He was Nixon’s hatchet man. A jailed felon. And now, one of the most significant Christian leaders of our time. Here is his life story. Charles Colson has become one of the most revered leaders of our time. His ministry outreach, Prison Fellowship, has swelled to 40,000 volunteers working in 100 countries. His Angel Tree Christmas program provides presents to more than half a million children of prison inmates every year. His daily radio broadcast, BreakPoint, airs daily on more than 1,000 radio outlets across the country. And his twenty books have sold more than five million copies in the U.S. But God had to work some mighty miracles to bring this unusual servant to this prominent place of service. After all, Colson was known as President Nixon’s “hatchet man.” His involvement in the Watergate conspiracy led him to prison–and then to a life-changing encounter with God. Now, noted author Jonathan Aitken has written the first biography that compellingly presents a first-rate understanding of the political, historical, and spiritual journeys of Charles W. Colson… a life redeemed.
Theories heralding the rise of network governance have dominated for a generation. Yet, empirical research suggests that claims for the transformative potential of networks are exaggerated. This topical and timely book takes a critical look at contemporary governance theory, elaborating a Gramscian alternative. It argues that, although the ideology of networks has been a vital element in the neoliberal hegemonic project, there are major structural impediments to accomplishing it. While networking remains important, the hierarchical and coercive state is vital for the maintenance of social order and integral to the institutions of contemporary governance. Reconsidering it from Marxist and Gramscian perspectives, the book argues that the hegemonic ideology of networks is utopian and rejects the claim that there has been a transformation from 'government' to 'governance'. This important book has international appeal and will be essential reading for scholars and students of governance, public policy, human geography, public management, social policy and sociology.
Though they serve in many roles and under many titles, no one doubts that political staffs now wield substantial influence in the making of government policy. Backrooms and Beyond draws on interviews with ministers, senior public servants, and political advisers to offer the first detailed Canadian treatment of how that influence is gained and exercised in the policy making process. A comparative analysis of case studies from three Canadian jurisdictions, including the federal Prime Minister’s Office, two premier’s offices, and ministers’ offices, the book presents a detailed account of partisan advisers’ involvement in policy work and a new theoretical framework for understanding this work and its impact. As Jonathan Craft shows, partisan advisers often engage in policy work with public servants, outside stakeholders, and often in types of policy work that public servants cannot. Backrooms and Beyond is a rich and rigorous look at an important aspect of contemporary Canadian politics, essential reading for scholars and practitioners, journalists, students of the Westminster system from around the world, and those wanting to understand just how policy is made today.
18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring ...In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unleashed by the catastrophic famine of the preceding year while striving to become a vibrant centre of European culture and commerce.Brimming with drama, curiosity and intrigue, and populated by an unforgettable cast of characters, Hallelujah tells of how one charitable performance wove itself into the fabric of Ireland's capital, changing the course of musical history and the lives of those who called the city home.
This title was first published in 2001. During the 1990s, urban regeneration partnerships proliferated in the UK. It is now commonplace for many individuals and organizations, including businesses, community groups, the voluntary sector and other public sector bodies, to co-operate with local authorities in a wide range of activities. Interest in partnerships between local government and local businesses has been given added momentum by the increasing popularity of urban regime theory as a tool for understanding urban politics in the UK. Regime theory is an American neo-pluralist account of urban politics which is concerned with local collaborative dynamics and processes, particularly those between local government and business leaders. It focuses on one facet of local governance, the relationship between the local authority and the business sector in regeneration activities.
Summer of Shadows is an intertwining narrative that tells the story of the 1954 Cleveland Indians (which would etch itself in history as one of the greatest baseball teams in MLB history) and the infamous murder of the wife of Dr. Sam Sheppard in their home along the shore of Lake Erie — which held both the city and the nation spellbound that summer. Both of these generation-defining stories take place in the final days of the "Best Location in the Nation," the nickname for the Cleveland of the 1950s, which truly was one of the great and most influential cities in America. These two parallel tragedies harbinger an onslaught of adversity that dragged Cleveland from its lofty standing as a leading American city to one with a bleak — even comic — reputation.
For decades before and after African independence, the London weekly West Africa was a well-known source of news, analysis and comment on the region, especially the (former) British territories. Jonathan Derrick, who worked on the magazine's staff in the 1960s and again in its final years before closure in 2003, here studies the earlier history of West Africa through the story of its largely forgotten editor, Albert Cartwright, from the magazine's founding in 1917 to Cartwright's retirement in 1947. Before editing West Africa, Cartwright spent twenty years in South Africa, making the headlines in 1901 when, as editor of Cape Town's South African News during the Boer War, he was jailed for a year for a war crimes allegation against Lord Kitchener. Exploring Cartwright family papers and memories, Derrick reveals the complex nature of a man who, for three decades, ran a colonial magazine but was appreciated by Africans as someone who genuinely understood them. Derrick places the story of colonial-era West Africa, which would reach its greatest heights during the independence period, within the wider landscape of British periodicals dealing with Africa in the nineteenth and twentieth centuries.
The Crusades: A History is the definitive account of a key topic in medieval and religious history. Jonathan Riley-Smith, a world authority on the subject, explores the organisation of a crusade, the experience of crusading and the crusaders themselves, producing a textbook that is as accessible as it is comprehensive. This exciting new third edition includes: - Substantial new material on crusade theory, historiography and translated texts - An expanded scope that extends the text to cover the decline of crusading in the nineteenth century - Valuable pedagogical features, such as a revised bibliography, maps, illustrations and a brand new chronology This book is essential reading for all students and scholars seeking to understand the Crusades and their significance in world history.
Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions.
Pulls off the enviable feat of summing up seven centuries of religious warfare in a crisp 309 pages of text."--Dennis Drabelle, Washington Post Book World In this authoritative work, Jonathan Riley-Smith provides the definitive account of the Crusades: an account of the theology of violence behind the Crusades, the major Crusades, the experience of crusading, and the crusaders themselves. With a wealth of fascinating detail, Riley-Smith brings to life these stirring expeditions to the Holy Land and the politics and personalities behind them. This new edition includes revisions throughout as well as a new Preface and Afterword in which Jonathan Riley-Smith surveys recent developments in the field and examines responses to the Crusades in different periods, from the Romantics to the Islamic world today. From reviews of the first edition: "Everything is here: the crusades to the Holy Land, and against the Albigensians, the Moors, the pagans in Eastern Europe, the Turks, and the enemies of the popes. Riley-Smith writes a beautiful, lucid prose, . . . [and his book] is packed with facts and action."--Choice "A concise, clearly written synthesis . . . by one of the leading historians of the crusading movement. "--Robert S. Gottfried, Historian "A lively and flowing narrative [with] an enormous cast of characters that is not a mere catalog but a history. . . . A remarkable achievement."--Thomas E. Morrissey, Church History "Superb."--Reuven S. Avi-Yonah, Speculum "A first-rate one-volume survey of the Crusading movement from 1074 . . . to 1798."--Southwest Catholic
How did a group of scared peasants from a backwater of the Roman empire â followers of an executed criminal â form the largest religion on the planet? The story of Christianity, its transformation from an illegal sect to the religion of emperors, kings and presidents, and its spread across the globe, is an endlessly fascinating one. The History of Christianity gives readers an overview of these extraordinary 2,000 years. It is a history not only of how Christianity has changed the world, but also of how the world has changed Christianity. The first half of this volume is arranged mostly chronologically to create a single narrative from the age of exploration to the late twentieth century. The second half describes the history of the church in the past hundred years or so, with each chapter focusing on a different part of the world. Boxed features throughout the volume highlight especially important figures or themes from each of these periods. The History of Christianity:The Age of Exploration to the Modern Day will be welcomed by all those wanting a lively and engaging presentation of the people, events, places, and plain curiosities that have formed the Christian story.
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
A narrative thriller about the battle royale surrounding Barack Obama's quest for a second term amid widespread joblessness and one of the most poisonous political climates in American history.
A unique play anthology featuring five gripping docudramas originally commissioned by L.A. Theatre Works that each explore pivotal moments in 20th century U.S history. With ensemble casts and innovative staging potential these plays are perfect for theatre companies, schools and educational groups looking to stage familiar historical stories in new and original ways. Each play is accompanied by dramaturgical notes that help contextualize and analyze both the events themselves and the dramatic form in which they are presented. The scripts included are: The Great Tennessee Monkey Trial by Peter Goodchild The Real Dr. Strangelove by Peter Goodchild RFK: The Journey to Justice by Murray Horwitz and Jonathan Estrin The Chicago Conspiracy Trial by Peter Goodchild Top Secret: The Battle for the Pentagon Papers by Geoffrey Cowan and Leroy Aarons (Winner of the Corporation for Public Broadcasting Best Live Entertainment Award, 1992) As well as five scripts this anthology includes a foreword by Professor Michael Hackett, professor of directing and theatre history at UCLA School of Theater, Film and Television.
Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.
A study of history and morality in the twentieth century, this text examines the psychology which made possible Hiroshima, the Nazi genocide, the Gulag, the Chinese Cultural Revolution, Pol Pot's Cambodia, Rwanda and Bosnia.
Decades after the Civil War’s end, Confederate veteran John Alexander Stikeleather reflected on his experiences as a soldier in the 4th North Carolina Infantry. He had served in many engagements during his four years of service, but there was one in particular that Stikeleather believed should “never be forgotten”: Cool Spring. While largely overlooked or treated as a footnote to Gen. Jubal A. Early’s raid on Washington in the summer of 1864, the fight at Cool Spring, which one soldier characterized as “a sharp and obstinate affair,” proved critical to Washington’s immediate safety. The virtually unknown combat became a transformative moment for those who fought along the banks of the Shenandoah River in what ultimately became the war’s largest and bloodiest engagement in Clarke County, Virginia. The Blood-Tinted Waters of the Shenandoah examines Gen. Horatio Wright’s pursuit of Jubal Early into the Shenandoah and the clash on July 17–18, 1864. It analyzes the decisions of leaders on both sides, explores the environment’s impact on the battle, and investigates how the combat impacted the soldiers and their families—in its immediate aftermath and for decades thereafter. Years of archival research—including an investigation into the backgrounds of the Union and Confederate soldiers who perished in the fighting—coupled with intimate knowledge of the battlefield helps preserve the memory of the fight that should “never be forgotten.” Author Jonathan Noyalas’s study offers not only a history of an overlooked engagement in the oft-contested Shenandoah Valley, but—as Pulitzer Prize finalist Brian Matthew Jordan notes in the book’s Foreword—“a keen reminder that Civil War battles are rich laboratories in which to observe the human experience in all its complexity.”
The Russian Revolution and Civil War in the years 1917 to 1921 is one of the most widely studied periods in history. It is also somewhat inevitably one that has generated a huge flow of literature in the decades that have passed since the events themselves. However, until now, historians of the revolution have had no dedicated bibliography of the period and little claim to bibliographical control over the literature. The Russian Revolution and Civil War, 1917-1921offers for the first time a comprehensive bibliographical guide to this crucial and fascinating period of history. The Bibliography focuses on the key years of 1917 to 1921, starting with the February Revolution of 1917 and concluding with the 10th Party Congress of March 1921, and covers all the key events of the intervening years. As such it identifies these crucial years as something more than simply the creation of a communist state.
Explores the growing danger of nuclear conflict since the end of the Cold War, citing issues such as the invasion of Iraq, nuclear programs of Iran and North Korea, and the rise of terrorism.
A “hugely entertaining” history of the 1980s New Wave music scene told through new interviews with its biggest artists (Rolling Stone). Mad World is a compelling oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song and leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo, and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, INXS, and more. “One addictive chapter after another.” —Rob Sheffield, author of Talking to Girls About Duran Duran “Tells the tale of some of the decade’s most unforgettable songs . . . in fascinating detail, letting the architects of these memorable records shine a light on how the sound of a generation came to be.” —The Hollywood Reporter “The new wave era is often dismissed for its one-hit wonders and silly haircuts, but [Mad World] examines the period with a great deal of love and reverence.” —Buzzfeed “A really informative and insightful read.” —People
Prize-winning English crime historian Jonathan Goodman visited a number of cities where notorious murders occurred as he embarked on a 6000-mile train trip across the United States. As a true crime book, Tracks to Murder is witty and informative and enriches the classic American murder cases by placing them within their original settings. As a travel book, it presents the seasoned reflections of a cultivated English writer on American manners and morals observed during his transcontinental journey.
Seasoned Google executives Eric Schmidt and Jonathan Rosenberg provide an insider's guide to Google, from its business history and disruptive corporate strategy to developing a new managment philosophy and creating a corporate culture where innovation and creativity thrive. Seasoned Google executives Eric Schmidt and Jonathan Rosenberg provide an insider's guide to Google, from its business history and disruptive corporate strategy to developing a new managment philosophy and creating a corporate culture where innovation and creativity thrive. Google Executive Chairman and ex-CEO Eric Schmidt and former SVP of Products Jonathan Rosenberg came to Google over a decade ago as proven technology executives. At the time, the company was already well-known for doing things differently, reflecting the visionary-and frequently contrarian-principles of founders Larry Page and Sergey Brin. If Eric and Jonathan were going to succeed, they realized they would have to relearn everything they thought they knew about management and business. Today, Google is a global icon that regularly pushes the boundaries of innovation in a variety of fields. How Google Works is an entertaining, page-turning primer containing lessons that Eric and Jonathan learned as they helped build the company. The authors explain how technology has shifted the balance of power from companies to consumers, and that the only way to succeed in this ever-changing landscape is to create superior products and attract a new breed of multifaceted employees whom Eric and Jonathan dub "smart creatives." Covering topics including corporate culture, strategy, talent, decision-making, communication, innovation, and dealing with disruption, the authors illustrate management maxims ("Consensus requires dissension," "Exile knaves but fight for divas," "Think 10X, not 10%") with numerous insider anecdotes from Google's history, many of which are shared here for the first time. In an era when everything is speeding up, the best way for businesses to succeed is to attract smart-creative people and give them an environment where they can thrive at scale. How Google Works explains how to do just that.
In 1900, London was the capital of an empire that spanned the globe. This text examines the powerful city and its relationship with the British Empire at the turn of the century.
Henry Purcell (1659-1695) is the greatest of all English composers and a pivotal figure in European musical history. In this rich and colorful biography, Jonathan Keates deftly traces Purcell's life and artistry against the backdrop of the turbulent political, religious, theatrical, and social movements of his time. Purcell's musical genius both embraced and transcended the variable moods and tensions of Restoration England, and gave the period and the culture an unforgettable voice. With great skill and historical understanding, Keates follows Purcell through his extraordinarily prolific career, from chorister at the Chapel Royal, to composer for the theater and the court, to writer of sacred music, chamber music, and the triumphant Dido and Aeneas, the first British opera. Keates considers Purcell's musical studies with Pelham Humfrey and John Blow as well as his adaptation of Matthew Locke's innovative and colorful style. He provides a superb critical appreciation of Purcell's music in all its forms. Keates also discusses the musical history of the period, including the influence of French and Italian composers, whose music blended with and modified native traditions.
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