When is it morally permissible to engage in self-defense or the defense of others? Jonathan Quong defends a variety of novel ideas in this book about the morality of defensive force, providing an original philosophical account of the central moral principles that should regulate its use. We cannot understand the morality of defensive force, he reasons, until we ask and answer deeper questions about how the use of defensive force fits with a more general account of justice and moral rights. In developing this stance, Quong presents new views on liability, proportionality, and necessity. He argues that self-defense can sometimes be justified on the basis of an agent-relative prerogative to give greater weight to one's own life and interests, contrary to the dominant view in the literature. Additionally Quong develops a novel conception of individual rights against harm. Unlike some, who believe that our rights against harm are fact-relative, he argues that our rights against being harmed by others must, in certain respects, be sensitive to the evidence that others can reasonably be expected to possess. The book concludes with Quong's extended defense of the means principle, a principle that prohibits harmfully using other persons' bodies or other rightful property unless those persons are duty bound to permit this use or have otherwise waived their claims against such use.
The confrontation between German and Soviet forces at Stalingrad was a titanic clash of armies on an unprecedented scale-a campaign that was both a turning point in World War II and a lasting symbol of that war's power and devastation. Yet despite the attention lavished on this epic battle by historians, much about it has been greatly misunderstood or hidden from view-as David Glantz, the world's foremost authority on the Red Army in World War II, now shows. This first volume in Glantz's masterly trilogy draws on previously unseen or neglected sources to provide the definitive account of the opening phase of this iconic Eastern Front campaign. Glantz has combed daily official records from both sides-including the Red Army General Staff, the People's Commissariat of Internal Affairs, the German Sixth Army, and the Soviet 62nd Army-to produce a work of unparalleled detail and fresh interpretations. Jonathan House, an authority on twentieth-century warfare, adds further insight and context. Hitler's original objective was not Stalingrad but the Caucasus oilfields to the south of the city. So he divided his Army Group South into two parts-one to secure the city on his flank, one to capture the oilfields. Glantz reveals for the first time how Stalin, in response, demanded that the Red Army stand and fight rather than withdraw, leading to the numerous little-known combat engagements that seriously eroded the Wehrmacht's strength before it even reached Stalingrad. He shows that, although advancing German forces essentially destroyed the armies of the Soviet Southwestern and Southern Fronts, the Soviets resisted the German advance much more vigorously than has been thought through constant counterattacks, ultimately halting the German offensive at the gates of Stalingrad. This fresh, eye-opening account and the subsequent companion volumes-on the actual battle for the city itself and the successful Soviet counteroffensive that followed-will dramatically revise and expand our understanding of what remains a military campaign for the ages.
Whether you want to be the next Bill Bryson, set up a brilliant blog or simply make the best of your travel journal, this book will lead you along the travel writer’s way. The Travel Writer’s Way takes a ground-breaking approach to the craft of travel writing, with a 12-step programme of ‘creative journeys’ specially tailored to develop your writing skills. Whether you want to write for pleasure or for publication, for friends or for the wider world, you’ll find this book as inspiring as it is useful. It also contains invaluable advice from a galaxy of the finest travel writers, editors and bloggers, the first guide to gather insights from so many acclaimed experts. Paul Theroux, William Dalrymple, Colin Thubron, Geoff Dyer, Pico Iyer, Levison Wood, Dervla Murphy, Chris Stewart, Sara Wheeler and Simon Calder all share their top tips. Furthermore, there is practical information on establishing your blog, writing your book and submitting your articles to travel editors. Jonathan Lorie has more than 20 years’ experience as travel writer, travel-magazine editor and travel-writing tutor. His is the ultimate guide for those who want to turn their travels into stories. - Advice from 40 of the world’s top travel-writing experts - Practical, 12-step programme to improve your writing - How to publish and market your work as blogs, books or articles
The long awaited one-volume campaign history from the leading experts of the decisive clash of Nazi and Soviet forces at Stalingrad; an abridged edition of the five volume Stalingrad Trilogy. Stalingrad offers a sweeping synthesis of this massive confrontation, how it impacted the war, and why it matters today.
In the summer of 2013, I traveled to Europe with a group of students from my university. We spent 5 weeks in France and Belgium learning about the history and culture of this particular part of Europe. This book contains my personal trip journal as well as some of my favorite photographs I took on the trip.
In a changing world, what is the social purpose of higher education? Combining a critique of contemporary universities, a manifesto for the future and a provocation to stimulate change, The New Power University examines how higher education can flourish in the 21st century. Using the framing of ‘new power’, Jonathan Grant illustrates how a different purpose for universities is necessary, through the application of a new set of values that puts social responsibility at the core of the academic mission, allowing the university to become an advocate of the policy and political issues that matter to its communities. The New Power University offers both a warning against the complacency of old power and a voice for many who see the opportunity and necessity for radical change in higher education. ‘Jonathan Grant examines the trends and urges the shedding of old shibboleths in order to embrace a new future. Insightful and engaging, this book will spur and shape the urgent debates learning communities need to have and resolve to avoid being left behind.’ Julia Gillard, Former Australian Prime Minister and Minister for Education; Chair-elect of the Wellcome Trust ‘A must-read for anyone interested in the transformative power of higher education.’ Ed Byrne, Former President King’s College London; co-author of The University Challenge ‘The New Power University is essential material for anyone wondering what universities are for and how they can help provide the answers to the most pressing challenges of our times.’ Jo Johnson, Chairman of Tes Global; former UK Minister for Universities, Science and Innovation
Churchill is today remembered as a great leader, a war hero, a literary heavyweight and a renowned wit. This incarnation of Churchill is the latest in a long-evolving identity, which at various times has sustained his power, enhanced his popularity and enabled him to personify aspects of British national identity. Indeed Churchill was more aware than most of the performative power of his public life. He lived in an age of the illustrated mass-produced newspaper, with its cartoons and 'Kodak-snappers'. He was well-known for his readiness to appear in uniform for photo opportunities during the Second World War and he not only wrote about the art of political caricature, but collected cartoons of himself, his allies and opponents. In this heavily-illustrated book, Jonathan Black considers the changing image of Churchill in visual art, from cartoons and paintings to photographs and sculptures. He asks how and why his image developed right up to the present day and examines the extent to which Churchill was complicit in its production.
“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.
Comprising 45 chapters, written especially for this volume by an international team of leading experts, The Routledge Companion to the Philosophies of Painting and Sculpture is the first handbook of its kind. The editors have organized the chapters across eight broader sections: Artforms History Questions of form, style, and address Art and science Comparisons among the arts Questions of value Philosophers of art Institutional questions Individual topics include art and cognitive science, evolutionary origins of art, art and perception, pictorial realism, artistic taste, style, issues of race and gender, art and religion, art and philosophy, and the end of art. The work of selected philosophers is also discussed, including Diderot, Hegel, Ruskin, Gombrich, Goodman, Wollheim, and Danto. With an introduction from the editors and comprehensively indexed, The Routledge Companion to the Philosophies of Painting and Sculpture serves as a point of entry to the subject for a broad range of students as well as an up-to-date reference for scholars in the field.
Across history, our understanding of God, the soul, spirituality, and even science itself has shifted dramatically. Today, we have more scientific knowledge than ever, yet some age-old questions persist: Why do we believe in gods, souls, and rituals? Are these beliefs innate? Do existential fears drive us toward or away from religion? What can we learn about spirituality from children? How can we leverage scientific thinking to study spirituality? This book invites you into the labs and minds of some of the world's most renowned psychological scientists for an in-depth look at how psychologists can study religion and spirituality-and how they wrestle with doubts about ostensibly established findings and methods, even as the field advances. From China, India, Brazil, the United Kingdom, the United States, and Tuva, this book takes a balanced perspective on a diverse range of experiments and studies, casting a light on both their brilliance and their limitations. Ultimately, this book reveals that psychological experiments that test spiritual beliefs are works of imagination that can help us discover truths about the human mind's proclivity for religious ideas, as long as we can adapt and learn along the way.
This complex and intellectually extensive novel is an anthropological discovery of the various personal and social dimensions that define an imaginative place on the East Coast, to which the West Coast protagonist adapts and subordinates his new life even as he assists several of their inhabitants in their polyphonic story. The benign helpfulness of this book's language - its precision and humor, its sheer competence and intelligent ambition - creates a unique landmark in fiction. This novel is part of Bayliss's series GLOUCESTERMAN. Each of the four novels may be enjoyed independently.
In her small upstate New York town, Molly Howe is admired for her beauty, poise, and character, until one day a secret is exposed and she is cruelly ostracized. She escapes to Berkeley, where she finds solace in a young art student named John Wheelwright. They embark on an intense, all-consuming affair, until the day Molly disappears–again. A decade later, John is lured by the eccentric advertising visionary Mal Osbourne into a risky venture that threatens to eviscerate every concept, slogan, and gimmick exported by Madison Avenue. And much to John’s amazement, one of the many swept into Osbourne’s creative vortex is the woman who left him devastated so many years before.
The campaign intended to secure the Wehrmacht’s flanks had proven one front too many for the German Army. And now the offensive at Stalingrad, the epic clash that marked Germany’s failure on the Eastern Front, was entering its grim final phase. In Book One of the third volume of his acclaimed Stalingrad Trilogy, David Glantz offers the definitive account—the “ground truth” to counter a half-century’s worth of myth and misinformation—of the beginning of the end of one of the most infamous battles of the Second World War, and one of the most costly in lives and treasure in the annals of history. When Volume Two left off, Germany’s vaunted Sixth Army, already deflected from its original goal—the Caucasus oil fields—had been drawn into a desperate war of attrition within the ravaged city of Stalingrad. In Volume Three, Book One, we see the ultimate consequences of the Germans’ overreach and the gathering force of the Red Army’s massive manpower and increasingly sophisticated command. After failing repeatedly to find and exploit the weaknesses in Axis defenses, Stalin and the Stavka (High Command) finally seized their chance in mid-November of 1942 by launching a bold and devastating counteroffensive, Operation Uranus. Glantz draws a detailed and vivid account of how, in Operation Uranus, the Red Army’s three fronts defeated and largely destroyed two Romanian armies and encircled the German Sixth Army and half of the German Fourth Panzer Army in the Stalingrad pocket—turning the Germans’ world on its head. Like its predecessor volumes, this one makes extensive use of sources previously out of reach or presumed lost, such as reports from the Sixth Army’s combat journal and newly released Soviet and Russian records. These materials (many cited at length or printed in their entirety in a companion volume) lend themselves to a strikingly new interpretation of the campaign’s planning and execution on both sides—a version of events that once and for all gets at the ground truth of this historic confrontation.
Someone has stolen Patrick Balfour's identity. A successful headmaster of a London school, a regular broadcaster and a writer of historical novels, as well as having a fairly spicy private life, Balfour is the object of some unsurprising envy. Yet who would be so malicious as to commit identity fraud and frame Patrick as a thief and a paedophile, using his national insurance number and impersonating his handwriting? As Patrick is teased by a series of letters, it becomes apparent that his adversary is certainly better-read than him and he is sent off on a tense literary chase, picking up clues from Kafka's The Trial to R L Stevenson and to Joseph Clark, a 17th Century contortionist. Patrick's morale begins to collapse - the police don't believe him and his daughter rejects him. Desperate, he decides he must pursue his pursuer.
This book represents the first multi-disciplinary introduction to the study of war crimes trials and investigations. It introduces readers to the numerous disciplines engaged with this complex subject, including: Forensic Anthropology, Economics and Anthropometrics, Legal History, Violence Studies, International Criminal Justice, International Relations, and Moral Philosophy. The contributors are experts in their respective fields and the chapters highlight each discipline’s major trends, debates, methods and approaches to mass atrocity, genocide, and crimes against humanity, as well as their interactions with adjacent disciplines. Case studies illustrate how the respective disciplines work in practice, including examples from the Allied Hunger Blockade, WWII, the Guatemalan and Spanish Civil Wars, the Former Yugoslavia, and Uganda. Including bibliographical essays to offer readers crucial orientation when approaching the specialist literature in each case, this edited collection equips readers with what they need to know in order to navigate a complex, and until now, deeply fragmented field. A diverse and interdisciplinary body of research, this book will be indispensable reading for scholars of war crimes.
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
Focusing on extreme moments in the careers of Jean-Michel Basquiat, Walker Evans, David Hockney, Sally Mann, Georgia O'Keeffe, Jackson Pollock, Alfred Stieglitz, Andy Warhol, and others, Weinberg explores how these individuals struggled to gain or maintain the attention of an increasingly jaded audience."--BOOK JACKET.
This book focuses on our emotional responses to cancer by offering a range of perspectives: psychoanalytic, medical, spiritual and religious, as well as literary. Once suppressed, akin to a taboo, the topic of cancer is now very much in the public consciousness. The prevalence of the disease and well-publicised medical advances in its treatment demand it. Topic of Cancer begins with Freud's cancer, widely known of but rarely understood in its historic and analytic context. Psychotherapeutic reflections are then offered on our understanding of the adult and adolescent with cancer, and the challenges of sustaining a thoughtful presence in the face of the trauma experienced when a child is diagnosed with cancer, and during treatment. The dilemmas and challenges faced by today's psychotherapist with cancer are explored next and, for the first time in cancer literature, an account of the emotional demands on nurses involved in sensitive, intimate care. With an increasing number of people living longer with cancer, “survivorship†and palliative care are the focus of the chapters that follow.
From the streets of New York to the gardens of Paris and the ornate drawing rooms of Renaissance Florence, Seizing Amber follows a high stakes quest for one of the world's most valuable treasures. The Amber Room-an exquisite chamber made of amber panels that was stolen from the Russians during World War II-holds not only its priceless value, but the key to the lives of those who seek it. Now in the post??Cold War present, Isaiah Hawkins, chief of a U.S. intelligence agency, discovers that the Amber Room is being offered for sale. In a quest to influence the world's political stage, Hawkins sets out on a mission to capture the Room and the power it holds. In a whirlwind of intrigue and suspense, Hawkins? team, including a street-smart blackmailer and a sexy but dangerous agent who seemingly has nothing to lose, must outsmart devious and exotic competitors to seize the Amber Room and find what matters to them most. Jonathan Harris weaves a tight and gripping plot with a grand love story. And just when the tension reaches a boiling point, Harris delivers an ending that drops the reader through a series of unexpected trap doors.
On first publication, this uncommonly concise and readable account of Soviet Russia's clash with Nazi Germany utterly changed our understanding of World War II on Germany’s Eastern Front, immediately earning its place among top-shelf histories of the world war. Revised and updated to reflect recent Russian and Western scholarship on the subject, much of it the authors' own work, this new edition maintains the 1995 original's distinction as a crucial volume in the history of World War II and of the Soviet Union and the most informed and compelling perspective on one of the greatest military confrontations of all time. In 1941, when Pearl Harbor shattered America's peacetime pretensions, the German blitzkrieg had already blasted the Red Army back to Moscow. Yet, less than four years later, the Soviet hammer-and-sickle flew above the ruins of Berlin, stark symbol of a miraculous comeback that destroyed the Germany Army and put an end to Hitler's imperial designs. In swift and stirring prose, When Titans Clash provides the clearest, most complete account of this epic struggle, especially from the Soviet perspective. Drawing on the massive and unprecedented release of Soviet archival documents in recent decades, David Glantz, one of the world's foremost authorities on the Soviet military, and noted military historian Jonathan House expand and elaborate our picture of the Soviet war effort—a picture sharply different from accounts that emphasize Hitler's failed leadership over Soviet strategy and might. Rafts of newly available official directives, orders, and reports reveal the true nature and extraordinary scale of Soviet military operations as they swept across the one thousand miles from Moscow to Berlin, featuring stubborn defenses and monumental offensives and counteroffensives and ultimately costing the two sides combined a staggering twenty million casualties. Placing the war within its wider context, the authors also make use of recent revelations to clarify further the political, economic, and social issues that influenced and reflected what happened on the battlefield. Their work gives us new insight into Stalin's political motivation and Adolf Hitler’s role as warlord, as well as a better understanding of the human and economic costs of the war—for both the Soviet Union and Germany. While incorporating a wealth of new information, When Titans Clashed remains remarkably compact, a tribute to the authors' determination to make this critical chapter in world history as accessible as it is essential.
With the defeat of Napoleon Bonaparte at the Battle of Waterloo in June 1815, the next two centuries for France would be tumultuous. Critically acclaimed historian and political commentator Jonathan Fenby provides an expert and riveting journey through this period as he recounts and analyzes the extraordinary sequence of events of this period from the end of the First Revolution through two others, a return of Empire, three catastrophic wars with Germany, periods of stability and hope interspersed with years of uncertainty and high tensions. As her cross-channel neighbor Great Britain would equally suffer, France was to undergo the wrenching loss of colonies in the post-Second World War era as the new modern world we know today took shape. Her attempts to become the leader of the European union was a constant struggle, as was her lack of support for America in the two Gulf Wars of the past twenty years. Alongside this came huge social changes and cultural landmarks, but also fundamental questioning of what this nation, which considers itself exceptional, really stood—and stands—for. That saga and those questions permeate the France of today, now with an implacable enemy to face in the form of Islamic extremism which so bloodily announced itself this year in Paris. Fenby will detail every event, every struggle, and every outcome across this expanse of 200 years. It will prove to be the definitive guide to understanding France.
Catalog of an exhibition opening at the Georgia O'Keeffe Museum on Feb. 4, 2011 and traveling to the Columbus Museum of Art and the Pennsylvania Academy of the Fine Arts.
Since the third edition of this book there have been so many important developments in the study of brain/behavior relationships that the current edition represents a very thorough revision. The authors have maintained the structure of the first three editions, which in the past has made this best selling book the most comprehensive and accessible source of information on behavioral neurology and neuropsychiatry.
The environment of a university – what we term a campus – is a place with special resonance. They have long been the setting for some of history’s most exciting experiments in the design of the built environment. Christopher Wren at Cambridge, Le Corbusier at Harvard, and Norman Foster at the Free University Berlin: the calibre of practitioners who have shaped the physical realm of academia is superlative. Pioneering architecture and innovative planning make for vivid assertions of academic excellence, while the physical estate of a university can shape the learning experiences and lasting outlook of its community of students, faculty and staff. However, the mounting list of pressures – economic, social, pedagogical, technological – currently facing higher education institutions is rendering it increasingly challenging to perpetuate the rich legacy of campus design. In this strained context, it is more important than ever that effective use is made of these environments and that future development is guided in a manner that will answer to posterity. This book is the definitive compendium of the prestigious sphere of campus design, envisaged as a tool to help institutional leaders and designers to engage their campus’s full potential by revealing the narratives of the world’s most successful, time-honoured and memorable university estates. It charts the worldwide evolution of university design from the Middle Ages to the present day, uncovering the key episodes and themes that have conditioned the field, and through a series of case studies profiles universally-acclaimed campuses that, through their planning, architecture and landscaping, have made original, influential and striking contributions to the field. By understanding this history, present and future generations can distil important lessons for the future. The second edition includes revised text, many new images, and new case studies of the Central University of Venezuela and Indian Institute of Management Ahmedabad.
The most brilliant and lucid analysis of virtue and well-being in the entire literature of positive psychology. For the reader who seeks to understand happiness, my advice is: Begin with Haidt." —Martin E.P. Seligman, University of Pennsylvania and author of Authentic Happiness The Happiness Hypothesis is a book about ten Great Ideas. Each chapter is an attempt to savor one idea that has been discovered by several of the world's civilizations—to question it in light of what we now know from scientific research, and to extract from it the lessons that still apply to our modern lives and illuminate the causes of human flourishing. Award-winning psychologist Jonathan Haidt shows how a deeper understanding of the world's philosophical wisdom and its enduring maxims—like "do unto others as you would have others do unto you," or "what doesn't kill you makes you stronger"—can enrich and transform our lives.
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Immense in scope, ferocious in nature, and epic in consequence, the Battle of Kursk witnessed (at Prokhorovka) one of the largest tank engagements in world history and led to staggering losses-including nearly 200,000 Soviet and 50,000 German casualties-within the first ten days of fighting. Going well beyond all previous accounts, David Glantz and Jonathan House now offer the definitive work on arguably the greatest battle of World War II. Drawing on both German and Soviet sources, Glantz and House separate myth from fact to show what really happened at Kursk and how it affected the outcome of the war. Their access to newly released Soviet archival material adds unprecedented detail to what is known about this legendary conflict, enabling them to reconstruct events from both perspectives and describe combat down to the tactical level. The Battle of Kursk takes readers behind Soviet lines for the first time to discover what the Red Army knew about the plans for Hitler's offensive (Operation Citadel), relive tank warfare and hand-to-hand combat, and learn how the tide of battle turned. Its vivid portrayals of fighting in all critical sectors place the famous tank battle in its proper context. Prokhorovka here is not a well-organized set piece but a confused series of engagements and hasty attacks, with each side committing its forces piecemeal. Glantz and House's fresh interpretations demolish many of the myths that suggest Hitler might have triumphed if Operation Citadel had been conducted differently. Their account is the first to provide accurate figures of combat strengths and losses, and it includes 32 maps that clarify troop and tank movements. Shrouded in obscurity and speculation for more than half a century, the Battle of Kursk finally gets its due in this dramatic retelling of the confrontation that marked the turning point of the war on the Eastern Front and brought Hitler's blitzkrieg to a crashing halt.
Sir Alfred Munnings, retiring President of the Royal Academy, chooses the 1949 Annual Banquet to launch a savage attack on Modern Art. The effect of his diatribe is doubly shocking, leaving not only his distinguished audience gasping but also many people tuning in to the BBC's live radio broadcast. But as he approaches the end of his assault, the speech suddenly dissolves into incoherence when he stumbles over a name - a name he normally takes such pains to avoid - that takes him back forty years to a special time and a special place. Summer in February is a disturbing and moving re-creation of a celebrated Edwardian artistic community enjoying the last days of a golden age soon to be shattered by war. As resonant and understated as The Go-Between, it is a love story of beauty, deprivation and tragedy.
This is a collection of extraordinary personalities captured on film in Williams's revealing, unpretentious casually evocative photographs, and decoded through Williams's intimate, often hilarious, extended captions and essays."--BOOK JACKET.
“A bravura performance…An entertaining book” (Kirkus Reviews) about the dramatic 2016 World Chess Championship between Norway’s Magnus Carlsen and Russia’s Sergey Karjakin, which mirrored the world’s geopolitical unrest and rekindled a global fascination with the sport. The first week of November 2016, hundreds of people descended on New York City’s South Street Seaport to watch the World Chess Championship between Norway’s Magnus Carlsen and Russia’s Sergey Karjakin. By the time it was over would be front-page news and thought by many the greatest finish in chess history. With both Carlsen and Karjakin just twenty-five years old, it was the first time the championship had been waged among those who grew up playing chess against computers. Originally from Crimea, Karjakin had recently repatriated to Russia under the direct assistance of Putin. Carlsen, meanwhile, had expressed admiration for Donald Trump, and the first move of the tournament he played was called a Trompowsky Attack. Then there was the Russian leader of the World Chess Federation being barred from attending due to US sanctions, and chess fanatic and Trump adviser Peter Thiel being called on to make the honorary first move in sudden death. That the tournament even required sudden death was a shock. Oddsmakers had given Carlsen, the defending champion, an eighty percent chance of winning. It would take everything he had to retain his title. Author Brin-Jonathan Butler was granted unique access to the two-and-half-week tournament and watched every move. The Grandmaster “is not the usual chronicle of a world-championship chess match….Butler offers insight into what it takes to become the best chess player on the planet...A vibrant and provocative look at chess and its metaphorical battle for territory and power” (Booklist).
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Readers meet Ernst Buchner, the distinguished museum director and expert on Old Master paintings who "repatriated" the Van Eyck brother's Ghent altarpiece to Germany, and Karl Haberstock, an art dealer who filled German museums with works bought virtually at gunpoint from Jewish collectors. Robert Scholz, the leading art critic in the Third Reich, became an officer in the chief art looting unit in France and Kajetan Muhlmann--a leading art historian--was probably the single most prolific art plunderer in the war (and arguably in history). Finally, there is Arno Breker, a gifted artist who exchanged his modernist style for monumental realism and became Hitler's favorite sculptor. If it is striking that these educated men became part of the Nazi machine, it is more remarkable that most of them rehabilitated their careers and lived comfortably after the war. Petropoulos has discovered a network of these rehabilitated experts that flourished in the postwar period, and he argues that this is a key to the tens of thousands of looted artworks that are still "missing" today. Based on previously unreleased information and recently declassified documents, The Faustian Bargain is a gripping read about the art world during this period, and a fascinating examination of the intense relationship between culture and politics in the Third Reich.
Winner of the BAC Wadsworth Prize for Business History 2020 When Calouste Gulbenkian died in 1955 at the age of 86, he was the richest man in the world, known as 'Mr Five Per Cent' for his personal share of Middle East oil. The son of a wealthy Armenian merchant in Istanbul, for half a century he brokered top-level oil deals, concealing his mysterious web of business interests and contacts within a labyrinth of Asian and European cartels, and convincing governments and oil barons alike of his impartiality as an 'honest broker'. Today his name is known principally through the Gulbenkian Foundation in Lisbon, to which his spectacular art collection and most of his vast wealth were bequeathed. Gulbenkian's private life was as labyrinthine as his business dealings. He insisted on the highest 'moral values', yet ruthlessly used his wife's charm as a hostess to further his career, and demanded complete obedience from his family, whom he monitored obsessively. As a young man he lived a champagne lifestyle, escorting actresses and showgirls, and in later life - on doctor's orders - he slept with a succession of discreetly provided young women. Meanwhile he built up a superb art collection which included Rembrandts and other treasures sold to him by Stalin from the Hermitage Museum. Published to mark the 150th anniversary of his birth, Mr Five Per Cent reveals Gulbenkian's complex and many-sided existence. Written with full access to the Gulbenkian Foundation's archives, this is the fascinating story of the man who more than anyone else helped shape the modern oil industry.
The most terrifying novel you will read this year... Just as he's celebrating his last day on the job, FBI agent E L Pender receives a letter from Dorie Bell. Dorie is afraid. Last year she attended a convention for Persons with Specific Phobia Disorder. Since then, a couple of the delegates have died in suspicious circumstances. Carl Polander had acrophobia. Fear of heights. So what would he be doing on the 12th floor of the building the police say he jumped from? Mara Agajanian had haemophobia. Fear of blood. So how could she have cut her own wrists in the bathtub? Dorie, who suffers from an irrational fear of masks, wants Pender to look into these cases. She suspects there may be a twisted serial killer on the loose. Someone, who quite literally, enjoys scaring his victims to death. Dorie's right. But she has no idea just how close to her the killer is...
In 1890, baseball’s Pittsburgh Alleghenys won a measly 23 games, losing 113. The Cleveland Spiders topped this record when they lost an astonishing 134 games in 1899. Over 100 years later, the 2003 Detroit Tigers stood apart as the only team in baseball history to lose 60 games before July in a season. These stories and more are told in Cellar Dwellers: The Worst Teams in Baseball History, a colorful tribute to the sport’s least successful clubs. Cellar Dwellers spans three centuries of professional baseball, recounting the seasons of those teams whose misadventures have largely been forgotten over time. Chapters not only cover the stories of the luckless teams, they also include reams of statistics and detailed player profiles of those who helped the clubs—and those who helped them fail. In addition to the Alleghenys, Spiders, and Tigers, the cellar dwellers of baseball include: 1904 and 1909 Washington Senators 1916 Philadelphia Athletics 1928 and 1941 Philadelphia Phillies 1932 Boston Red Sox 1935 Boston Braves 1939 St. Louis Browns 1952 Pittsburgh Pirates 1962 New York Mets While many books revel in the glories of teams whose exploits have become legendary, the stories found in this volume offer an engaging alternative to the thrill of victory. Embellished with comical and amusing anecdotes alongside historical perspectives, Cellar Dwellers will entertain baseball fans and fascinate those who love baseball history.
Epistemic Courage is a timely and thought-provoking exploration of the ethics of belief. Drawing on a wide range of examples, from conspiracy theories to medical misinformation, Ichikawa shows why epistemology is no mere academic abstraction - the question of what to believe couldn't be more urgent. And, he argues, many mainstream ideas about what to believe - those emphasizing the importance of ensuring that one doesn't believe with insufficient evidence - are incomplete and distorting in important and harmful ways. A skeptical, negative bias about belief is connected to a conservative bias that reinforces the status quo. Throughout the book, Ichikawa argues that we need to shift our focus from avoiding false beliefs to actively seeking out true ones. Throughout the book, Ichikawa uses engaging and timely examples to illustrate his points. He tackles important questions, such as how moral considerations interact with evidential ones in deciding what to believe, and how to navigate the complex ethical issues around testimony, rape culture, and epistemic injustice. Accessible and rigorous, Epistemic Courage invites readers to consider the importance of belief, and how it shapes our lives and the world around us. With its insightful analysis and compelling case studies, this book is an essential read for philosophers and anyone else interested in belief, social justice, and the pursuit of truth.
With the defeat of Napoleon Bonaparte at the Battle of Waterloo in June 1815, the next two centuries for France would be tumultuous. Bestselling historian and political commentator Jonathan Fenby provides an expert and riveting journey through this period as he recounts and analyses the extraordinary sequence of events of this period from the end of the First Revolution through two others, a return of Empire, three catastrophic wars with Germany, periods of stability and hope interspersed with years of uncertainty and high tensions. As her cross-Channel neighbour Great Britain would equally suffer, France was to undergo the wrenching loss of colonies in the post-Second World War as the new modern world we know today took shape. Her attempts to become the leader of the European union is a constant struggle, as was her lack of support for America in the two Gulf Wars of the past twenty years. Alongside this came huge social changes and cultural landmarks but also fundamental questioning of what this nation, which considers itself exceptional, really stood - and stands - for. That saga and those questions permeate the France of today, now with an implacable enemy to face in the form of Islamic extremism which so bloodily announced itself this year in Paris. Fenby will detail every event, every struggle and every outcome across this expanse of 200 years. It will prove to be the definitive guide to understanding France.
Fifty years ago Sir Peter Hall directed the English language world premiere of Samuel Backett's Waiting for Godot. Now he has returned to this extraordinary classic, the quintessential absurdist piece that has become one of the most important works of modern drama. Jonathan Croall, who had access to rehearsals for this landmark anniversary production, combines an account of this theatrical journey with an informative history of the play that has intrigued, baffled, provoked and entertained all those who have ever come across Vladimir, Estragon and the ever elusive Godot. Foreword by Sir Peter Hall.
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