A literary scholar and investment banker applies economic criticism to canonical novels, dramatically changing the way we read these classics and proposing a new model for how economics can inform literary analysis. Every writer is a player in the marketplace for literature. Jonathan Paine locates the economics ingrained within the stories themselves, revealing how a text provides a record of its author’s attempt to sell the story to his or her readers. An unusual literary scholar with a background in finance, Paine mines stories for evidence of the conditions of their production. Through his wholly original reading, Balzac’s The Splendors and Miseries of Courtesans becomes a secret diary of its author’s struggles to cope with the commercializing influence of serial publication in newspapers. The Brothers Karamazov transforms into a story of Dostoevsky’s sequential bets with his readers, present and future, about how to write a novel. Zola’s Money documents the rise of big business and is itself a product of Zola’s own big business, his factory of novels. Combining close readings with detailed analyses of the nineteenth-century publishing contexts in which prose fiction first became a product, Selling the Story shows how the business of literature affects even literary devices such as genre, plot, and repetition. Paine argues that no book can be properly understood without reference to its point of sale: the author’s knowledge of the market, of reader expectations, and of his or her own efforts to define and achieve literary value.
First published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .
The "Quarterly Review" presents a rare opportunity to Romantic scholars to test the truth of Marilyn Butler's claim that the early nineteenth-century periodical is the matrix for democratization of public writing and reading. This is the second title in this series to look at its influence.
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
A Thickness of Particulars: The Poetry of Anthony Hecht is the first book-length study of one of the great formal poets of the later twentieth century (1923-2004). Making use of Hecht's correspondence, which the author edited, it situates Hecht's writings in the context of pre- and post-World-War II verse, including poetry written by W. H. Auden, Elizabeth Bishop, Robert Lowell, James Merrill, and Richard Wilbur. In nine chapters, the book ranges over Hecht's full career, with special emphasis placed on the effects of the war on his memory; Hecht participated in the final push by the Allied troops in Europe and was involved in the liberation of the Flossenburg Concentration Camp. The study explores the important place Venice and Italy occupied in his imagination as well as the significance of the visual and dramatic arts and music more generally. Chapters are devoted to analyzing celebrated individual poems, such as "The Book of Yolek" and "The Venetian Vespers" ; the making of particular volumes, as in the case of the Pulitzer-Prize-winning "The Hard Hours"; the poet's mid-career turn toward writing dramatic monologues and longer narrative poems ("Green, An Epistle," "The Grapes," and "See Naples and Die") and ekphrases; the inspiring use he made of Shakespeare, especially in "A Love for Four Voices," his delightful riff on "A Midsummer Night's Dream"; and his collaboration with the artist Leonard Baskin in the "Presumptions of Death" series from "Flight Among the Tombs." The book seeks to unfold the itinerary of a highly civilized mind brooding, with wit, over the dark landscape of the later twentieth century in poems of unrivalled beauty.
Flamboyant Matthew Cannonbridge was touched by genius, the most influential mind of the 19th century, a novelist, playwright, the poet of his generation. The only problem is, he should never have existed, and recently divorced 21st century don Toby Judd is the only person to realise something is wrong with history. Cannonbridge was everywhere: he was by Lake Geneva when talk between Byron, Shelley and Mary Godwin turned to the supernatural; he was friend to the young Dickens as he laboured in the blacking factory; he was the only man of note to visit Wilde in prison. His extraordinary life spanned a century. But as the world prepares to toast the bicentenary of Cannonbridge's most celebrated work, Judd's discovery leads him on a breakneck chase across the English canon and countryside, to the realisation that the spectre of Matthew Cannonbridge, planted so seamlessly into the heart of the 19th century, might not be so dead and buried after all...
Covering nearly one hundred years of Zulu military history, this book focuses on the creation, maintenance, development, tactics and ultimate destruction of the Zulu army. It studies the armies, weapons and tactics under the rule of the five Zulu kings from Shaka to Dinizulu. The rule of each of the five kings is examined in terms of their relationships with the army and how they raised regiments to expand their influence in the region. All the major battles and campaigns are discussed with reference to the development of the weapons and tactics of the army.
Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.
With an essay by George Orwell. 'Fifteen hundred of the Emperor's largest horses, each about four inches and an half high, were employed to draw me towards the Metropolis, which, as I said, was half a Mile distant' A savage and hilarious satire, Gulliver's Travels sees Lemuel Gulliver shipwrecked and adrift, subject to bizarre and unnerving encounters with, among others, quarrelling Lilliputians, philosophizing horses and the brutish Yahoo tribe, that change his view of humanity - and himself - for ever. Swift's classic of 1726 portrays mankind in a distorted hall of mirrors as a diminished, magnified and finally bestial species, presenting us with a comical yet uncompromising reflection of ourselves. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
*NOW A NETFLIX SERIES* In this spine-tingling next book of the Lockwood & Co series, the ghost-hunting gang take on terrifying new challenges. In the six months since Anthony, Lucy, and George survived a night in the most haunted house in England, Lockwood & Co. hasn't made much progress. Quill Kipps and his team of Fittes agents keep swooping in on Lockwood's investigations. Finally, in a fit of anger, Anthony challenges his rival to a contest: the next time the two agencies compete on a job, the losing side will have to admit defeat in the Times newspaper. Things look up when a new client, Mr. Saunders, hires Lockwood & Co. to be present at the excavation of Edmund Bickerstaff, a Victorian doctor who reportedly tried to communicate with the dead. Saunders needs the coffin sealed with silver to prevent any supernatural trouble. All goes well-until George's curiosity attracts a horrible phantom. Back home at Portland Row, Lockwood accuses George of making too many careless mistakes. Lucy is distracted by urgent whispers coming from the skull in the ghost jar. Then the team is summoned to DEPRAC headquarters. Kipps is there too, much to Lockwood's annoyance. Bickerstaff's coffin was raided and a strange glass object buried with the corpse has vanished. Inspector Barnes believes the relic to be highly dangerous, and he wants it found. The author of the blockbuster Bartimaeus series delivers another amusing, chilling, and ingeniously plotted entry in the critically acclaimed Lockwood & Co. series. Praise for The Screaming Staircase "This story will keep you reading late into the night, but you'll want to leave the lights on. Stroud is a genius at inventing an utterly believable world which is very much like ours, but so creepily different. Put The Screaming Staircase on your 'need to read' list!" -- Rick Riordan "A pleasure from tip to tail, this is the book you hand the advanced readers that claim they'd rather read Paradise Lost than Harry Potter. Smart as a whip, funny, witty, and honestly frightening at times, Stroud lets loose and gives readers exactly what they want. Ghosts, kids on their own without adult supervision, and loads of delicious cookies." -- Elizabeth Bird, School Library Journal "Stroud shows his customary flair for blending deadpan humor with thrilling action, and the fiery interplay among the three agents of Lockwood & Co. invigorates the story (along with no shortage of creepy moments)." -- Publishers Weekly "A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls." -- Kirkus Reviews
First published in 2009. From the founding of Jamestown to the American Civil War, slavery and abolition shaped American national, regional and racial identities. This four-volume reset edition draws together rare sources relating to American slavery systems. Volume 2 includes the Revolutionary and Early National Period and covers the Anti-Slavery Impulse and Reaction to It and the Slave Experience.
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