The prose poem, Jonathan Monroe asserts, is the genre that does not want to be itself. In his view, the dominant literary historical role of the prose poem has been to test the limits of generic constraints. Monroe here undertakes a comparative and historical investigation of the problematic relationship between prose and poetry and of the development of the prose poem over the past two centuries.
This is one of the first books to trace the development of Roberto Bolaño's work from the beginning to the end of his career. It will appeal to graduates and researchers working on Bolaño and Latin American Literature generally, particularly the novel, and twentieth- and twenty-first-century literature.
The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity. Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.
The #1 New York Times bestselling author of the acclaimed Alex Delaware novels and the award-winning #1 international bestselling author of The Genius combine their extraordinary talents for one of the most unusual—and unnerving—thrillers of the year. Detective Jacob Lev has awakened dazed and confused: it appears he picked up a woman the night before, but can’t remember anything about it. And then suddenly, she’s gone. Not long after, he’s dispatched to a murder scene in a house in the Hollywood hills. There is no body, only a head. And seared into a kitchen counter is a message: the Hebrew word for justice. Lev is about to embark on an odyssey—through Los Angeles, London, and Prague, through the labyrinthine mysteries of a grotesque ancient legend, and most of all, through himself. All that he has believed to be true will be upended. And not only his world, but the world itself, will be changed.
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
Discover a land of breath-taking beauty and inspiring culture with The Rough Guide to Austria, the most comprehensive guide to Austria available. The full-colour introduction with stunning photography will whet your appetite for the country’s many highlights, from the world-class city of Vienna and the astonishing architecture of Salzburg to the snow-capped mountains of Tyrol. The guide features dozens of easy-to-use maps, as well as expert background information on everything from the best ski and snow-boarding slopes to the music of Mozart. Extensive accommodation and restaurant listings, plus all the practical grittiness you’d expect from a Rough Guide make this your must-have item for the trip of a lifetime. Make the most your time with The Rough Guide to Austria.
Considers the work of American pragmatists and of three major literary modernists, and reveals how their work foregrounds William James's concept of transitional consciousness.
In the middle of the First World War, the British War Cabinet approved and issued a statement in the form of a letter that encouraged the settlement of the Jewish people in Palestine. Signed by the Foreign Secretary Arthur Balfour, the Balfour Declaration remains one of the most important documents of the last hundred years. Jonathan Schneer explores the story behind the declaration and its unforeseen consequences that have shaped the modern world, placing it in context paying attention to the fascinating characters who conceived, opposed and plotted around it - among them Lloyd George, Lord Rothschild, T.E. Lawrence, Prince Faisal and Aubrey Herbert (the man who was 'Greenmantle'). The Balfour Declaration brings vividly to life the origins of one of the world's longest lasting and most damaging conflicts.
Since ancient times, humans have been engaged in a continual quest to find meaning in and make sense of sights and events in the night sky. Cultures spread around the world recorded their earliest efforts in artwork made directly on the natural landscapes around them, and from there they developed more and more sophisticated techniques for observing and documenting astronomy. This book brings readers on an astronomical journey through the ages, offering a history of how our species has recorded and interpreted the night sky over time. From cave art to parchment scribe to modern X-ray mapping of the sky, it chronicles the ever-quickening development of tools that informed and at times entirely toppled our understanding of the natural world. Our documentation and recording techniques formed the bedrock for increasingly complex forays into astronomy and celestial mechanics, which are addressed within these chapters. Additionally, the book explores how nature itself has recorded the skies in its own way, which can be unraveled through ongoing geological and archaeological studies. This tale of human discovery and ingenuity over the ages will appeal to anybody interested in the field of astronomy and its rich cultural history.
The Silk Road is not a place, but a journey, a route from the edges of the Mediterranean to the central plains of China, through high mountains and inhospitable deserts. For thousands of years its history has been a traveller's history, of brief encounters in desert towns, snowbound passes and nameless forts. It was the conduit that first brought Buddhism, Christianity and Islam into China, and the site of much of the "Great Game" between 19th-century empires. Today, its central section encompasses several former Soviet republics, and the Chinese Autonomous Region of Xinjiang. The ancient trade route controversially crosses the sites of several forgotten kingdoms, buried in sand and only now revealing their secrets. An Armchair Traveller's History of the Silk Road not only offers the reader a chronological outline of the region's development, but also provides an invaluable introduction to its languages, literature and arts. It takes a comprehensive and illuminating look at the rich history of this dynamic and littleknown region, and provides an easy-to-use reference source. Clements pays particular attention to the fascinating historical sites which feature on any visitor's itinerary and special emphasis is also given to the writings and reactions of travellers through the centuries.
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
More than any other sport, baseball has developed its own niche in America's culture and psyche. Some researchers spend years on detailed statistical analyses of minute parts of the game, while others wax poetic about its players and plays. Many trace the beginnings of the civil rights movement in part to the Major Leagues' decision to integrate, and the words and phrases of the game (for example, pinch-hitter and out in left field) have become common in our everyday language. From AARON, HENRY onward, this book covers all of what might be called the cultural aspects of baseball (as opposed to the number-rich statistical information so widely available elsewhere). Biographical sketches of all Hall of Fame players, owners, executives and umpires, as well as many of the sportswriters and broadcasters who have won the Spink and Frick awards, join entries for teams, owners, commissioners and league presidents. Advertising, agents, drafts, illegal substances, minor leagues, oldest players, perfect games, retired uniform numbers, superstitions, tripleheaders, and youngest players are among the thousands of entries herein. Most entries open with a topical quote and conclude with a brief bibliography of sources for further research. The whole work is exhaustively indexed and includes 119 photographs.
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Jonathan D. Sarna's award-winning American Judaism is now available in an updated and revised edition that summarizes recent scholarship and takes into account important historical, cultural, and political developments in American Judaism over the past fifteen years. Praise for the first edition: "Sarna . . . has written the first systematic, comprehensive, and coherent history of Judaism in America; one so well executed, it is likely to set the standard for the next fifty years."--Jacob Neusner, Jerusalem Post "A masterful overview."--Jeffrey S. Gurock, American Historical Review "This book is destined to be the new classic of American Jewish history."--Norman H. Finkelstein, Jewish Book World Winner of the 2004 National Jewish Book Award/Jewish Book of the Year
Stretching from the ancient Chinese capital of Xian across the expanses of Central Asia to Rome, the Silk Road was, for 1,500 years, a vibrant network of arteries that carried the lifeblood of nations across the world. Along a multitude of routes everything was exchanged: exotic goods, art, knowledge, religion, philosophy, disease and war. From the East came silk, precious stones, tea, jade, paper, porcelain, spices and cotton; from the West, horses, weapons, wool and linen, aromatics, entertainers and exotic animals. From its earliest beginnings in the days of Alexander the Great and the Han dynasty, the Silk Road expanded and evolved, reaching its peak during the Tang dynasty and the Byzantine Empire and gradually withering away with the decline of the Mongol Empire. In this beautifully illustrated book, which covers the China section of the Silk Road - from Xian through Loulan, Korla, Turfan and Khotan to Kashgar and onwards to India - Jonathan Tucker uses travellers' anecdotes and a wealth of literary and historical sources to celebrate the cultural heritage of the countries that lie along the Silk Road and illuminate the lives of those who once travelled through the very heart of the world.
This book assesses the rapid transformation of the political agency of religious groups within transnational civil society under the conditions of globalization that have weakened the sovereign nation-state. It offers a comprehensive synthesis of the parallel resurgences of Jasper’s axial thesis from the distinct lines of research initiated by Eisenstadt, Habermas, Taylor, Bellah, and others. It explores the concept of cosmoipolitanism from the combined perspectives of sociology of religion, critical theory, secularization theory, and evolutionary cultural anthropology. At the theoretical level, cosmoipolitanism prescribes how local, national, transnational, global, and virtual spaces ought publically to engage in transcivilizational discourse without presuming secular assumptions tied to cosmopolitanism. As a transnational extension of the moral-ethical universality of the great Axial Age traditions, cosmoipolitanism provides an ideal description of empirical data. Employing the insights of critical theory, this book offers a micro-level analysis of the pragmatics of discourse of each of the major axial traditions producing a genealogy in iterated stages of the dialectics of secularization as a multi-faceted narrative of the role of religion in alternative modernities. While circumscribing the particular historical limits of each tradition, the book extends their internal claims to species universality in light of the potential for boundless communication Jaspers saw as initiated with the Axial Age. In Jon Bowman's novel and important work, he rethinks the challenges of global justice. Bowman is not just concerned with global justice in the modern world, but with a genealogy that begins with a better understanding of the Axial age, one that is also the unique signature of cosmoi-political institutions. Arguing with depth and precision, Bowman challenges Kantian and Rawlsian universalism. His argument provides a new interpretation of cosmopolitan justice as he explores the deeper roots of cosmopolitan justice. James Bohman Saint Louis University Jon Bowman’s Cosmoipolitan Justice is an important, innovative and timely work. Construing globality in terms of pervasive conditions of worldwide interdependence, Bowman advances a decidedly pluralistic account of cosmopolitanism, one uniquely shaped by recent theories of multiple modernities. His analysis is sustained by a highly informed appropriation of such diverse thinkers as Theodor Adorno, Abudullah An-Naim, Talad Asad, Schmuel Eisenstadt, Jürgen Habermas, Karl Jaspers, John Rawls, Amartya Sen, and Charles Taylor. One special feature is the book’s synthesis of research on global governance with that on post-secularity and the place of religion in the public sphere. On this basis Bowman presents a distinctive account of the world’s axial religions, one underwriting a multi-polar, intercultural global public realm able to address social, political, and economic issues confronting the global community today. This book should be of great interest to students and scholars in philosophy, political theory, international relations, sociology, and religious studies. Professor Andrew Buchwalter Department of Philosophy University of North Florida
Presents reviews and essays on the state of current theater, including political theater and one-man shows, and discusses theatrical landscapes and current plays performing in New York.
Dive into the electrifying tale of a Brooklyn-born patriot turned radical activist, in an era when America was torn by its ideological extremes In the shadow of recent turmoil, Join the Conspiracy transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era’s tumultuous spirit. From his roots as a concerned citizen wary of his country’s leftward tilt, Demmerle’s journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle’s story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman, and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle’s complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art—more than a hundred of which are included in the book—not only charts Demmerle’s saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America.
From Dust They Came tells the story of Dust Bowl refugees' experiences in the camps that New Deal reformers built throughout agricultural California to redeem migratory farm workers from lives of vulnerability and filth, and from pre-modern ways of living and believing"--
A debut thriller of global intrigue and political conspiracy In the summer of 1531, Medici soldiers, working for Pope Clement VII, tortured to death an obscure Swiss monk, Eusebius Eisenreich. What Eisenreich would not reveal was the location of a simple manuscript, On Supremacy, that far surpassed anything imagined by Machiavelli. The Pope never found the manuscript. This deadly document is at the heart of The Overseer. It has fallen into the hands of a cabal intent on ripping apart society as we know it and creating the terrifying new world order described in the manuscript. A faimile of Eisenreich's disturbing document has been reprinted in this book.
The author traces Henry James's career-long encounter with the tradition of British aestheticism and places both in the context of the late-19th-century's professionalization and commodification of literary life. Professions of Taste reopens the question of later James in a new fashion and with a new perspective. A richer genealogy of modernism, and indeed postmodernism, begins to take shape, in which both the problematics of British aestheticism and James's relations with it play an important role. This book aims to enlighten the reader's understanding of the way Pre-Raphaelite concerns fertilized the aestheticist breeding grounds of Anglo-American modernism.
In this detailed historical and sociological study of the development of scientific ideas, Jonathan Harwood argues that there is no such thing as a unitary scientific method driven by an internal logic. Rather, there are national styles of science that are defined by different values, norms, assumptions, research traditions, and funding patterns. The first book-length treatment of genetics in Germany, Styles of Scientific Thought demonstrates the influence of culture on science by comparing the American with the German scientific traditions. Harwood examines the structure of academic and research institutions, the educational backgrounds of geneticists, and cultural traditions, among many factors, to explain why the American approach was much more narrowly focussed than the German. This tremendously rich book fills a gap between histories of the physical sciences in the Weimar Republic and other works on the humanities and the arts during the intellectually innovative 1920s, and it will interest European historians, as well as sociologists and philosophers of science.
Some frightening things have been happening to Jim Salvino. Certain people, very bad people, are interested in his help. It's 1985. Steel is dying and Jim, who brokers the foreign variety, is visiting Miami. Recovering from a rough divorce, full of confusion about himself and with a hot Italian temper, he just may be ready to play. But as he becomes more and more deeply involved and starts to resolve his own ambivalence he begins to unravel the many layers of deceit enmeshing him. A ship from South America is moving closer and his options are getting fewer--and scarier. The action moves between the Brazilian jungle, Rust Belt snow and a cooking Miami sun, and it's propelled by real characters: smart guys, tough guys and beautiful women, all full of complexity and hidden motives--and capable of anything when the stakes are high enough.
More than one hundred years after the introduction of the Reformation, the clergy in Rostock set out to reform the spiritual and moral life of the city and fashion it into a new Zion. Disappointed with the results of the Lutheran Reformation, their reform efforts were less concerned with confessional purity than with the practice of Christian piety. The resulting reform movement in Rostock became one of the most vigorous in 17th century Germany.Jonathan Strom examines the consequences of the Reformation, the clergy's social and economic status, the career path of a typical pastor, and the theological basis of the office of ministry. He recounts the practical reforms sought by the clergy in Rostock after the Thirty Years War. He further analyzes the theological proposals of the four principal reformers in Rostock, Joachim Schroder, Johannes Quistorp the Younger, Theophil Grossgebauer, and Heinrich Muller.Against many of the major trends of the confessional age in which the state assumed ever greater control over the ecclesiastical apparatus and a bureaucratization of the clergy occurred, the Rostock clergy sought to widen the scope of their authority within the city and assert their independence. They had, however, only limited success in implementing their reforms. The ideas of the Rostock reformers would decisively influence Pietist leaders such as Philipp Jakob Spener and August Hermann Francke. Their history extends our understanding of the function of the Protestant clergy in the post-Reformation era and offers a new estimation of Lutheran orthodoxy on the eve of the Pietist movement.
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