Some describe Tom’s obsession with music as “unhealthy.” Growing up in the 1970s and early ’80s middle England, developing his love for music and building a record collection to rival that of people twice his age, Tom becomes fascinated by the musical cultures of the day. In 1989 he turns eighteen and becomes part of his own culture, the Rave scene, selling all his beloved record collection along the way to fund his new lifestyle. After a while, he decides it is time to regain his lost collection. He makes a list, and at the top is a small list of rarities he regrets selling the most. As he follows the trails of the records he sold, each one reveals alarming information involving a close friend and a group of people he thought he had left behind. But to what extent is Tom involved?
In the follow up to My Name is Tom: Gary – Tom’s best friend; being convinced that he’s in danger, moves to Australia in order to escape his paranoia. Meanwhile, Tom has become friends with his childhood bully, Big Chris. They decide travel to visit Gary together. But it doesn’t take Chris long to drift back into the habit of bullying Tom. Until one night, where the rift between them boils over, after which, they both end up taking different paths. Until a few months later, when Chris starts to show up in Tom’s new life randomly, displaying increasingly bizarre behavior.
After several decades of failing to even define what it meant, the at times excruciatingly English Tom identified three things about his life that needed to change in order for him to achieve a state of satisfaction, and then maybe even one day, happiness. One - to earn a living on his own terms. Two - to live in comfortable surroundings. And three, the one he doubted the most - to find the perfect woman for him. But find her he did... Her name is Teyah, and she's from Africa. What followed was a journey of discovery and self-realisation that he never imagined he would find himself on. So, with point three achieved, he now had a purpose and reason to achieve points one and two of what he named his 'Three Point Quest'. This is the story of that quest...
Forget the players - in football, it's the managers who really count, as their strategies guide clubs up and down the ladder. In this book, relive the triumphs, quirks, disappointments and redemptions of these unforgettable football characters.
Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered "subversive.
Dr. Virgil Morrison is a simple man, living a simple life and quite content to do so. Unfortunately, as a psychologist, problems abound when he must deal with patients such as Mrs. Garrett, an elderly kleptomaniac; forge through Family Therapy with the unruly and obnoxious Hennmen family; and solve the mystery of the enigmatic suicidal, depressive Richard Lopez. If that weren't enough, his mother and sister have convinced him that he's not as happy as he thinks he is, so they set him up with blind date after disastrous blind date. There is also his secretary, his summer temp, his beautiful associate, the waitress at the coffee shop, the Psychological Association, his obsession with a past failed relationship, and the advice-dispensing, cigar-smoking ghostly figure of his long dead father that he has to sort through. Then, he meets and falls in love with Corrine. A woman that helps to simplify all the complications of life, love, and everyday interactions. But could the solution to one of the problems lead to the loss of the only true happiness the doctor has ever known? Dr. Virgil Morrison finds out that life, love, and everyday interactions are not so simple.
The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.
Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.
Anthropological Theory: An Introductory History presents a selection of critical essays in anthropology from 1860 to the present day. Classic authors such as Marx, Durkheim, Boas, Malinowski and Douglas are joined by contemporary thinkers including Das, Ortner, Boellstorff and Simpson. McGee and Warms’ detailed introductions examine critical developments in theory, introduce key people, and discuss historical and personal influences on theorists. In extensive footnotes, the editors provide commentary that puts the writing in historical and cultural context, defines unusual terms, translates non-English phrases, identifies references to other scholars and their works, and offers paraphrases and summaries of complex passages. The notes identify and provide background information on concepts important in the development of anthropology. New to the Eighth Edition: “Anthropology, Decolonization and Whiteness” puts the anthropology of resistance in historical context, explores the history of the anthropology of decolonization and whiteness, and presents some recent controversies in anthropology “Phenomenological Anthropology and The Anthropology of the Good” broadens the focus of the previous anthropology of the good section to provide a more diverse overview of philosophical anthropology. Revised introductions to every section in the book offer suggested readings for important works in each area beyond what’s offered in the text New readings include works by Sherry Ortner, Michel-Rolf Trouillot, Jason Throop, Audra Simpson, and Orisanmi Burton
This book is a guide to research methods for practitioner research. Written in friendly and accessible language, it includes numerous practical examples based on the authors′ own experiences in the field, to support readers. The authors provide information and guidance on developing research skills such as gathering and analysing information and data, reporting findings and research design. They offer critical perspectives to help users reflect on research approaches and to scrutinise key issues in devising research questions. This book is for undergraduate and postgraduate students, teachers and practitioners in practitioner research development and leadership programmes. The team of authors are all within the School of Education at the University of Glasgow and have significant experience of working with practitioner researchers in education.
Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press. This Reader's Guide: - Explains the unique development of Songs as an illuminated book - Considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century - Explores modern critical approaches and recent debates - Discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art' Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work.
In a wide-ranging and compelling account of the life of metrical and free verse in the twentieth century, poet and critic Jon Silkin deepens our understanding of the way poetry works on us. He begins from the premiss that two modes of verse, free and metrical, engage the creative energies of poetry now, creating a rich, fertile environment capable of yielding work valuable to poetry itself and to the society which has given it life. With a practitioner's empathy Silkin reads the poetry of Whitman, Hopkins, Eliot, Pound, Lawrence, Dylan Thomas, Bunting and eight British poets from the post-second World War period to illustrate how free and metrical verse create, separately or together, a poetic harmony. Additionally, he includes crucial statements on modern poetry from poets themselves, concluding with a fine memoir of Basil Bunting by Connie Pickard, published in book-form for the first time.
This is the story of the Battle of Calais, a short but bloody struggle to delay the German advance in May 1940. It is a story of uncertainty, of taut nerves, of heat, dust, raging thirst and hand-to-hand fighting in the narrow streets of the channel port now known to millions of Britons as a gateway to the Continent. The guide will take the visitor beyond the ferry terminal and hypermarkets to reveal the hidden Calais and the actions of individuals and units.
Ever noticed a digital watch in a historical film? Or seen a camera crew in a mirror? There's nothing we like more than finding a continuity error, a historical inaccuracy or a technical blunder. This third edition of the bestselling Movie Mistakes brings you over a thousand slip-ups to look out for.
This entertaining and useful book provides a comprehensive survey of films about the ancient world, from The Last Days of Pompeii to Gladiator. Jon Solomon catalogues, describes, and evaluates films set in ancient Greece and Rome, films about Greek and Roman history and mythology, films of the Old and New Testaments, films set in ancient Egypt, Babylon, and Persia, films of ancient tragedies, comic films set in the ancient world, and more. The book has been updated to include feature films and made-for-television movies produced in the past two decades. More than two hundred photographs illustrate both the films themselves and the ancient sources from which their imagery derives.
A remarkable series of over 200 eye-witness accounts taken from diaries, letters, speeches, interviews and memoirs of those who were there: pilots, sailors, generals, infantrymen, war correspondents and leaders. These include Spitfire pilot Richard Hillary's account of bailing out of his plane in the Battle of Britain; a German sailor's view of HMS Royal Oak being torpedoed at Scapa Flow; insights into Rommel's ailing health from a lieutenant in the Afrika Korps; famous war correspondent Ernie Pyle's account of GI meals during Operation Torch; Anne Frank's recollection of the rounding up of Jews in Amsterdam; the last letters home from anonymous German soldiers in Stalingrad; the view from a Japanese cockpit over Pearl Harbor on 7 December 1941; a German officer's memories of the airborne assault on Crete in May 1941; the firestorm following the bombing of Dresden in July 1943 in the words of a German woman; a lieutenant in the 1st Airborne Divsion's eyewitness account of the fighting in Arnhem; Martha Gellhorn on the aftermath of the Battle of the Bulge; a British tank officer crossing the German border on 28 February 1945; on the Kokoda Trail in New Guinea; an Allied intelligence officer being executed by the Japanese; the tunnels of Iwo Jima; and a kamikaze pilot's final letter.
The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.