Part 2 offers readings of homoeroticism in Akenside's The Pleasures of Imagination and his Odes, where homosexuality manifests itself indirectly, through elision and through Akenside's own revision of his most homoerotic passages. Finally, Part 3 returns to read homosexuality in political life, but later in the century, when the idea is exploited by Wilkes and Churchill, with some very surprising results, in their campaign against George III and his prime minister, the earl of Bute.
Rowland examines Marvell's political poetry and Dryden's Annus Mirabilis, showing how panegyrical writing developed into mock-panegyric and satire, increasingly as much in response to versions of events as to the events themselves. The author then describes how Marvell exploits panegyrical strategies to subvert its conventional deliberative function, as his equal virtuosity at praise and blame actually undermines his ethos and separates his advice from any clear authority capable of implementing it. Moreover, in Marvell the addressee of conventional panegyric, while remaining ostensibly Charles II, is internalized in a series of grotesques resembling, in various ways, the megalomaniacal "Bayes" (Samuel Parker, Bishop of Oxford). Marvell uses variations on the abuse of the conventional panegyrical arrangement of people, poet, and prince as a metaphor for the abuse of the proper relationship between all signifieds and their signifiers." "Writing a generation later, Swift borrows many of the themes and motifs of The Rehearsal Transpros'd for his satire in A Tale of a Tub, in particular the association of the preface with panegyric, as a metaphor of the reversal that occurs between praiser and praised, vehicle and tenor, when proper relationships are abused. Rowland also explores how Swift moves from the unsatisfactory use of analogy in his panegyrical "Odes," to more satisfactory use of it in the Tale and then concentrates on the prefaces of the Tale as "Panegyrical paratext.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Covering both the great military leaders and the critical civilian leaders, this book provides an overview of their careers and a professional assessment of their accomplishments. Entries consider the leaders' character and prewar experiences, their contributions to the war effort, and the war's impact on the rest of their lives. The entries then look at how history has assessed these leaders, thus putting their longtime reputations on the line. The result is a thorough revision of some leaders' careers, a call for further study of others, and a reaffirmation of the accomplishments of the greatest leaders. Analyzing the leaders historiographically, the work shows how the leaders wanted to be remembered, how postwar memorists and biographers saw them, the verdict of early historians, and how the best modern historians have assessed their contributions. By including a variety of leaders from both civilian and military roles, the book provides a better understanding of the total war, and by relating their lives to their times, it provides a better understanding of historical revisionism and of why history has been so interested in Civil War lives.
The result of painstaking research and scholarship, Watergate's Legacy and the Press is ultimately a tribute to the irrepressible investigative impulse in American journalism and the crucial public service provided by investigative reporters. --Book Jacket.
This brief but inclusive narrative textbook focuses on the comparison of the theoretical promise of democracy with its actual performance. Readily accessible to undergraduates, the text is anchored in and motivated by political science scholarship. This new edition has been completely revised and updated and incorporates the results of the 2000 presidential and congressional elections. With thorough coverage of the successes and failures of the workings of democracy in today's United States, PROMISE AND PERFORMANCE OF AMERICAN DEMOCRACY provides students with tools they can use to understand politics, evaluate the functioning of democracy, and make educated voting decisions.
This comprehensive, mainstream text presents the basic theoretical, conceptual, and methodological tenets of sociology in a readable and personal manner. Its balanced presentation challenges students to pose their own questions about society and to think critically about the world in which they live. It presents the study of sociology as a means by which students can transcend personal and societal prejudices. This Seventh Edition continues its tradition of integrating innovative pedagogy directly into the book, such as: a built-in student study guide; lecture launching CNN video segments that link to text-specific topics; and continued use of the SQ3R (survey, question, read, recite and review) learning technique.
Part 2 offers readings of homoeroticism in Akenside's The Pleasures of Imagination and his Odes, where homosexuality manifests itself indirectly, through elision and through Akenside's own revision of his most homoerotic passages. Finally, Part 3 returns to read homosexuality in political life, but later in the century, when the idea is exploited by Wilkes and Churchill, with some very surprising results, in their campaign against George III and his prime minister, the earl of Bute.
Rowland examines Marvell's political poetry and Dryden's Annus Mirabilis, showing how panegyrical writing developed into mock-panegyric and satire, increasingly as much in response to versions of events as to the events themselves. The author then describes how Marvell exploits panegyrical strategies to subvert its conventional deliberative function, as his equal virtuosity at praise and blame actually undermines his ethos and separates his advice from any clear authority capable of implementing it. Moreover, in Marvell the addressee of conventional panegyric, while remaining ostensibly Charles II, is internalized in a series of grotesques resembling, in various ways, the megalomaniacal "Bayes" (Samuel Parker, Bishop of Oxford). Marvell uses variations on the abuse of the conventional panegyrical arrangement of people, poet, and prince as a metaphor for the abuse of the proper relationship between all signifieds and their signifiers." "Writing a generation later, Swift borrows many of the themes and motifs of The Rehearsal Transpros'd for his satire in A Tale of a Tub, in particular the association of the preface with panegyric, as a metaphor of the reversal that occurs between praiser and praised, vehicle and tenor, when proper relationships are abused. Rowland also explores how Swift moves from the unsatisfactory use of analogy in his panegyrical "Odes," to more satisfactory use of it in the Tale and then concentrates on the prefaces of the Tale as "Panegyrical paratext.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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