Pregnant women encounter advice from many directions about how to have a healthy pregnancy – not only from health care providers, but from relatives, friends, and the Internet. Some of these pieces of advice (on topics that range from inducing labor to telling the baby’s gender to improving breastfeeding) have been handed down from woman to woman for generations, and don’t appear in any medical textbooks. Dr. Jonathan Schaffir explores the origins of these old wives’ tales, and examines the medical evidence that proves which ones may be useful and which ones are just entertaining. On topics ranging from getting pregnant to the best way to recover from childbirth, the book settles the questions of what a woman should believe when she hears such advice.
Pregnant women encounter advice from many directions about how to have a healthy pregnancy – not only from health care providers, but from relatives, friends, and the Internet. Some of these pieces of advice (on topics that range from inducing labor to telling the baby’s gender to improving breastfeeding) have been handed down from woman to woman for generations, and don’t appear in any medical textbooks. Dr. Jonathan Schaffir explores the origins of these old wives’ tales, and examines the medical evidence that proves which ones may be useful and which ones are just entertaining. On topics ranging from getting pregnant to the best way to recover from childbirth, the book settles the questions of what a woman should believe when she hears such advice.
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods both the renowned cultural luminaries and their many anonymous coreligionists all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
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