In this second edition of his in-depth and gripping account of the Arizona Miners' Strike of 1983, Jonathan D. Rosenblum describes in a new epilogue the resurgence of union activism at Steelworkers Local 890 in Silver City, New Mexico, more than a decade since the devastating campaign waged by the Phelps Dodge Corporation to obliterate the unions at its Arizona properties.
In this second edition of his in-depth and gripping account of the Arizona Miners' Strike of 1983, Jonathan D. Rosenblum describes in a new epilogue the resurgence of union activism at Steelworkers Local 890 in Silver City, New Mexico, more than a decade since the devastating campaign waged by the Phelps Dodge Corporation to obliterate the unions at its Arizona properties.
Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced reading of the approach of the early sages, who read Song of Songs through a mode of typological interpretation concerned with the correspondence between Scripture and ideal events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as of an idealized vision of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal and idealized language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.
This book explores the cultural and religious politics of the contemporary food movement, starting from the example of Jewish foodies, their zeal for pig (forbidden by Jewish law), and their talk about why ignoring traditional precepts around food is desirable. Focusing on the work of Michael Pollan, Jonathan Schorsch questions the modernist, materialist, and rationalist worldview of many foodies and discusses their lack of attention to culture, tradition, and religion.
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