How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel.
A chilling anthology of 20 stories about the terrifying fears of isolation, from the modern masters of horror. Featuring Tim Lebbon, Paul Tremblay, Joe R. Lansdale, M.R. Carey, Ken Liu and many more. Lost in the wilderness, or alone in the dark, isolation remains one of our deepest held fears. This horror anthology from Shirley Jackson and British Fantasy Award finalist Dan Coxon calls on leading horror writers to confront the dark moments, the challenges that we must face alone: survivors in a world gone silent; the outcast shunned by society; the quiet voice trapped in the crowd; the lonely and forgotten, screaming into the abyss. Experience the chilling terrors of Isolation. Featuring stories by: Nina Allan Laird Barron Ramsey Campbell M.R. Carey Chịkọdịlị Emelumadu Brian Evenson Owl Goingback Gwendolyn Kiste Joe R. Lansdale Tim Lebbon Alison Littlewood Ken Liu Jonathan Maberry Michael Marshall Smith Mark Morris Lynda E. Rucker A.G. Slatter Paul Tremblay Lisa Tuttle Marian Womack
Mega-Awesome Adventures features thrilling excerpts from six fantastic novels, including a sneak peek at a complete story from Rick Riordan’s Percy Jackson’s Greek Gods! Explore this exciting sampler, which includes selections from internationally best-selling authors such as Eoin Colfer, author of the acclaimed Artemis Fowl series; Ridley Pearson, author of the Kingdom Keepers series; and Jonathan Stroud, author of the Bartimaeus series.
The new post-apocalyptic collection by master anthologist John Joseph Adams, featuring never-before-published stories and curated reprints by some of the genre's most popular and critically-acclaimed authors. In WASTELANDS: THE NEW APOCALYPSE, veteran anthology editor John Joseph Adams is once again our guide through the wastelands using his genre and editorial expertise to curate his finest collection of post-apocalyptic short fiction yet. Whether the end comes via nuclear war, pandemic, climate change, or cosmological disaster, these stories explore the extraordinary trials and tribulations of those who survive. Featuring never-before-published tales by: Veronica Roth, Hugh Howey, Jonathan Maberry, Seanan McGuire, Tananarive Due, Richard Kadrey, Scott Sigler, Elizabeth Bear, Tobias S. Buckell, Meg Elison, Greg van Eekhout, Wendy N. Wagner, Jeremiah Tolbert, and Violet Allen--plus, recent reprints by: Carmen Maria Machado, Carrie Vaughn, Ken Liu, Paolo Bacigalupi, Kami Garcia, Charlie Jane Anders, Catherynne M. Valente, Jack Skillingstead, Sofia Samatar, Maureen F. McHugh, Nisi Shawl, Adam-Troy Castro, Dale Bailey, Susan Jane Bigelow, Corinne Duyvis, Shaenon K. Garrity, Nicole Kornher-Stace, Darcie Little Badger, Timothy Mudie, and Emma Osborne. Continuing in the tradition of WASTELANDS: STORIES OF THE APOCALYPSE, these 34 stories ask: What would life be like after the end of the world as we know it?
Sophocles and the Politics of Tragedy is an inquiry into a fundamental political problem made visible through the tragic poetry of Sophocles. In part I Badger offers a detailed exegesis of three plays: Ajax, Antigone, and Philoctetes. These plays share a common theme, illuminating a persistent feature of political life, namely the antagonism between the heroic commitment to the beautiful and the transcendent on the one hand, and the community’s need for bodily safety and material security on the other. This conceptual structure not only helps us understand these plays but also establishes a distinctive vision of the tragic dimension of political life—a vision that can be applied fruitfully to examinations of political projects quite distant from the world of fifth-century Athens. Such an application is the aim of part II, in which Badger coordinates the results of the inquiries of part I and applies them to a consideration of the competing claims of three strands of medieval and early modern political philosophy: ecclesiastical rule, scientific domination, and liberal government. Badger identifies the last of these—early modern liberalism—as a "tragic politics" that seeks to sustain and contain the tension between transcendent longing and material need.
From the Fury of the Northmen deliver us, O Lord.' Between the eighth and eleventh centuries, the Vikings surged from their Scandinavian homeland to trade, raid and invade along the coasts of Europe. Their influence and expeditions extended from Newfoundland to Baghdad, their battles were as far-flung as Africa and the Arctic. But were they great seafarers or desperate outcasts, noble heathens or oafish pirates, the last pagans or the first of the modern Europeans? This concise study puts medieval chronicles, Norse sagas and Muslim accounts alongside more recent research into ritual magic, genetic profiling and climatology. It includes biographical sketches of some of the most famous Vikings, from Erik Bloodaxe to Saint Olaf, and King Canute to Leif the Lucky. It explains why the Danish king Harald Bluetooth lent his name to a twenty-first century wireless technology; which future saint laughed as she buried foreign ambassadors alive; why so many Icelandic settlers had Irish names; and how the last Viking colony was destroyed by English raiders. Extending beyond the traditional 'Viking age' of most books, A Brief History of the Vikings places sudden Scandinavian population movement in a wider historical context. It presents a balanced appraisal of these infamous sea kings, explaining both their swift expansion and its supposed halt. Supposed because, ultimately, the Vikings didn't disappear: they turned into us.
In Map Is Not Territory, Jonathan Z. Smith engages previous interpretations of religious texts from late antiquity, critically evaluates the notion of sacred space and time as it is represented in the works of Mircea Eliade, and tackles important problems of methodology.
Who‘s Who and What‘s What in Wagner aims to fill a notable gap in the extensive literature surrounding the works of Richard Wagner. It is a comprehensive reference work in which all the many complexities of character, plot and language in Wagner‘s operas, from Die Feen to Parsifal, are elucidated. For ease of reference the book is arranged alphabetically in the style of an encyclopaedia. Herein will be found succinct synopses of all the operas; in-depth biographies of all the characters; a lexicon of difficult words and phrases; plus an appendix comprising a select bibliography and discography. Whether the reader be a casual opera lover, or specialist involved in the production or performance of Wagner‘s works, this book will prove to be an invaluable companion. Contents include: Alphabetical Listing including: 86 in-depth character studies; Synopsis for each of the 13 operas; Over 1,000 further entries about names, places and artifacts that feature in Wagner‘s works; Index.
It is a practical, illustrated guide to the Foundation Programme, introduced throughout the UK to regulate and standardise the two-year training of newly qualified doctors. It provides specific information on how to apply for a Foundation post, the curriculum, assessment methods, and maintaining a portfolio, as well as reviewing the pros and cons of the various medical specialities which doctors can pursue after the Foundation years. The authors address issues of concern to all groups involved in the Foundation programme - trainees, trainers and senior doctors - and gives concrete examples of completed documentation and assessment. Helps UK and overseas doctors in choosing and applying for their Foundation Programme. Helps trainees and trainers understand the curriculum, the teaching and learning methods, and the use of the portfolio. Explains the various assessment procedures including the 'RITA' (Record of In-Training Assessment) and gives examples. Helps trainees manage their learning and pass their assessments. Informs trainers - including consultants ad GPs - about the purpose of the Foundation Programme and how to use the less-familiar assessment tools.
Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester's circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man's relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante's 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife. Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.
Prophecy in the Ancient Near East is the first book-length study that compares all evidence of ancient Near Eastern prophecy, focusing on the Mari texts. It re-evaluates recent scholarship and concludes that prophecy was a widespread phenomenon integrated into divination in general.
COMPLETING OVER A DECADE OF LIVE MUSIC, RECORDINGS AND POETRY, VOCALIST/POET JONATHAN W. HAUBERT BRINGS HIS READERS MUCH DEEPER INTO THE TWISTEDLY POETIC WORLD OF THE WARS OF THE MIND IN WARS OF THE MIND VOL. 5 (BETWEEN FLESH & BONE.) THIS NEW CHAPTER IN THE ONGOING SERIES TELLS THE STORIES BEHIND THE WRITING AND RELEASE OF THE “COUNT YOUR DEAD” DEBUT ALBUM “NO RETURN.” AND THE CONCLUSION OF THE TENTH YEAR IN THE WARS OF THE MIND SERIES, PAVING THE WAY FOR MANY NEW CHAPTERS TO COME IN THE EVER-GROWING POETIC CHRONICLINGS. SO ONCE AGAIN I WELCOME YOU THE READER INTO THIS WORLD OF LOVE, DEATH, RAGE, PAIN, HATE, HOPE AND TRUTH. TO HELP TO INSPIRE AND ENCOURAGE ALL TO FIND THE STRENGTH WITHIN OURSELVES TO OVERCOME ANY OBSTACLE AND TO TRULY FIND INNER PEACE, AGAIN I WELCOME YOU INTO THE WARS OF OUR MINDS…
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