The "Quarterly Review" presents a rare opportunity to Romantic scholars to test the truth of Marilyn Butler's claim that the early nineteenth-century periodical is the matrix for democratization of public writing and reading. This is the second title in this series to look at its influence.
The Guffin; Mobile Phone Show; What Are They Like?; We Lost Elijah; I'm Spilling My Heart Out Here; Tomorrow I'll Be Happy; Soundclash; Don't Feed the Animals; Ailie and the Alien; Forty-Five Minutes
The Guffin; Mobile Phone Show; What Are They Like?; We Lost Elijah; I'm Spilling My Heart Out Here; Tomorrow I'll Be Happy; Soundclash; Don't Feed the Animals; Ailie and the Alien; Forty-Five Minutes
Drawing together the work of ten leading playwrights – a mixture of established and current writers – National Theatre Connections 2013 offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
A true story of innovation that “reads like a movie” (Seth Godin), centered on a scrappy team of engineers—far from the Silicon Valley limelight—and their quest to revolutionize the traditional trade of masonry by building a robot that can lay bricks. Humans have landed men on the moon, programmed cars to drive themselves, and put the knowledge of our entire civilization in your back pocket. But no one—from MIT nerds to Army Corps engineers—has ever built a robot that can lay bricks as well as a mason. Unlike the controlled conditions of a factory line, where robots are now ubiquitous, no two construction sites are alike, and a day’s work involves countless variables—bricks that range in size and quality, temperamental mortar mixes, uneven terrain, fickle weather, and moody foremen. Twenty-five years ago, on a challenging construction job in Syracuse, architect Nate Podkaminer had a vision of a future full of efficient, automated machines that freed bricklayers from the repetitive, toilsome burden of lifting, in bricks, the equivalent of a Ford truck every few days. Offhandedly, he mentioned the idea to his daughter’s boyfriend, and after some inspired scheming, the architect and engineer—soon to be in-laws—cofounded a humble start-up called Construction Robotics. Working out of a small trailer, they recruited a boldly unconventional team of engineers to build the Semi-Automated Mason: SAM. In classic American tradition, a small, unlikely, and eccentric family-run start-up sought to reimagine the behemoth $1 trillion construction industry—the second biggest industry in America—in bootstrap fashion. In the tradition of Tracy Kidder’s The Soul of a New Machine, SAM unfolds as an engineering drama, full of trials and setbacks, heated showdowns between meticulous scientists and brash bricklayers (and their even more opinionated union), and hard-earned milestone achievements. Jonathan Waldman, acclaimed author of Rust, masterfully “reveals a world that surrounds us but mostly eludes our notice” (The Boston Globe).
The bestseller that challenges conventional thinking about morality, politics, and religion in a way that speaks to conservatives and liberals alike—a “landmark contribution to humanity’s understanding of itself” (The New York Times Book Review). Drawing on his twenty-five years of groundbreaking research on moral psychology, social psychologist Jonathan Haidt shows how moral judgments arise not from reason but from gut feelings. He shows why liberals, conservatives, and libertarians have such different intuitions about right and wrong, and he shows why each side is actually right about many of its central concerns. In this subtle yet accessible book, Haidt gives you the key to understanding the miracle of human cooperation, as well as the curse of our eternal divisions and conflicts. If you’re ready to trade in anger for understanding, read The Righteous Mind.
A NEW YORK TIMES BESTSELLER *SELECTED AS ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2023* Vividly written and exhaustively researched, Jonathan Eig’s King is the first major biography in decades of the civil rights icon Martin Luther King Jr. – and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became its only modern-day founding father – as well as the nation’s most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.
In Dying to Work, Jonathan Karmel raises our awareness of unsafe working conditions with accounts of workers who were needlessly injured or killed on the job. Based on heart-wrenching interviews Karmel conducted with injured workers and surviving family members across the country, the stories in this book are introduced in a way that helps place them in a historical and political context and represent a wide survey of the American workplace, including, among others, warehouse workers, grocery store clerks, hotel housekeepers, and river dredgers. Karmel’s examples are portraits of the lives and dreams cut short and reports of the workplace incidents that tragically changed the lives of everyone around them. Dying to Work includes incidents from industries and jobs that we do not commonly associate with injuries and fatalities and highlights the risks faced by workers who are hidden in plain view all around us. While exposing the failure of safety laws that leave millions of workers without compensation and employers without any meaningful incentive to protect their workers, Karmel offers the reader some hope in the form of policy suggestions that may make American workers safer and employers more accountable. This is a book for anyone interested in issues of worker health and safety, and it will also serve as the cornerstone for courses in public policy, community health, labor studies, business ethics, regulation and safety, and occupational and environmental health policy.
Vacillating between the longue durée and microhistory, between ideological critique and historical sympathy, between the contrary formalisms of close and distant reading, literary historians operate with such disparate senses of what the term “history” means that the field risks compartmentalization and estrangement. The Romantic Historicism to Come engages this uncertainty in order to construct a more robust, more capacious idea of history. Focusing attention on Romantic conceptions of history's connection to the future, The Romantic Historicism to Come examines the complications of not only Romantic historicism, but also our own contemporary critical methods: what would it mean if the causal assumptions that underpin our historical judgments do not themselves develop in a stable, progressive manner? Articulating history's minimum conditions, Jonathan Crimmins develops a theoretical apparatus that accounts for the concurrent influence of the various sociohistorical forces that pressure each moment. He provides a conception of history as open to radical change without severing its connection to causality, better addressing the problem of the future at the heart of questions about the past.
In research on 'mass killings' such as genocides and campaigns of state terror, the role of ideology is hotly debated. For some scholars, ideologies are crucial in providing the extremist goals and hatreds that motivate ideologically committed people to kill. But many other scholars are sceptical: contending that perpetrators of mass killing rarely seem ideologically committed, and that rational self-interest or powerful forms of social pressure are more important drivers of violence than ideology. In Ideology and Mass Killing, Jonathan Leader Maynard challenges both these prevailing views, advancing an alternative 'neo-ideological' perspective which systematically retheorises the key ideological foundations of large-scale violence against civilians. Integrating cutting-edge research from multiple disciplines, including political science, political psychology, history and sociology, Ideology and Mass Killing demonstrates that ideological justifications vitally shape such violence in ways that go beyond deep ideological commitment. Most disturbingly of all, the key ideological foundations of mass killings are found to lie, not in extraordinary political goals or hatreds, but in radicalised versions of those conventional, widely accepted ideas that underpin the politics of security in ordinary societies across the world. This study then substantiates this account by a detailed examination of four contrasting cases of mass killing - Stalinist Repression in the Soviet Union between 1930 and 1938, the Allied Bombing Campaign against Germany and Japan in World War II from 1940 to 1945, mass atrocities in the Guatemalan Civil War between 1978 and 1983, and the Rwandan Genocide in 1994. This represents the first volume to offer a dedicated, comparative theory of ideology's role in mass killing, while also developing a powerful new account of how ideology affects violence and politics more generally.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
By endurance we conquer."--Shackleton family motto Eighty years after Ernest Shackleton's death, his legend and the extraordinary story of the Endurance South Pole expedition still hold a grip on the public imagination. Trapped in drifting polar pack-ice for ten months, Ernest Shackleton and his crew fought for survival against all the odds. When the Endurance was finally crushed, they were stranded on ice floes for more than a year before reaching Elephant Island. From there Shackleton; and five of his men embarked on the most remarkable rescue mission in maritime history, sailing in a small open boat to South Georgia Island across eight hundred miles of the world's roughest seas to bring help to the others. Though he failed to reach the South Pole, Shackleton's story lives on because of his unique qualities of leadership and the extraordinary fact that all of his men survived. This compelling narrative probes the profound influence of Shackleton's Irish and Quaker roots in the making of a great leader. It offers a vivid portrait of a man at odds with the world and with himself, whose ambition was tempered by his flawed humanity and egalitarianism. Here too are the untold stories of Shackleton's upbringing in Kildare, his time in the Merchant Navy, his 1901 voyage on the Discovery with Robert Falcon Scott, his 1907 Nimrod expedition, his marriage and love affairs, his life as a public figure and politician, and the haunting story of his final, fatal expedition on the Quest. Drawing on family records, diaries, and letters--and hitherto unpublished photographs and archive material--this mesmerizing book takes us beyond the myth to Shackleton; the man, for whom "optimism is true moral courage," and whose greatest triumph was that of life over death. Shackleton: An Irishman in Antarctica is lavishly illustrated with more than a hundred photographs, maps, and engravings, some of them appearing in print for the first time. Shackleton: An Irishman in Antarctica, copublished by the Lilliput Press in Dublin and the University of Wisconsin Press, presents Shackleton family history with a particular focus on the explorer.
Over the past fifteen years, Jonathan Goldberg's wide-ranging essays have been among the most sophisticated, influential, and controversial writing about Shakespeare. He challenges the critical orthodoxy, provoking scholars to reassess both their own assumptions and those underpinning the field of Shakespeare studies. Collected in one volume for the first time, these essays offer a sustained, energetic, and rigorous examination of issues of gender and sexuality that pervade Shakespeare's plays, as well as a road map of the shifts during the past two decades in our understanding of English literature's most canonical figure. Central to these essays are concerns about textuality as considered from a number of vantage points, including deconstructionist, psychoanalytic, and historicist. Goldberg studies most of Shakespeare's plays, giving particular emphasis to Henry IV, Parts 1 and 2, and to Romeo and Juliet; he focuses throughout on the relationship between the text as material object and the reality created or reflected by that text. Among the issues he considers are the textual instability of Shakespeare's plays and the historical instabilities of gender and sexuality depicted in those plays, the construction of gender and the dehumanization implicit in treating characters as a textual production, the function of letters and other documents within the Shakespearean texts, and the correlation of sexual politics and textual desire. Tracing a path from characters in the scriptive sense to their embodiment in characters marked by gender and sexuality, Shakespeare's Hand provides a brilliant set of inquiries into the production, critical reception, and conditions of Shakespearean texts.
The meso-level realm of social reality is structured by corporate and categoric units, along with their respective cultures. Unlike the macro and micro realms of social reality, the meso-level does not reveal its own unique forces. Rather, the dynamics of meso-structures and cultures are driven by macro- and micro-level forces pushing on individual and collective actors as they build corporate units and develop parameters defining membership in particular social categories.
In this thought-provoking study, Jonathan M. Atkins provides a fresh look at the partisan ideological battles that marked the political culture of antebellum Tennessee. He argues that the legacy of party politics was a key factor in shaping Tennessee's hesitant course during the crisis of Union in 1860-61. No previous book has so clearly detailed the role of party politics and ideology in Tennessee's early history. As Atkins shows, the ideological debate helps to explain not only the character and survival of Tennessee's party system but also the persistent strength of unionism in a state that ultimately joined the Southern cause.
Do you have unhealthy anxiety? Do you suffer from sleeplessness, irritability, trouble relaxing, difficulty in concentrating, or fear of ambarrassment? From Dr. Jonathan Davidson, director of the Anxiety and Traumatic Stress Program at Duke University Medical Center and one of the most respected experts on anxiety disorders, comes the definitive and solution-filled book about anxiety. The Anxiety Book offers self-assessment tests and serves as a comprehesive treatment guide for one of the most common health concerns in America.
The Law of Contract' is the perfect student companion, providing a concise, clear overview of the fundamental principles of contract law and breaking down complex areas. An ideal guide, taking students straight to the core of this key subject.
The Core Text Series takes the reader straight to the heart of the subject, providing an invaluable and reliable guide for students of law at all levels. Written by leading academics and renowned for their clarity, these concise texts explain the intellectual challenges of each area of the law. The Law of Contract provides you with a clear, straightforward, and comprehensive account of the core principles of contract law to give you a sound understanding of the subject. Written by Janet O'Sullivan, Director of Studies at Selwyn College, Cambridge, and Jonathan Hilliard, barrister at Wilberforce Chambers, this text covers all the key topics on LLB and GDL courses and introduces you to current debates in the field. The authors break down complex problems into manageable steps and self-test questions are provided at the end of each chapter to help you reinforce your learning and aid revision. You can find answer guidance to these questions as well as additional support for your studies, including author podcasts discussing key cases, additional chapters, and web links on the accompanying Online Resource Centre.
Soviet perceptions of American strategic doctrine have influenced then-use of military power in foreign policy. An understanding of how those perceptions are being derived at and of their specific contents is therefore essential to any reflection on direction that American defense policy should take. Particularly in the field of arms control and disarmament, Soviet perceptions carry severe implications for U.S. proposals as well as general behavior. Lockwood bases his examination on Soviet sources such as newspapers, periodicals, radio broadcasts, and books. He establishes that Soviet analysts tend to project their own notions of clear strategy onto U.S. doctrine and intentions. Starting from the premise that the Soviets mean what they say Lockwood is able to give a historical account of Soviet perceptions starting from "massive retaliation" up to and including Presidential Directive 59. In his final chapter, the author gives possible policy strategies to successfully counteract the Soviet military policy.
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