As the Fourth Industrial Revolution ushers into a new era of artificial intelligence (AI) and virtual reality, how should we respond to the societal and ethical dilemmas associated with this new age of transformative scientific power? This research highlights the need for an ethical and globally shared view on how technology affects the economic, social, cultural and spiritual aspects of daily life. With thanks to the international team of experts this book is outlining consequences of the Fourth Industrial Revolution in a broad range for business and work life, for leadership, for media and communication, for churches and for personal and family life. Authors are: Prof. Dr. Jack Barentsen (USA) Andrew Bunnell (USA) Jonathan Ebsworth (United Kingdom) Prof. Dr.-Ing. Klaus Henning (Germany) Prof. Dr. Bruce A. Little (USA) Jeremy Peckham (United Kingdom) Rev. Timo Plutschinski (Germany) Sallux Publishing Printed Edition: ISBN 978-94-92697-20-2
As the Fourth Industrial Revolution ushers into a new era of artificial intelligence (AI) and virtual reality, how should we respond to the societal and ethical dilemmas associated with this new age of transformative scientific power? This research highlights the need for an ethical and globally shared view on how technology affects the economic, social, cultural and spiritual aspects of daily life. With thanks to the international team of experts this book is outlining consequences of the Fourth Industrial Revolution in a broad range for business and work life, for leadership, for media and communication, for churches and for personal and family life. Authors are: Prof. Dr. Jack Barentsen (USA) Andrew Bunnell (USA) Jonathan Ebsworth (United Kingdom) Prof. Dr.-Ing. Klaus Henning (Germany) Prof. Dr. Bruce A. Little (USA) Jeremy Peckham (United Kingdom) Rev. Timo Plutschinski (Germany) Sallux Publishing Printed Edition: ISBN 978-94-92697-20-2
Challenging Sports Governing Bodies covers the decision to challenge the actions of a sports governing body and considers the causes of action that form a basis for them. This title refers to this important area of practice that more company, commercial and regulatory practitioners are venturing in to. The text is encyclopaedic in nature and practice based providing a practical analysis of key issues for practitioners. Footnotes are used to identify the leading cases for propositions in the main text and to help with finding similar and relevant cases. To ensure this work is comprehensive in its subject matter there is a short section on Remedies focusing on internal appeal routes and arbitration.
An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political.
Blanks, Space, Print, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.
It will be of interest to all those interested in questions of early modern contact history, English relations with Islam and the East, English theater history, and cultural politics."--BOOK JACKET.
This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
O'Keeffe's most significant contribution to art history was her unique approach to abstraction. This book examines, for the first time an overlooked aspect of O'Keeffe's work, focusing on her distinctive use of circular forms as an abstract motif.
From cyclones to sinking ships, from mine explosions to train crashes, faulty planes and bridge collapses, from the shooting in Port Arthur to the Bali bombing, from floods in the north to bushfires in the south, Australia has not been immune to the fickle finger of fate...No one expects cataclysmic events, but when disaster strikes, life changes in an instant: priorities shift, and often, life is reduced to blood, bone and memory...Historian Jonathan King has meticulously recounted the anatomy of twenty-three Australian disasters, showing us the events and conditions that conspired to their happening. More importantly, he draws out the stories of those Australians whose lives were irrevocably changed, and myriad stories of heroism and bravery...Many of the disasters in this book were caused by human error or negligence. Dreadful as they are, most have led to constructive outcomes, such as tighter gun controls in Australia in the aftermath of the Port Arthur shooting; stricter regulations for air, sea and rail transportation; and safer conditions for all workers...Humane and moving, Great Disasters in Australian History brings forth the everyday dimensions of a disaster to allow us to understand and empathise with the victims and survivors. The book is a small step to helping us remember how much things have changed - and how much we must remain vigilant so that we are not condemned to repeat past mistakes.
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