Quicklets: Learn More. Read Less. Freakonomics was written by Steven D. Levitt and Stephen J. Dubner. Levitt is an economist who is known for making connections that other people do not see, while Dubner is a journalist for the New York Times. The book started as an article about Levitt that Dubner was writing for the New York Times in 2003. They wrote the book together as an attempt to bring economics to the masses, to show in an interesting and conversational way on how economics can prove that conventional wisdom is often wrong and how it can shed new light on confusing situations. The book was published in 2005 and has somewhat become controversial for its findings.
Quicklets: Your Reading Sidekick! This Hyperink Quicklet includes an overall summary, chapter commentary, key characters, literary themes, fun trivia, and recommended related readings. ABOUT THE BOOK When Tina Fey left Saturday Night Live at the end of the 2005-2006 season to concentrate on developing, writing, and starring in a new program for NBC, reaction among comedy fans was mixed. On the one hand, SNL had lost yet another of the talented cast member who made it a resurgent hit in the late 1990s. On the other hand, anticipation of Fey’s new show was high. Fey had originally pitched the series to NBC as a sitcom about a cable news network during early in her tenure as a writer for SNL. According to Time, when the pitch was rejected, she reworked the idea into a show revolving around a sketch comedy series and variety show not unlike SNL. NBC ordered a pilot for the show, which was well-reviewed upon its October 2006 debut, and went to series as 30 Rock. Although 30 Rock has rarely been a ratings darling, online reviews and critical establishment barometer, Metacritic, shows that it has been one of the critical establishment’s most consistently well-reviewed television programs of the past ten years. It is also one of the best-reviewed comedies of all time. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. EXCERPT FROM THE BOOK There are two main storylines in the first season: Liz Lemon’s struggle to find a compatible romantic partner while balancing her work and personal life, and the adjustment of the cast and crew of TGS to the new additions of Jack Donaghy and Tracy Jordan. Lemon’s personal life is the meatiest and most constant plotline in the season, as she is the protagonist of the series and her work/life conflicts are largely the narrative hook of the show. In the first few episodes, her love life is barely mentioned, reflective of a new series still struggling to find its voice. The third episode of the series, “Blind Date,” is the first to venture in this direction, and although it’s primarily a one-and-done, short-term story played for awkward laughs when Jack sets Liz up on a blind date with a friend of his who turns out to be a woman (because, in his words, her shoes “are definitely bi-curious”). The episode met universal acclaim and was greeted by many critics as a hopeful sign of things to come. The plotline was more earnestly engaged a few episodes later in “Jack Meets Dennis,” when Liz takes back her ne’er-do-well ex-boyfriend, Dennis Duffy, to whom a few allusions had been made earlier in the season. Duffy is an obnoxious lout who epitomizes the stereotypes of the boorish South Bostonian, but Liz finds it hard to leave him permanently because he’s easy and low-maintenance. Jack strongly disapproves, and warns Liz that she faces a mediocre life with Dennis in her future... Buy a copy to keep reading!
Like the hipster movement it ridicules, Portlandia has its roots in the early 1990s - the Grunge Era. After early innovators like Mudhoney and Tad paved the way, the blockbuster triumvirate of Nirvana, Soundgarden, and Alice in Chains ruled MTV and college radio for half a decade, with Pearl Jam going on to even greater, and more sustained success. Kevin Smith and Richard Linklater made films that idealized underemployment and post-high-school doldrums. Quentin Tarantino pioneered a schizophrenic, heavily referential style of film that seemed designed to mimic the long, drawn-out, conversations of a group of stoned young film buffs with nothing to do and too big of a videotape collection. Flannel shirts and what Silver Jews frontman David Berman would later describe as "sarcastic hair" were the height of fashion. Every young kid in America since the second World War has probably been called a lazy, good-for-nothing slacker by his or her parents at least once, but in 1993, there was no higher compliment. Everybody was going to be an artist, a comedian, a writer, a filmmaker, an actor, a poet. And in two different grunge havens, separated by half a continent, Fred Armisen and Carrie Brownstein were starting their long journeys toward that dreamed-of success. Given that they both found their most widely celebrated success working together on a sketch comedy series, it is perhaps surprising that they both started out playing in cult favorite indie rock bands.
ABOUT THE BOOK 30 Rock emerged from its first season into a changing comedy world. New leaders like Louis CK and Patton Oswalt were taking the standup world by storm. Even the pop-star status of Dane Cook, often reviled by hardcore comedy fans for his unadventurous material and impersonal style, represented a culture thinking about comedy as an essential need. This culture thought about comedy performers as distinct, individual voices to be followed loyally. On television, new shows like The Sarah Silverman Program and The Naked Trucker and T-Bones Show debuted on Comedy Central. Silvermans show, in particular, was crammed with longtime alt comedy favorites like Brian Posehn, Jay Johnston, and Steve Agee. It was produced in part by Rob Schrab, creator of the cult classic comic book Scud: The Disposable Assassin. At the cinema, The Simpsons, once the standard-bearer for an advancing vanguard of hip, post-modern, ironic, anti-establishment comedy, completed its journey into the mainstream by releasing one of the top-grossing films of 2007. Oswalt received his first major motion picture starring role in Ratatouille, a movie which ended up sweeping the major awards ceremonies in the Best Animated Film category. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. He's written about everything from politics to philosophy, from sports to cinema, from drugs to thugs. EXCERPT FROM THE BOOK One of the elements that Tina Fey and other creative minds behind 30 Rock sought to bring more to the forefront in the second season of the program was the idea of the strong recurrent subplot. While narrative elements had certainly appeared and reappeared throughout the shows freshman season, they had been decidedly in the background. That changed in Season 2, as a very clear throughline emerged as the prominent focal point of the show: Jack Donaghys attempts to rise in the corporate ranks at General Electric. At the end of the first season, Donaghy had suffered a heart attack brought on by issues in his personal life stemming from conflicts with everyone in his life from his mother to his girlfriend to Liz Lemon. He comes back strong in the premiere of the second season, having had a winning offseason as a television executive. He and Lemon are both certain that this will be their year. Donaghy, in fact, is quite sure that he has a shot at becoming the next chairman of GE. The current head of the company, Don Geiss, has been sending signals that he plans to retire soon, and Donaghy believes he has a strong chance at becoming his hand-picked replacement. However, Donaghy is thwarted by his old nemesis from the first season, Devon Banks. Banks, a gay man, has connived a brilliant plan. He narrowly worked his way through a pray the gay away program, Banks has seduced Geisss probably mentally challenged daughter, and is preparing to marry into the Geiss family. Its a smart move, and one that keeps Donaghy on his toes throughout the season. Banks and Donaghy trade jabs and blows back and forth throughout the season, and although its clear that Geiss favors Donaghy as his replacement, tragedy inevitably strikes. CHAPTER OUTLINE Quicklet on 30 Rock Season 2 + Troubles Brewing: A Sophomore Slump? + Tina Fey: A Life in Comedy + Main Characters + Key Terms + ...and much more 30 Rock Season 2
Nathan is a self-taught engineer with the gift of inventing devices that protect the safety of mankind and animals. One day, Nathan is given a choice of wealth or wisdom as a destiny for his career. On Nathan’s path to a wealth career, he witnesses several unsafe conditions after accepting a high salary position from a rich owner. But, the owner ignores Nathan’s desire to solve the unsafe conditions. Nathan’s sense of right and wrong plays a major role in his reflection of wealth versus wisdom. Nathan The Extraordinary Inventor is a bilingual middle-grade (ages 8 – 12) fiction picture book for children learning rhythmic patterns. Th is early reader’s book is excellent for the following leveling systems: Grade Level Mid 1, Rigby Level 8-11, F&P Guided Reading Level E-G, Lexile Grade Band Range 100L-500L, DRAL 8-10, and Accelerated Reader Levels 0.8 – 1.0. ------------------------------------------------------------- Nathan es un ingeniero que aprendió por su propia cuenta con el don de inventar dispositivos que protegen la seguridad de la humanidad y los animales. Un día, a Nathan se le da la posibilidad de elegir entre la riqueza o la sabiduría como un destino para su carrera. En el camino a una carrera de reiqueza, él es testigos a varias condiciones inseguras después de aceptar un sueldo alto de un dueño rico. Sin embargo, el dueño ignora el deseo de Nathan de resolver las condiciones inseguras. Su sentido de lo correcto y lo incorrecto juega un papel importante en su refl exión de la riqueza contra la sabiduría. El Inventor extraordinario es un libro bilingüe de fi cción ilustrado para grados del 8 al 12 para niños que están aprendiendo patrones rítmicos. Este libro del nuevo lector es excelente para los siguientes sistemas de nivelación: Nivel de Grado Medio 1, Rigby Nivel del 8 al 11, F & P Nivel de lectura guiada EG, Lexile Grado Banda Rango 100L-500L, DRAL 8-10, y los lectores con nivel avanzado 0,8-1,0.
One of the most important issues facing today’s contemporary church is the subject of public worship. What does God require from sinners who draw near to him in this ordinance? Surveying the landscape of American Colonial preachers on this topic is exceedingly illuminating. In theological kinship to their Puritan counterparts, New World preachers were vehement in their desire to explain the particulars of prescribed worship according to God’s word. Their solid biblical conviction and passion gives the contemporary church a scriptural remedy for understanding God’s requirements. This anthology is compiled of six enlarged sermons and one lecture, all of which have never been published since the days the original preachers ministered in their respective congregations. They are: The Sinfulness of Worshipping God with Men’s Institutions by Samuel Willard (1640-1707) taken from Matthew 15:9, “But in vain do they worship me, teaching for doctrines the commandments of men.”. The Vanity of Human Institutions in the Worship of God by Jonathan Dickinson (1688-1747) taken from Gal. 4:9, “…how turn you again to the weak and beggerly elements, whereunto ye desire again to be in bondage?” The Great Sin of Formality in God’s Worship by Joshua Moodey (1633-1697) taken from Hosea 11:12, “Ephraim compasseth me about with lies, and the house of Israel with deceit.” The Duty of Worshipping God in His House by Nathan Stone (1737-1804) taken from Psalm 5:7, “But as for me, I will come into thy house, in the multitude of thy mercy; and in thy fear will I worship toward thy holy temple.” And then two unpublished sermons and one lecture from Jonathan Edwards (1703-1758): The Profanation of God’s Holy Worship taken from Ezekiel 23:36-39, “…they have committed adultery…then they came the same day into my sanctuary to profane it.” Provoking the Lord to Jealousy in the Worship of God taken from 1 Cor. 10:22, “Do we provoke the Lord to jealousy? Are we stronger than he?” And an Appendix: The Holiness of God taken from Isaiah 6:3, “And one cried unto another and said holy, holy, holy is the Lord of hosts.” This work is not a scan or facsimile, has been carefully transcribed by hand being made easy to read in modern English, and has an active table of contents for electronic versions.
ABOUT THE BOOK “I like to describe Portland as a city with a lot of self-esteem, filled with people with a lot of self-doubt. Portland is a really kind place, with all kinds of people who will go to tyrannical lengths to show you how kind they are, to the point that it actually feels kind of mean. I think a lot of our characters are trying to navigate that.” – Portlandia co-creator Carrie Brownstein, quoted in The Daily Beast “You remember the 90s, when everyone was pickling their own vegetables, and brewing their own beer? People were growing out their mutton chops and waxing their handlebar moustaches. Everyone was knitting and sewing clothes for their children. People were wearing glasses all the time, like contact lenses had never been invented.” “Wait, are we talking about the 1990s?” – Jason From LA and Melanie, Episode 5, “The Dream of the 1890s” If you haven’t heard the joke, then you haven’t been going to the right bars in the right cities with the right people. Hang around enough cool, plugged-in, young, urban progressives - “hipsters,” as they’ve been termed in the last few years - and you’re bound to eventually meet a couple of them who are self-aware enough to have latched on to it. The joke is dry, bitter, self-deprecating. It indicts the entire hipster scene for a sin, one which is simultaneously inconsequential and monumental, that has characterized American progressives - young and old, hip and square, urban and rural - for decades. “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. EXCERPT FROM THE BOOK “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. It’s not new, this progressive self-hatred. Its roots run deep. Liberals have always seemed uneasy with their own ideals. Conservatives rarely engage in the same degree of public, brutal, hilarious, humiliating self-flagellation. Recent studies have confirmed that conservative politics are bolstered by what is termed “low-effort thinking.” Firmly attached to a relatively simple, black-and-white worldview, a conservative does not see enough complexity in the issues of the day to see the funny side of his or her own perspective. But philosophical self-mutilation is so deeply entrenched in the left that progressives even do it in their daily lives. They wryly adopt and self-apply the most insulting terms hurled at them from across the aisle. Bleeding heart. Flaming liberal. Treehugger. And so on and so forth.
Jonathan Schofer offers the first theoretically framed examination of rabbinic ethics in several decades. Centering on one large and influential anthology, The Fathers According to Rabbi Nathan, Jonathan Schofer situates that text within a broader spectrum of rabbinic thought, while at the same time bringing rabbinic thought into dialogue with current scholarship on the self, ethics, theology, and the history of religions. Notable Selection, Jordan Schnitzer Book Award for Philosophy and Jewish Thought, Association for Jewish Studies
A bundle of 3 best-selling and respected mobile development e-books from Wrox form a complete library on the key tools and techniques for developing apps across the hottest platforms including Android and iOS. This collection includes the full content of these three books, at a special price: Professional Android Programming with Mono for Android and .NET/C#, ISBN: 9781118026434, by Wallace B. McClure, Nathan Blevins, John J. Croft, IV, Jonathan Dick, and Chris Hardy Professional iPhone Programming with MonoTouch and .NET/C#, ISBN: 9780470637821, by Wallace B. McClure, Rory Blyth, Craig Dunn, Chris Hardy, and Martin Bowling Professional Cross-Platform Mobile Development in C#, ISBN: 9781118157701, by Scott Olson, John Hunter, Ben Horgen, and Kenny Goers
A one-of-a-kind book on Android application development with Mono for Android The wait is over! For the millions of .NET/C# developers who have been eagerly awaiting the book that will guide them through the white-hot field of Android application programming, this is the book. As the first guide to focus on Mono for Android, this must-have resource dives into writing applications against Mono with C# and compiling executables that run on the Android family of devices. Putting the proven Wrox Professional format into practice, the authors provide you with the knowledge you need to become a successful Android application developer without having to learn another programming language. You'll explore screen controls, UI development, tables and layouts, and MonoDevelop as you become adept at developing Android applications with Mono for Android. Answers the demand for a detailed book on the extraordinarily popular field of Android application development Strengthens your existing skills of writing applications and shows you how to transfer your talents to building Android apps with Mono for Android and .NET/C# Dives into working with data, REST, SOAP, XML, and JSON Discusses how to communicate with other applications, deploy apps, and even make money in the process Professional Android Programming with Mono for Android and .NET/C# gets you up and running with Android app development today.
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