How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. In Propaganda Art in the 21st Century, Staal offers an essential guide for understanding propaganda art in the post-truth era. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.
How climate propaganda narratives shape our (mis)understanding of the world, and how to propagate a future of repair and regeneration instead. In Climate Propagandas, Jonas Staal reveals the propaganda narratives—and the divergent realities they evoke—that shape the climate crisis in the public imaginary. It is often said that the climate crisis is a planetary one, but the devastating impact of climate crisis is distributed unequally and its related ideological positions are as vast as they are irreconcilable. A liberal might argue the crisis is the result of individual consumer behavior, whereas a libertarian sees an opportunity for geoengineering markets. A conspiracist might not believe the climate is at risk, whereas an ecofascist sees a chance to double down on the argument about who has the superior racial right to survive extinction. With an artist’s eye and an activist’s sense of urgency, Staal explores how these stories are told and visualized through popular film and television, internet culture, climate fiction, art, architecture, and industrial design. If life-threatening propaganda narratives have conjured our present climate catastrophe, Staal suggests, then surely stories of regeneration can propagate new planetary futures for all. His book identifies narratives that don’t follow the path of mass extinction, but rather seek repair and regeneration of a world in crisis.
How climate propaganda narratives shape our (mis)understanding of the world, and how to propagate a future of repair and regeneration instead. In Climate Propagandas, Jonas Staal reveals the propaganda narratives—and the divergent realities they evoke—that shape the climate crisis in the public imaginary. It is often said that the climate crisis is a planetary one, but the devastating impact of climate crisis is distributed unequally and its related ideological positions are as vast as they are irreconcilable. A liberal might argue the crisis is the result of individual consumer behavior, whereas a libertarian sees an opportunity for geoengineering markets. A conspiracist might not believe the climate is at risk, whereas an ecofascist sees a chance to double down on the argument about who has the superior racial right to survive extinction. With an artist’s eye and an activist’s sense of urgency, Staal explores how these stories are told and visualized through popular film and television, internet culture, climate fiction, art, architecture, and industrial design. If life-threatening propaganda narratives have conjured our present climate catastrophe, Staal suggests, then surely stories of regeneration can propagate new planetary futures for all. His book identifies narratives that don’t follow the path of mass extinction, but rather seek repair and regeneration of a world in crisis.
How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. In Propaganda Art in the 21st Century, Staal offers an essential guide for understanding propaganda art in the post-truth era. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.
I’ve been wanting to see someone crystallize the myths about religion and show them for what they are. This is an important breakthrough and major clarification.' Rupert Sheldrake, best-selling author of The Science Delusion and Science and Spiritual Practices Despite religion being a core theme of many contemporary debates, a solid and settled definition of the concept has not yet been reached. Nevertheless, it is regularly assumed that, because of their common characteristics, we are able to recognize religious phenomena when we see them. For example, it is often supposed that religion is primarily based on faith, that religion conflicts with science, and that the world would be a lot less violent without religions. Yet, no matter how widespread such assumptions might be, in the end, they turn out to be incorrect. What we think about religion does not correspond to what religion really is. Offering many concrete examples from different traditions, Religion: Reality Behind the Myths dispels the main misunderstandings, breaches the contemporary opposition between secular versus religious and presents a novel view on the essence of religion.
Completely revised, this fifth edition of Bailey’s Head and Neck Surgery – Otolaryngology offers the most current and useful evidence-based information available for the practicing otolaryngologist and otolaryngology resident. Written to increase the reader’s understanding, retention, and ability to successfully apply the information learned, this easy-to-read text contains concise, practical content on all areas of head and neck surgery in Otolaryngology. With 207 concise chapters, over 3,000 four-color illustrations, helpful summary tables, and supplemental video segments everything about this two-volume reference is designed to enhance the learning experience. There’s even a Study Guide included to help the reader benchmark progress. This is the tablet version which does not include access to the supplemental content mentioned in the text.
This open access book examines how and why various forms of climate (im)mobilities can impact people's objective and subjective well-being. Worsening climate impacts are forcing subsistence farmers worldwide to decide between staying or leaving their homes. This mixed methods study analyzes cases of climate-related migration, displacement, relocation, and immobility in Peru's coastal, highland, and rainforest regions. The results reveal that numerous farmers experienced profound and often negative well-being impacts, regardless of whether they stayed or migrated. The higher the structural constraints, such as weak governance, and the more damaging the climate impacts were, the higher the risk of well-being declines. Additionally, the affected individuals often had limited agency and ability to mitigate losses. These findings challenge the notion of "migration as adaptation" and emphasize the importance of safeguarding the human rights and security of those affected while addressing loss and damage. Without significant investments in such efforts, climate impacts could sharply diminish the well-being of numerous subsistence farmers worldwide—irrespective of whether they stay or migrate.
The material presented in this publication encompasses short stories, poetry, and theater pieces as well as a representative selection of so-called high-school shooters.
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