NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • Startlingly observed, beautifully written, this book is a contemporary classic of the American West. • "As good a book as I have read about rural America in a very long time." —The New York Times Book Review In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders—many of them immigrants—went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive. In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories.
From the national bestselling, National Book Critics Circle Award-winning author of Bad Land comes “a lively, intensely personal recounting of a voyage into a gifted writer's country and self” (The New York Times Book Review). Put Jonathan Raban on a boat and the results will be fascinating, and never more so than when he’s sailing around the serpentine, 2,000-mile coast of his native England. In this acutely perceived and beautifully written book, the bestselling author of Bad Land turns that voyage–which coincided with the Falklands war of 1982-into an occasion for meditations on his country, his childhood, and the elusive notion of home. Whether he’s chatting with bored tax exiles on the Isle of Man, wrestling down a mainsail during a titanic gale, or crashing a Scottish house party where the kilted guests turn out to be Americans, Raban is alert to the slightest nuance of meaning. One can read Coasting for his precise naturalistic descriptions or his mordant comments on the new England, where the principal industry seems to be the marketing of Englishness. But one always reads it with pleasure.
The bestselling, award-winning author of Bad Land realizes a lifelong dream as he navigates the waters of the Mississippi River in a sixteen-foot motorboat, producing yet another masterpiece of contemporary American travel writing. "Stunning." —The New York Times Book Review In the course of his voyage, Raban records the mercurial caprices of the river and the astonishingly varied lives of the people who live along its banks. Whether he is fishing for walleye or hunting coon, discussing theology in Prairie Du Chien or race relations in Memphis, he is an expert observer of the heartyland's estrangement from America's capitals ot power and culture, and its helpless nostalgia for its lost past. Witty, elegaic, and magnificently erudite, Old Glory is as filled with strong currents as the Mississippi itself.
A NEW YORKER BEST BOOK OF THE YEAR • A poignant memoir of love, trauma, and recovery after a life-changing stroke, twinned to a powerful account of his father's experience in World War II, by a winner of the National Book Critics Circle Award. “A beautiful, compelling memoir...Raban’s final work is a gorgeous achievement.” —Ian McEwan, New York Times best-selling author of Lessons In June 2011, just days before his sixty-ninth birthday, Jonathan Raban was sitting down to dinner with his daughter when he found he couldn’t move his knife to his plate. Later that night, at the hospital, doctors confirmed what all had suspected: that he had suffered a massive hemorrhagic stroke, paralyzing the right side of his body. Once he became stable, Raban embarked on an extended stay at a rehabilitation center, where he became acquainted with, and struggled to accept, the limitations of his new body—learning again how to walk and climb stairs, attempting to bathe and dress himself, and rethinking how to write and even read. Woven into these pages is an account of a second battle, one that his own father faced in the trenches during World War II. With intimate letters that his parents exchanged at the time, Raban places the budding love of two young people within the tumultuous landscape of the war’s various fronts, from the munition-strewn beaches of Dunkirk to blood-soaked streets of Anzio. Moving between narratives, his and theirs, Raban artfully explores the human capacity to adapt to trauma, as well as the warmth, strength, and humor that persist despite it. The result is Father and Son, a powerful story of mourning, but also one of resilience.
The bestselling, award-winning author of Bad Land takes us along the Inside Passage, 1,000 miles of often treacherous water, which he navigates solo in a 35-foot sailboat, offering captivating discourses on art, philosophy, and navigation and an unsparing narrative of personal loss. "A work of great beauty and inexhaustible fervor." —The Washington Post Book World With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers—between its embattled fishermen and loggers and its pampered new class.
For Love and Money is the 'part case history, part memoir' of a modern man of letters: a selection of Jonathan Raban's very best essays, reportage, travel writings and literary criticism, linked with a narrative thread that bravely attempts the agonizing and revelatory question 'Why do you write?' 'His writing articulates a style of humane and witty conversation: he excels at the revealing anecdote, the smart phrase, the art of happy extravagance. And by being perhaps the only critic of calibre who is not an egomaniac, his judgements emerge as the elegant ponderosities of an intelligent reader - and not from a critic at all' Roger Lewis, Punch 'You see with pleasure how reading has shaped without subduing his style. Raban is never guilty of supposing that he can use lower writing powers because what he's doing is only journalism. The splices are excellent. Raban is interesting everywhere' Frank Kermode, London Review of Books 'A marvellously absorbing anthology which leaves you eager for Raban's next haul of sightings and soundings' Times Literary Supplement 'A marvellous writer. On books and travel he is spellbinding' Sunday Times
In the not-too-distant future, no one trusts anyone and everyone is watching everybody else. America is obsessed with information and under siege from an insidious enemy: paranoia. National identify cards are mandatory, terrorism alerts are a daily event, and privacy is laid bare on the Internet. For a freelance journalist, her daughter, a bestselling author, and a struggling actor, these tumultuous times provide the backdrop as their lives become inextricably bound in a darkly humorous, frighteningly accurate story of life in an unstable world.
In 1993 Jonathan Raban entered the Badlands. Here he came across the ruins of a community and isolated homesteads. These homes, he realized, gave clues as to the characters of the people who took the train West in the early 20th century in search of new lives. This is their story.
NEW YORK TIMES NOTABLE BOOK • An exhilarating, often deliciously funny and "beautifully written voyage of discovery" (Chicago Tribune) that is at once a travelogue, a social history, and a love letter to America. • From the bestselling, award-winning author of Bad Land In 1782 an immigrant with the high-toned name J. Hector St. John de Crèvecoeur—"Heartbreak" in English—wrote a pioneering account of one European's transformation into an American. Some two hundred years later Jonathan Raban, winner of the National Book Critics Circle Award, arrived in Crèvecoeur's wake to see how America has paid off for succeeding generations of newcomers. In the course of Hunting Mr. Heartbreak, Raban passes for homeless in New York and tries to pass for a good ol' boy in Alabama (which entails "renting" an elderly black lab). He sees the Protestant work ethic perfected by Korean immigrants in Seattle—one of whom celebrates her new home as "So big! So green! So wide-wide-wide!"—and repudiated by the lowlife of Key West. And on every page of this peerlessly observant work, Raban makes us experience America with wonder, humor, and an unblinking eye for its contradictions.
From the bestselling, award-winning author of Bad Land comes a powerful novel set in Seattle in 1999, a city troubled by rioting anarchists, vanishing children, and the discovery of an al-Qaeda operative. “A tour de force.” —The Washington Post Book World Jonathan Raban’s powerful novel is set in Seattle at the height of its infatuation with the virtual. It’s a place that attracts immigrants. One of these is Tom Janeway, a bookish Hungarian-born Englishman who makes his living commenting on American mores on NPR. Another, who calls himself Chick, is a frenetically industrious illegal alien from China who makes his living any way he can. Through a series of extraordinary but chillingly plausible events, the paths of these newcomers converge. Tom is uprooted from his marriage and must learn to father his endearing eight-year old son part-time. Chick claws his way up from exploited to exploiter. Meanwhile Seattle is a city on the brink. Savage and tender, visionary and addictively entertaining, Waxwings is a major achievement.
Driving Home is a collection of Jonathan Raban's travel writing and essays, spanning two decades and charting its course through American history and world events. Jonathan Raban has written about people and places in transition or on the margins, of journeys undertaken and destinations never quite reached; of isolation and alienation, but also of what it means to belong, to feel rooted. He writes with an outsider’s eye for the public and the personal, about political, social, and cultural affairs, and about literature, his tone intimate but never nostalgic, and always fresh. Variously frank, witty, and provocative, Driving Home is part essay collection, part diary – and wholly engrossing. ‘A passionate history buff and a skilled raconteur . . . it’s a fine ride’ – Sunday Times ‘A fabulous collection’ – Observer
A beautiful, compelling memoir . . . This, Raban's final work, is a gorgeous achievement" – Ian McEwan On 11 June 2011, three days short of his sixty-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body. Learning to use a wheelchair in a rehab facility outside Seattle and resisting the ministrations of the nurses overseeing his recovery, Raban began to reflect upon the measure of his own life in the face of his own mortality. Together with the chronicle of his recovery is the extraordinary story of his parents’ marriage, the early years of which were conducted by letter while his father fought in the Second World War. Jonathan Raban engages profoundly and candidly with some of the biggest questions at the heart of what it means to be alive, laying bare the human capacity to withstand trauma, as well as the warmth, strength, and humour that persist despite it. Father and Son, the final work from the peerless man of letters, is a tremendous, continent-sweeping story of love and resilience in the face of immense loss.
Jonathan Raban's Soft City is a compelling exploration of urban life: a classic in the literature of the city. First published in the 1970s, it is now more relevant to today’s overcrowded planet than ever. With an introduction by Iain Sinclair. In the city we can live deliberately: inventing and renewing ourselves, carving out journeys, creating private spaces. But in the city we are also afraid of being alone, clinging to the structures of daily life to ward off the chaos around us. How is it that the noisy, jostling, overwhelming metropolis leaves us at once so energized and so fragile? In Soft City, Jonathan Raban, one of our most acclaimed novelists and travel writers seeks to find out. 'A psychological handbook for urban survival' – Sunday Telegraph
For more than thirty years, Jonathan Raban has written with infectious fascination about people and places in transition or on the margins, about journeys undertaken and destinations never quite reached, and, as an expat, about what it means to feel rooted in America. Spanning two decades, "Driving Home "charts a course through the Pacific Northwest, American history, and current events as witnessed by "a super-sensitive, all-seeing eye. Proving that an outsider is the keenest observer of the scene that natives take for granted, this collection of Jonathan Raban's essays affirms his place as the most literate, perceptive, and humorous commentator on the places, characters, and obsessions that constitute the American scene. Raban spots things we might otherwise miss; he calls up the apt metaphors that transform things into phenomena. "He is one of our most gifted observers." (Newsday).
Lucy Bengstrom lives in Seattle with her 11-year-old daughter, Alida. When she is asked to write about August Vanagas, a reclusive international bestselling author, Lucy becomes intrigued by his story of an orphan adrift in Europe in the Second World War.
NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • Startlingly observed, beautifully written, this book is a contemporary classic of the American West. • "As good a book as I have read about rural America in a very long time." —The New York Times Book Review In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders—many of them immigrants—went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive. In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories.
From the bestselling, award-winning author of Bad Land comes a powerful novel set in Seattle in 1999, a city troubled by rioting anarchists, vanishing children, and the discovery of an al-Qaeda operative. “A tour de force.” —The Washington Post Book World Jonathan Raban’s powerful novel is set in Seattle at the height of its infatuation with the virtual. It’s a place that attracts immigrants. One of these is Tom Janeway, a bookish Hungarian-born Englishman who makes his living commenting on American mores on NPR. Another, who calls himself Chick, is a frenetically industrious illegal alien from China who makes his living any way he can. Through a series of extraordinary but chillingly plausible events, the paths of these newcomers converge. Tom is uprooted from his marriage and must learn to father his endearing eight-year old son part-time. Chick claws his way up from exploited to exploiter. Meanwhile Seattle is a city on the brink. Savage and tender, visionary and addictively entertaining, Waxwings is a major achievement.
A NEW YORKER BEST BOOK OF THE YEAR • A poignant memoir of love, trauma, and recovery after a life-changing stroke, twinned to a powerful account of his father's experience in World War II, by a winner of the National Book Critics Circle Award. “A beautiful, compelling memoir...Raban’s final work is a gorgeous achievement.” —Ian McEwan, New York Times best-selling author of Lessons In June 2011, just days before his sixty-ninth birthday, Jonathan Raban was sitting down to dinner with his daughter when he found he couldn’t move his knife to his plate. Later that night, at the hospital, doctors confirmed what all had suspected: that he had suffered a massive hemorrhagic stroke, paralyzing the right side of his body. Once he became stable, Raban embarked on an extended stay at a rehabilitation center, where he became acquainted with, and struggled to accept, the limitations of his new body—learning again how to walk and climb stairs, attempting to bathe and dress himself, and rethinking how to write and even read. Woven into these pages is an account of a second battle, one that his own father faced in the trenches during World War II. With intimate letters that his parents exchanged at the time, Raban places the budding love of two young people within the tumultuous landscape of the war’s various fronts, from the munition-strewn beaches of Dunkirk to blood-soaked streets of Anzio. Moving between narratives, his and theirs, Raban artfully explores the human capacity to adapt to trauma, as well as the warmth, strength, and humor that persist despite it. The result is Father and Son, a powerful story of mourning, but also one of resilience.
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
The bestselling, award-winning author of Bad Land takes us along the Inside Passage, 1,000 miles of often treacherous water, which he navigates solo in a 35-foot sailboat, offering captivating discourses on art, philosophy, and navigation and an unsparing narrative of personal loss. "A work of great beauty and inexhaustible fervor." —The Washington Post Book World With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers—between its embattled fishermen and loggers and its pampered new class.
Whether you want to be the next Bill Bryson, set up a brilliant blog or simply make the best of your travel journal, this book will lead you along the travel writer’s way. The Travel Writer’s Way takes a ground-breaking approach to the craft of travel writing, with a 12-step programme of ‘creative journeys’ specially tailored to develop your writing skills. Whether you want to write for pleasure or for publication, for friends or for the wider world, you’ll find this book as inspiring as it is useful. It also contains invaluable advice from a galaxy of the finest travel writers, editors and bloggers, the first guide to gather insights from so many acclaimed experts. Paul Theroux, William Dalrymple, Colin Thubron, Geoff Dyer, Pico Iyer, Levison Wood, Dervla Murphy, Chris Stewart, Sara Wheeler and Simon Calder all share their top tips. Furthermore, there is practical information on establishing your blog, writing your book and submitting your articles to travel editors. Jonathan Lorie has more than 20 years’ experience as travel writer, travel-magazine editor and travel-writing tutor. His is the ultimate guide for those who want to turn their travels into stories. - Advice from 40 of the world’s top travel-writing experts - Practical, 12-step programme to improve your writing - How to publish and market your work as blogs, books or articles
The first book entirely dedicated to the topic emphasizes the relation between basic research and actual processing technologies. As such, it covers complex microstructures down to the nanometer scale, structure/property relationships and potential applications in key industries. From the contents: * Constitution * Thermophysical Constants * Phase Transformations and Microstructures * Deformation Behaviour * Strengthening Mechanisms * Creep * Fracture Behaviour * Fatigue * Oxidation Resistance and Related Issues * Alloy Design * Ingot Production and Component Casting * Powder Metallurgy * Wrought Processing * Joining * Surface Hardening * Applications and Component Assessment
In Dinner at Dan, Jonathan S. Greer provides biblical and archaeological evidence for sacred feasting at the Levantine site of Tel Dan from the late 10th century - mid-8th century BCE. Biblical texts are argued to reflect a Yahwistic and traditional religious context for these feasts and a fresh analysis of previously unpublished animal bone, ceramic, and material remains from the temple complex at Tel Dan sheds light on sacrificial prescriptions, cultic realia, and movements within this sacred space. Greer concludes that feasts at Dan were utilized by the kings of Northern Israel initially to unify tribal factions and later to reinforce distinct social structures as a society strove to incorporate its tribal past within a monarchic framework.
In June 1914, a boy, not yet 15 years-old, made a promise to God. To make it binding he wrote it down while alone in a class-room at school. That promise brought him a life-time of adventure. He served as a signaller in the mud of France in the First World War; as an Anglican priest among the stricken poor of northern England; as a bishop in the wilds of Papua New Guinea; and as an archbishop among the economically secure of Brisbane. This is the intriguing and fascinating story of Philip Nigel Warrington Strong and the promise he made as a boy, and the motto that sustained him and the road less travelled that beckoned and chose him.
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