The utopian project lies in ruins, but perhaps in our present moment, there are elements from the history of thought that can provide fresh resources for utopianism. In this groundbreaking introduction, Jon Greenaway explores the work of German philosopher Ernst Bloch, whose complex and challenging philosophy is a primer for a philosophical renewal of the struggle for a better world.
Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.
The utopian project lies in ruins, but perhaps in our present moment, there are elements from the history of thought that can provide fresh resources for utopianism. In this groundbreaking introduction, Jon Greenaway explores the work of German philosopher Ernst Bloch, whose complex and challenging philosophy is a primer for a philosophical renewal of the struggle for a better world.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
When examining the variety of British directors included here, the reader will see just how misleading the term 'British film' can be. The book places ten contemporary British directors side by side. But whilst the reader is able to trace certain common themes, comparisons between the characters are actually characterized by a startling degree of diversity of style and opinion.
From the author of Heretics comes this “informative and enjoyable glimpse at the travails and achievements of emissaries over thousands of years” (Booklist). We think of ambassadors as simply diplomats—but once they were adventurers who dared an uncertain fate in unknown lands, bringing gifts of greyhounds and elephants to powerful and unpredictable leaders. In vivid detail, The Ambassadors traces the remarkable journeys of these emissaries, taking us from the linguistically challenged Greek Megasthenes to the first Japanese embassies to China and Korea; from Mohammed’s ambassadors to Egypt to the envoys of Byzantium, who had the unenviable task of convincing Attila the Hun to stop attacking them. We also witness the dialogue between Europe and Moorish Spain, and meet the ill-fated envoys sent in search of the mythical king Prester John. What Europe still thinks of Asia and what Asia still thinks of Africa were in no small part kindled in these long-ago first encounters. From the cuneiform civilizations of the ancient Near East to the clashing empires of the early modern age, JonathanWright brings alive the men who introduced the great cultures of the world to each other. “Illuminating the practice of diplomatic immunity, the gradual formalization of the institution of global diplomacy and the role of maverick diplomats, Wright carefully balances general developments in the scope of ambassadorial duties with colorful and exemplary tales of particular instances.” —Publishers Weekly
This work, winner of the Crime Writers' Association's Gold Dagger Award, provides an account of the international scandal and media activity surrounding the death of Starr Faithfull in 1931. Granted access to the police dossier, the author arrives at an unexpected yet credible conclusion.
Over 950 entries From the Arts and Crafts Movement to Postmodernism, Apple to Frank Lloyd Wright, this fascinating dictionary covers the past 160 years of international design, with accessible entries on branding, graphics, industrial design, functionalism, and fashion. New entries on digital design and sustainable design bring the coverage up to date. The dictionary's international focus takes in major movements, key concepts, design terminology, and important design institutions, museums, and heritage sites. The new edition reflects the growing global importance of design, with coverage of India, China, the countries of the Pacific Rim, Eastern Europe and East Asia, and demonstrates how developments in the design of technology influence everyday life, with new entries on fonts, games developers such as Gunpei Yokoi of Nintendo, Android, Samsung, and Blackberry, and a fully revised entry on Apple. The A-Z entries are complemented by an extensive bibliography and a timeline.
Jonathan Stedall explores challenging questions about living and dying, looking and seeing, heaven and earth, and our human potential. He draws on forty years film-making experience, largely at the BBC, working with inspired artists, scientists and writers like John Betjeman, Laurens van der Post, Fritz Schumacher, Bernard Lovell, Malcolm Muggeridge, Alan Bennett, Fritjof Capra, Cecil Collins, Ben Okri and Mark Tully.
John and Charles Wesley generated a heritage that reaches well beyond the worldwide Methodist movement which they founded. The rise, development and effect of early Methodism was an Anglican phenomenon, and deserves attention and recognition as such. This collection of their essential writings shows how the Wesleys interpreted and balanced the emphases of the 18th century Church of England with passion and vision, harnessing resources from across the breadth of Anglican thought and practice (and beyond) to forge a distinctive, dynamic and influential approach to religious experience. This volume places the Wesleys firmly in their own world and examines the ways in which their theology and practice was a fusion of diverse elements from the whole Christian tradition, giving impetus to the only enterprise that really concerned them: Christian mission. The Wesley's generous, reasonable and compelling vision is one of Anglicanism's finest contributions to the Church Catholic, one whose wisdom and influence endures across the world.
A state-of-the-art psychological perspective on team working and collaborative organizational processes This handbook makes a unique contribution to organizational psychology and HRM by providing comprehensive international coverage of the contemporary field of team working and collaborative organizational processes. It provides critical reviews of key topics related to teams including design, diversity, leadership, trust processes and performance measurement, drawing on the work of leading thinkers including Linda Argote, Neal Ashkanasy, Robert Kraut, Floor Rink and Daan van Knippenberg.
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
The 'boom' in foreign direct investment (FDI) since the mid-1980s, continues to be paramount in policy interest. This book reviews the literature on the nature of FDI and reports the recent results on the performance of FDI plants in order to show the implications for regional economic development. It presents new evidence on the nature and performance of these plants, using a unique dataset that has been constructed and rigorously analyzed by applying econometric techniques. The role of FDI in economic development has long been poorly understood and this book contributes to improving understanding, and is of direct policy relevance. An examination is made of the generation, theory and location of FDI, as well as its implications for regional and national development. In addition to this, analysis is made of the issues at the project and plant levels, related to investment, employment and firm survival.
The philosophy of Maurice Merleau-Ponty (1908–1961) has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as informing renowned schools of architectural theory, notably those around Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto Pérez-Gómez in North America and Juhani Pallasmaa in Finland. Merleau-Ponty suggested that the value of people’s experience of the world gained through their immediate bodily engagement with it remains greater than the value of understanding gleaned through abstract mathematical, scientific or technological systems. This book summarizes what Merleau-Ponty’s philosophy has to offer specifically for architects. It locates architectural thinking in the context of his work, placing it in relation to themes such as space, movement, materiality and creativity, introduces key texts, helps decode difficult terms and provides quick reference for further reading.
Art History: The Key Concepts is a systematic, reliable and accessible reference guide to the disciplines of art history and visual culture. Containing entries on over 200 terms integral to the historical and theoretical study of art, design and culture in general, it is an indispensable source of knowledge for all students, scholars and teachers. Covering the development, present status and future direction of art history, entries span a wide variety of terms and concepts such as abstract expressionism, epoch, hybridity, semiology and zeitgeist. Key features include: a user-friendly A-Z format fully cross-referenced entries suggestions for further reading. Engaging and insightful, as well as easy to follow and use, Art History: The Key Concepts builds a radical intellectual synthesis for understanding and teaching art, art history and visual culture.
In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike. In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed. Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raúl Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere.
Based on over eighty hours of interviews with Lovelock and unprecedented access to his personal papers and scientific archive, Jonathan Watts has written a definitive and revelatory biography of a fascinating, sometimes contradictory man. James Lovelock is best known as the father of Gaia Theory, the idea that life on Earth is a self-sustaining system in which organisms interact with their environments to maintain a habitable ecosystem. Lovelock’s life was a chronicle of twentieth-century science, and somehow he seemed to have a hand in much of it. During the Second World War he worked at the National Medical Research Institute, where his life-long interest in chemical tracing began. In the 1960s he worked at NASA. He worked for MI5 and MI6 during the Cold War. He was a science advisor to the oil giant Shell, who he warned as early as 1966 that fossil fuels were causing serious harm to the environment. He invented the technology that found the hole in the Ozone layer. And all of this shaped Gaia Theory – a theory that could not have been developed without the collaboration of two important women in his life. Drawing together the many influences which shaped his life and thinking, The Many Lives of James Lovelock is a unique biography of one of the most fascinating scientists of the modern age.
Investment treaties are some of the most controversial but least understood instruments of global economic governance. Public interest in international investment arbitration is growing and some developed and developing countries are beginning to revisit their investment treaty policies. The Political Economy of the Investment Treaty Regime synthesises and advances the growing literature on this subject by integrating legal, economic, and political perspectives. Based on an analysis of the substantive and procedural rights conferred by investment treaties, it asks four basic questions. What are the costs and benefits of investment treaties for investors, states, and other stakeholders? Why did developed and developing countries sign the treaties? Why should private arbitrators be allowed to review public regulations passed by states? And what is the relationship between the investment treaty regime and the broader regime complex that governs international investment? Through a concise, but comprehensive, analysis, this book fills in some of the many "blind spots" of academics from different disciplines, and is the first port of call for lawyers, investors, policy-makers, and stakeholders trying to make sense of these critical instruments governing investor-state relations.
This fully revised and updated edition of Jonathan Rayner's acclaimed study takes an in-depth look at the career of a filmmaker who has, over the course of 30 years, put together a substantial and much-loved body of work.
A behind-the-scenes look at the making of the classic 1986 fantasy action-adventure film, featuring insights from the cast and crew. The story of an immortal Scottish warrior battling evil down through the centuries, Highlander fused a high-concept idea with the kinetic energy of a pop promo pioneer and Queen’s explosive soundtrack to become a cult classic. When two American producers took a chance on a college student’s script, they set in motion a chain of events involving an imploding British film studio, an experimental music video director still finding his filmmaking feet, a former James Bond with a spiralling salary, and the unexpected arrival of low-budget production company, Cannon Films. Author Jonathan Melville looks back at the creation of Highlander with the help of more than 60 cast and crew, including stars Christopher Lambert and Clancy Brown, as they talk candidly about the gruelling shoot that took them from the back alleys of London, to the far reaches of the Scottish Highlands, and onto the mean streets of 1980s New York City. With insights from Queen’s Brian May and Roger Taylor on the film’s iconic music, exclusive screenwriter commentary on unmade scripts, never-before-seen photos from private collections, and a glimpse into the promotional campaign that never was, if there can be only one book on Highlander then this is it! “A Kind of Magic: Making the Original Highlander tracks down an astonishing number of the film's cast and crew to give an unparalleled account of its creation . . . if you’re one of the film’s many fans this is the perfect companion.” —The Courier, Book of the Week, 9/10 As well as being the story of the Highlander film itself, it’s a fascinating look at the film-making process . . . Jonathan Melville’s A Kind of Magic: Making the Original Highlander is an absolute joy to read and an absolutely essential purchase for any Highlander fan.” —We Are Cult
Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions. Volume 5 is notable for John's France's article, 'Two types of vision on the First Crusade: Stephen of Valence and Peter Bartholomew'.
This volume provides a synthesis of recent work on evolutionary aspects of metal tolerance in plants. It presents contributions from scientists with a wide diversity of expertise. It covers the evolution of heavy metal tolerance in groups of plants, fungi, and protists. The book discusses the physiological, genetic and molecular aspects of metal tolerances. It deals with the evolution of populations in metal-contaminated environments. Several chapters include tolerance in animals in order to place the rest of the book on plants in proper perspective. This publication is an exciting addition for scientists with both applied and basic interest in metal toxicity and tolerance. It is of importance to those in vegetation ecology, land reclamation, agronomy, physiology, population ecology, ecological genetics, evolutionary biology and molecular biology.
An exhaustive guide to every significant Christian theologian who lived from the first century to 1308, the year in which John Duns Scotus died. The dictionary encompasses the Catholic, Orthodox, Nestorian and Monophysite traditions, including information not previously available in English. Thoroughly indexed, the dictionary incorporates common variants of names and concepts which will help and direct the reader. The main criterion for inclusion has been contribution to the development of Christian theology. Sub-criteria by which that is measured include, above all, originality and influence on later figures. With over 290 entries, the dictionary provides a handy summary of theologiansi lives and writings together with recent scholarship,as well as an up-to-date, definitive bibliography listing primary texts, translations and secondary literature in the major western European languages. Useful for all levels of academia; no other text matches the depth of the dictionaryis bibliographies. The unprecedented thoroughness of Hill's compilation provides an essential resource for studies at all levels on such a large and varied range of Church thinkers.
A darkly comic, fictional trip through 1970s Americana with Richard Nixon and Elvis Presley riding shotgun. On December 21st, 1970 a drug-addled Elvis Presley showed up unannounced at the entrance gate of the White House with a handwritten request to meet with President Nixon. Elvis lamented the Beatles as a “real force for anti-American spirit” and assured the commander-in-chief, “I’m on your side.” With aides watching and flashbulbs popping, Nixon presented Elvis with an FBI Special Narcotics Agent badge; an ecstatic Elvis put his arms around the President, pulling him in for a spontaneous embrace. It was a surreal – yet undeniably real – moment in history. But the stranger-than-fiction story doesn't end, or begin, there… Against the backdrop of that historical meeting, Jonathan Lowy weaves a vivid web of stories about the eccentric cast of characters whose lives were forever changed by the encounter. Some of the stories are fact, some are fiction, but all are unforgettable. We meet a colonel, who spends his tormented days at the Pentagon trying to develop the right PR spin on the My Lai massacre; an eager-beaver policy wonk, who cooks up feel-good White House programs to distract the public from the war; and a disabled black veteran, whose act of protest in a Rose Garden ceremony sets off a spectacular chain of events. In the middle of the fray stand Richard Nixon - his integrity and presidency becoming more precarious by the day - and Elvis Presley - desperately searching for what he's lost along the way to stardom. Impossible to put down and peopled with a memorable cast of characters, Elvis and Nixon is a sleek, incisive exploration of America at a crucial tipping point.
How does the horror in film relate to the horror we experience in everyday life? This is one of the questions addressed in this examination of the genre of horror film. The author argues that horror films today have broken with the tradition of the genre to embrace far more violent imagery, images that are in keeping with the escalating violence in society. By examining the horror film, its history and its current trends, the author hopes to further our understanding of the meaning of the genre in today's culture and our fascination with violence.
***TOP TEN SELECTION FOR BOOKLIST BEST OF HORROR 2016*** The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson. About the book: Lovecraft's bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth--this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from: Cthulhu (Adam Nevill) - Yog-Sothoth (Martha Wells) - Azathoth (Laird Barron) - Nyarlathotep (Bentley Little) - Shub-Niggurath (David Liss) - Tsathoggua (Brett Talley) - The Mi-Go (Christopher Golden & James A. Moore) - Night-gaunts (Jonathan Maberry) - Elder Things (Joe Lansdale) - Great Race (Rachel Caine) - Yig (Douglas Wynne) - The Deep Ones (Seanan McGuire)
This book attempts to answer these questions using case studies of three pollution-intensive industries: iron and steel, leather tanning, and fertilizers. Based on in-depth interviews with managers and regulators in Western and Eastern Europe, Asia, Africa and Latin America, the book illustrates the variety of responses to the conflicting pressures of globalization and environmental protection at corporate and industry levels.
Shakespeare's The Tempest has long been claimed by colonials and postcolonial thinkers alike as the dramatic work that most enables them to confront their entangled history, recognized as early modernity's most extensive engagement with the vexing issues of colonialism--race, dispossession, language, European displacement and occupation, disregard for native culture. Tempest in the Caribbean reads some of the "classic" anticolonial texts--by Aime Cesaire, Roberto Fernandez Retamar, George Lamming, and Frantz Fanon, for instance--through the lens of feminist and queer analysis exemplified by the theoretical essays of Sylvia Wynter and the work of Michelle Cliff. Extending the Tempest plot, Goldberg considers recent works by Caribbean authors and social theorists, among them Patricia Powell, Jamaica Kincaid, and Hilton Als. These rewritings, he suggests, and the lived conditions to which they testify, present alternatives to the masculinist and heterosexual bias of the legacy that has been derived from The Tempest. By placing gender and sexuality at the center of the debate about the uses of Shakespeare for anticolonial purposes, Goldberg's work points to new possibilities that might be articulated through the nexus of race and sexuality. Place sexuality at the center of Caribbean responses to Shakespeare's play.
Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism. Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various cinematic pleasures it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (19761983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina. Blood Circuits is an important and much-needed contribution to the fields of Latin American cinema and popular culture, and genre film studies with a focus on horror cinema. It offers original and innovative directions that will pave the way for new studies in different areas of film studies: the internationalization of horror that unfolds a problematic relationship between the United States and the Global South, the use of punk horror as a form of affect, and the development of new kinds of pleasures and displeasures in the spectator. Victoria Ruétalo, coeditor of Latsploitation, Exploitation Cinemas, and Latin America
In order to buy well it is important to understand a few basic principles and apply a series of tools and approaches in given situations. The Buyer's Toolkit distills all the best practice tools for professional buying and negotiating into a simple, jargon-free framework that can be picked up and applied by anyone who buys. The book seeks to transform how individuals view and practise buying so they know when to influence a situation and what to do to buy well. The Buyer's Toolkit has a simple chapter layout, contains graphics and models, and a simple flow of tools through the book with an overarching framework, that glues them together. Covering different buying scenarios, understanding and defining the requirements, choosing the right deal and supplier, negotiation, managing the contract and the suppliers, fixing problems and sustainable buying, this comprehensive guide will help you boost your advantage as a buyer.
This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more.
Mantissa is the fourth (and last) volume of Jonathan Barnes' collected essays on ancient philosophy. It contains twenty-three papers on a diverse range of subjects, from the size of the sun to Plato and Aristotle in Victorian Oxford. One of the essays is new, and the others are all retouched or revised; six are newly translated into English.
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