The characters of The Rotters’ Club–Jonathan Coe’s beloved novel of adolescent life in the 1970s–have bartered their innocence for the vengeance of middle age in this incisive portrait of Cool Britannia at the millennium.
In his heyday, during the 1960s and early 1970s, B. S. Johnson was one of the best-known young novelists in Britain. A passionate advocate for the avant-garde in both literature and film, he became famous -- not to say notorious -- both for his forthright views on the future of the novel and for his idiosyncratic ways of putting them into practice. But in November 1973 Johnson's lifelong depression got the better of him, and he was found dead at his north London home. He had taken his own life at the age of forty. Jonathan Coe's biography is based upon unique access to the vast collection of papers Johnson left behind after his death, and upon dozens of interviews with those who knew him best. As unconventional in form as one of its subject's own novels, it paints a remarkable picture -- sometimes hilarious, often overwhelmingly sad -- of a tortured personality; a man whose writing tragically failed to keep at bay the demons that pursued him.
Jonathan Coe finally provides a sequel to The Winshaw Legacy, the 1995 novel that introduced American readers to one of Britain's most exciting new writers -- an acerbic, hilariously dark, and unflinching portrait of modern society. In Number 11, Coe has filled his intricate plot with a truly Dickensian cast of characters. The novel opens in the early aughts with two ten-year-old girls, Alison and Rachel, and their frightening encounter with the "Mad Bird Woman," a mysterious figure who lives down the road. As the narrative progresses through time, the novel broadens in scope toward other people who are somehow connected to the two girls. We follow the trials and tribulations of Alison's mother, a has-been singer, as she competes on TV's reality hit I'm a Celebrity... Get Me Out of Here! Rachel's university mentor confronts her late husband's disastrously obsessive search for an untraceable German film he saw as a child. A young police constable investigates the seemingly accidental and unrelated deaths of two stand-up comedians. And when Rachel becomes a nanny for ludicrously wealthy family, she discovers a dark and terrifying secret lying beneath their immense mansion in London's most staggeringly expensive neighborhood. Combining psychological insight, social commentary, vicious satire, and even surrealist horror, this highly accomplished work holds a revealing and disquieting mirror up to the world we live in today"--
As a young girl, Rosamond is sent to Shropshire to escape the Blitz. Here, in the countryside, she forms a close bond with her older cousin, Beatrix, a young woman haunted by anger and resentment. Sixty years later, just before her death, Rosamond records her memories on cassettes, addressing them to a distant cousin—a near stranger-named Imogen. As Gill, her beloved niece, listens to these tapes, a heart—stopping family saga is revealed. In this masterful portrait of three generations of woman, Jonathan Coe exposes the profound reserves of hope and loss within the lives of ordinary woman.
Jonathan Coe is not a prolific writer of short stories - the seven in this collection make up his entire output (as against ten published novels) - but each one is a jewel of storytelling and characterization. And each could only have come from the pen of the novelist Coe. In fact at least three of the stories here, though self-contained, are part of a larger project to depict the history of a fictional Midlands family, a project which includes the novels The Rain Before It Falls and Expo 58. Loggerheads is therefore essential reading for all fans of Coe.
Marginal Notes, Doubtful Statements by Jonathan Coe - an extraordinary non-fiction collection from the author of EXPO 58 From celebrating the greatness of Gulliver's Travels to tracing the impact of Margaret Thatcher's death, from interviewing Brian Eno to finding Hitchcockian elements in a Disney film, Marginal Notes, Doubtful Statements is a hugely funny, moving and fascinating 20-year journey through the world of books, music, film, politics and memory from one of Britain's most acclaimed novelists and cultural thinkers. This will be loved by fans of What A Carve Up and The Rotters' Club, as well as readers of Nick Hornby, David Foster Wallace and Zadie Smith's Changing My Mind. 'Clever and funny, enthralling and moving, this is, for my money, Coe's best novel since What A Carve-Up! Wonderful' Daily Mail on Expo 58 'A rich and splendidly comic confection' Independent on EXPO 58 Jonathan Coe is the author of ten novels, the latest Expo 58 (2013). His previous nine novels are all published by Penguin and include the acclaimed bestsellers What a Carve Up!, The House of Sleep and The Rotters' Club.
An English public employee becomes embroiled in a Soviet plot while he oversees the construction of an authentic British pub being showcased at the 1958 World's Fair in Brussels.
A brilliant, shrewd, satirical novel – gimlet-eyed, funny, very clever and a searchingly profound look at the state of this strange country of ours' William Boyd 'My comfort read: anything by Jonathan Coe' Bob Mortimer --- Post-university life doesn’t suit Phyl. Time passes slowly living back home with her parents, working a zero-hour contract serving Japanese food to holidaymakers at Heathrow’s Terminal 5. As for her budding plans of becoming a writer, those are going nowhere. That is, until family friend Chris comes to stay. He’s been on the path to uncover a sinister think-tank, founded at Cambridge University in the 1980s, that’s been scheming to push the British government in a more extreme direction. One that’s finally poised to put their plans into action. But speaking truth to power can be dangerous - and power will stop at nothing to stay on top. As Britain finds itself under the leadership of a new Prime Minister whose tenure will only last for seven weeks, Chris pursues his story to a conference being held deep in the Cotswolds, where events take a sinister turn and a murder enquiry is soon in progress. But will the solution to the mystery lie in contemporary politics, or in a literary enigma that is almost forty years old? Darting between decades and genres, THE PROOF OF MY INNOCENCE is a wickedly funny and razor-sharp new novel from one of Britain’s most beloved novelists, showing how the key to understanding the present can often be found in the murkiest corners of the past. --- 'Coe shows an understanding of this country that goes beyond what most cabinet ministers can muster . . . he is a master of satire but pokes fun subtly, without ever being cruel, biting or blatant . . . his light, funny writing makes you feel better' Evening Standard 'A novelist who gains in range and reputation with every book' Pat Barker 'Please, God ... if there’s a next life, let me write as well as Jonathan Coe' Anthony Bourdain 'Probably the best English novelist of his generation' Nick Hornby
A NEW YORK TIMES EDITORS’ CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books
A comedy for our times” (The Guardian), Middle England is a piercing and provocative novel about a country in crisis. From the frenzy of the 2012 Olympics to the aftermath of the Brexit referendum, here Jonathan Coe chronicles the story of modern Britain by way of a cast of characters whose world is being upended. There are newlyweds who disagree about the country’s future and, possibly, their relationship; a political commentator who writes impassioned columns about austerity from his lavish town house while his radical teenage daughter undertakes a relentless quest for universal justice; and Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father, whose last wish is to vote to leave the European Union. A sequel to The Rotters’ Club and The Closed Circle that stands entirely alone, Middle England is a darkly comic look at our strange new world.
Jonathan Coe's Pentatonic is a daring and original story about family and memory inspired by music. When a family celebrates the prize-giving day at their daughter's secondary school, thoughts turn to their own childhoods. The father remembers his living room piano recital, recorded on a well-worn cassette tape. The mother remembers her own father's war tragedy. As the father searches for the physical reminder of his past and the mother longs to forget her own, they confront the breakdown of their marriage in the present. In Pentatonic, Jonathan Coe movingly explores the memories that unite us and the experiences that drive us apart. The story is simultaneously available as a digital download with the piece of music which originally inspired the story. Praise for Jonathan Coe: 'Probably the best English novelist of his generation' Nick Hornby 'Coe has huge powers of observation and enormous literary panache' Sunday Times 'Jonathan Coe's a fine writer who seems to try something new with every book' David Nicholls Jonathan Coe was born in Birmingham in 1961. He is the author of eight bestselling novels including What a Carve Up! and The Rotters' Club, and a biography of the novelist B. S. Johnson, Like a Fiery Elephant, which won the 2005 Samuel Johnson Prize for best non-fiction book of the year.
Birmingham, England, c. 1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.
If Charles Dickens and Agatha Christie had ever managed to collaborate, they might have produced this shamelessly entertaining novel, which introduces readers to what may be the most powerful family in England--and is certainly the vilest. A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.
Big, hilarious, intricate, furious, moving' - Guardian Telling the stories of the wealthy Winshaw family, WHAT A CARVE UP! is a riveting social satire on the chattering and all-powerful upper classes.
William ist ziemlich frustriert: Weder aus seiner beruflichen Karriere als Jazzpianist wird etwas, noch aus der Beziehung mit der attraktiven, aber eher unterkühlten Madeline. Und seine Band The Alaska Factory ist auch nicht gerade der Hit. Als ob das alles nicht reichen wüde, wird William Zeuge eines bizarren Mordes... Dieser rasante Roman von Jonathan Coe, Autor des Bestsellers Allein mit Shirley", bewegt sich durch die Welt der Londoner Bars und Musikclubs – und endet in einem ebenso atemberaubenden wie verblüffenden Showdown.
Maxwell Sim seems to have hit rock bottom: separated from his wife and daughter, estranged from his father, and with no one to confide in even though he has 74 friends on Facebook. He's not even sure whether he's got a job until suddenly a strange business proposition comes his way which involves a long journey to the Shetland Isles - and a voyage into his family's past which throws up some surprising revelations.A story for our times, Maxwell finds himself at sea in the modern world, surrounded by social networks but unable to relate properly to anyone.
Can desire really transform reality? From award-winning novelist Jonathan Coe and distinguished Italian artist Chiara Coccorese comes The Broken Mirror, a political parable for children, a contemporary fairy tale for adults, and a fable for all ages. One day Claire, to escape her quarrelsome parents, takes refuge in the dump behind her house. There she finds a broken mirror, a nasty piece of sharp glass... yet she is strangely drawn to it. She soon discovers it has the power to transform even the most drab reality into a fairy-tale world: the grey sky is reflected blue, and Claire’s modest, suburban house is transformed into the most beautiful castle. As Claire grows older, always accompanied by her magic mirror, she can see her face without her teenage acne, and her town before it fell victim to thieving property developers. But, in reality, libraries are being turned into luxury flats wherever she looks, and the boy Claire loves is instead her worst enemy. Frustrated and angry with the mirror’s illusions, Claire is about to destroy it when the mysterious Peter steps in: he has also found a shard of broken mirror, and so begins their journey to piece together the larger puzzle... Previously published in Italian, French, Greek and Dutch, The Broken Mirror comes to life in English for the first time, to be read with equal pleasure by children and adults.
For the first time in his life, Gulliver felt ashamed of himself and his fellow-humans." Gulliver is a travel-hungry and adventurous ship's doctor, who has the odd misfortune of being ship-wrecked four times in as many voyages. Through Jonathan Coe's expert retelling of Swift's famous satire about our human hubris and desires, today's young readers are swept along as Gulliver finds himself a giant among tiny humans in Lilliput; a tiny human among giants in Brobdignag; on the flying island of Laputa, with its most impractical intellectuals; and finally in the land of the Houyhnhnms, talking horses who think precious little of human "Yahoos". Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed.
In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema's most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go?
Over a career that spanned forty-three years and seventy-seven films, Jimmy Stewart went from leading man to national idol. Classics such as Mr. Smith Goes to Washington, The Philadelphia Story, Harvey, and, of course, It’s A Wonderful Life are far more than mere movies; they are visions of America as it wanted to be seen. With his inimitable (though widely mimicked) down-home drawl, Jimmy Stewart came to embody the ideal American male, lean, affably sarcastic, honorable, endearingly awkward. His double takes were memorable; his way of muttering his asides charmed audiences. Most of all, he was the man whose heart was always in the right place, and who would see always see his way clear to doing the right thing. “If Bess and I had a son,” Harry Truman once said, “we’d want him to be just like Jimmy Stewart.” Jonathon Coe traces Stewart’s beginnings in a small town in Pennsylvania, his amateur dramatics and college years at Princeton, and the early films and stardom through to his heroics as an air force pilot during World War II and his triumphant return to Hollywood. Though he was adored in black and white, Stewart’s mature work shows his range as an actor, his ability to play far more than just the good-natured leading man. By the time he retired from acting, Stewart had films credits that were unparalleled—and a place in the American heart that was unrivaled. Illustrated with 150 photographs, taken on and off the set, this handsome tribute gives us the private man as well as the screen legend and guides us through the whole wonderful life of Jimmy Stewart.
Dans la chaleur exaltante de l’été 1977, la jeune Calista quitte la Grèce pour découvrir le monde. Arrivée à Los Angeles, elle fait une rencontre qui bouleversera sa vie : par le plus grand des hasards, elle se retrouve à la table du célèbre cinéaste Billy Wilder. Quelques mois plus tard, pendant le tournage en Grèce de Fedora, la jeune femme, qui ne connaît alors rien au cinéma, devient l’interprète du réalisateur le temps d’un fol été. Tandis qu’elle s’enivre de cette aventure dans les coulisses du septième art, Billy Wilder vit ce tournage comme son chant du cygne...
Londres, 1958. Thomas Foley dispose d'une certaine ancienneté au ministère de l'Information quand on vient lui proposer de participer à un événement historique, l'Exposition universelle, qui doit se tenir cette année-là à Bruxelles. Il devra y superviser la construction du Pavillon britannique et veiller à la bonne tenue d'un pub, Le Britannia, censé incarner la culture de son pays. Le jeune Foley, alors qu'il vient de devenir père, est séduit par cette proposition exotique, et Sylvia, son épouse, ne voit pas son départ d'un très bon oeil. Elle fera toutefois bonne figure, et la correspondance qu'ils échangeront viendra entrecouper le récit des nombreuses péripéties qui attendent notre héros au pays du roi Baudouin, où il est très vite rejoint par de savoureux personnages : Chersky, un journaliste russe qui pose des questions à la manière du KGB, Tony, le scientifique anglais responsable d'une machine, la ZETA, qui pourrait faire avancer la technologie du nucléaire, Anneke, enfin, l'hôtesse belge qui va devenir sa garde rapprochée... Coe embarque le lecteur dans une histoire pleine de rebondissements, sans que jamais la tension ne retombe ou que le ridicule ne l'emporte. Sous la forme d'une parodie de roman d'espionnage, il médite sur le sens de nos existences et dresse le portrait d'un monde disparu, l'Angleterre des années 1950, une société tiraillée entre une certaine attirance pour la liberté que semble offrir la modernité et un attachement viscéral aux convenances et aux traditions en place.
I could recommend The Winshaw Legacy as I a superb political novel, or as a fiendishly clever meta-novel, or as a unique modern historical novel, or as a riveting family saga, but I'm afraid that would drive everyone, yawning in terror, straight out of the bookstore. So let's just say it has naked pictures of Natasha Richardson...Can't say that? Well, let's say it's a nasty farce with lots of bathroom humor and violence which reminds me at least as much of Fawlty Towers as it does of Midnight's Children.' -- Jay McInerney A postmodern detective story, a scathing send-up of the rapacious eighties, a macabre Gothic -- all rolled up in a bravura tragicomic entertainment. The Winshaw family, as their official biographer is warned by old Mortimer Winshaw himself, is the meanest, greediest, cruellest bunch of backstabbing penny-pinching bastards who ever crawled across the face of the earth.' Bankers, industrialists, politicians, arms dealers and media barons -- they rule Britannia, more or less. They also have a guilty secret in the shape of a mad aunt stashed away in a remote asylum, convinced of familial treachery during World War II and determined to effect the ruin of her entire clan. In the summer of 1990, while Saddam Hussein is provoking yet another war, the Winshaws' biographer (a severely depressed young novelist) is piecing together the truth of their sordid legacy, and discovers that it converges bizarrely with the plot of a film he's been obsessed by since childhood. Moreover, it seems that all of this, dynasty and cinema alike, has some mysterious connection with his own troubled history. Of course whether he -- or anybody else -- will be alive when this compound riddle is solved remains to be seen. Savagely funny, hugely inventive and passionately political. The Winshaw Legacy assumes Dickensian proportions as it excoriates the modern age of greed -- and heralds the American debut of an extraordinary writer. As The Economist concluded: Talented comic novelists are rare [but] that exclusive club -- Thomas Love Peacock, Evelyn Waugh and P. G. Wodehouse are among its members -- has admitted a newcomer, an Englishman called Jonathan Coe.' 'A remarkable achievement; intelligent, funny, and important.' -- The Times Literary Supplement 'An extravagant literary blockbuster...A grand and intelligent novel, so full of accomplishment and pleasure.' -- New Statesman & Society' Really, something to get excited about...his big, hilarious, intricate, furious, moving treat of a novel.' -- The Guardian
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