The King of Novelty is Jon Goodmans revisionist epic for posterity of his father, legendary novelty record producer and music sampling pioneer Dickie Goodman, a man contending with internal conflict and familial obligations while entertaining the world; foreword by Dr. Demento, and epigraph from "Weird Al" Yankovic. Chuck Miller, Goldmine. Visit The Official Dickie Goodman Web Site: www.dickiegoodman.com/ At www.dickiegoodman.com you can also get signed by his original record label to publish your own music or almost any other type of audio recording as well as music video all over the world! Special Bulletin: Pick your favorite online music download store and do a search under the Artist category for Dickie Goodman; he is there on all of them; here is one popular site listed: www.itunes.com/dickiegoodman Its a great way to get any one of your favorite Dickie Goodman recordings, or all of them! Plus Ringtones and an App! Amazon.com is a great place to get all the digital release albums on CD with the CD on demand feature! You can email the Dickie Goodman fan club at: dickiegoodman@comcast.net NOW! Larson Lane Entertainment has announced the option for movie rights to The King of Novelty Dickie Goodman! THE GUINNESS BOOK OF WORLD RECORDS certified Dickie Goodman for the most charted novelty/comedy records! (17) And they used this book in their research! Varese Sarabande released a CD dedicated to Dickie Goodman. And it has liner notes by Jon Goodman! The title is 25 All Time Novelty Hits and you can get it in stores or go right to the Varese Sarabande web site. For the fist time ever, a Dickie Goodman record is on a GRAMMY winning CD! RHINOs, BRAIN IN A BOX-The Science Fiction Collection was nominated for a GRAMMY at the 44th annual GRAMMY Awards; and it won. This fabulous CD box set contains Dickie Goodmans original hit record from 1956, THE FLYING SAUCER (parts 1 and 2).The reasons for this achievement being so significant cannot be emphasized enough... in 1956 there was no NARAS, hence no GRAMMY for Dickie Goodman. Nearly twenty years later (1975) when Dickie Goodmans MR. JAWS went gold, there was no qualifying category, hence once again no GRAMMY for Dickie Goodman. Yet now, decades later, this international icon of American creativity took a ride on a RHINOs back and for the first time ever got his foot in the back door of the prestigious GRAMMY Awards. The folks at NARAS have also awarded Dickie Goodman with a posthumous GRAMMY Award certification! Profound, is the only word to describe THE KING OF NOVELTY, because the manuscript is symbolic of the life it represents. Not just a biography, but a metaphor. The King of Novelty is about a famous record producer whose esoteric comedy created more than a genre; Dickie Goodman created an entire subculture. Dickie Goodman, THE KING OF NOVELTY, invented the break-in record; a comedy recording that used samples of previously published hit songs to satirize and make parody of current events. In other words Dickie Goodman began what is now known as mixing and sampling by summarizing an era in two hysterical minutes. Today, sampling is the music industrys largest source of reinvention, and Dickie Goodmans novelty/comedy records started it all. THE KING OF NOVELTY describes the impact these eclectic records had on shaping American pop culture. Dickie Goodman is listed by Billboard as the #1 novelty/comedy recording artist of all time. Over four decades he sold millions of copies of a multitude of charted hits worldwide. To this day Dickie Goodman sells over 100,000 tracks a year in the US alone! THE KING OF NOVELTY is the biography of Dickie Goodman.
Based on a landmark study of over 200 of American's largest companies, this book examines how the intellectual assets of a corporation can be leveraged to create a knowledge organization.
In a volume that combines arresting photography and perceptive analysis, Camelot insiders and media experts tell the whole story of the "love affair" between the Kennedys and the camera--a far more complex and sophisticated relationship than one might suppose.
The King of Novelty is Jon Goodmans revisionist epic for posterity of his father, legendary novelty record producer and music sampling pioneer Dickie Goodman, a man contending with internal conflict and familial obligations while entertaining the world; foreword by Dr. Demento, and epigraph from "Weird Al" Yankovic. Chuck Miller, Goldmine. Visit The Official Dickie Goodman Web Site: www.dickiegoodman.com/ At www.dickiegoodman.com you can also get signed by his original record label to publish your own music or almost any other type of audio recording as well as music video all over the world! Special Bulletin: Pick your favorite online music download store and do a search under the Artist category for Dickie Goodman; he is there on all of them; here is one popular site listed: www.itunes.com/dickiegoodman Its a great way to get any one of your favorite Dickie Goodman recordings, or all of them! Plus Ringtones and an App! Amazon.com is a great place to get all the digital release albums on CD with the CD on demand feature! You can email the Dickie Goodman fan club at: dickiegoodman@comcast.net NOW! Larson Lane Entertainment has announced the option for movie rights to The King of Novelty Dickie Goodman! THE GUINNESS BOOK OF WORLD RECORDS certified Dickie Goodman for the most charted novelty/comedy records! (17) And they used this book in their research! Varese Sarabande released a CD dedicated to Dickie Goodman. And it has liner notes by Jon Goodman! The title is 25 All Time Novelty Hits and you can get it in stores or go right to the Varese Sarabande web site. For the fist time ever, a Dickie Goodman record is on a GRAMMY winning CD! RHINOs, BRAIN IN A BOX-The Science Fiction Collection was nominated for a GRAMMY at the 44th annual GRAMMY Awards; and it won. This fabulous CD box set contains Dickie Goodmans original hit record from 1956, THE FLYING SAUCER (parts 1 and 2).The reasons for this achievement being so significant cannot be emphasized enough... in 1956 there was no NARAS, hence no GRAMMY for Dickie Goodman. Nearly twenty years later (1975) when Dickie Goodmans MR. JAWS went gold, there was no qualifying category, hence once again no GRAMMY for Dickie Goodman. Yet now, decades later, this international icon of American creativity took a ride on a RHINOs back and for the first time ever got his foot in the back door of the prestigious GRAMMY Awards. The folks at NARAS have also awarded Dickie Goodman with a posthumous GRAMMY Award certification! Profound, is the only word to describe THE KING OF NOVELTY, because the manuscript is symbolic of the life it represents. Not just a biography, but a metaphor. The King of Novelty is about a famous record producer whose esoteric comedy created more than a genre; Dickie Goodman created an entire subculture. Dickie Goodman, THE KING OF NOVELTY, invented the break-in record; a comedy recording that used samples of previously published hit songs to satirize and make parody of current events. In other words Dickie Goodman began what is now known as mixing and sampling by summarizing an era in two hysterical minutes. Today, sampling is the music industrys largest source of reinvention, and Dickie Goodmans novelty/comedy records started it all. THE KING OF NOVELTY describes the impact these eclectic records had on shaping American pop culture. Dickie Goodman is listed by Billboard as the #1 novelty/comedy recording artist of all time. Over four decades he sold millions of copies of a multitude of charted hits worldwide. To this day Dickie Goodman sells over 100,000 tracks a year in the US alone! THE KING OF NOVELTY is the biography of Dickie Goodman.
In his debut collection, Jon Wolston turns his powers of observation to the fleeting and momentary elements of life that, like Thomas Gray's legendary flower, are "born to blush unseen," often escaping deliberate notice. The communion he models is sometimes somber, sometimes whimsical, but always stark in its accuracy.
Inaccuracies in Children’s Testimony combines the literature on obedience to authority with that on suggestibility to create a third literature. This book examines children’s testimony from several perspectives and gives you insightful suggestions for increasing children’s abilities to testify accurately about traumatic things that have happened to them. In doing so, you’ll learn how to ensure that those who abuse or sexually exploit children are brought to justice while those falsely accused are adequately protected. How children are questioned to learn what they have witnessed is crucial due to the effects the questioning sessions may have on their testimonies--improper questioning may lead to inaccurate answers. This is just one of the many areas of children’s testimony covered in Inaccuracies in Children’s Testimony. In each of the chapters you’ll discover new ways for increasing the accuracy and dependability of children’s testimony as you read about: factors that affect children’s testimonies suggestibility--definition and research, including sources of suggestibility how obedience to authority can explain children’s behavior as witnesses children’s memory in the courtroom and what they are able to remember how children’s involvement in the courts can be problematic free versus prompted recall--which is more accurate and why the “worst” method is often used with children Milgram’s theory of obedience to authority tied to children as witnesses review of the literature on the effects of stress, prompting, and imagination on children’s recall ideas for future research Experts in the field of legal testimony, legal personnel, child counselors, psychologists, social workers, and faculty and students of related courses will find Inaccuracies in Children’s Testimony an essential resource for understanding the importance of making the child victim/witness more believable and reliable.
Shows how the engineering curriculum can be a site for rendering social justice visible in engineering, for exploring complex socio-technical interplays inherent in engineering practice, and for enhancing teaching and learning Using social justice as a catalyst for curricular transformation, Engineering Justice presents an examination of how politics, culture, and other social issues are inherent in the practice of engineering. It aims to align engineering curricula with socially just outcomes, increase enrollment among underrepresented groups, and lessen lingering gender, class, and ethnicity gaps by showing how the power of engineering knowledge can be explicitly harnessed to serve the underserved and address social inequalities. This book is meant to transform the way educators think about engineering curricula through creating or transforming existing courses to attract, retain, and motivate engineering students to become professionals who enact engineering for social justice. Engineering Justice offers thought-provoking chapters on: why social justice is inherent yet often invisible in engineering education and practice; engineering design for social justice; social justice in the engineering sciences; social justice in humanities and social science courses for engineers; and transforming engineering education and practice. In addition, this book: Provides a transformative framework for engineering educators in service learning, professional communication, humanitarian engineering, community service, social entrepreneurship, and social responsibility Includes strategies that engineers on the job can use to advocate for social justice issues and explain their importance to employers, clients, and supervisors Discusses diversity in engineering educational contexts and how it affects the way students learn and develop Engineering Justice is an important book for today’s professors, administrators, and curriculum specialists who seek to produce the best engineers of today and tomorrow.
Evidence-based approaches to diagnosing and treating PTSD in an array of specific populations and settings This timely, practical guide for busy professionals: Covers strategies for those working in specialized practice settings, such as primary care facilities, prisons, and hospitals for the severely mentally ill Offers guidelines for conducting forensic evaluations Provides information on malingering assessment Explores new frontiers in PTSD assessment, including neuroimaging and genetic testing Offers practical guidance on the assessment of most recognized comorbid conditions Discusses the roles of ethnicity, race, and culture in assessing and treating PTSD Offers assessment strategies for specific populations, including veterans, children, and the severely impaired
A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community. In Ernest Lehman: The Sweet Smell of Success, author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner's extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema. Find out more at ernestlehmanbio.com
Do ghosts exist? Greg Jennings doesn’t think so. He is after all a science teacher, albeit one that is currently suspended. But when he starts working as a part-time cleaner in an old house that is home to nursery, he starts to wonder if he might be wrong. Because strange things start happening. Things he can’t explain no matter how much he tries to rationalise them. Deborah Cadbury, the manager of the nursery, has noticed odd things happening too. She persuades Greg to help her investigate the history of the house, and the family who lived there, nearly 100 years before. Together they start to uncover the chilling story of the ill-fated Pritchard family, and Mary Snell, the evil, scheming governess to the Pritchard children. And as they discover more about the house, Greg and Deborah discover more about themselves, and are forced to confront the ghosts in their own lives. But will they ever find the answers they are looking for? Can they really do anything for the phantom children who seem to want their help? It doesn’t seem possible. Until the terrifying night when the past and the present finally collide.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.