This book explores Lucan's highly original deployment of contradictory Greco-Roman stereotypes about Egypt (utopian vs. xenophobic) as a means of reflecting on the violent tensions within his own society (conservatism vs. Caesarism). Lucan shows the two distinct facets of first-century BC Egypt, namely its ancient Pharaonic heritage and its latter-day Hellenistic culture under the Ptolemies, not only in spiritual conflict with one another (via the opposed characters of Acoreus, priest of old Memphis, and the Alexandrian courtier Pothinus) but also inextricably entangled with the corresponding factions of the Roman civil war and of Nero's Rome. Dr Tracy also connects Lucan's portrayal of Egypt and the Nile to his critical engagement with Greco-Roman discourse on natural science, particularly the Naturales Quaestiones of his uncle Seneca the Younger. Lastly, he examines Lucan's attitude toward the value of cultural diversity within the increasingly monocultural environment of the Roman Mediterranean.
How to Crack The Success Code is a task that humanity has reflected on from time immemorial. The sages and philosophers of every generation have pursued this question with unrelenting determination because everybody is looking for the answer - regardless of their field. So, who has the answer? Has this book found the "Silver Bullet?" The answer to this eternal enigma may vary for each one of us according to our definition of success. However, in this book, these Celebrity Experts(r) render their conclusions based on their proven experiences and core principles. Their answers are based on their firsthand knowledge versus academic hypotheses or philosophical assumptions. So, if you decided to learn more about success and achievement in your world, where would YOU look for the answers? The "nuggets of wisdom" that the Celebrity Experts(r) in this book offer us look at a world that is new and unfamiliar economic territory for us all. They have "been there and done it." They provide practical answers to these questions. Brian Tracy, for example, looks at changes that the business world and culture have experienced over the past hundred years, and, based on his knowledge and wide experience, projects how people will need to think and perform in the future to achieve success. This kind of visionary thought will enlighten and guide those who wish to achieve successful or outstanding accomplishments. We are therefore left with the options of spending our lives trying to "reinvent the wheel" on our own, or we can use the proven experience of people like these Celebrity Experts(r) to Crack The Success Code for us. Achievement seems to be connected with action. Successful men and women keep moving. They make mistakes, but they don't quit. Conrad
Quicklets: Your Reading Sidekick! This Hyperink Quicklet includes an overall summary, chapter commentary, key characters, literary themes, fun trivia, and recommended related readings. ABOUT THE BOOK When Tina Fey left Saturday Night Live at the end of the 2005-2006 season to concentrate on developing, writing, and starring in a new program for NBC, reaction among comedy fans was mixed. On the one hand, SNL had lost yet another of the talented cast member who made it a resurgent hit in the late 1990s. On the other hand, anticipation of Fey’s new show was high. Fey had originally pitched the series to NBC as a sitcom about a cable news network during early in her tenure as a writer for SNL. According to Time, when the pitch was rejected, she reworked the idea into a show revolving around a sketch comedy series and variety show not unlike SNL. NBC ordered a pilot for the show, which was well-reviewed upon its October 2006 debut, and went to series as 30 Rock. Although 30 Rock has rarely been a ratings darling, online reviews and critical establishment barometer, Metacritic, shows that it has been one of the critical establishment’s most consistently well-reviewed television programs of the past ten years. It is also one of the best-reviewed comedies of all time. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. EXCERPT FROM THE BOOK There are two main storylines in the first season: Liz Lemon’s struggle to find a compatible romantic partner while balancing her work and personal life, and the adjustment of the cast and crew of TGS to the new additions of Jack Donaghy and Tracy Jordan. Lemon’s personal life is the meatiest and most constant plotline in the season, as she is the protagonist of the series and her work/life conflicts are largely the narrative hook of the show. In the first few episodes, her love life is barely mentioned, reflective of a new series still struggling to find its voice. The third episode of the series, “Blind Date,” is the first to venture in this direction, and although it’s primarily a one-and-done, short-term story played for awkward laughs when Jack sets Liz up on a blind date with a friend of his who turns out to be a woman (because, in his words, her shoes “are definitely bi-curious”). The episode met universal acclaim and was greeted by many critics as a hopeful sign of things to come. The plotline was more earnestly engaged a few episodes later in “Jack Meets Dennis,” when Liz takes back her ne’er-do-well ex-boyfriend, Dennis Duffy, to whom a few allusions had been made earlier in the season. Duffy is an obnoxious lout who epitomizes the stereotypes of the boorish South Bostonian, but Liz finds it hard to leave him permanently because he’s easy and low-maintenance. Jack strongly disapproves, and warns Liz that she faces a mediocre life with Dennis in her future... Buy a copy to keep reading!
ABOUT THE BOOK 30 Rock emerged from its first season into a changing comedy world. New leaders like Louis CK and Patton Oswalt were taking the standup world by storm. Even the pop-star status of Dane Cook, often reviled by hardcore comedy fans for his unadventurous material and impersonal style, represented a culture thinking about comedy as an essential need. This culture thought about comedy performers as distinct, individual voices to be followed loyally. On television, new shows like The Sarah Silverman Program and The Naked Trucker and T-Bones Show debuted on Comedy Central. Silvermans show, in particular, was crammed with longtime alt comedy favorites like Brian Posehn, Jay Johnston, and Steve Agee. It was produced in part by Rob Schrab, creator of the cult classic comic book Scud: The Disposable Assassin. At the cinema, The Simpsons, once the standard-bearer for an advancing vanguard of hip, post-modern, ironic, anti-establishment comedy, completed its journey into the mainstream by releasing one of the top-grossing films of 2007. Oswalt received his first major motion picture starring role in Ratatouille, a movie which ended up sweeping the major awards ceremonies in the Best Animated Film category. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. He's written about everything from politics to philosophy, from sports to cinema, from drugs to thugs. EXCERPT FROM THE BOOK One of the elements that Tina Fey and other creative minds behind 30 Rock sought to bring more to the forefront in the second season of the program was the idea of the strong recurrent subplot. While narrative elements had certainly appeared and reappeared throughout the shows freshman season, they had been decidedly in the background. That changed in Season 2, as a very clear throughline emerged as the prominent focal point of the show: Jack Donaghys attempts to rise in the corporate ranks at General Electric. At the end of the first season, Donaghy had suffered a heart attack brought on by issues in his personal life stemming from conflicts with everyone in his life from his mother to his girlfriend to Liz Lemon. He comes back strong in the premiere of the second season, having had a winning offseason as a television executive. He and Lemon are both certain that this will be their year. Donaghy, in fact, is quite sure that he has a shot at becoming the next chairman of GE. The current head of the company, Don Geiss, has been sending signals that he plans to retire soon, and Donaghy believes he has a strong chance at becoming his hand-picked replacement. However, Donaghy is thwarted by his old nemesis from the first season, Devon Banks. Banks, a gay man, has connived a brilliant plan. He narrowly worked his way through a pray the gay away program, Banks has seduced Geisss probably mentally challenged daughter, and is preparing to marry into the Geiss family. Its a smart move, and one that keeps Donaghy on his toes throughout the season. Banks and Donaghy trade jabs and blows back and forth throughout the season, and although its clear that Geiss favors Donaghy as his replacement, tragedy inevitably strikes. CHAPTER OUTLINE Quicklet on 30 Rock Season 2 + Troubles Brewing: A Sophomore Slump? + Tina Fey: A Life in Comedy + Main Characters + Key Terms + ...and much more 30 Rock Season 2
Nathanael West has been hailed as “an apocalyptic writer,” “a writer on the left,” and “a precursor to postmodernism.” But until now no critic has succeeded in fully engaging West’s distinctive method of negation. In American Superrealism, Jonathan Veitch examines West’s letters, short stories, screenplays and novels—some of which are discussed here for the first time—as well as West’s collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that stretches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealism—the use of readymades, scatalogical humor, human machines, “exquisite corpses”—as modes of social criticism. American Superrealism offers what is surely the definitive study of West, as well as a provocative analysis that reveals the issue of representation as the central concern of Depression-era America.
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