“Fang” Mulheisen joins forces with his nemesis to uncover a terrorist plot—from “the best-kept secret of hard-boiled crime fiction connoisseurs” (The New York Times Book Review). When a bomb goes off at an environmental protest, Detroit police detective “Fang” Mulheisen’s own mother is among the wounded. He turns in his badge to care for her—but once she recovers, his instincts drive him to return to the case on his own. Detective Sergeant Mulheisen soon learns that his longtime nemesis, hired gun Joe Service, is also searching for the bombers on behalf of the Lucani—a rogue group of skilled agents who do what the law cannot. Now, working alongside a killer he’s hunted for years, Mulheisen delves into a world of well-armed militias, government secrets, and hidden agendas. In this “thoroughly entertaining” thriller of domestic terror, two of Jon A. Jackson’s most dogged—and dangerous—characters pair up to deliver everything readers expect from this master of the genre (Booklist). “No Man’s Dog is an exhilarating tour of the potentialities of domestic terrorism where you begin to understand Homeland Security as a Ping-Pong ball of dread and paranoia.” —Jim Harrison, author of Legends of the Fall “Razor-sharp.” —Kirkus Reviews
Skye Fargo's up to his neck in an Apache blood bath... Riding shotgun for a stagecoach traveling through hostile Indian lands, Skye Fargo finds himself protecting a rag-tag group of passengers from the vengeance of an Apache war chief. With a sultry redhead and a brassy blond both vying for his affection, Fargo will have to focus all of his resources to survive the deadly onslaught from a relentless foe. Dodging arrows as well as his amorous companions, the Trailsman clears a path the only way he knows how with bullets flying and enemies dying.
In March 1980 Francis Coppola purchased the dilapidated Hollywood General Studios facility with the hope and dream of creating a radically new kind of studio, one that would revolutionize filmmaking, challenge the established studio machinery, and, most importantly, allow him to make movies as he wished. With this event at the center of Whom God Wishes to Destroy, Jon Lewis offers a behind-the-scenes view of Coppola's struggle--that of the industry's best-known auteur--against the changing realities of the New Hollywood of the 1980s. Presenting a Hollywood history steeped in the trade news, rumor, and gossip that propel the industry, Lewis unfolds a lesson about power, ownership, and the role of the auteur in the American cinema. From before the success of The Godfather to the eventual triumph of Apocalypse Now, through the critical upheaval of the 1980s with movies like Rumble Fish, Hammett, Peggy Sue Got Married, to the 1990s and the making of Bram Stoker's Dracula and Kenneth Branagh's Frankenstein, Francis Coppola's career becomes the lens through which Lewis examines the nature of making movies and doing business in Hollywood today.
Jon Stratton provides a pioneering work on Jews as a racialized group in the popular music of America, Britain and Australia during the twentieth and early twenty-first centuries. Rather than taking a narrative, historical approach the book consists of a number of case studies, looking at the American, British and Australian music industries. Stratton's primary motivation is to uncover how the racialized positioning of Jews, which was sometimes similar but often different in each of the societies under consideration, affected the kinds of music with which Jews have become involved. Stratton explores race as a cultural construction and continues discussions undertaken in Jewish Studies concerning the racialization of the Jews and the stereotyping of Jews in order to present an in-depth and critical understanding of Jews, race and popular music.
Published to coincide with the centenary of the Houndsditch Murders in December 2010, A Storm in the Blood tells the story of the Latvian revolutionaries who killed three officers of the Metropolitan Police. The parallel between the suicide ideologues of the time and contemporary terrorists, willing to die for their ideals, is all too clear. One of the most sensational crimes of the era, the murders were followed by the `Siege of Sidney Street', a gunfight that saw then-Home Secretary Winston Churchill sending troops into the streets of London. A siege and shoot-out in Sherlock Holmes' London after an anarchist robbery gone wrong foreshadows Jerusalem 1947, Manhattan 2001, and Baghdad today. A Storm in the Blood slams home the revolutionary realities of lust, violence, anger and appetite. 'Jon Stephen Fink is the Tarantino of Terrorism.' --John Baxter, Author of the biographies "Kubrick", "George Lucas" and many others
A criminal couple joins a nefarious underground organization in this novel full of “sharp characterization, vivid scenes, and offbeat humor” (The Oregonian). When anyone in the Detroit underworld hears the names Joe Service and Helen Sedlacek, they know lots of trouble—and bullet-riddled bodies—are sure to follow. That’s why Joe and Helen are perfect recruits for the Lucani—a group of rogue operatives, covert intelligence, and cold-blooded killers who bypass all those pesky laws and government red tape to get the dirtiest jobs done. For their first assignment, Joe and Helen are back in beautiful Butte, Montana, searching for Franko, a Lucani agent who supposedly vanished while on an overseas drug-busting mission. But what starts as a simple manhunt quickly spins out of control, with backstabbing, betrayal, and bloodshed all over. Luckily for Joe and Helen, that’s just another day at the office . . . “Great fun . . . there is plenty of action, low-key black humor, and Jackson’s perfect ear for the nuances of criminal speech.” —Chicago Tribune
Argues that the struggle over income, wealth, status and privilege-inequality-has been the principal, defining issue in human history and provides a novel framework for understanding inequality today Whereas President Barack Obama declared inequality as the defining issue of our time, in The Origins and Dynamics of Inequality, Jon D. Wisman claims more: it is the defining issue of all human history. The struggle over inequality has been the underlying force driving human history's unfolding. Drawing on the dynamics of inequality, Wisman re-interprets economic history and society. Beyond according inequality the central role in history, this book is novel in two other respects: First, transcending the general failure of social scientists and historians to anchor their work in explicit theories of human behaviour, this book grounds the origins and dynamics of inequality in evolutionary psychology, or more specifically, Darwin's theory of sexual selection. Second, this book accords central importance to ideology in legitimating inequality, a role typically inadequately addressed by social scientists and historians. Because of the central role of inequality in history, inequality's explosion over the past forty years has not been an anomaly. It is a return to the political dynamics by which elites have, since the rise of the state, taken practically everything for themselves, leaving all others with little more than the means with which to survive. Due to elites' persuasive ideology, even after workers in advanced capitalist countries gained the franchise to become the overwhelming majority of voters, inequality continued to increase. Sweeping and provocative, Jon D. Wisman presents a fresh perspective on why economic inequality exists and how its dynamics have shaped human history.
Bobby DuBois comes from a long line of misfits. Basically a good kid, he can't shake an inherited propensity for violence and drug abuse. When his father gets arrested it appears likely that Bobby, too, is headed into the system. Then Uncle Thaddeus rescues him and they take to the backwoods, managing to stay one step ahead of the law until hurricane rains swell the Swift River, ravaging Franklin County and flushing Bobby and Thaddeus out of the hills. Still on the run, Thaddeus teaches Bobby how to drink, fight and fornicate how to be a right DuBois. Perhaps the most important lesson Bobby learns, however, is that he doesn t want to grow up to be like his father or his uncle. The bristling action culminates with a disturbing custody battle waged in the shadows of Stillwater Bridge. The DuBois clan is in trouble and has been for generations, and at its core this beautiful and violent first novel is about Bobby s struggle to save his own soul.
This book considers the representation of madness in contemporary British theatre, examining the rich relationship between performance and mental health, and questioning how theatre can potentially challenge dominant understandings of mental health. Carefully, it suggests what it means to represent madness in theatre, and the avenues through which such representations can become radical, whereby theatre can act as a site of resistance. Engaging with the heterogeneity of madness, each chapter covers different attributes and logics, including: the constitution and institutional structures of the contemporary asylum; the cultural idioms behind hallucination; the means by which suicide is apprehended and approached; how testimony of the mad person is interpreted and encountered. As a study that interrogates a wide range of British theatre across the past 30 years, and includes a theoretical interrogation of the politics of madness, this is a crucial work for any student or researcher, across disciplines, considering the politics of madness and its relationship to performance.
Some ghost towns never die... The last thing Skye Fargo expects to find in the remote Sierra Nevada Mountains is the ramshackle town of Kill Creek. Or the mysterious filly of a woman who tries to warn him away. Because there's deadly doings at work in town—and a conspiracy of blood that will pit the Trailsman against a cold-blooded gunhand that has never been beaten…
This book is a textbook of basic osteopathic concepts, working from first principles underpinned by anatomy and physiology. This text will synthesize and integrate osteopathic models in an easy-to-understand way, a subject often daunting to students and confusing to graduates.. Composed of four sections, the first is a discussion of basic principles, the second focusses on models and diagnosis of treatment which is followed by anatomical, neurophysiological and osteopathic considerations. The last section describes clinical case-studies to enable students to put into practice the theories and models which they have learned.This book is essential reading for all osteopathic BSc degree courses and a core textbook for undergraduate students. At the end of each section there will be clinical examples for students to work on to integrate previous knowledge. Key point boxes.
This book examines the experience of race and ethnicity in Australia after the withering away of official multiculturalism. The first chapter looks at the formation of the Australian state, the role that multiculturalism has played, and the impact of neoliberal ideas. The second chapter takes nightclubbing in the city of Perth during the 1980s, the peak period for official multiculturalism, to exemplify how diversity and exclusion functioned in everyday life. The third chapter considers the imbrication of Christianity in the Australian socio-cultural order and its impact on the limits of multiculturalism with particular concentration on Islam and the Australian Muslim experience. Subsequent chapters discuss the exclusionary experience of various groups identified as non-white through the lens of films, popular music and television programs.
In A Wilderness so Immense, historian Jon Kukla recounts the fascinating tale of the personal maneuverings, political posturing, and international intrigue that culminated in the greatest land deal in history. Spanning nearly two decades, Kukla’s book brings to life a pageant of characters from Thomas Jefferson, James Monroe, and John Jay, to Napoleon and Carlos III of Spain and other colorful figures. Employing letters, memoirs, contemporary documents, and a host of other sources, Kukla creates a complete and compelling account of the Louisiana Purchase. From the hinterlands in Kentucky to the courts of Spain, France, and England to the halls of Congress, he re-creates the forces and personalities that turned a struggle for navigation rights on the Mississippi into an event that doubled the size of the country and altered the destiny of the United States forever.
Opponents of speech codes often argue that liberal academics use the codes to advance an agenda of political correctness. But Jon B. Gould's provocative book, based on an enormous amount of empirical evidence, reveals that the real reasons for their growth are to be found in the pragmatic, almost utilitarian, considerations of college administrators. Instituting hate speech policy, he shows, was often a symbolic response taken by university leaders to reassure campus constituencies of their commitment against intolerance. In an academic version of "keeping up with the Joneses," some schools created hate speech codes to remain within what they saw as the mainstream of higher education. Only a relatively small number of colleges crafted codes out of deep commitment to their merits. Although college speech codes have been overturned by the courts, Speak No Evil argues that their rise has still had a profound influence on curtailing speech in other institutions such as the media and has also shaped mass opinion and common understandings of constitutional norms. Ultimately, Gould contends, this kind of informal law can have just as much power as the Constitution.
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
The first volume of two in a new, updated edition of the 2012 book Playing at the World, which charts the vast and complex history of role-playing games. This new edition of Playing at the World is the first of two volumes that update the 720-page original tome of the same name from 2012. This first volume is The Invention of Dungeons & Dragons, which explores the publication of that iconic game. (The second volume is The Three Pillars of Role-Playing Games, a deeper dive into the history of the setting, system, and character of D & D.) In this first volume, Jon Peterson distills the story of how the wargaming clubs and fanzines circulating around the upper Midwest in the 1970s culminated in Gary Gygax and Dave Arneson’s seminal role-playing game, D & D. It augments the research of the original editions with new insights into the crucial period in 1972–3 when D & D began to take shape. Drawing from primary sources ranging from eighteenth-century strategists to modern hobbyists, Playing at the World explores the origins of wargames and roleplaying through the history of conflict simulations and the eccentric characters who drove the creation of a signature cultural innovation in the late twentieth century. Filled with unparalleled archival research (from obscure fanzines to letters, drafts, and other ephemera), this new edition of Playing at the World is the ultimate geek’s guide to the original RPG. As such, it is an indispensable resource for academics and game fans exploring the origins of the hobby.
Clash describes the powerful political, technological, economic, and social forces that shape the relationship between presidents and the press and how that relationship shapes public opinion. Jon Marshall argues that the press now faces new threats and must grow stronger: American democracy depends on it.
This book begins with the authors opinion of the police image over the past several decades. As well as a brief history of the Florida Sheriff. It then flows smoothly in to a series of fictitious short stories, all of which were inspired by actual events that took place during the authors law enforcement career. There is both humor and tragedy, as you follow Stoney Burke through his day to day experiences, on the beat, as a patrol sergeant with the Tomahawk County Sheriffs Office. Although the events actually took place, all names, locations, and police agencies are fictitious to protect the innocent and guilty. The book is interlaced with scripture versus, in an attempt to inspire, and show the heart of the author.
Serial Killers, Murderers, Abductors, Rapist, Bank Robbers, Sniper Terrorists, Home Invasion Burglars, Death Row Escapees, Bearing Witness to Evil has them all. The real-life crime stories include first-hand accounts and insider tidbits that can only come from those who were at the scene of the crime. The Story Behind the Story segments that follow each crime case highlight and honor real world heroes. Steve Neal (Lawman) and Jon Burkett (Crime Reporter) masterfully blend reverence for victims and loved ones with a fervent quest for justice. Book Review 1: "Serial Killers, Murderers, Abductors, Rapist, Bank Robbers, Sniper Terrorists, Home Invasion Burglars, Death Row Escapees, Bearing Witness to Evil has them all. The real-world crime stories are compelling, yet maddeningly sorrowful at the same time. I was awe-struck by the Stories Behind the Story” segments. Steve Neal (Lawman) and Jon Burkett (Crime Reporter) masterfully blend reverence for victims and loved ones with a fervent quest for justice." -- Mike Wade - Henrico County Sheriff (Ret.) Book Review 2: "It’s FANTASTIC!! A real page-turner with stories behind the stories! Jon Burkett and Steve Neal have a winner with this piece!!" -- Jeff Katz - Chief of Police, Chesterfield County, Va. Book Review 3: "15 crime cases that are truly dreadful. Steve Neal (Lawman) and Jon Burkett, (Crime Reporter), give the reader first-hand accounts and insider tidbits that can only come from someone who was at the scene of the crime. The Story Behind the Story segments that follow each crime case highlight and honor real world heroes whose experiences are interesting, informative, and inspiring. If you like true crime stories, and real-life heroes, Bearing Witness to Evil is a must read." -- Patrick Yoes- FOP National President Book Review 4: "Steve and Jon are truly Warriors, Servants, Leaders – from protecting and serving their community in their respective careers, to now, sharing the stories of those who were the least, the last, and the lost, forgotten by many. Thank you for your compassion, and for Bearing Witness to Evil." -- Pat Welsh - Founder and CEO of PJ Welsh and Associates, Author, Speaker, Trainer
NEW YORK TIMES BESTSELLER • Pulitzer Prize–winning biographer Jon Meacham chronicles the life of Abraham Lincoln, charting how—and why—he confronted secession, threats to democracy, and the tragedy of slavery to expand the possibilities of America. “Meacham has given us the Lincoln for our time.”—Henry Louis Gates, Jr. Winner of the Gilder Lehrman Lincoln Prize • Longlisted for the Biographers International Plutarch Award • One of the Best Books of the Year: The Christian Science Monitor, Kirkus Reviews A president who governed a divided country has much to teach us in a twenty-first-century moment of polarization and political crisis. Hated and hailed, excoriated and revered, Abraham Lincoln was at the pinnacle of American power when implacable secessionists gave no quarter in a clash of visions bound up with money, race, identity, and faith. In him we can see the possibilities of the presidency as well as its limitations. At once familiar and elusive, Lincoln tends to be seen as the greatest of American presidents—a remote icon—or as a politician driven more by calculation than by conviction. This illuminating new portrait gives us a very human Lincoln—an imperfect man whose moral antislavery commitment, essential to the story of justice in America, began as he grew up in an antislavery Baptist community; who insisted that slavery was a moral evil; and who sought, as he put it, to do right as God gave him to see the right. This book tells the story of Lincoln from his birth on the Kentucky frontier in 1809 to his leadership during the Civil War to his tragic assassination in 1865: his rise, his self-education, his loves, his bouts of depression, his political failures, his deepening faith, and his persistent conviction that slavery must end. In a nation shaped by the courage of the enslaved of the era and by the brave witness of Black Americans, Lincoln’s story illustrates the ways and means of politics in a democracy, the roots and durability of racism, and the capacity of conscience to shape events.
A wide variety of extremist groups -- Islamic fundamentalists, neo-Nazis -- share the oddly similar belief that a tiny shadowy elite rule the world from a secret room. In Them, journalist Jon Ronson has joined the extremists to track down the fabled secret room. As a journalist and a Jew, Ronson was often considered one of "Them" but he had no idea if their meetings actually took place. Was he just not invited? Them takes us across three continents and into the secret room. Along the way he meets Omar Bakri Mohammed, considered one of the most dangerous men in Great Britain, PR-savvy Ku Klux Klan Grand Wizard Thom Robb, and the survivors of Ruby Ridge. He is chased by men in dark glasses and unmasked as a Jew in the middle of a Jihad training camp. In the forests of northern California he even witnesses CEOs and leading politicians -- like Dick Cheney and George Bush -- undertake a bizarre owl ritual. Ronson's investigations, by turns creepy and comical, reveal some alarming things about the looking-glass world of "us" and "them." Them is a deep and fascinating look at the lives and minds of extremists. Are the extremists onto something? Or is Jon Ronson becoming one of them?
A Beloved Classic Returns to Print Here, for a new generation of readers, is the exciing (and witty) tale of Piswyck, a young nobleman not quite ready for the world of magic and derring-do: his Particolored Unicorn (it has bad habits: it farts, and worse, it speaks in iambic pentameter), and their quest to rescue the beautiful Miranda, who has been carried off to Far Bermuda by her wicked Uncle Smagdarone (the Great?) and is held captive there in the magically-moved castle of Mad King Ludwig (Neuschwanstein), which said wicked wizard has surrounded with an impenetrable wall of man-eating gelatin. There are trolls, hang glider battles, great green sharks, gymnastics in swordplay, Black Elves, a giant chartreuse septapus named Ralph, and a war in which the most important weapon is perhaps the umbrella. Humor, lots of action, and a truly amazing cast of characters. “The Particolored Unicorn most certainly does run through a full spectrum of adventure.” --Esther Friesner, author of Harlot’s Ruse. “Jon DeCles...wrote this delightful humorous romp of a post-apocalyptic fantasy that I shelve right next to The Last Unicorn. His style is light and irreverent while allowing his characters to be serious or angry. I wish he'd write a sequel.” --The Library of Gothos “I ran across this book on my mother's shelves, and devoured it in a single sitting. It both is, and is not, a quintessential 'find the princess, reclaim your lost kingdom' sort of story. Some of its undeniable humor comes from how little it takes itself seriously (which doesn't mean it's internally inconsistent or stupidly self-referential - think Scream or Spaceballs, not Scary Movie). Off-the-wall realities of its fictional world are presented completely deadpan (unicorns produced by magical genetic engineering; an Evil Wizard -- the protagonist's fiancee's uncle -- who transported Neuschwanstein to Bermuda and lives in it, surrounded by a protective moat of carnivorous pink jelly) in a way I find most appealing; almost a British sort of sense of humor is at work here. If you like Pratchett, Asprin, or Holt, give this book a try.” --eloisebd, on Amazon
NEW YORK TIMES BESTSELLER • Pulitzer Prize-winning author Jon Meacham reveals how the Founding Fathers viewed faith—and how they ultimately created a nation in which belief in God is a matter of choice. At a time when our country seems divided by extremism, American Gospel draws on the past to offer a new perspective. Meacham re-creates the fascinating history of a nation grappling with religion and politics–from John Winthrop’s “city on a hill” sermon to Thomas Jefferson’s Declaration of Independence; from the Revolution to the Civil War; from a proposed nineteenth-century Christian Amendment to the Constitution to Martin Luther King, Jr.’s call for civil rights; from George Washington to Ronald Reagan. Debates about religion and politics are often more divisive than illuminating. Secularists point to a “wall of separation between church and state,” while many conservatives act as though the Founding Fathers were apostles in knee britches. As Meacham shows in this brisk narrative, neither extreme has it right. At the heart of the American experiment lies the God of what Benjamin Franklin called “public religion,” a God who invests all human beings with inalienable rights while protecting private religion from government interference. It is a great American balancing act, and it has served us well. Meacham has written and spoken extensively about religion and politics, and he brings historical authority and a sense of hope to the issue. American Gospel makes it compellingly clear that the nation’s best chance of summoning what Lincoln called “the better angels of our nature” lies in recovering the spirit and sense of the Founding. In looking back, we may find the light to lead us forward. Praise for American Gospel “In his American Gospel, Jon Meacham provides a refreshingly clear, balanced, and wise historical portrait of religion and American politics at exactly the moment when such fairness and understanding are much needed. Anyone who doubts the relevance of history to our own time has only to read this exceptional book.”—David McCullough, author of 1776 “Jon Meacham has given us an insightful and eloquent account of the spiritual foundation of the early days of the American republic. It is especially instructive reading at a time when the nation is at once engaged in and deeply divided on the question of religion and its place in public life.”—Tom Brokaw, author of The Greatest Generation
The face of 1980s television was shaped by a man who stayed behind the scenes. Stephen Cannell's reluctant white knights--put-upon private eye James Rockford, World War II fly-boys the Black Sheep Squadron, hapless superhero Ralph Hinckley, fugitive mercenaries the A-Team, and maverick cop Hunter--traversed the television landscape from the 1970s to the 1990s. Cannell changed the face of the action-adventure genre, updating the crime-show format with a hybrid of rebellious morality, juvenile wit, intelligent sarcasm, and radical conservatism. This book discusses in detail the programs of the writer-producer and lists every episode of his award-winning productions from the early 1970s to the early '90s. The book features publicity photos and descriptions of unsold pilots.
Before establishing himself as the "master of disaster" with the 1970s films The Poseidon Adventure and The Towering Inferno, Irwin Allen created four of television's most exciting and enduring science-fiction series: Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. These 1960s series were full of Allen's favorite tricks, techniques and characteristic touches, and influenced other productions from the original Star Trek forward. Every science-fiction show owes something to Allen, yet none has equaled his series' pace, excitement, or originality. This detailed examination and documentation of the premise and origin of the four shows offers an objective evaluation of every episode--and demonstrates that when Irwin Allen's television episodes were good, they were great, and when they were bad, they were still terrific fun.
Skye Fargo is hunting the two most wanted mad-dog killers in the Lone Star state, when a warm welcome from a hot-blooded beauty turns cold as death, and a mountain marshall collars Fargo as a killer. Fleeing with the law hot on his trail, Fargo finds the only way he can spell his innocence is with the blood of the guilty.
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