This book endeavors to fill a lacuna in the literature on early twentieth-century kabbalah, namely the lack of a comprehensive account of the traditional kabbalah seminaries (Yeshivot) in Jerusalem from 1896 to 1948 as well as the various manifestations of kabbalah within traditional Jewish society. The foundations that were laid in the early twentieth century also paved the way for the contemporary blossoming of kabbalah in many and manifold circles. In this sense, retracing the pertinent developments in Palestine at the outset of the twentieth century is imperative not only for repairing the distorted picture of the past, but for understanding the ongoing surge in kabbalah study.
Michael Levi Rodkinson (1845–1904) was a journalist, author, and publisher whose literary projects spanned numerous countries and continents. Hero to some and scoundrel to others, Rodkinson was a polemical figure whose beliefs underwent many transformations over the course of his life, most significantly from Hasidism to combative Haskalah to eventually anticipating the neo-Romantic trends of the early twentieth century. Throughout his career, Rodkinson’s writing challenged the familiar genres of the literature of Hasidism and the Haskalah, shaping the religious realities of his readers and articulating a spiritual and community life among Jews, who took his ideas to heart in surprising ways. Today, Rodkinson is frequently referred to as a minor Hasidic author and publisher, a characterization based on the criticism of his opponents rather than on his writings. In Literary Hasidism, Meir draws upon those writings and their reception to present a completely different picture of this colorful and influential writer. Examining Rodkinson’s lifelong role as a catalyzing agent of different cultural phenomena, his diverse publishing activities, and his writings in their respective stages, Meir grants readers a provocative new vantage point from which to consider this divisive, enigmatic figure.
Michael Levi Rodkinson (1845–1904) was a journalist, author, and publisher whose literary projects spanned numerous countries and continents. Hero to some and scoundrel to others, Rodkinson was a polemical figure whose beliefs underwent many transformations over the course of his life, most significantly from Hasidism to combative Haskalah to eventually anticipating the neo-Romantic trends of the early twentieth century. Throughout his career, Rodkinson’s writing challenged the familiar genres of the literature of Hasidism and the Haskalah, shaping the religious realities of his readers and articulating a spiritual and community life among Jews, who took his ideas to heart in surprising ways. Today, Rodkinson is frequently referred to as a minor Hasidic author and publisher, a characterization based on the criticism of his opponents rather than on his writings. In Literary Hasidism, Meir draws upon those writings and their reception to present a completely different picture of this colorful and influential writer. Examining Rodkinson’s lifelong role as a catalyzing agent of different cultural phenomena, his diverse publishing activities, and his writings in their respective stages, Meir grants readers a provocative new vantage point from which to consider this divisive, enigmatic figure.
This book endeavors to fill a lacuna in the literature on early twentieth-century kabbalah, namely the lack of a comprehensive account of the traditional kabbalah seminaries (Yeshivot) in Jerusalem from 1896 to 1948 as well as the various manifestations of kabbalah within traditional Jewish society. The foundations that were laid in the early twentieth century also paved the way for the contemporary blossoming of kabbalah in many and manifold circles. In this sense, retracing the pertinent developments in Palestine at the outset of the twentieth century is imperative not only for repairing the distorted picture of the past, but for understanding the ongoing surge in kabbalah study.
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