Following the assassination of the vice president, American President Benson enlists the aid of a former secret service agent to locate and eliminate the assassin known as The Scientist. As The Scientist gets closer and closer to his ultimate goal- the death of President Benson- readers will be engrossed by this stirring tale that combines colorful characters with a fast-paced plotline.
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
The world is alive with magic and other such things of fantasy, true or not, of now and then, both far away and near. We need to simply reach out and touch it to be in the world of Jonathan J. and a black cat named Toby Lynn Alexander St. George Derbyshire Morgan McPhee. Toby is a cat, who is "more than that," says Jonathan J. Toby knows more than you or me, acting as a reminder of what might be real and what we make up and pretend is real in our "not so ordinary" lives. Meant to be read aloud to a child or quietly to ourselves, these poems and pictures of nonsense and fantasy are for all ages of people who don't measure their age in years, but measure their youthfulness with the amount of delight and wonder they continue to find in their lives. May these poems and pictures age with you as you grow young.
Shades of Plaid was written with the sole purpose of influencing the course of history, providing people the answers to all of life's riddles, and arming its readers with the power to handle every situation they face with ease... Having failed miserably at this, the book has moved to "Plan B". Now, it's just going for the laugh and it hopes to cause the reader to think of God. (It's important to note that the book does not cause readers to laugh about God, because that might be considered disrespectful.) All in all, it's a pretty clever little book.
The book's primary emphasis is on Bernhard's later fiction, but it also explicates the early texts of the 1960s and 1970s. The book makes use of insights from recent approaches to fiction that pay attention to what can be termed "narrative dynamics." Earlier studies of Bernhard have tended to remain within the descriptive framework established in narrative studies of the 1950s and 1960s; this book views Bernhard's prose works from a more nuanced vantage point."--BOOK JACKET.
An abridged and annotated edition of "The Narrative, by Jonathan Edwards, with a biographical sketch, notes and comments by James A. Stewart. It brings to the modern reader the amazing events of the Great Awakening under the ministry of Jonathan Edwards.
This is NOT a "how to" book of plans, sketches, and tips for building a Catspaw Dinghy. Rather, it is a story told in pictures of a craftsman working in a way which connects him to larger living tradition of crafts. It is a tradition shared by craftsmen and women who approach their work with a special kind of attention and care, which brings "something more" to their work. That "something more" can only become part of his work when the craftsman works with a love of his craft. It's then that he's able to create something with a timeless sense of value which can be appreciated for generations to come.
The authorized and sweeping biography of one of America’s most complex, influential, and enduring poets In the extraordinary generation of American poets who came of age in the middle of the twentieth century, James Wright (1927–1980) was frequently placed at the top of the list. With a fierce, single-minded devotion to his work, Wright escaped the steel town of his Depression-era childhood in the Ohio valley to become a revered professor of English literature and a Pulitzer Prize winner. But his hometown remained at the heart of his work, and he courted a rough, enduring muse from his vivid memories of the Midwest. A full-throated lyricism and classical poise became his tools, honesty and unwavering compassion his trademark. Using meticulous research, hundreds of interviews, and Wright’s public readings, Jonathan Blunk’s authorized biography explores the poet’s life and work with exceptional candor, making full use of Wright’s extensive unpublished work—letters, poems, translations, and personal journals. Focusing on the tensions that forced Wright’s poetic breakthroughs and the relationships that plunged him to emotional depths, Blunk provides a spirited portrait, and a fascinating depiction of this turbulent period in American letters. A gifted translator and mesmerizing reader, Wright appears throughout in all his complex and eloquent urgency. Discerning yet expansive, James Wright will change the way the poet’s work is understood and inspire a new appreciation for his enduring achievement.
One of the subjects of deepest and most enduring interest to Henry James was the creative experience of writers and critics. This study examines James's fictions about this experience, placing them within the context of James's critical work and enabling the reader to see this body of work as James himself did: as a coherent, extended portrayal of the creative experience of the writer-critic.
This publication explores aspects of Irish studies in terms of early Irish history, literature, archaeology and folklore. It includes a semi-biographical account of the industrious lifetime and valuable studies of Thomas J (Tom) Barron, native to Knockbride, Co. Cavan. The content extends discussion of his vast contribution, as documented in the National Museum of Ireland, with particular emphasis on his ground-breaking theory on the significance of the early Iron-age 'Corleck Head'.
This book is the result of several years of study of the Apostle Paul's ministry in the Acts of the Apostles, his epistles to the local churches of Asia Minor, Rome, individuals (Timothy, Titus, and Philemon) indeed to the Body of Christ as a whole. Unique words of the King James Bible examine 199 words chosen by the KJB translators that quite often differentiate the ministry of Paul, the principle doctrines of access to God, adoption, dispensation, justification by faith, immortality, etc.The reader will find that many of our English words originated with William Tyndale, the first to translate the Word of God into the English language from the original Hebrew and Greek, words such as immortal, readiness, and ungodliness within the scope of this work.The reader will learn that the KJB translators themselves brought new words into the English language that the previous translator and translations did not have, words such as addicted, fidelity, novice, and thirty other words.The reader will also discover that besides the prescribed previous Bibles,(the translators were to use Tyndale's, Coverdale's, Matthews, Great, Geneva and Bishop's), that they also used the Roman Catholic Rheims New Testament, as evidenced by words such as apprehend, emulation, and theatre, as well as nine others within the scope of this work.This work is designed to serve as a reference book for the student of the Bible, primarily as a theological source, and secondarily as a historical reference of how some words came into the fabric of the English language we speak today.
Based on over eighty hours of interviews with Lovelock and unprecedented access to his personal papers and scientific archive, Jonathan Watts has written a definitive and revelatory biography of a fascinating, sometimes contradictory man. James Lovelock is best known as the father of Gaia Theory, the idea that life on Earth is a self-sustaining system in which organisms interact with their environments to maintain a habitable ecosystem. Lovelock’s life was a chronicle of twentieth-century science, and somehow he seemed to have a hand in much of it. During the Second World War he worked at the National Medical Research Institute, where his life-long interest in chemical tracing began. In the 1960s he worked at NASA. He worked for MI5 and MI6 during the Cold War. He was a science advisor to the oil giant Shell, who he warned as early as 1966 that fossil fuels were causing serious harm to the environment. He invented the technology that found the hole in the Ozone layer. And all of this shaped Gaia Theory – a theory that could not have been developed without the collaboration of two important women in his life. Drawing together the many influences which shaped his life and thinking, The Many Lives of James Lovelock is a unique biography of one of the most fascinating scientists of the modern age.
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