Contains twelve original lesson plans that pair basic subjects such as science, math, and language with art, including selections for three grade ranges from kindergarten through high school, each with a description, lists of materials and objectives, and suggested resources.
This book provides a new account of the emergence of the philosophy of personal identity in the early modern period. Reflection on personal identity is often thought to have begun in earnest with John Locke’s famous consciousness-based account, published in the 2nd Edition of the Essay in 1694. The present work argues that we ought to understand modern notions of personal identity, including Locke’s own, as emerging from within debates about the metaphysics of resurrection across the seventeenth century. It recovers and analyses theories of personal identity and resurrection in Locke and Leibniz, as well as largely-forgotten theories from the Cambridge Platonists, Thomas Jackson, and Francisco Suárez. The book narrates a time of radical change in conceptions of personal identity: the period begins with a near-consensus on hylomorphism, according to which the body is an essential metaphysical part of the person. The re-emergence of platonism in the period then undermines the centrality of the body for personal identity, and this lays the groundwork for a more thoroughly ‘psychological’ account of personal identity in Locke. This work represents the first scholarly study to thoroughly situate early modern conceptions of personal identity, embodiment, and the afterlife within the context of late scholasticism. Finally, due to its focus on the arguments of the authors in question, the work will be of interest to philosophers of religion as well as historians of philosophy.
This absurdly clever and funny graphic novel, told entirely in palindromes, is created by World Palindrome Champion Jon Agee, author of Go Hang a Salami! I'm a Lasagna Hog! Otto is having a very palindramatic day. His pet, Pip, has gone missing, and his search for the dog leads him deeper and deeper into a strange and perplexing world--full of talking owls, stacks of cats, storms and mazes, boats and trains and automobiles . . . oh my! Everything seems to be the same backward and forward, and Pip isn't sure he'll ever find his way home to Mom and Pop. But you, reader, will enjoy his Oz-like journey thoroughly.
To attract investment and tourists and to enhance the quality of life of their citizens, municipal authorities are paying considerable attention to the quality of the public domain of their cities – including their urban squares. Politicians find them good places for rallies. Children consider squares to be playgrounds, the elderly as places to catch-up with each other, and for many others squares are simply a place to pause for a moment. Urban Squares as Places, Links and Displays: Successes and Failures discusses how people experience squares and the nature of the people who use them. It presents a ‘typology of squares’ based on the dimensions of ownership, the square’s instrumental functions, and a series of their basic physical attributes including size, degree of enclosure, configuration and organization of the space within them and finally based on their aesthetic attributes – their meanings. Twenty case studies illustrate what works and what does not work in different cities around the world. It discusses the qualities of lively squares and quieter, more restorative places as well as what contributes to making urban squares less desirable as destinations for the general public. The book closes with the policy implications, stressing the importance and difficulties of designing good public places. Urban Squares offers how-to guidance along with a strong theoretical framework making it ideal for architects, city planners and landscape architects working on the design and upgrade of squares.
It’s a cold day in hell… Skye Fargo gets an early Christmas present when he’s hired to ride shotgun alongside his old friend, the aptly-named Grizzly Olaffson. But the holiday haul across the snow heats up quick, with stick-up men on the trail, lustful lowlifes off the trail, and the crazy Grizzly causing more trouble than Fargo can bear. All that’s left is for the Trailsman to decide who’s naughty, who’s nice…and who’s dead.
Criminal profiling, cyberforensics, accident reconstruction. Forensic Science: An Introduction to Scientific and Investigative Techniques is the first introductory text to present forensic science in its broadest sense, encompassing classic criminalistics and beyond. Packed with over 350 full-color illustrations, the book offers a cutting-ed
Information is a central topic in computer science, cognitive science and philosophy. Drawing on ideas from these subjects, this book addresses the definition and place of information in society.
The first edition of Cognitive Behavior Therapy of DSM-IV Personality Disorders broke new ground. It differed from other CBT books by offering brief but thorough user-friendly resources for clinicians and students in planning and implementing effective treatments. The third edition of this classic text continues this tradition by providing practitioners—both practicing clinicians and those in training—a hands-on manual of highly effective, evidence-based cognitive and behavioral interventions for these challenging disorders. The beginning chapters briefly describe the changes between the DSM-IV-TR and DSM-5 and emphasize the best of the recent evidence-based CBT assessment and treatment strategies applicable to personality disorders. The book then guides clinicians in each step of the treatment process--from assessment to case conceptualization to selection and implementation of intervention. Case material is used to illustrate this process with the most recent developments from Behavior Therapy, Cognitive Therapy, Schema Therapy, Cognitive Behavioral Analysis System of Psychotherapy, Mindfulness-based therapies, and Dialectic Behavior Therapy.
Age of Anxiety: Meaning, Identity, and Politics in 21st Century Film and Literature analyzes literature and films that speak to our age of anxiety resulting from the decline of narratives that provided individuals with a meaningful human life. The authors argue that the twentieth-century sought to free individuals from the constraints of authoritative cultural traditions and institutions, liberating the autonomous self. Yet this has given rise to anxiety rather than liberation. Instead of deriving one’s sense of purpose from one’s role and place within a community, the consumer has been deceived into thinking that their identity can be purchased through the meaning represented by the conspicuous consumption of a brand. The same phenomenon manifests itself in politics within recent populist revolts against globalist politics. In addition, the rapid pace of technological development is driving an unprecedented faith in the malleability of human beings, raises doubts as to what it means to be a person. Utilizing paradigms from the fields of Communication/Rhetoric and Political Philosophy the book shows how the self has been displaced from its natural habitat of the local community. The book traces the origins of modern anxiety as well as possible remedies. Considered in the book are such popular culture artifacts as Downton Abbey, WALL-E, Hacksaw Ridge, Westworld, and Lord of the Rings and zombie films.
In this novel re-examination of the archetype construct, philosopher Jon Mills and psychiatrist Erik Goodwyn engage in spirited dialogue on the origins, nature, and scope of what archetypes actually constitute, their relation to the greater questions of psyche and worldhood, and their relevance for Jungian studies and analytical psychology today. Arguably the most definitive feature of Jung’s metapsychology is his theory of archetypes. It is the fulcrum on which his analytical depth psychology rests. With recent trends in post-Jungian and neo-Jungian perspectives that have embraced developmental, relational, social justice, and postmodern paradigms, classical archetype theory has largely become a drowning genre. Despite the archetypal school of James Hillman and his contemporaries, and the archetype debates that captured our attention over two decades ago, contemporary Jungians are preoccupied with the lived reality of the existential subject and the personal unconscious over the collective transpersonal forces derived from archaic ontology. Archetypal Ontology will be of interest to psychoanalysts, philosophers, transpersonal psychologists, cultural theorists, anthropologists, religious scholars, and scholars in many disciplines in the arts and humanities, analytical psychology, and post-Jungian studies.
Two searing, incisive plays from Jon Robin Baitz, Tony Award nominee and two-time Pulitzer Prize finalist. Allie Murchow, a retired Hollywood makeup artist, is stuck inside her apartment, stuck in her daydreams of bygone celebrity and glamour, and stuck on hold with her pharmacist. She tries to make sense of the Los Angeles outside her windows, the LA of 2020, but she can’t hear herself think over the echo of sirens and her chatty brother’s interjections. I’ll Be Seein’ Ya, written by Jon Robin Baitz, the author of Other Desert Cities and Vicuña, is an unflinchingly funny new play that takes on our anxieties and delusions and reveals new truths about our strange reality. In The Insolvencies, two men—one younger, one older, one a professor, one a former student—recall their relationship and the time they felt “the piercing sting of simply being seen.” A study of sex and pleasure, of justice and shame, this short, stirring play completes the affecting pair of new works from Baitz, “the American theatre’s most fascinating playwright of conscience” (Michael Kuchwara, Associated Press).
This book demonstrates how fashion brands communicate, why the practice is significant within wider society and how it can be perceived as culturally meaningful. Enabling readers to connect the tools and techniques of communication with their theoretical underpinnings and historical antecedents, the book shows how these methods can be applied in practice. The authors utilise social, consumer and cultural theory, and frameworks rooted in psychology, sociology and economics, as mechanisms to analyse and deconstruct current communication strategies used by fashion brands. The book presents insights and strategies for communicating authentic values, conveying a clearly defined aesthetic and visual language and generating shareable content that resonates with audiences. With insights into strategies used by brands including Burberry, Gucci, Dior, COS, Rapha, Warby Parker and Maryam Nassir Zadeh, each chapter outlines ways of maintaining relevant and consistent brand narratives in the 21st century. From how to sustain a dialogue with a brand’s community, to the use of brand collaboration, co-creative storytelling and fashion spaces, the book aims to develop reflective communication practitioners who have a deep understanding of the cultural landscape, brand strategy and industry innovation. Written for scholars and practitioners, this book is a valuable blend of theory and practice across the fields of fashion, communication and branding.
This work recommends initiatives for improving customer service and managing change, describing methodologies geared toward building relationships through customer-perceived value instruments, monitoring customer relationship indices, and changing the corporate culture and the way people work. Anton is director of benchmark research at Purdue University's Center for Customer-Driven Quality. Petouhoff works in the private sector. Annotation copyrighted by Book News, Inc., Portland, OR.
The story of a mother and daughter in an idyllic Cape Cod town... On a freezing January night, LaRee Farnham answers a knock at her door to find a policewoman holding three-year-old Vita Gray, whose mother has just been murdered a few miles away. LaRee raises Vita with fierce love and attention, at the same time trying to shield her from the aftermath of the murder, which has deeply divided the histoiric village of Oyster Creek. Born out of wedlock, Vita is the product of the town's two very different cultures: the hard-working fishing families of Portuguese descent and the "washashores" from the mainland, who've drifted to the coast for its beauty. At sixteen, Vita is shy and isolated, estranged from her father, and bullied at school, but she is determined to come out of herself, step-by-step. When the shocking details of her past surface suddenly, Vita feels utterly betrayed by those closest to her, and the fraught tension between Oyster Creek's two cultures comes to a head. LaRee must ask hard questions about herself as a mother, while Vita turns to unexpected avenues to find meaning and discovers that the truth is almost never found in black-and-white...
Jon and Janet’s European adventure is shattered by world events—not the trip itself, but the telling of it. In a harsh post-9/11 world, the once glib travel writer finds he must take the long road to truth telling, and to rediscovering a woman he thought he knew.
Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, A-K
“A great reference tool for anyone who wants to explore the history of music.” - Philip Glass Jon Paxman's Classical Music 1600–2000: A Chronology interprets four centuries of Western classical music, considering its evolution from two different perspectives. Monumental in scope but lucid in style, this book will prove invaluable to anyone – student or enthusiast – who wants to comprehend the overwhelmingly rich and sometimes complex evolution of Western classical music. Classical Music 1600–2000: A Chronology features contributions by Terry Barfoot, Katy Hamilton, Thomas Lydon and Robert Rawson.
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