Lilly and Steven are smart, talented, and charming. Their new neighbor is not. After moving into a new apartment, they meet the man they now share a wall with—Mark Manners, an aspiring fiction writer and longtime tenant of the building. Lilly and Steven proceed to Google-stalk Mark and have a field day mocking his website…only to realize the walls are thin. Did he hear everything they said about him? When they try to resolve the newfound tension, it escalates in ways none of them could ever predict.
Aaron is smart, charming and over-privileged. Iskinder, his new college roommate, comes from a middle-class immigrant family and is under-connected. Aaron takes Iskinder under his wing, sharing his world of favors and fortune. But the safe haven of college only lasts so long. After a chance encounter with an accused felon sets off a chain of events that puts Aaron's life at risk, the two men are forced to rethink the meaning of friendship. THE RECOMMENDATION is a bold and candid look at modern friendship from an exciting new theatrical voice.
CATCH THE FISH follows Allison, a hardened, ambitious New York journalist on assignment in Los Angeles. She casts a line out in a club and baits three young adults who seem to fit the bill—Hollywood youth obsessed with appearance and consumption. Though she thinks she's just angling for a good story, Allison finds herself unexpectedly reeled in by Jordan, a disarmingly charming and complex young man desperately trying to hide his past. Allison finds herself hooked and is surprised when the relationship results in her own self-reflection. She promises Jordan that the article she writes will benefit his career and assures him he can trust her, but the deeper they get, the more they both fear they are going to get caught.
Aaron is smart, charming and over-privileged. Iskinder, his new college roommate, comes from a middle-class immigrant family and is under-connected. Aaron takes Iskinder under his wing, sharing his world of favors and fortune. But the safe haven of college only lasts so long. After a chance encounter with an accused felon sets off a chain of events that puts Aaron's life at risk, the two men are forced to rethink the meaning of friendship. THE RECOMMENDATION is a bold and candid look at modern friendship from an exciting new theatrical voice.
CATCH THE FISH follows Allison, a hardened, ambitious New York journalist on assignment in Los Angeles. She casts a line out in a club and baits three young adults who seem to fit the bill—Hollywood youth obsessed with appearance and consumption. Though she thinks she's just angling for a good story, Allison finds herself unexpectedly reeled in by Jordan, a disarmingly charming and complex young man desperately trying to hide his past. Allison finds herself hooked and is surprised when the relationship results in her own self-reflection. She promises Jordan that the article she writes will benefit his career and assures him he can trust her, but the deeper they get, the more they both fear they are going to get caught.
Lilly and Steven are smart, talented, and charming. Their new neighbor is not. After moving into a new apartment, they meet the man they now share a wall with—Mark Manners, an aspiring fiction writer and longtime tenant of the building. Lilly and Steven proceed to Google-stalk Mark and have a field day mocking his website…only to realize the walls are thin. Did he hear everything they said about him? When they try to resolve the newfound tension, it escalates in ways none of them could ever predict.
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
What did Danes and Swedes in the Middle Ages imagine and write about Jews and Judaism? This book draws on over 100 medieval Danish and Swedish manuscripts and incunabula as well as runic inscriptions and religious art (c. 1200–1515) to answer this question. There were no resident Jews in Scandinavia before the modern period, yet as this book shows ideas and fantasies about them appear to have been widespread and an integral part of life and culture in the medieval North. Volume 1 investigates the possibility of encounters between Scandinavians and Jews, the terminology used to write about Jews, Judaism, and Hebrew, and how Christian writers imagined the Jewish body. The (mis)use of Jews in different texts, especially miracle tales, exempla, sermons, and Passion treaties, is examined to show how writers employed the figure of the Jew to address doubts concerning doctrine and heresy, fears of violence and mass death, and questions of emotions and sexuality. Volume 2 contains diplomatic editions of 54 texts in Old Danish and Swedish together with translations into English that make these sources available to an international audience for the first time and demonstrate how the image of the Jew was created in medieval Scandinavia.
Is academic writing, particularly in the disciplines of literary theory and cultural studies, needlessly obscure? The claim has been widely circulated in the media and subject to passionate debate, but it has not been the subject of serious discussion. Just Being Difficult? provides learned and thoughtful analyses of the claim, of those it targets, and of the entire question of how critical writing relates to its intended publics and to audiences beyond them. In this book, a range of distinguished scholars, including some who have been charged with willful obscurity, argue for the interest and importance of some of the procedures that critics have preferred to charge with obscurity rather than confront in another way. The debate on difficult writing hovers on the edges of all academic writing that seeks to play a role in the public arena. This collection is a much-needed contribution to the discussion.
A hands-on beginner’s guide to designing relational databases and managing data using Microsoft Access Relational databases represent one of the most enduring and pervasive forms of information technology. Yet most texts covering relational database design assume an extensive, sophisticated computer science background. There are texts on relational database software tools like Microsoft Access that assume less background, but they focus primarily on details of the user interface, with inadequate coverage of the underlying design issues of how to structure databases. Growing out of Professor Jonathan Eckstein’s twenty years’ experience teaching courses on management information systems (MIS) at Rutgers Business School, this book fills this gap in the literature by providing a rigorous introduction to relational databases for readers without prior computer science or programming experience. Relational Database Design for Business, with Microsoft Access helps readers to quickly develop a thorough, practical understanding of relational database design. It takes a step-by-step, real-world approach, using application examples from business and finance every step the way. As a result, readers learn to think concretely about database design and how to address issues that commonly arise when developing and manipulating relational databases. By the time they finish the final chapter, students will have the knowledge and skills needed to build relational databases with dozens of tables. They will also be able to build complete Microsoft Access applications around such databases. This text: Takes a hands-on approach using numerous real-world examples drawn from the worlds of business, finance, and more Gets readers up and running, fast, with the skills they need to use and develop relational databases with Microsoft Access Moves swiftly from conceptual fundamentals to advanced design techniques Leads readers step-by-step through data management and design, relational database theory, multiple tables and the possible relationships between them, Microsoft Access features such as forms and navigation, formulating queries in SQL, and normalization Introductory Relational Database Design for Business, with MicrosoftAccess is the definitive guide for undergraduate and graduate students in business, finance, and data analysis without prior experience in database design. While Microsoft Access is its primary “hands-on” learning vehicle, most of the skills in this text are transferrable to other relational database software such as MySQL.
On opening day of the new baseball season a small model-kit airplane flies down from the stands and buzzes the mound, where a decorated veteran pilot is about to throw out the first ball. The toy plane is the exact replica of the one flown by the war hero. Everyone laughs, thinking it's a prank or a publicity stunt. Until it explodes, killing dozens. Seconds later a swarm of killer drones descend upon the picnicked crowd, each one carrying a powerful bomb. All across the country artificial intelligence drive systems in cars, commuter trains and even fighter planes go out of control. The death toll soars as the machines we depend upon every day are turned into engines of destruction. Joe Ledger and the Department of Military Sciences go on the hunt for whoever is controlling these machines, but the every step of the way they are met with traps and shocks that strike to the very heart of the DMS. No one is safe. Nowhere is safe. Enemies old and new rise as America burns. Joe Ledger and his team are back in Jonathan Maberry's seventh book in the series. They begin a desperate search for the secret to this new technology and the madmen behind it. But before they can close in the enemy virus infects Air Force One. The president is trapped aboard as the jet heads toward the heart of New York City. It has become PREDATOR ONE.
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