The battle for Empire rages across Egypt The thrilling second novel in the William John Hazzard series, following Napoleon's Run. Malta, June 1798. Captured by the French after hurling himself into enemy ranks, Hazzard is now a prisoner of his arch-nemesis, spycatcher Citizen Derrien, but has uncovered the true purpose of Napoleon’s armada: the conquest of Egypt. Their bold plan is to cut open the ancient Suez Canal to the Red Sea and attack India, the jewel in England’s crown. The survival of nations in the balance, Nelson scours the Mediterranean for the French in vain. If Hazzard can’t convince Admiralty Intelligence of a desperate plan, an ancient world will be lost for ever. But help comes from an unexpected quarter: the missing Admiralty agent... As French cannons roar in the desert sands and the Mamluk cavalry sweeps in to attack, Hazzard fights to prevent a lost cause turning into tragedy. From the shores of Malta to the epic encounter at the Battle of the Nile – this is the explosive beginning of the French conquest of Egypt. Never give up the boat. Praise for Jonathan Spencer ‘Stupendous... Lords of the Nile has such a breathtakingly frenetic plot that I found myself getting faster and faster in my reading, tearing through the pages, only to realise that I was trying to match the pace of the characters and the plot. It is so immersive you can’t help but be sucked into it, swept away by it, pushed to tears by it and utterly enthralled by it. ‘Jonathan Spencer is now one of my “Must read” authors, a drop-what-you’re-doing-(or whatever else you are reading)-and-read-it-now writer. My favourite book this year.’ Parmenion Books on Lords of the Nile ‘This is an outstanding novel, made even more remarkable by its début status. Better than Sharpe, gripping and intense, Napoleon’s Run deserves to be a runaway success’ Ben Kane, Sunday Times bestselling author of Lionheart on Napoleon's Run 'Hornblower meets Mission: Impossible. A thrilling, page-turning debut packed with rousing, rip-roaring action' J. D. Davies, author of the Matthew Quinton Journals on Napoleon's Run
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. For the Internet and digitial generation, the most basic human right is the freedom to read. The Web has indeed brought about a rapid and far-reaching revolution in reading, making a limitless global pool of literature and information available to anyone with a computer. At the same time, however, the threats of censorship, surveillance, and mass manipulation through the media have grown apace. Some of the most important political battles of the twenty-first century have been fought—and will be fought—over the right to read. Will it be adequately protected by constitutional guarantees and freedom of information laws? Or will it be restricted by very wealthy individuals and very powerful institutions? And given increasingly sophisticated methods of publicity and propaganda, how much of what we read can we believe? This book surveys the history of independent sceptical reading, from antiquity to the present. It tells the stories of heroic efforts at self-education by disadvantaged people in all parts of the world. It analyzes successful reading promotion campaigns throughout history (concluding with Oprah Winfrey) and explains why they succeeded. It also explores some disturbing current trends, such as the reported decay of attentive reading, the disappearance of investigative journalism, 'fake news', the growth of censorship, and the pervasive influence of advertisers and publicists on the media—even on scientific publishing. For anyone who uses libraries and Internet to find out what the hell is going on, this book is a guide, an inspiration, and a warning.
In the era of the Early Republic, Americans determined the meaning of their Revolution and laid the foundation for the United States’ later emergence as a world power. This book provides students with an explanation of the major events and developments of one of the most important periods in American History. Focusing on the years between the Revolution and the Civil War, From Confederation to Nation presents a narrative of the era’s political history along with discussions of the significant social and cultural changes that occurred across the Union’s first six decades. Taking a broad approach which examines economic changes, religious influences, political reform, cultural challenges, and racial and gender inequalities in the Early Republic, Atkins’ text is useful for a vast array of critical perspectives. From Confederation to Nation presents an accessible introduction to the Early American Republic that offers readers a solid foundation for more advanced study.
More than any other sport, baseball has developed its own niche in America's culture and psyche. Some researchers spend years on detailed statistical analyses of minute parts of the game, while others wax poetic about its players and plays. Many trace the beginnings of the civil rights movement in part to the Major Leagues' decision to integrate, and the words and phrases of the game (for example, pinch-hitter and out in left field) have become common in our everyday language. From AARON, HENRY onward, this book covers all of what might be called the cultural aspects of baseball (as opposed to the number-rich statistical information so widely available elsewhere). Biographical sketches of all Hall of Fame players, owners, executives and umpires, as well as many of the sportswriters and broadcasters who have won the Spink and Frick awards, join entries for teams, owners, commissioners and league presidents. Advertising, agents, drafts, illegal substances, minor leagues, oldest players, perfect games, retired uniform numbers, superstitions, tripleheaders, and youngest players are among the thousands of entries herein. Most entries open with a topical quote and conclude with a brief bibliography of sources for further research. The whole work is exhaustively indexed and includes 119 photographs.
The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
Religious political violence is by no means a new phenomenon, yet there are critical differences between the various historical instances of such violence and its more current permutations. Since the mid-1970s, religious fundamentalist movements have been seeking to influence world order by participating in local political systems. For example, Islamic fundamentalism is at the heart of the Muslim Brotherhood in Egypt, the Christian fundamental right wing has seen a resurgence in Europe, and Jewish fundamentalism is behind the actions of Meir Kahane’s Kach movement and the settler movement. The shift in recent years from secular to religious political violence necessitates a reevaluation of contemporary political violence and of the concept of religious violence. This text analyzes the evolution of religious political violence, in both historical and contemporary perspectives. Since religious political violent events are usually associated with the term “terrorism,” the book first analyzes the origins of this controversial term and its religious manifestations. It then outlines and highlights the differences between secular and religious political violence, on ideological, strategic, and tactical levels before comparing the concept of Holy War in Judaism, Christianity, and Islam. Lastly, it shows how modern radical monotheistic religious groups interpret and manipulate their religious sources and ideas to advocate their political agendas, including the practice of violence. A unique comparative study of religious political violence across Judaism, Islam, and Christianity, this text features many international case studies from the Crusades to the Arab Spring.
In The Family Fund, first published in 1980, Bradshaw discusses the introduction of The Family Fund- a grant given to families in response of the discovery of the damages caused by the Thalidomide drug. He examines all aspects of the Fund including its origins, aims, publicity and its future. This text is ideal for students of sociology.
Recent studies show that the number of people suffering with seasonal allergies has been skyrocketing and is expected to continue increasing into the foreseeable future. And in the United States alone, 65 million people suffer with seasonal allergies on a regular basis. In Dr. Psenka's Seasonal Allergy Solution, author and naturopathic physician Dr. Jonathan Psenka tells readers they can—and should—aim for a cure. Readers will discover how people often attempt to manage the symptoms of their seasonal allergies with pills, sprays, drops, and even painful shots. But very few of these medications treat the cause, so symptoms are likely to return year after year. Dr. Psenka has developed a highly detailed, fourstep plan, so readers will finally target the root cause of their seasonal allergies and be free of allergy medication. By following Dr. Psenka's advice on how to use natural remedies before, during, and after allergy season, readers can finally wave good-bye to their pesky runny noses and scratchy throats.
This unique travel book takes readers on a whistle-stop tour of the world, as seen through the eyes of writers, photographers, filmmakers, composers, painters, sculptors, and philosophers. The author has tracked down life-changing locations-from cities and remote deserts to gardens and cafés-and recounts their transformative power over some of the world's greatest artists. The result is a global and artistic odyssey that takes readers from the tropical paradise of Gauguin's Tahiti to the Beatles' hippie enclave in Rishikesh, and from the hashish dens of Paul Bowles' Morocco to the Wild West of Sergio Leone.Each entry features color photographs, practical travel advice, and information on exhibitions, festivals, and museums. The book also includes a global directory of twenty-first- century hotspots, allowing budding artists to experience a creative epiphany of their own. Travellers planning a trip around an intriguing location, aspiring artists looking for a retreat, and fans keen to explore the stories behind their favourite works will find this guide an entertaining and valuable resource. AUTHOR: Jonathan Lee is a contributor to the BBC, The Guardian, The Financial Times, Time Out and other travel-related and art publications. He is the author of 50 Great Adventures.
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