When COVID-19 hit the world, as a major global pandemic (prominently in March 2020), many countries reacted by requiring specialist sanitizing, social distancing, and lockdown measures. For some, these events meant extended furlough, time off work, for others, loss of businesses and unemployment, and tragically, for some, the death of loved colleagues, friends, and family members. Looking to what God is saying in the aftermath of this dramatic world event is arguably of vital significance. Against this background, I invite you to use this study guide, suitable for individual or family devotions, to supply uplifting guidance in ministering to your soul. This volume includes a helpful study of the different Psalm types and inscriptions and takes a methodical look at each part of Psalm 119. Psalm 119, made up of 176 verses, follows an alphabetical structure consisting of twenty-two stanzas, each dealing with an aspect of the word of God and God's providential acts and interactions within various life experiences. Here, in this beautiful Psalm, answers to some of the most pertinent issues in our relationship with God are addressed; this book takes you through an incredible, revelatory journey, well worth traveling.
A critical look at the work of one of the twentieth century's most influential playwrights emerges from the viewpoint of numerous Beckett actors and directors and includes the author's personal experiences as well.
How do twenty-first century theatre practitioners negotiate the dynamics of tradition and innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of genre, iteration/repetition, and collaboration – modes that also define the 'experimental' – allow for greater openness than is often assumed. Reading recent performances for creative uses of embodiment, environment, and technology reveals the increasingly interdisciplinary, international, and intermedial character of contemporary Beckettian practice. The experimentation of current practitioners challenges a discourse based on historical controversies, exposing a still-expanding terrain for Beckett in performance.
Fifty years ago Sir Peter Hall directed the English language world premiere of Samuel Backett's Waiting for Godot. Now he has returned to this extraordinary classic, the quintessential absurdist piece that has become one of the most important works of modern drama. Jonathan Croall, who had access to rehearsals for this landmark anniversary production, combines an account of this theatrical journey with an informative history of the play that has intrigued, baffled, provoked and entertained all those who have ever come across Vladimir, Estragon and the ever elusive Godot. Foreword by Sir Peter Hall.
When examining the variety of British directors included here, the reader will see just how misleading the term 'British film' can be. The book places ten contemporary British directors side by side. But whilst the reader is able to trace certain common themes, comparisons between the characters are actually characterized by a startling degree of diversity of style and opinion.
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