Guide to Copyright, Seventh Edition is long established as one of the key texts in the field. Renowned for its practical, user-friendly and authoritative approach and for its practical application to the main copyright using industries, the book is considered essential reading for legal practitioners, copyright law students and - crucially - for those working in the copyright using industries. Extensively cross-referenced to cases, legislation and leading texts and articles, this book clearly and effectively illustrates and explains the scope and relevance of copyright law in the new digital information era. Legislation and case law includes: WIPO Treaties; Number of EU Directives; Enterprise and regulatory Reform Act 2013; Football Association Premier League case (CJEU (C-403/08)); Infopaq (C-302/10); Public Relations Consultants Association v The Newspaper Licensing Agency (C-360/13); ITV v TVCatchup (C-607/11); Da Vinci Code case – Baigent v Random House; Fisher v Brooker 2009 UKHL 41 – the Whiter Shade of Pale case.
Keyboardist and songwriter with the band Journey, Jonathan Cain writes this long-awaited memoir about his personal story of overcoming and faith, his career with one of the most successful musical groups in history, and the stories behind his greatest hits including "Don't Stop Believin'." When Jonathan Cain and the iconic band Journey were inducted into the Rock and Roll Hall of Fame, Cain could say he had finally arrived. But Cain's journey wasn't always easy--and his true arrival in life had more to do with faith than fame. As a child, Cain survived a horrific school fire that killed nearly 100 of his classmates. His experience formed a resilience that would carry him through both tragedy and success. Moving from Chicago to Sunset Boulevard, Cain never let go of his dreams, eventually getting his big break with Journey--and writing the songs that would become the soundtrack of a generation. Don't Stop Believin' is an epic story of one man's dream that takes you from playing old-country songs at an Italian Deli in Chicago and his experiences with a warm, encouraging father who died too soon, to suddenly writing mega-bestselling songs with some of the most talented musicians and performers ever to take the stage of some of the world's largest arenas. He tells of the thrilling moments when the music came together and offers an inside look at why Steve Perry left and the extraordinary story of their gifted new vocalist, Arnel Pineda. Through a wonderful retrospective of music that takes us right to the present, Jonathan Cain reminds us of the melodies and lyrics that serve as milestones for our biggest dreams as they call us to never stop believing.
Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' – conflicts over church music that continue to animate and divide Protestants today – to be based on long-term in-person observation and interviews. It tells the story of the musical lives of three Canadian Mennonite congregations, who sang together despite their musical differences at the height of these debates in the late 1990s and early 2000s. Mennonites are among the most music-centered Christian groups in North America, and each congregation felt deeply about the music they chose as their own. The congregations studied span the spectrum from traditional to blended to contemporary worship styles, and from evangelical to liberal Protestant theologies. At their core, the book argues, worship wars are not fought in order to please congregants' musical tastes nor to satisfy the theological principles held by a denomination. Instead, the relationships and meanings shaped through individuals’ experiences singing in the particular ways afforded by each style of worship are most profoundly at stake in the worship wars. As such, this book will be of keen interest to scholars working across the fields of religious studies and ethnomusicology.
A behind-the-scenes look at one of the greatest baseball movies ever. If you love watching "Major League," you’ll be fascinated by this inside story. Based on interviews with all major cast members plus crew and producers, it tells how writer/director David S. Ward battled the Hollywood system to turn his own love of the underdog Cleveland Indians into a classic screwball comedy. Learn how a tight-knit group of rising young stars (and a few wily veterans) had a blast pretending to play ball while creating several iconic characters. Filled with little-known facts and personal recollections about outtakes and inside jokes, batting practice and script changes, all-night location shoots, bar hopping and more, this is the ultimate guide to the film that reinvented the baseball movie and inspired a generation of belly laughs. Includes rare photos, storyboard illustrations, script excerpts, and more. With a foreword by Charlie Sheen.
This third edition explores the key practical and theoretical issues underpinning cross-curricular teaching and learning across the early years, primary education and lower secondary school. Combining findings from research and educational theory with examples of thought-provoking teaching in schools, this textbook discusses how high quality teaching across different curriculum areas can be planned, taught, assessed and used to encourage creative and deep learning experiences. Revised and updated to reflect current curriculum policy and contemporary research, this third edition includes: · Coverage of the 2014 National Curriculum in England and the implications for cross-curricular practice · More case studies from across the curriculum, from different age groups and exploring different aspects of teaching · Improved coverage of cross-curricular practice in the Early Years Foundation Stage.
When prayers are answered and truth overpowers confusion; it is another milestone in life to be cherished. Every encounter with God is a humbling life changing experience. Through rich moments of prayer, we discover the strength of peace along with a joyful confidence that God in heaven speaks to earthly man about everyday affairs. Enjoy moments of reassurance and strength as Jonathan Long shares what he received as God's heart responding to the life of man.
All great auditions require preparation and practice, but what’s the secret to securing a callback? What are the best ways to prepare for that pivotal moment? And once you’re in front of the casting director, what does it take to make the most out of your moment in the spotlight? In this second edition of Get the Callback: The Art of Auditioning for Musical Theatre, Jonathan Flom provides practical advice on the many facets of preparation, including selection of songs and monologues to suit your voice and the audition, organizing and arranging your music, working with the accompanist, and presenting yourself to the casting team. The book gives a detailed description of the actual audition performance and even offers advice on how non-dancers can survive a dance audition. In addition to extensively revised chapters on the audition process and how to build a repertoire book, this guide also features updated chapters on headshots, resumes, and cover letters; voice training techniques from Matthew Edward; advice from musical director Joey Chancey; and a foreword by casting director Joy Dewing. Aimed at professionals as well as young artists, this second edition of Get the Callback is a must-have for both seasoned and aspiring musical theatre performers.
In 52 Ways to Connect with Your Smartphone Obsessed Kid, author Jonathan McKee offers just the help you need to have meaningful interaction with your kids instead of always overreacting to their unhealthy consumption of technology and media. In a world where over 80 percent of 12- to 17-year-olds now own a smartphone, parents are searching for ways to pry their kids’ eyes from their devices and engage them in real, face-to-face conversation. Mckee--drawing from his 20-plus years of experience working with teenagers, studying youth culture, and raising three teens of his own--provides an abundant supply of useful tips and creative ideas to help you bond with the Smartphone Generation.
Klezmer is a continually evolving musical tradition that grows out of Eastern European Jewish culture, and its changes reflect Jews' interaction with other groups as well as their shifting relations to their own history. But what happens when, in the klezmer spirit, the performances that go into the making of Jewishness come into contact with those that build different forms of cultural identity? Jonathan Freedman argues that terms central to the Jewish experience in America, notions like "the immigrant," the "ethnic," and even the "model minority," have worked and continue to intertwine the Jewish-American with the experiences, histories, and imaginative productions of Latinos, Asians, African Americans, and gays and lesbians, among others. He traces these relationships in a number of arenas: the crossover between jazz and klezmer and its consequences in Philip Roth's The Human Stain; the relationship between Jewishness and queer identity in Tony Kushner's Angels in America; fictions concerning crypto-Jews in Cuba and the Mexican-American borderland; the connection between Jews and Christian apocalyptic narratives; stories of "new immigrants" by Bharathi Mukherjee, Gish Jen, Lan Samantha Chang, and Gary Shteyngart; and the revisionary relation of these authors to the classic Jewish American immigrant narratives of Henry Roth, Bernard Malamud, and Saul Bellow. By interrogating the fraught and multidimensional uses of Jews, Judaism, and Jewishness, Freedman deepens our understanding of ethnoracial complexities.
This picaresque romance is “intellectually fascinating and emotionally powerful . . . a poignant meditation on youth, love, myth, history, and quantum theory.” (Chicago Review of Books) On a spring afternoon in 1978 in the loft of a church outside Cambridge, England, an organ tuner named Malory loses his virginity to a dyslexic math genius named Louiza. When Louiza disappears, Malory follows her trail to Rome. There, the quest to find his love gets sidetracked when he discovers he is the heir to the Kingdom of Septimania, given by Charlemagne to the Jews of eighth-century France. In the midst of a Rome reeling from the kidnappings and bombs of the Red Brigades, Malory is crowned King of the Jews, Holy Roman Emperor, and possibly Caliph of All Islam. Over the next fifty years, Malory’s search for Louiza leads to encounters with Pope John Paul II, a band of lost Romanians, a magical Bernini statue, Haroun al Rashid of Arabian Nights fame, an elephant that changes color, a U.S. spy agency and one of the 9/11 bombers, an appleseed from the Tree of Knowledge, and the secret history of Isaac Newton and his discovery of a Grand Unified Theory that explains everything. It’s the quest of a Candide for love and knowledge, and the ultimate discovery that they may be unified after all. “Stupendous.” –Alvaro Enrique, The New York Times Book Review “A fantastically suspenseful adventure. . . . told with the aplomb and smart humor of Michael Chabon and Jonathan Franzen.” —Booklist (starred review) “This is realism as magical as the best of García Márquez.” —Homerjo Aridjis, author of 1492: The Life and Times of Juan Cabezon of Castile
How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.
Fiction. LGBT Studies. MORE LIGHT is a musical fantasia, in major and minor keys, of the generations at a crossroads and how the stories within our stories weave about us as we grow and change and remember. Iva Sturtevant, a soprano of some repute in provincial European opera houses, has returned to her childhood home to tend her ailing parents. Iva's brother, Leo Sturtevant, who has never left Josephine, Illinois, has recently been dismissed from his social service job, suspected of inappropriate behavior. Now, awaiting the inevitable disappearance of the oldest generation, Iva entertains Leo with tales from her obscure romantic operas, and Leo entices his big sister to read an old 1960s paperback about the world's last heterosexual, a novel dear to him for its mirror image of his own plight in a tiny rural town. This old novel even inspires Leo to write something himself, in secret, a mystery story about twin boys, one of them accused of a violent crime.
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