Very Short Introductions: Brilliant, Sharp, Inspiring Elizabeth Bishop has been described as the 'best-loved' poet in English of the second half of the twentieth century. This Very Short Introduction explores the 90 or so published poems that are at the core of her remarkable canon of verse. Drawing on biographical and critical material, Jonathan Post also makes frequent use of Bishop's letters and commentary by fellow poets, including Marianne Moore, Robert Lowell, and James Merrill to illuminate her writing and contemporary literary landscape. Throughout, Post places Bishop's lyric poetry within the context of her life and aesthetic values, showing how these shaped her work. The book covers a wide range of core themes present in her poetry, including her powerful use of description, the environment, balance, and ideas of love and loss, as well as looking at Bishop's interest in the visual arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The second edition of this acclaimed text has been fully updated and substantially expanded to include the considerable developments (since publication of the first edition) in our understanding of the science of climate change, its impacts on biological and human systems, and developments in climate policy. Written in an accessible style, it provides a broad review of past, present and likely future climate change from the viewpoints of biology, ecology, human ecology and Earth system science. It will again prove to be invaluable to a wide range of readers, from students in the life sciences who need a brief overview of the basics of climate science, to atmospheric science, geography, geoscience and environmental science students who need to understand the biological and human ecological implications of climate change. It is also a valuable reference text for those involved in environmental monitoring, conservation and policy making.
Bakhtin and Voloshinov argued that dialogue is the intersubjective basis of consciousness, and of the creativity which makes historical changes in consciousness possible. The multiple dialogical relationships give every subject, who has developed through internalising them, the potential to distance him or herself from them. Consciousness is therefore an “unfinalised” process, always open to a possible future which would not merely reiterate the past. But this book explores its corollary: The relative openness is a field of conflict where rival discourses struggle for hegemony, by subordinating or eliminating their rivals. That is how the unconscious is created out of socio-historical conflicts. Hegemony is always incomplete, because there is always the possibility of a return of its repressed rivals in new combinations.
Critically acclaimed, award-winning independent filmmakers Mark and Michael Polish offer this practical guide to writing, shooting, editing, scoring, promoting, and distributing short and feature films--an indispensable resource for anyone interested in filmmaking.
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera. Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
Michael and Megan Fitzgerald are siblings who share a terrifying past. Both adopted, and now grown - Michael is a long-haul truck driver, Megan a college student majoring in psychology - they trust each other before anyone else. They've had to. When a young woman is found murdered in Michael's LA apartment, he becomes the chief suspect and is quickly apprehended. But then there's another killing that is strikingly similar. And another. And not just in LA - as the spree spreads across the country, the FBI become involved in a manhunt for a cold-blooded serial killer. The murders are clearly linked, but the killer is more ingenious than anyone could expect and false leads will leave the LAPD and FBI completely baffled at how to prevent a string of murders that seem unstoppable.
Hear No EvilFor Detective Sam Porter, the words "Father, forgive me" conjure memories long forgotten; a past intentionally buried. For Anson Bishop, these three words connect a childhood to the present as he unleashes a truth concealed for decades.See No EvilFound written on cardboard near each body, these words link multiple victims to a single killer--discovered within minutes of each other in both Chicago and South Carolina--clearly connected yet separated by impossible miles.Speak No EvilChicago Metro and the FBI find themselves caught in chaos--a hospital on lockdown, a rogue officer, and corruption at the highest levels. When Anson Bishop, the prime suspect in the notorious 4MK serial murders turns himself in, he reveals a story completely unexpected, one that not only upends the current investigation, but one that will change the lives of all involved.Do No EvilWith unrelenting tension and pulse-pounding suspense, the past unravels at breakneck speed as the truth behind the Four Monkey Killer's motive is finally revealed in this masterfully crafted finale.
A gigantic explosion rips through a town in the shadow of Oregon's Mt Hood. The community is almost annihilated. The only survivors are young sisters Sophie and Tennant Riggin. How they lived is a mystery. But it's a mystery that a team of elite government investigators is bent on solving
A mysterious explosion kills thousands in the Pacific Northwest--and only two young girls survive. Two sisters have always stood together. Now, they're the only ones left. In the shadow of Mount Hood, sixteen-year-old Tennant is checking rabbit traps with her eight-year-old sister Sophie when the girls are suddenly overcome by a strange vibration rising out of the forest, building in intensity until it sounds like a deafening crescendo of screams. From out of nowhere, their father sweeps them up and drops them through a trapdoor into a storm cellar. But the sound only gets worse...--Amazon.
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