We tend to applaud those who think for themselves: the ever-curious student, for example, or the grownup who does their own research. Even as we’re applauding, however, we ourselves often don’t think for ourselves. This book argues that’s completely OK. In fact, it’s often best just to take other folks’ word for it, allowing them to do the hard work of gathering and evaluating the relevant evidence. In making this argument, philosopher Jonathan Matheson shows how 'expert testimony' and 'the wisdom of crowds' are tested and provides convincing ideas that make it rational to believe something simply because other people believe it. Matheson then takes on philosophy’s best arguments against his thesis, including the idea that non-self-thinkers are free-riding on the work of others, Socrates’ claim that 'the unexamined life isn’t worth living,' and that outsourcing your intellectual labor makes you vulnerable to errors and manipulation. Matheson shows how these claims and others ultimately fail -- and that when it comes to thinking, we often need not be sheepish about being sheep. Key Features Discusses the idea of not thinking for yourself in the context of contemporary issues like climate change and vaccinations Engages in numerous contemporary debates in social epistemology Examines what can be valuable about thinking for yourself and argues that these are insufficient to require you to do so Outlines the key, practical takeaways from the argument in an epilogue
In the small Nebraskan retirement town of Drewly, evil hides. As the folks go about their day-to-day business without a care in the world, evil grows. The locals know about the malevolence that dwells just beneath the surface. It has been there for centuries, but they believe if they leave it alone, it will leave them alone. Just when the folks of Drewly think it can never happen again, evil strikes. When Courteney Wilfred, a working girl from New York City, is violently murdered in Drewly, her best friend and reporter, Lisa Evans, heads to Drewly in search of answers. Lisa hates the place, in the beginning, but the longer she stays the more it grows on her. She strikes up a friendship with a bellhop from her hotel, Tom, and with Henry, an old native of the town whose daughter has also been murdered. A close relationship she develops with one of Drewly's favorite sons, Sean Matheson, leads her closer to the truth behind her friend's death and brings her face to face with a terrifying nightmare that challenges her sense of reality, and threatens to swallow her world whole.
In the small Nebraskan retirement town of Drewly, evil hides. As the folks go about their day-to-day business without a care in the world, evil grows. The locals know about the malevolence that dwells just beneath the surface. It has been there for centuries, but they believe if they leave it alone, it will leave them alone. Just when the folks of Drewly think it can never happen again, evil strikes. When Courteney Wilfred, a working girl from New York City, is violently murdered in Drewly, her best friend and reporter, Lisa Evans, heads to Drewly in search of answers. Lisa hates the place, in the beginning, but the longer she stays the more it grows on her. She strikes up a friendship with a bellhop from her hotel, Tom, and with Henry, an old native of the town whose daughter has also been murdered. A close relationship she develops with one of Drewly's favorite sons, Sean Matheson, leads her closer to the truth behind her friend's death and brings her face to face with a terrifying nightmare that challenges her sense of reality, and threatens to swallow her world whole.
A mystery lands – literally – at Tom Winscombe’s feet, and another riotous mathematical adventure begins... Tom Winscombe and Dorothy Chan haven’t managed to go on a date for some time, so it’s a shame that their outing to a Promenade Concert is cut short when a mysterious cowled figure plummets from the gallery to the floor of the arena close to where they are standing. But when they find out who he was, all thoughts of romance fly out of the window. Just who are the Fractal Monks, and what does Isaac, last of the Vavasors and custodian of the papers of famed dead mathematical geniuses Archie and Pye, want with them? How will other figures from the past also demand a slice of the action? And what other mysteries are there lurking at the bottom of the sea and at the top of mountains? The answers lie in The Riddle of Fractal Monks. Praise for Jonathan Pinnock: ‘Lovely stuff.’ Ian Rankin 'A series of humorous, riotous mathematical mysteries.' David Nicholls ‘He makes funny and self-deprecating company.’ The Herald ‘Jonathan Pinnock writes compelling tales with a deliciously wicked glint in his eye.’ Ian Skillicorn, National Short Story Week ‘Jonathan Pinnock is Roald Dahl’s natural successor.’ Vanessa Gebbie ‘Funny, clever, and sometimes brilliantly daft. A comedy that I am sure would have made Pythagoras, Archimedes and Douglas Adams all laugh out loud.’ Scott Pack on The Truth About Archie and Pye
From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world. Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.
A witty, fast-paced thriller with a dash of mathematics and a large dose of danger Life is not going smoothly for Tom Winscombe. His girlfriend Dorothy has vanished, taking with her all the equipment and money of the company she ran with her friend Ali. Now Tom and Ali are forced to eke out an awkward shared bedsit existence while they try to work out what she is up to. Meanwhile, Tom has other things on his mind, including how to untangle his father from a cryptocurrency scam, how to break into a hospital in order to interrogate an old acquaintance and what is the significance of the messages he’s been receiving from Rufus Fairbanks’s LinkedIn account. Tom and Ali’s investigations lead them in a host of unexpected and frankly dangerous directions, involving a pet python, an offshore stag do and an improbable application of the Fibonacci sequence. But at the end of it all, will they find Dorothy – and will she ever be able to explain just exactly what is going on? Praise for Jonathan Pinnock: ‘Lovely stuff.’ Ian Rankin 'A series of humorous, riotous mathematical mysteries.' David Nicholls ‘He makes funny and self-deprecating company.’ The Herald ‘Jonathan Pinnock writes compelling tales with a deliciously wicked glint in his eye.’ Ian Skillicorn, National Short Story Week ‘Jonathan Pinnock is Roald Dahl’s natural successor.’ Vanessa Gebbie ‘Funny, clever, and sometimes brilliantly daft. A comedy that I am sure would have made Pythagoras, Archimedes and Douglas Adams all laugh out loud.’ Scott Pack on The Truth About Archie and Pye
Many of the key films in the career of horror icon Vincent Price (1911-1993) contain commentaries both obvious and subtle on the role of women, not only in the context of the times in which the films were created, but also during the historical periods depicted in the storylines. This examination of Price's horror films focuses on how the principal female characters--portrayed by such notable actresses as Barbara Steele, Hazel Court and Diana Rigg, to name but a few--are simultaneously villains, victims and objects of veneration. Also considered are issues of gender and sexuality as addressed in Vincent Price's most memorable movies. Included are dozens of rare production stills and a selected filmography that provides significant background information on the films cited.
The trial of the year in 1950 was of Donald Hume, a North London petty thief accused of stabbing car dealer Stanley Setty to death, of cutting up his corpse and dropping his body parts from an aeroplane. The press and public were horrified and fascinated by the details. But Hume was convicted and gaoled as an accessory – he later claimed his wife was guilty of the crime. He then fled Switzerland, taking up with a Swiss woman in Zurich, but he needed money to finance his lavish lifestyle and he returned to robbery. He carried out two armed robberies, shooting a member of the bank staff, but getting clean away. Then in 1959 his attempt to rob a bank failed and he shot dead a bystander. Arrested, he stood trial and was sentenced to life, but was later deemed criminally insane and was returned to Britain and to Broadmoor. Jonathan Oates’s compelling account of Hume’s notorious life of crime is based on extensive primary research. It sheds new light on Hume and his crimes, especially the murder of Setty, and gives the reader a rare insight into the criminal underworld of the time.
Tom Winscombe is having a bad day. Trapped at the top of the tallest building in Minsk while a lethal battle between several mafia factions plays out beneath him, he contemplates the sequence of events that brought him here, starting with the botched raid on a secretive think tank and ending up in the middle of the Chernobyl exclusion zone. More importantly, he wonders how he's going to get out of this alive when the one person who can help is currently not speaking to him. Join Tom and a cast of disreputable and downright dangerous characters in this witty thriller set in a murky world of murder, mystery and complex equations.
Using our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. Including primary audience research, it focuses on how The Simpsons has been able to talk back to three of television’s key genres - the sitcom, adverts and the news - and on how it holds the potential to short-circuit these genre’s meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. Examining television and media studies theory, the text of The Simpsons, and the show’s audience, Gray attempts to fully situate the show’s parody and humour within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainment television to discuss issues of political and social importance. A must read for any student of media studies.
A landscape of great natural beauty, Utah’s red rock country is a place where the passage from deep time to the present is revealed in stunningly sculpted and colorful geological strata that span 350 million years of Earth’s history. At the heart of this dramatic landscape is the Greater San Rafael Swell—a land of both geologic and human tumult. Natural and human history come together in The Greater San Rafael Swell, which spans much of Emery County in Utah. Authors Stephen Strom and Jonathan Bailey paint a multi-faceted picture of a singular place through photographs, along with descriptions of geology, paleontology, archaeology, history, and dozens of interviews with individuals who devoted more than two decades to developing a shared vision of the future of both the Swell and the County. At its core, the book relates the important story of how a coalition of ranchers, miners, off-road enthusiasts, conservationists, recreationists, and Native American tribal nations worked together for nearly 25 years to forge and pass the Emery County Public Lands Management Act in 2019. This book chronicles hopeful stories for our times: how citizens of Emery and three other counties in the rural West worked to resolve perhaps the most volatile issue in the region – the future of public lands. Both their successes and the processes by which they found common ground serve as beacons in today’s uncertain landscape – beacons that can illuminate paths toward rebuilding our shared democracy from the ground up.
Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' – strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.
This is the story of a psychiatrist and his career-long relationship with a difficult patient showing how medical treatment should not just be about biology, but also about psychology.
The bestselling criminal history author provides “compelling insight” into the life and crimes of one of England’s most notorious serial killers (Buckinghamshire Life). Sixty years ago, the discovery of bodies at 10 Rillington Place in Notting Hill, London, led to one of the most sensational, shocking, and controversial serial murder cases in British criminal history: the case of John Christie. Much has been written about the Christie killings and the fate of Timothy Evans who was executed for murders Christie later confessed to; the story still provokes strong feeling and speculation. However, most of the books on the case have been compiled without the benefit of all the sources that are open to researchers, and they tend to focus on Evans in an attempt to clear him of guilt. In addition, many simply repeat what has been said before. Therefore, a painstaking, scholarly reassessment of the evidence—and of Christie’s life—is overdue, and that is what Jonathan Oates provides in this gripping biography of a serial killer.
“Interesting conclusions about the conduct of British foreign policy on Hong Kong . . . an extraordinary diplomatic, political and personal drama.”—Julian Stockwin, author of To the Eastern Seas 1 July 1997 marked the end of British rule of Hong Kong, whereby this territory was passed into the hands of the People’s Republic of China. In 1992, Chris Patten, former chairman of the Conservative Party, was appointed Hong Kong’s last governor, and was the man to oversee the handover ceremony of this former British colony. Within the last five years of British rule, acclaimed journalist Jonathan Dimbleby was given unique access to the governor which enabled him to document the twists and turns of this extraordinary historical moment. As Governor, Patten encouraged the necessary expansion of Hong Kong’s social welfare system, striving to reconcile the basic rights and freedom of over 6 million people with the unpredictable imperatives of Beijing. With “bracing narrative energy,” the author draws on the insights of a host of senior figures to place the crisis in both its human and historical contexts and presents some startling arguments about the conduct of British foreign policy on Hong Kong before and during Patten’s tenure (The Globe and Mail).
A groundbreaking journey tracing America’s forgotten path to global power―and how its legacies shape our world today―told through the extraordinary life of a complicated Marine. "Far more extraordinary than even the life of Smedley Butler." ―The Washington Post Smedley Butler was the most celebrated warfighter of his time. Bestselling books were written about him. Hollywood adored him. Wherever the flag went, “The Fighting Quaker” went—serving in nearly every major overseas conflict from the Spanish War of 1898 until the eve of World War II. From his first days as a 16-year-old recruit at the newly seized Guantánamo Bay, he blazed a path for empire: helping annex the Philippines and the land for the Panama Canal, leading troops in China (twice), and helping invade and occupy Nicaragua, Puerto Rico, Haiti, Mexico, and more. Yet in retirement, Butler turned into a warrior against war, imperialism, and big business, declaring: “I was a racketeer for capitalism." Award-winning author Jonathan Myerson Katz traveled across the world—from China to Guantánamo, the mountains of Haiti to the Panama Canal—and pored over the personal letters of Butler, his fellow Marines, and his Quaker family on Philadelphia's Main Line. Along the way, Katz shows how the consequences of the Marines' actions are still very much alive: talking politics with a Sandinista commander in Nicaragua, getting a martial arts lesson from a devotee of the Boxer Rebellion in China, and getting cast as a P.O.W. extra in a Filipino movie about their American War. Tracing a path from the first wave of U.S. overseas expansionism to the rise of fascism in the 1930s to the crises of democracy in our own time, Gangsters of Capitalism tells an urgent story about a formative era most Americans have never learned about, but that the rest of the world cannot forget.
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