The theme of divine speech appears at the opening of the Hebrews (1.1-2) and recurs throughout the book, often in contexts suggesting connections to other areas of scholarly interest (christology, soteriology, cosmology, and the writer's understanding of the nature of his discourse). Griffiths begins with a consideration of the genre and structure of Hebrews (offering a new structural outline), concluding that Hebrews constitutes the earliest extant complete Christian sermon and consists of a series of Scriptural expositions. Griffiths then turns to consider Hebrews' theology of divine speech through an exegetical analysis of eight key passages (with particular attention to the writer's use of the terms logos and rhema), and finds that, for the writer, God's speech is the means by which the place of divine rest is accessed, and is supremely expressed in the person of his Son. Griffiths concludes that the writer presents his sermon as communicating the divine word and effecting an encounter between his hearers and the God who speaks. Analysis of the exegetical data shows that Hebrews presents God's word, which finds full expression in the incarnate Christ, as the central means by which salvation is made available and the place of divine rest is accessed. The study finds that the terms logos and rhema are used with a high degree of consistency to signify forms of divine speech, logos usually signifying verbal revelation (and three times specifically identifying the author's own discourse) and rhema typically signifying non-verbal revelation in the cosmos. The investigation leads to the ultimate conclusion that the author believes that, through his discourse, he himself communicates that divine word and effects an encounter between his hearers and the God who speaks.
The theme of divine speech appears at the opening of the Hebrews (1.1-2) and recurs throughout the book, often in contexts suggesting connections to other areas of scholarly interest (christology, soteriology, cosmology, and the writer's understanding of the nature of his discourse). Griffiths begins with a consideration of the genre and structure of Hebrews (offering a new structural outline), concluding that Hebrews constitutes the earliest extant complete Christian sermon and consists of a series of Scriptural expositions. Griffiths then turns to consider Hebrews' theology of divine speech through an exegetical analysis of eight key passages (with particular attention to the writer's use of the terms logos and rhema), and finds that, for the writer, God's speech is the means by which the place of divine rest is accessed, and is supremely expressed in the person of his Son. Griffiths concludes that the writer presents his sermon as communicating the divine word and effecting an encounter between his hearers and the God who speaks. Analysis of the exegetical data shows that Hebrews presents God's word, which finds full expression in the incarnate Christ, as the central means by which salvation is made available and the place of divine rest is accessed. The study finds that the terms logos and rhema are used with a high degree of consistency to signify forms of divine speech, logos usually signifying verbal revelation (and three times specifically identifying the author's own discourse) and rhema typically signifying non-verbal revelation in the cosmos. The investigation leads to the ultimate conclusion that the author believes that, through his discourse, he himself communicates that divine word and effects an encounter between his hearers and the God who speaks.
Is "preaching" mandated in the post-apostolic context, and if so, how does it relate to the preaching of the Old Testament prophets and of Jesus and his apostles? In this NSBT volume Jonathan Griffiths seeks answers to these questions in the New Testament, surveying the Scripture and setting his exegetical findings within the context of biblical theology.
August 2022: Access extra content in our updated links and QR codes—available in print and ebook versions of the book This accessible, meticulously illustrated atlas provides everything you need to effectively treat wounds and conduct surgical, reconstructive, and cosmetic repairs with minimal scarring Understanding the subtleties of suture choice and placement often makes the difference between positive and negative patient outcomes. The Atlas of Suturing Techniques: Approaches to Surgical Wound, Laceration, and Cosmetic Repair, Second Edition provides the information and insight readers need to surgically treat a range of wounds and surgical defects—from simple lacerations to complex reconstructive surgery—with the utmost expertise. Presented in an at-a-glance format and packed with 450 photos and illustrations, this guide kicks off with chapters on principles of wound management and wound repair, then describes equipment, positioning, key principles, and 85+ suture techniques—complete with step-by-step instructions adjacent to drawings and photos of the techniques. Finally, it covers each area of anatomy, guiding the practitioner in which suture to use when and how to modify certain sutures in specific locations. Techniques are diagrammatically illustrated and supplemented by the online videos, and the author includes tips and pearls for each technique, as well as caveats, drawbacks and cautions. This updated edition includes new sections on: Laceration repair Pin-point pexing sutures Leveling sutures Three-dimensional continuous suturing Basting sutures And more
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