In these pages, Rent offers what most theater books can't: a chance to step behind the curtain and feel the electricity of a stage phenomenon as it unfolds. Rent has single-handedly reinvigorated Broadway and taken America by storm. Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.
(Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is "no day but today." Includes 16 color photographs of productions of Rent from around the world, plus an introduction ("Rent Is Real") by Victoria Leacock Hoffman.
The Sharron Valley is as majestic, harsh, and remote as any in Afghanistan. In the summer, snowmelt feeds a silver ribbon of river, and the valley floor is strewn with stones and boulders. On each side, mountain walls rise steeply away to the crests of the Hindu Kush. As far as the eye can see, there is hardly any sign of human settlement. Not by chance is it home to the elusive snow leopard, ibex, and Marco Polo sheep. On the silent valley floor, on a summer day in 2010, sits a caravan of three white Land Rovers. Closer examination suggests a desperate story. On small grassy mounds around the vehicles, bodies lie prostrate under a cobalt sky. Others are strewn in and under the vehicles where the victims took cover. All of them taken out execution-style. Ten in all. The sketchiest outline of what happened there along the river emerges from the testimony of a passing shepherd who witnessed the events from the surrounding hills, and from the sole survivor, a young Afghan driver. Making Friends Book Trailer In Making Friends among the Taliban, childhood friend Jonathan Larson retraces Dan’s nearly forty years in Afghanistan and, through interviews and eye witness accounts, relays Dan’s incredible way of daily living. Facing famine, poverty, prison, and rifle muzzles—and across three decades of kings, the Red Army, warlords, the Taliban, and the American-led coalition—Dan found improbable friendships across the front lines of conflict and inspired small Afghan communities to find a better way of life. This inspirational narrative of Dan’s life and friendships offers a model for living authentically wherever we are. Read a sample chapter here. Free downloadable study guide available here. Jonathan Larson and others share more captivating stories from Dan Terry’s life, in the complementary documentary, Weaving Life: The Life and Death of Peacemaker Dan Terry, available here.
Critical thinking is the civic virtue of a liberal democracy. Citizens who think for themselves, cooperate, and can agree to disagree are the hallmark of a self-governing society. People from undemocratic societies, however, are often believed to lack this virtue, because authoritarian regimes smother critical discourse through fear and dull critical thought through the control of information and propaganda. After the end of Communist rule in 1989, Western agents of democratization and educational development chided the residents of the former Czechoslovakia for this deficiency, claiming that the Slovaks' inability to think critically was the reason the nation struggled to integrate with Western Europe. Critical Thinking in Slovakia after Socialism examines this putative relationship between critical thought and society through an ethnographic study of post-1989 Slovakia. Drawing on original fieldwork and anthropological theories of language and culture, Jonathan Larson uncovers patterns of social analysis and criticism in Slovak political discourse. He exposes ways in which these discursive practices have been misinterpreted and explains their underlying dynamics in Slovak society. This important volume, bringing together scholarship on East Central Europe, liberalism, education, and the public sphere, gives students of modern history, politics, and culture a fresh perspective on a skill essential to civil society. Jonathan L. Larson is visiting Assistant Professor of Anthropology at the University of Iowa.
Through the lens of horror--from Halloween to Hereditary--queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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