ONE OF DAVID BOWIE'S TOP 100 MUST READ BOOKS THE INSPIRATION BEHIND THE 2013 DOCUMENTARY FILM TEENAGE WITH A NEW INTRODUCTION FROM THE AUTHOR The acclaimed history of the century and a half of ferment, folly and angst that resulted in the arrival of 'the teenager' in 1945, from award-winning, Sunday Times bestselling author Jon Savage. 'One of Britain's most trusted cultural historians.' THE FACE Ringing with music, from ragtime to swing, Teenage roams London, New York, Paris and Berlin with hooligans and Apaches; explores free love and eternal youth; meets flappers and zootsuiters, the Bright Young People and the Lost Generation. The stories come fast and furious, comic, poignant, painfully moving; Savage fuses popular culture, politics and social history into a stunning chronicle of modern life. 'Compulsive reading . . . a rich, rewarding book that makes an important contribution to cultural history.' NEW YORK TIMES BOOK REVIEW 'The definitive history of youth in revolt.' ROLLING STONE '[Savage] can bring a beguiling blend of gravitas, wit, scholarship, and a slyly appreciative eye for the subversive, to any topic he approaches. Teenage provides a panoramic scope for his talents.' INDEPENDENT 'Savage has produced a book that may well change how people think about teenagers.' GUARDIAN (This book is part of a reissue of Jon Savage's seminal works: 1966, Teenage, and England's Dreaming)
WINNER OF THE RALPH J. GLEASON AWARD INCLUDES FOREWORD BY JOHNNY MARR Award-winning, Sunday Times bestselling author Jon Savage's definitive history of punk, its progenitors, the Sex Pistols, and their time: the late 1970s. A pop-culture classic full of anecdote, insight and exclusive interviews, England's Dreaming tells the sensational story of the meteoric rise and rapid decline of the last great rock 'n' roll band and the cultural moment they came to define. 'The definitive history of the English punk movement.' NEW YORK TIMES BOOK REVIEW 'Still the strongest history of punk.' GUARDIAN 'The best book about punk rock and pop culture ever.' NME
WINNER OF THE PENDERYN MUSIC PRIZE A GUARDIAN MUSIC BOOK OF THE YEAR, 2015 FEATURING A NEW FOREWORD BY DAVID MITCHELL In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.
The SUNDAY TIMES Top Ten Bestseller#1 Book of the Year, UNCUT#1 Book of the Year, ROUGH TRADEBook of the Year, MOJOOver the course of two albums and some legendary gigs, Joy Division became the most successful and exciting underground band of their generation. Then, on the brink of a tour to America, Ian Curtis took his own life.In This Searing Light, the Sun and Everything Else, Jon Savage has assembled three decades' worth of interviews with the principal players in the Joy Division story to create an intimate, candid and definitive account of the band. It is the story of how a group of young men can galvanise a generation of fans, artists and musicians with four chords and three-and-a-half minutes of music. And it is the story of how illness and inner demons can rob the world of a shamanic lead singer and visionary lyricist.
Speaking for the People, first published in 1998, draws our attention to the problematic nature of politicians' claims to represent others, and in doing so it challenges conventional ideas about both the rise of class politics, and the triumph of party between 1867 and 1914. The book emphasises the strongly gendered nature of party politics before the First World War, and suggests that historians have greatly underestimated the continuing importance of the 'politics of place'. Most importantly, however, Speaking for the People argues that we must break away from teleological notions such as the 'modernisation' of politics, the taming of the 'popular', or the rise of class. Only then will we understand the shifting currents of popular politics. Speaking for the People represents a major challenge to the ways in which historians and political scientists have studied the interaction between party politics and popular political cultures.
This is the story of the Battle of Calais, a short but bloody struggle to delay the German advance in May 1940. It is a story of uncertainty, of taut nerves, of heat, dust, raging thirst and hand-to-hand fighting in the narrow streets of the channel port now known to millions of Britons as a gateway to the Continent. The guide will take the visitor beyond the ferry terminal and hypermarkets to reveal the hidden Calais and the actions of individuals and units.
DIVWhen his drug-smuggling grandmother is murdered for informing on her employers, a journalist takes justice into his own hands/divDIV /divDIVFour old women return from a Bahamas vacation with four more suitcases than they had when they left. They leave them behind at baggage claim, and a stranger picks them up—disappearing with the extra suitcases and the hundreds of pounds of cocaine they hold. The grandmothers are smugglers, supplementing their social security with criminal income, but one of them is tired of the deception. She goes to the DEA to inform on her employer, a vicious drug lord named Trelana, and when he learns she has snitched her age does not buy mercy./divDIV /divDIVHer grandson, Drew Jordan, is a journalist with fantasies of life as a commando. Now it’s up to him to avenge the woman who raised him, and he will have vengeance even if the whole of the international drug trade stands in his way./divDIV /divDIVThis ebook features an illustrated biography of Jon Land including rare photos from the author’s personal collection./div
A comprehensive history of school choice in the US, from its birth in the 1950s as the most effective weapon to oppose integration to its lasting impact in reshaping the public education system today. Most Americans today see school choice as their inalienable right. In The Choice We Face, scholar Jon Hale reveals what most fail to see: school choice is grounded in a complex history of race, exclusion, and inequality. Through evaluating historic and contemporary education policies, Hale demonstrates how reframing the way we see school choice represents an opportunity to evolve from complicity to action. The idea of school choice, which emerged in the 1950s during the civil rights movement, was disguised by American rhetoric as a symbol of freedom and individualism. Shaped by the ideas of conservative economist Milton Friedman, the school choice movement was a weapon used to oppose integration and maintain racist and classist inequalities. Still supported by Democrats and Republicans alike, this policy continues to shape American education in nuanced ways, Hale shows—from the expansion of for-profit charter schools and civil rights–based reform efforts to the appointment of Betsy DeVos. Exposing the origins of a movement that continues to privilege middle- to upper-class whites while depleting the resources for students left behind, The Choice We Face is a bold, definitive new history that promises to challenge long-held assumptions on education and redefines our moment as an opportunity to save it—a choice we will not have for much longer.
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
2006 — Runner-up, Arab American National Museum Book Awards The "evil" Arab has become a stock character in American popular films, playing the villain opposite American "good guys" who fight for "the American way." It's not surprising that this stereotype has entered American popular culture, given the real-world conflicts between the United States and Middle Eastern countries, particularly since the oil embargo of the 1970s and continuing through the Iranian hostage crisis, the first and second Gulf Wars, and the ongoing struggle against al-Qaeda. But when one compares the "evil" Arab of popular culture to real Arab people, the stereotype falls apart. In this thought-provoking book, Tim Jon Semmerling further dismantles the "evil" Arab stereotype by showing how American cultural fears, which stem from challenges to our national ideologies and myths, have driven us to create the "evil" Arab Other. Semmerling bases his argument on close readings of six films (The Exorcist, Rollover, Black Sunday, Three Kings, Rules of Engagement, and South Park: Bigger, Longer & Uncut), as well as CNN's 9/11 documentary America Remembers. Looking at their narrative structures and visual tropes, he analyzes how the films portray Arabs as threatening to subvert American "truths" and mythic tales—and how the insecurity this engenders causes Americans to project evil character and intentions on Arab peoples, landscapes, and cultures. Semmerling also demonstrates how the "evil" Arab narrative has even crept into the documentary coverage of 9/11. Overall, Semmerling's probing analysis of America's Orientalist fears exposes how the "evil" Arab of American popular film is actually an illusion that reveals more about Americans than Arabs.
The Upper Kennebec Valley is one of the most important gateways to Maineas Great North Woods and has, for over 200 years, attracted those who love the wilderness, lakes, mountains, and streams. The Upper Kennebec Valley Volume II begins, once again, at The Forks, where the East Branch of the Kennebec and the Dead River unite to form the Kennebec. The area has long been dominated by logging and tourism trades. Starting with the days of horses and oxen, when loggers and asportsa came to the woods by foot and wagon to the coming of the railroad and the automobile, we see the growth of these small towns and the hardworking loggers, daring river drivers, sport hunters and fishermen, and those who guided and hosted them. Early scenes of the daily lives of avalley folka enjoying local parades, picnics, reunions, and sporting events come alive within these pages.
Remember the time Goldust ran over “Rowdy” Roddy Piper in his gold Cadillac? How about when Randy Orton battled Mick Foley with a barbed-wire bat named “Barbie”? When you ask a WWE Superstar what his favorite match is, you might be surprised by his answer. But that’s the thing about a phrase like “favorite match.” It’s not about the greatest match in their careers or the time they won their first title. It’s about the moments that stand out and make them smile. Sometimes, it’s the same smile they had when they left the ring, face full of blood and sweat, to the roars of thousands. Sometimes, it’s the smile they tried so hard to hide when anything and everything seemed to go so wrong that even the ring announcer was accidentally injured in their struggle. And sometimes, it’s the smile only the showmen themselves share with each other as brothers in battle with one goal in mind: doing whatever it takes to put on the best show possible, even if it means landing on a few thousand thumbtacks along the way. These are their stories, straight from the Superstars who performed some of the most memorable matches in WWE history. These are the most unexpected, the most brutal, the most hilarious, and the most unforgettable moments of their careers—captured in their own words.
Many commentators tell us that, in today's world, everyday life has become selfish and atomised—that individuals live only to consume. But are they wrong? In Me, Me, Me, Jon Lawrence re-tells the story of England since the Second World War through the eyes of ordinary people—including his own parents— to argue that, in fact, friendship, family, and place all remain central to our daily lives, and whilst community has changed, it is far from dead. He shows how, in the years after the Second World War, people came increasingly to question custom and tradition as the pressure to conform to societal standards became intolerable. And as soon as they could, millions escaped the closed, face-to-face communities of Victorian Britain, where everyone knew your business. But this was not a rejection of community per se, but an attempt to find another, new way of living which was better suited to the modern world. Community has become personal and voluntary, based on genuine affection rather than proximity or need. We have never been better connected or able to sustain the relationships that matter to us. Me, Me, Me makes that case that it's time we valued and nurtured these new groups, rather than lamenting the loss of more 'real' forms of community—it is all too easy to hold on to a nostalgic view of the past.
We in the U.S. have deserved someone like Donald Trump as our president for some time. Until now, by a string of luck, we had mostly centrist presidents, both Republican and Democratic, some with only a modicum of intelligence and humanity. With Donald Trump, however, we finally ran out of luck and he is our sitting president. Now, the spotlight is focused on him, but we easily forget that he is, after all, a product of his own society. Trump's rise to power owes itself to its own social-historical circumstances: For decades now America’s Consumer Society had prepared the American voters, mostly White, to find someone like Trump as their leader, by supplying them with around-the-clock distractions that made them feel good, happy and falsely powerful. Trump's ascendancy could not be possible without our consumption of daily entertainment which makes us selfish, childish and idiotic human beings. Such minds are easily affected by anxiety, anger and vengefulness. In our daily sea of popular entertainment of mass circulation, we have become trash cans--Mental Trash Cans--that exist just to process trash that enters and leaves our minds almost at the same time. This wasted mind, America’s most celebrated symbol of success that is created by its best and brightest, keeps us away from one another as we become privatized citizens and neighbors in our individual cocoons, lonely, scared, dumbed down, living and dying our solitary unconnected lives. Into this vacuum of intelligence and humanity, enter Donald Trump, the entertainer-billionaire, now the President, who, with his brand of populist Fascism, challenges the powers of entrenched Corporate America and all of its mind-captivating arsenal. He successfully conquered White Americans by separating them from non-whites, thus revealing America’s nationalism and racism, hitherto papered over in its Liberal-Capital consumer paradise. The common Americans, whether White or non-white, possess two prized items that Corporate and Political America covets and wants to take from them, the dollar and the vote: The American Masses, now as garbage-fed children, are neither smart nor united enough to protect the two critical weapons of their democracy. Trump’s presidency proves it.
Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West’s colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973.
Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.
Native Americans make up less than one per cent of the total US population but represent half the nation's languages and cultures. Here, in one grand sweep, is the full story of Native American society, culture and religion. Here is everything from the land-based spirituality of their early creation myths and the late rise of Indian Pride, to the 88 uses to which the Sioux put the flesh and bones of the buffalo and the practice of berdache (men adopted as women). The book offers a chronological history of America's indigenous peoples. It covers their dramatic early entry into North America, out of the now submerged continent of Beringia, then in more recent times the 'forgotten wars' of the 16th and 17th centuries, which wiped many tribes from the face of the East Coast, and finally describes to the last struggles of the Cheyenne and the Comanche. Celebrating these peoples' way of life rather than focusing narrowly on the manner of their genocide, it does not ignore uncomfortable facts of the Amerindian past - including the cannibalism believed to have been practised by some tribes and the Native Americans' part in the decimation of North America's buffalo herds.
In the first book of this fun, action-packed fantasy trilogy, a warrior and a thief must come together to stop the forces that threaten their people. Hope's old life ended the night her entire village was massacred by the emperor's forces. Now, trained in secret by a master warrior, her new life is centered on only one goal: vengeance. Red lives by the skin of his teeth and sharpness of his wit. An expert thief and a brilliant con artist, he cares for only one thing: a good time. But when the empire's soldiers start to encroach on his territory, taking down his friends with it, he may have to re-prioritize. Together, they will take down an empire. Start reading this daring adventure that Sam Sykes called, "Furious where it needs to be, deceptively tender where it can get away with it, adventurous all around!
This action-heavy EPIC FANTASY SERIES OPENER is like a sword-and-sorcery Spartacus set in a richly-imagined world. It starts with a shipwreck following a magical storm at sea. Horace, a soldier from the west, had joined the Great Crusade against the heathens of Akeshia after the deaths of his wife and son from plague. When he washes ashore, he finds himself at the mercy of the very people he was sent to kill, who speak a language and have a culture and customs he doesn't even begin to understand. Not long after, Horace is pressed into service as a house slave. But this doesn't last. The Akeshians discover that Horace was a latent sorcerer, and he is catapulted from the chains of a slave to the halls of power in the queen's court. Together with Jirom, an ex-mercenary and gladiator, and Alyra, a spy in the court, he will seek a path to free himself and the empire's caste of slaves from a system where every man and woman must pay the price of blood or iron. Before the end, Horace will have paid dearly in both. From the Trade Paperback edition.
One of the hallmarks of world history is the ever-increasing ability of humans to cross cultural boundaries. Taking an encounters approach that opens up history to different perspectives and experiences, Cross-Cultural Encounters in Modern World History examines cultural contact between people from across the globe between 1453 and the present. The book examines the historical record of these contacts, distilling from those processes patterns of interaction, different peoples’ perspectives, and the ways these encounters tended to subvert the commonly accepted assumptions about differences between peoples in terms of race, ethnicity, nationhood, or empire. This new edition has been updated to employ current scholarship and address recent developments, as well as increasing the treatment of indigenous agency, including the major role played by Polynesians in the spread of Christianity in Oceania. The final chapter has been updated to reflect the refugee crisis and the evolving political situation in Europe concerning its immigrant population. Supported by engaging discussion questions and enlivened with the voices and views of those who were and remain directly engaged in the process of cross-cultural exchange, this highly accessible volume remains a valuable resource for all students of world history.
As our 88th issue was coming together, I noticed that we have a pair of jungle adventure novels—the first Bomba the Jungle Boy story, as well as Tarzan and the Lost Empire. So I’m going to bill it as a “Special Jungle Warrior Issue” and just add that it’s a fun one. #88 also includes two original mysteries (Mark Thielman, N.M. Cedeño) plus a bunch of other great modern and classic stories (Fritz Leiber! Day Keene! George O. Smith!). I would have gladly bought Anna Tambour’s story for Weird Tales when I was editing WT—don’t forget to check it out. (It falls somewhere between fantasy, crime, and Rod Serling’s the Twilight Zone. And we are super happy to welcome back Acquiring Editor Cynthia Ward, who brings us the Walter Jon Williams tale this time. We look forward to many more selections from her. Here’s the complete lineup: Mysteries / Suspense / Adventure: “License to Kill,” by Mark Thielman [Michael Bracken Presents short story] “The Case of the Burgled Bushels,” by Hal Charles. [Solve-It-Yourself Mystery] “Short-Term Murder,” by N.M. Cedeño [Michael Bracken Presents short story] “Dead Men Do Tell Tales,” by Day Keene [short story] Bomba the Jungle Boy, by Roy Rockwood [novel] Science Fiction & Fantasy: “Lethe,” by Walter Jon Williams [Cynthia Ward Presents short story] “I Killed for a Lucky Strike,” by Anna Tambour [short story] “Atomic Bonanza,” by George O. Smith “Martians Keep Out!” by Fritz Leiber [short novel] Tarzan and the Lost Empire, by Edgar Rice Burroughs [novel]
In this comprehensive history of American Indian education in the United States from colonial times to the present, historians and educators Jon Reyhner and Jeanne Eder explore the broad spectrum of Native experiences in missionary, government, and tribal boarding and day schools. This up-to-date survey is the first one-volume source for those interested in educational reform policies and missionary and government efforts to Christianize and “civilize” American Indian children. Drawing on firsthand accounts from teachers and students, American Indian Education considers and analyzes shifting educational policies and philosophies, paying special attention to the passage of the Native American Languages Act and current efforts to revitalize Native American cultures.
Presents the life of the Venezuela-born baseball player, describing his first meetings with scouts at age fifteen and his accomplishments in the major leagues.
The author of Falklands Hero follows the Third Parachute Battalion through a ferocious battle to secure a key strategic position during the Falklands War. This, the first in a series on Special Operations, tells the story of Three Para and the often-neglected struggle for Mount Longdon. It was a battle that tested the discipline, comradeship, and professionalism of the Paras to the limit; it was a battle that witnessed another posthumous Victoria Cross; it turned out to be the bloodiest battle of the entire Falklands Campaign. “Like many a fascist state before them the Argentine Junta thought they could steal territory that belonged to someone else who they considered weak. It came as a shock when Britain rapidly assembled a Task Force and sent it 8,000 miles to eject the Argentine bandits. . . . It was a victory of British military skill and courage in spite of the neglect by politicians. . . . The author has told the story with skill and insight.” —Firetrench.com
Labor Avoidance is about work, something everyone hates, and something everyone longs to escape. At the same time, human nature is to sustain life that is physical, and thus constant labor is a necessity. This is what humanity, from Eden to our own post-industrial society, has always tried to reduce or avoid by making somebody else do it. Historically, this nature and origin of labor-avoidance is responsible for war, colonialism, slavery, and now, contract employment in market society. This book explores American capitalism and how labor (and the desire to escape it) has become responsible for so much human struggle and misery throughout history.
Clash describes the powerful political, technological, economic, and social forces that shape the relationship between presidents and the press and how that relationship shapes public opinion. Jon Marshall argues that the press now faces new threats and must grow stronger: American democracy depends on it.
Before Europeans arrived in North America, Indigenous peoples spoke more than three hundred languages and followed almost as many distinct belief systems and lifeways. But in childrearing, the different Indian societies had certain practices in common—including training for survival and teaching tribal traditions. The history of American Indian education from colonial times to the present is a story of how Euro-Americans disrupted and suppressed these common cultural practices, and how Indians actively pursued and preserved them. American Indian Education recounts that history from the earliest missionary and government attempts to Christianize and “civilize” Indian children to the most recent efforts to revitalize Native cultures and return control of schools to Indigenous peoples. Extensive firsthand testimony from teachers and students offers unique insight into the varying experiences of Indian education. Historians and educators Jon Reyhner and Jeanne Eder begin by discussing Indian childrearing practices and the work of colonial missionaries in New France (Canada), New England, Mexico, and California, then conduct readers through the full array of government programs aimed at educating Indian children. From the passage of the Civilization Act of 1819 to the formation of the Bureau of Indian Affairs in 1824 and the establishment of Indian reservations and vocation-oriented boarding schools, the authors frame Native education through federal policy eras: treaties, removal, assimilation, reorganization, termination, and self-determination. Thoroughly updated for this second edition, American Indian Education is the most comprehensive single-volume account, useful for students, educators, historians, activists, and public servants interested in the history and efficacy of educational reforms past and present.
The first transnational history of cinema’s role in decolonization. Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 1946–1959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe. Examining more than one hundred British, French, and American films from the post–World War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous “liberal colonialist” productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged “internal decolonization” for people of color in Britain, France, and the United States. Combining new archival research on the films’ production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and “internal colonialism” that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinema’s role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.
Cross-Cultural Encounters in Modern World History explores cultural contact as an agent of change. It takes an encounters approach to world history since 1500, rather than a political one, to reveal different perspectives and experiences as well as key patterns and transformations. It studies the spaces between cultures historically to help us transcend human differences today in a rapidly globalizing world. The text focuses on first encounters that suggest long-term developments and particularly significant encounters that have changed the direction of world history. Because of the complexities of these encounters, the author takes a user-friendly approach to keep the text accessible to students with varying backgrounds in history.
Twenty true stories of covert military operations, from raids into Laos by elite unit MAC-V-SOG to cut the Ho Chi Minh trail during the Vietnam War to the US Navy SEAL 6 operation Neptune's Spear in Abbottabad which resulted in the death of Osama bin Laden. Lewis shines a light on the 'shadow war' units that conduct clandestine operations and tells in full and fascinating detail the most daring missions of the last fifty years, from the the Sayeret Mat'Kal/Mossad 'Wrath of God' mission to assassinate those behind the Munich Olympic massacre of Olympic athletes to the Delta Force mission in Somalia using Black Hawk helicopters which went so tragically wrong.
The fourth industrial revolution is developing globally, with no geographical centre. It is also taking place at enormous speed. This development will shape the workplaces of the future, which will be entirely different from the workplaces created by the first, second and third industrial revolutions. Industry created the industrial worker. The knowledge society will create a new type of "industrial worker", the knowledge worker. While the third industrial revolution was concerned with the digitalization of work, in the fourth industrial revolution, robots will bring about the informatization of work. Many of these robots will be systematically connected, such that they can obtain updated information and learn from their own and others’ mistakes. The way we work, where we work, what we work on, and our relationships with our colleagues and employers are all in a state of change. The workplace of the future will not necessarily be a fixed geographical location, but may be geographically distributed and functionally divided. In his book, Jon-Arild Johannessen argues that a "perfect" social storm occurs when inequality grows at a catastrophic rate, unemployment increases, job security is threatened for a growing number and robotization takes over even the most underpaid jobs. Thus, the ingredients for a perfect social storm will be brought forward by cascades of innovations that will most likely lead to economic and social crises and he argues that it is reasonable to assume that it will only take a small spark for this social storm to develop into a social revolution.
Hours after the USSR collapsed in 1991, Congress began making plans to establish the official memory of the Cold War. Conservatives dominated the proceedings, spending millions to portray the conflict as a triumph of good over evil and a defeat of totalitarianism equal in significance to World War II. In this provocative book, historian Jon Wiener visits Cold War monuments, museums, and memorials across the United States to find out how the era is being remembered. The author’s journey provides a history of the Cold War, one that turns many conventional notions on their heads. In an engaging travelogue that takes readers to sites such as the life-size recreation of Berlin’s "Checkpoint Charlie" at the Reagan Library, the fallout shelter display at the Smithsonian, and exhibits about "Sgt. Elvis," America’s most famous Cold War veteran, Wiener discovers that the Cold War isn’t being remembered. It’s being forgotten. Despite an immense effort, the conservatives’ monuments weren’t built, their historic sites have few visitors, and many of their museums have now shifted focus to other topics. Proponents of the notion of a heroic "Cold War victory" failed; the public didn’t buy the official story. Lively, readable, and well-informed, this book expands current discussions about memory and history, and raises intriguing questions about popular skepticism toward official ideology.
From early first-wave programs such as Candid Camera, An American Family, and The Real World to the shows on our television screens and portable devices today, reality television consistently takes us to cities—such as New York, Los Angeles, and Boston—to imagine the place of urbanity in American culture and society. Jon Kraszewski offers the first extended account of this phenomenon, as he makes the politics of urban space the center of his history and theory of reality television. Kraszewski situates reality television in a larger economic transformation that started in the 1980s when America went from an industrial economy, when cities were home to all classes, to its post-industrial economy as cities became key points in a web of global financing, expelling all economic classes except the elite and the poor. Reality television in the industrial era reworked social relationships based on class, race, and gender for liberatory purposes, which resulted in an egalitarian ethos in the genre. However, reality television of the post-industrial era attempts to convince viewers that cities still serve their interests, even though most viewers find city life today economically untenable. Each chapter uses a key theoretical concept from spatial theory—such as power geometries, diasporic nostalgia, orientalism, the imagination of social expulsions, and the relationship between the country and the city—to illuminate the way reality television engages this larger transformation of urban space in America.
In Death, Burial and Rebirth in the Religions of Antiquity, Jon Davies charts the significance of death to the emerging religious cults in the pre-Christian and early Christian world. He analyses the varied burial rituals and examines the different notions of the afterlife. Among the areas covered are: * Osiris and Isis: the life theology of Ancient Egypt * burying the Jewish dead * Roman religion and Roman funerals * Early Christian burial * the nature of martyrdom. Jon Davies also draws on the sociological theory of Max Weber to present a comprehensive introduction to and overview of death, burial and the afterlife in the first Christian centuries which offers insights into the relationship between social change and attitudes to death and dying.
This book, first published in 2000, is a full-length study of the representation of deceit and lies in classical Athens. Dr Hesk traces the ways in which Athenian drama, democratic oratory and elite prose-writing construct and theorize a relationship between dishonesty and civic identity. He focuses on the ideology of military trickery, notions of the 'noble lie' and the developing associations of rhetorical language with deceptive communication. Deception and Democracy in Classical Athens combines close analysis of Athenian texts with lively critiques of modern theorists and classical scholars. Athenian democratic culture was crucially informed by a nuanced, anxious and dynamic discourse on the problems and opportunities which deception presented for its citizenry. Mobilizing comparisons with twentieth-century democracies, the author argues that Athenian literature made deception a fundamental concern for democratic citizenship. This ancient discourse on lying highlights the dangers of modern resignation and postmodern complacency concerning the politics and morality of deception.
An illustrated guide to Dungeons & Dragons’ beloved fifth edition told through interviews, artwork, and visual ephemera from the designers, storytellers, and artists who bring it to life. When the reimagined fifth edition of Dungeons & Dragons debuted in the summer of 2014, the game was on the brink of obsolescence. But within a few short years, D&D found greater success than it had ever enjoyed before, even surpassing its 1980s golden age. How did an analog game nearly a half century old become a star in a digital world? For the first time, Lore & Legends reveals the incredible ongoing story of Dungeons & Dragons fifth edition from the perspective of the designers, artists, and players who bring it to life. This comprehensive visual guide illuminates contemporary D&D—its development, evolution, cultural relevance, and popularity—through exclusive interviews and more than 900 pieces of artwork, photography, and advertising curated and analyzed by the authors of the bestselling and Hugo Award–nominated Dungeons & Dragons Art & Arcana.
Anthropological Theory: An Introductory History presents a selection of critical essays in anthropology from 1860 to the present day. Classic authors such as Marx, Durkheim, Boas, Malinowski and Douglas are joined by contemporary thinkers including Das, Ortner, Boellstorff and Simpson. McGee and Warms’ detailed introductions examine critical developments in theory, introduce key people, and discuss historical and personal influences on theorists. In extensive footnotes, the editors provide commentary that puts the writing in historical and cultural context, defines unusual terms, translates non-English phrases, identifies references to other scholars and their works, and offers paraphrases and summaries of complex passages. The notes identify and provide background information on concepts important in the development of anthropology. New to the Eighth Edition: “Anthropology, Decolonization and Whiteness” puts the anthropology of resistance in historical context, explores the history of the anthropology of decolonization and whiteness, and presents some recent controversies in anthropology “Phenomenological Anthropology and The Anthropology of the Good” broadens the focus of the previous anthropology of the good section to provide a more diverse overview of philosophical anthropology. Revised introductions to every section in the book offer suggested readings for important works in each area beyond what’s offered in the text New readings include works by Sherry Ortner, Michel-Rolf Trouillot, Jason Throop, Audra Simpson, and Orisanmi Burton
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