Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
THE STORY OF CUBAN BOXER AND POLITICAL PARIAH GUILLERMO RIGONDEAUX'S HARROWING DECISION TO DEFECT IN HOPES OF REAPING THE REWARDS OF THE AMERICAN DREAM "What is one million dollars compared to the love of eight million Cubans?" This was the question posed by legendary boxer Teofilo Stevenson in the 1970s, crowned by many as the Muhammad Ali of Cuba, in response to an offer of five million dollars to leave his island to fight Ali. But not all Cubans have come to the same conclusion, let alone with such apparent ease. Guillermo Rigondeaux, two-time Olympic champion and heir to Stevenson's throne, sacrificed everything he had in his home country—his wife, his son, his government-subsidized car and house, as well as universal reverence among his fellow citizens—to try to make it in the mecca of big-money boxing, the United States of America. But has the chance to make good in America been worth the loss of his national identity and the love of his countrymen? And to what extent has he been corrupted by the promise of untold riches? In A Cuban Boxer's Journey, author, filmmaker, and journalist Brin-Jonathan Butler chronicles the fascinating and tumultuous career of Rigondeaux—moody, driven, and almost mythically talented––as he attempts to capture the elusive and often punishing American dream. See how this athlete's most daunting challenge becomes how he can survive the complex forces outside of the ring.
Focusing on extreme moments in the careers of Jean-Michel Basquiat, Walker Evans, David Hockney, Sally Mann, Georgia O'Keeffe, Jackson Pollock, Alfred Stieglitz, Andy Warhol, and others, Weinberg explores how these individuals struggled to gain or maintain the attention of an increasingly jaded audience."--BOOK JACKET.
In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar. Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference." With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.
Offers insider knowledge and tips for consumers on one hundred businesses, professions, and institutions including insurance agencies, real estate brokers, funeral directors, home builders, dentists, financial planners, plumbers, and personal trainers.
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
Whether he's hustling his way into Mike Tyson's mansion for an interview, betting his life savings on a boxing match, becoming romantically entangled with one of Fidel Castro's granddaughters, or simply manufacturing press credentials to go where he wants, Brin-Jonathan Butler has always been the 'act first, ask permission later' kind of journalist. This book is the culmination of Butler's decade spent in the trenches of Havana, trying to understand a culture perplexing to Westerners: one whose elite athletes regularly forgo multimillion-dollar opportunities to stay in Cuba and box for their country, while living in penury"--
Caring and the Law' considers the law's response to caring. It explores how care is valued and recognised, how it is regulated and restricted and how the values of caring are reflected in the law. It does this by examining the law's interaction with caring in a wide range of fields including family, medical, welfare, criminal and tort law. At the heart of the book is the claim that the law has failed to recognise the importance of caring in many areas and in doing so has led to the costs and burdens of care falling on those who provide it, primarily women. It has also meant that the law has failed to protect those who receive care from the abuse that can take place in a caring context. The book promotes an ethic of care as providing an ethical and conceptual framework for the law to respond to caring relationships.
This book brings together two pieces of writing. In the first, "After Eve Kosofsky Sedgwick," Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick's work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring, Lana Lin, and Philomina Tsoukala are among those considered as he explores questions of queer temporality and the breaching of ontological divides. Main concerns include the relationship of Sedgwick's later work in Proust, fiber, and Buddhism to her fundamental contribution to queer theory, and the axes of identification across difference that motivated her work and attachment to it. "Come As You Are," the other piece of writing, is a previously unpublished talk Sedgwick gave in 1999-2000. It represents a significant bridge between her earlier and later work, sharing with her book Tendencies the ambition to discover the "something" that makes queer inextinguishable. In this piece, Sedgwick does that by contemplating her own mortality alongside her creative engagement with Buddhist thought, especially the in-between states named bardos and her newfound energy for making things. These were represented in a show of her fabric art, "Floating Columns/In the Bardo," that accompanied her talk, a number of images of which are included in this book. They feature floating figures suspended in the realization of death. They are objects produced by Sedgwick, made of fabric; they come from her, yet are discontinuous with her, occupying a mode of existence that exceeds the span of human life and the confines of individual identity. They could be put beside the queer transitive identifications across difference that Goldberg's essay explores"--Publisher's description
Conventional theories of capitalism are mired in a deep crisis: after centuries of debate, they are still unable to tell us what capital is. Liberals and Marxists both think of capital as an ‘economic’ entity that they count in universal units of ‘utils’ or ‘abstract labour’, respectively. But these units are totally fictitious. Nobody has ever been able to observe or measure them, and for a good reason: they don’t exist. Since liberalism and Marxism depend on these non-existing units, their theories hang in suspension. They cannot explain the process that matters most – the accumulation of capital. This book offers a radical alternative. According to the authors, capital is not a narrow economic entity, but a symbolic quantification of power. It has little to do with utility or abstract labour, and it extends far beyond machines and production lines. Capital, the authors claim, represents the organized power of dominant capital groups to reshape – or creorder – their society. Written in simple language, accessible to lay readers and experts alike, the book develops a novel political economy. It takes the reader through the history, assumptions and limitations of mainstream economics and its associated theories of politics. It examines the evolution of Marxist thinking on accumulation and the state. And it articulates an innovative theory of ‘capital as power’ and a new history of the ‘capitalist mode of power’.
Winner of the 2020 National Jewish Book Award in Education and Jewish Identity Each summer, tens of thousands of American Jews attend residential camps, where they may see Hebrew signs, sing and dance to Hebrew songs, and hear a camp-specific hybrid language register called Camp Hebraized English, as in: “Let’s hear some ruach (spirit) in this chadar ochel (dining hall)!” Using historical and sociolinguistic methods, this book explains how camp directors and staff came to infuse Hebrew in creative ways and how their rationales and practices have evolved from the early 20th century to today. Some Jewish leaders worry that Camp Hebraized English impedes Hebrew acquisition, while others recognize its power to strengthen campers’ bonds with Israel, Judaism, and the Jewish people. Hebrew Infusion explores these conflicting ideologies, showing how hybrid language can serve a formative role in fostering religious, diasporic communities. The insightful analysis and engaging descriptions of camp life will appeal to anyone interested in language, education, or American Jewish culture.
What does it mean to trust the police? What makes the police legitimate in the eyes of the policed? What builds trust, legitimacy and cooperation, and what undermines the bond between police and the public? These questions are central to current debates concerning the relationship between the British police and the public it serves. Yet, in the context of British policing they are seldom asked explicitly, still less examined in depth. Drawing on psychological and sociological explanatory paradigms, Just Authority? presents a cutting-edge empirical study into public trust, police legitimacy, and people’s readiness to cooperate with officers. It represents, first, the most detailed test to date of Tom Tyler’s procedural justice model attempted outside the United States. Second, it uncovers the social ecology of trust and legitimacy and, third, it describes the relationships between trust, legitimacy and cooperation. This book contains many important lessons for practitioners, policy-makers and academics. As elsewhere the dominant vision of policing in Great Britain continues to stress instrumental effectiveness: the ‘fight against crime’ will be won by pro-active and even aggressive policing. In line with work from the United States and elsewhere, Just Authority? casts significant doubt on such claims. When people find policing to be unfair, disrespectful and careless of human dignity, not only is trust lost, legitimacy is also damaged and cooperation is withdrawn as a result. Absent such public support, the job of the police is made harder and the avowed objectives of less crime and disorder placed ever further from reach.
Reviews the historical development of programmable logic devices, the fundamental programming technologies that the programmability is built on, and then describes the basic understandings gleaned from research on architectures. It is an invaluable reference for engineers and computer scientists.
It is a practical, illustrated guide to the Foundation Programme, introduced throughout the UK to regulate and standardise the two-year training of newly qualified doctors. It provides specific information on how to apply for a Foundation post, the curriculum, assessment methods, and maintaining a portfolio, as well as reviewing the pros and cons of the various medical specialities which doctors can pursue after the Foundation years. The authors address issues of concern to all groups involved in the Foundation programme - trainees, trainers and senior doctors - and gives concrete examples of completed documentation and assessment. Helps UK and overseas doctors in choosing and applying for their Foundation Programme. Helps trainees and trainers understand the curriculum, the teaching and learning methods, and the use of the portfolio. Explains the various assessment procedures including the 'RITA' (Record of In-Training Assessment) and gives examples. Helps trainees manage their learning and pass their assessments. Informs trainers - including consultants ad GPs - about the purpose of the Foundation Programme and how to use the less-familiar assessment tools.
Midway through 1942, Japanese and Allied forces found themselves fighting on two fronts—in New Guinea and the Solomon Islands. These concurrent campaigns, conducted between July 1942 and February 1943, proved a critical turning point in the war being waged in the Pacific, as the advantage definitively shifted from the Japanese to the Americans. Key to this shift was the Allies seizing of the strategic initiative—a concept that Sean Judge examines in this book, particularly in the context of the Pacific War. The concept of strategic initiative, in this analysis, helps to explain why and how contending powers design campaigns and use military forces to alter the trajectory of war. Judge identifies five factors that come into play in capturing and maintaining the initiative: resources, intelligence, strategic acumen, combat effectiveness, and chance, all of which are affected by political will. His book uses the dual campaigns in New Guinea and the Solomon Islands as a case study in strategic initiative by reconstructing the organizations, decisions, and events that influenced the shift of initiative from one adversary to the other. Perhaps the most critical factor in this case is strategic acumen, without which the other advantages are easily squandered. Specifically, Judge details how General Douglas MacArthur and Admiral Chester Nimitz, in designing and executing these campaigns, provided the strategic leadership essential to reversing the tide of war—whose outcome, Judge contends, was not as inevitable as conventional wisdom tells us. The strategic initiative, once passed to American and Allied forces in the Pacific, would never be relinquished. In its explanation of how and why this happened, The Turn of the Tide in the Pacific War holds important lessons for students of military history and for future strategic leaders.
Providing vital updates, this two volume set describes the central role and aim of health care needs assessment in the NHS health care reforms, and explains the 'epidemiological approach' to needs assessment, and the effectiveness and availability of services.
A Wiley Blackwell Handbook of Organizational Psychology focusing on occupational safety and workplace health. The editors draw on their collective experience to present thematically structured material from leading thinkers and practitioners in the USA, Europe, and Asia Pacific Provides comprehensive coverage of the major contributions that psychology can make toward the improvement of workplace safety and employee health Equips those who need it most with cutting-edge research on key topics including wellbeing, safety culture, safety leadership, stress, bullying, workplace health promotion and proactivity
Sportswriter, storyteller, humorist - Ring Lardner was an American original. In this affectionate, entertaining, and authoritative biography, critic Jonathan Yardley gives us a new look at Lardner's all too short life and career."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The world of the international rugby referee has always been a closely guarded secret ... until now. As a Durban schoolboy, Jonathan Kaplan watched rugby at Kings Park every Saturday, dreaming of the day he would represent his country. Now, three decades later and at the age of 47, he reflects on the career highs and lows that saw him retire as the most capped international, Super Rugby and Currie Cup referee of all time. But records and milestones are just a part of an intriguing memoir that affords the reader a rare glimpse into the world of international refereeing ... and what lies behind that enigmatic, penetrating glare that is as typical of Jonathan Kaplan as his silver-grey patch of hair. In Call It Like It Is, Kaplan describes exactly what it takes to be an international rugby referee: his gradual climb to the top, the sacrifices he had to make in his personal life, his struggle with injuries and rugby management, the toll an itinerant lifestyle exacted upon him, and much, much more. But this is not only an autobiography: Kaplan also offers his opinion on the role of technology in rugby, dissects his own successes and failures, debates the selection and assessment of referees, and, yes, gives his take on the 2011 Rugby World Cup and the Bryce Lawrence affair. Containing all the guts and glory you’d expect from an epic rugby tale, this is also the frank and forthright account of a man who, both in life and on the pitch, would only ever call it like it is.
The title says it all, this is a guide book of how not write poetry through example. It is for those who see the world peripherally and take note of the incongruous. From skinny calved hipsters to World War 2 and boy bands. This is poetry for the brilliant, the lazy, the unenlightened or maybe it is just for those who tire of poetry. It is tiring isn't it? Get out your pillows and enjoy!
This title was first published in 2000: This collection of papers reviews the theory, method and policy relevance of post-war poverty research. It is designed to contribute to bringing high quality research in this area back to the centre of both social research and informed policy debate.
This book brings together, for the first time, a selection of international critiques on the role of ADHD in our society today, looking at how diagnoses have increased in recent years and the reasons behind this. Topics range from genetics to social culture, offering a comprehensive overview of this area.
Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one
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