The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one
Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
THE STORY OF CUBAN BOXER AND POLITICAL PARIAH GUILLERMO RIGONDEAUX'S HARROWING DECISION TO DEFECT IN HOPES OF REAPING THE REWARDS OF THE AMERICAN DREAM "What is one million dollars compared to the love of eight million Cubans?" This was the question posed by legendary boxer Teofilo Stevenson in the 1970s, crowned by many as the Muhammad Ali of Cuba, in response to an offer of five million dollars to leave his island to fight Ali. But not all Cubans have come to the same conclusion, let alone with such apparent ease. Guillermo Rigondeaux, two-time Olympic champion and heir to Stevenson's throne, sacrificed everything he had in his home country—his wife, his son, his government-subsidized car and house, as well as universal reverence among his fellow citizens—to try to make it in the mecca of big-money boxing, the United States of America. But has the chance to make good in America been worth the loss of his national identity and the love of his countrymen? And to what extent has he been corrupted by the promise of untold riches? In A Cuban Boxer's Journey, author, filmmaker, and journalist Brin-Jonathan Butler chronicles the fascinating and tumultuous career of Rigondeaux—moody, driven, and almost mythically talented––as he attempts to capture the elusive and often punishing American dream. See how this athlete's most daunting challenge becomes how he can survive the complex forces outside of the ring.
Focusing on extreme moments in the careers of Jean-Michel Basquiat, Walker Evans, David Hockney, Sally Mann, Georgia O'Keeffe, Jackson Pollock, Alfred Stieglitz, Andy Warhol, and others, Weinberg explores how these individuals struggled to gain or maintain the attention of an increasingly jaded audience."--BOOK JACKET.
In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar. Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference." With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.
Offers insider knowledge and tips for consumers on one hundred businesses, professions, and institutions including insurance agencies, real estate brokers, funeral directors, home builders, dentists, financial planners, plumbers, and personal trainers.
Whether he's hustling his way into Mike Tyson's mansion for an interview, betting his life savings on a boxing match, becoming romantically entangled with one of Fidel Castro's granddaughters, or simply manufacturing press credentials to go where he wants, Brin-Jonathan Butler has always been the 'act first, ask permission later' kind of journalist. This book is the culmination of Butler's decade spent in the trenches of Havana, trying to understand a culture perplexing to Westerners: one whose elite athletes regularly forgo multimillion-dollar opportunities to stay in Cuba and box for their country, while living in penury"--
Caring and the Law' considers the law's response to caring. It explores how care is valued and recognised, how it is regulated and restricted and how the values of caring are reflected in the law. It does this by examining the law's interaction with caring in a wide range of fields including family, medical, welfare, criminal and tort law. At the heart of the book is the claim that the law has failed to recognise the importance of caring in many areas and in doing so has led to the costs and burdens of care falling on those who provide it, primarily women. It has also meant that the law has failed to protect those who receive care from the abuse that can take place in a caring context. The book promotes an ethic of care as providing an ethical and conceptual framework for the law to respond to caring relationships.
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